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Brockmier Review “The Dirtbag Revolution” Will Be Televised”

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There’s a something of a ‘Dirtbag Renaissance’ in cable TV these days. The idea that TV shows have to be anchored by ‘likable characters’ has almost been turned on it’s head. “Always Sunny” is a show centered on a group of characters that are less Danny Tanner and more…well, more like the actual Bob Saget.

It will also soon replace The Adventures of Ozzie and Harriet, possibly the most milquetoast show in TV history, as the longest live-action comedy in television history. Eastbound and Down. The League. Shameless. The list goes on and on. The days of TV being dominated by feel-good TGIF lineups are barely visible in our cultural rear view mirror. 

IFC’s Brockmier, which stars Hank Azaria as the eponymous baseball announcer, has the potential to be another milestone in this revolution. Even if you don’t remember his face, you’ve heard Azaria’s voice a million times during his tenure as a cast member on the Simpsons where he plays Apu, Chief Wiggum and Moe the bartender, among others. He’s had a few forays into live-action tv series, with limited success, and his most memorable film roles were scene stealing character-roles in The Birdcage and Along Came Polly.* 

Brockmier, however, feels like the perfect vehicle for his unique skill set. The character, originally created for a Funny or Die sketch, lets him flex his considerable comedy and drama muscles, managing to create a character that is, at once, pitiable, funny and weirdly inspiring. Though it’s a show that revolves around baseball, it’s not really a show about baseball. Hearing Azaria deliver lines like, “He hits the ball like he’s trying to wake it up from a little nap,” and “Thanks for joining us on free cold medicine night,” will make you smile even if the last baseball game you went to ended with your mom handing out orange slices to you and your friends.

The show revolves around the once beloved sportscaster trying to claw his way back to relevancy after an on-air breakdown causes him to lose his job in major league baseball. The impetus for the breakdown, catching his cheating wife, is a bit tired (see also: Along Came Polly (woah, callback!), Old School, Love Actually, etc. etc.), but Azaria is a superb actor and plays a broken man as well as anyone in recent memory. Also nice it that the show gives his wife (Katie Finneran) a chance to somewhat round out her character and utilizes her more than just as a plot device (see also: Crashing. No, really. Also watch Crashing. It’s dope).

After a 10-year stint calling cockfights in the Philippines, Brockmier returns to the states to take a gig as the announcer for a minor league team for a team in the fictional and very depressing Morristown, Pennsylvania. Amanda Peet is perfect as the idealistic (but bit of a mess) team owner, and eventual love interest. Together, Azaria and Peet have good chemistry and their sloppy relationship comes together and breathes in a pretty organic way. You can tell they like each other and, more importantly, like that they like the material. 

The supporting casts is where the show really shines. Tyrel Jackson Williams as Brockmire’s young producer, Molly Ephraim as the town bartender, Ron Perkins as a flustered abortion doctor, David Walton as a sleazy oil executive, Toby Huss as townsfolk ‘Johnny the Hat’ and Hemky Madera as an over-the-hill ex-major leaguer, constantly provide the biggest laughs and, often, some of the realest moments. 

Real baseball personalities also show up to deliver some surprisingly funny performances like, Joe Buck and…who am I kidding? You’ve never heard of any of these people, but trust me when I say if you did know who they were, their cameos would be a nice little surprise. 

Creator Joel Church-Cooper, who wrote five episodes in the first season, delivers a fully realized world and the episodes often take a strong point of view, though somewhat unevenly, on a variety of topics. Social media, celebrity sex tapes, the slow death of Rust Belt communities, fracking, racist mascots, hipsters…the show takes wide aim and hits much more often than it misses. The balance of comedy and dark moments is also refreshing. The moments when Brockmire comes crashing back to earth just when life seems on the upswing are touching without being melodramatic. 

Tyrell Jackson Williams and Quinn Cooke

In other words, this is not a ‘dramedy,’ which, much like brunch, is a combination of two things that a certain type of person loves but most people find tiresome and would rather keep separate. This is a comedy that just happens not to tip-toe around heavy issues. Yes, there is a short abortion story arc, which is admittedly heavy. But the line, “You snorted my abortion!” is in one of the episodes, so that should tell you something about the show’s overall tone. 

In all, IFC has made a show that is a surprisingly fantastic watch that ends on a compelling, though a bit predictable, note. Despite dwindling viewership, it has been green lit for a second season, so binge it this weekend and hope you can remember IFC is still a thing by the time the next season rolls around. 

* Other than Azaria as Claude and Philip Seymour Hoffman as the sharting, rain-making, Sandy Lyle, can you honestly remember anything else about “Along Came Polly”? That’s weird, right? I feel like I’ve seen it in enough 15 minute chunks on TBS to amount to three whole viewings and I can’t recall anything else about it. 

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Frogfathers lessons from the Normandy surf

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Frog Fathers: Lessons from the Normandy Surf” is a deeply moving documentary directed by Bob Whitney, narrated by John C McGinley, and presented by World of Warships and FORCE BLUE. It chronicles the journey of four Navy SEAL veterans revisiting the site of the D-Day landings to honor their forefathers and gain a deeper understanding of the sacrifices made during World War II.

The film’s strength lies in its raw emotional impact and historical significance. It blends personal narratives with archival footage, offering a poignant tribute to the bravery and resilience of those who fought on June 6, 1944. The veterans’ reflections and the cinematography effectively capture the solemnity and reverence of their pilgrimage.

While the documentary focuses primarily on the veterans’ experiences, it also serves as an educational tool, highlighting the strategic importance of the Normandy invasion and its pivotal role in shaping modern history. The film’s respectful approach and engaging storytelling make it a compelling watch for anyone interested in military history and the enduring legacy of the D-Day heroes.

Overall, “Frog Fathers” is a powerful and heartfelt documentary that honors the past while inspiring present and future generations to remember the sacrifices made for freedom 

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American Horror Story: Delicate

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As most of us are already aware, the 12th Season of AHS has been fraught with all kinds of differences to the previous seasons, mainly in that this is the first one to be based entirely off a novel, ‘Delicate Condition’ by Danielle Valentine. The first half of the season aired in October 2023 to mediocre reviews, while the SAG-AFTRA strike caused production and airing delays for the latter half of the season, and the episodes of Part 2 were all cut to less than an hour long apiece. And none of that is even getting into the disjointed attempt at storytelling for Season 12, so let’s dive into this! 

Meet Anna Victoria Alcott (Emma Roberts), former young ling star of Hollywood now struggling to recapture fame as an adult, who wants a baby, very very badly. Bad enough to drive herself and her husband Dex (Matt Czuchry) through multiple unsuccessful rounds of IVF (in-vitro fertilization), bad enough to keep trying no matter how crushing each failure turns out to be, bad enough to involve her purported best friend and bougie publicist Siobhan Corbyn (Kim Kardashian) in her struggles, and maybe, just maybe, bad enough to give up on a burgeoning resurgence of her career after interest in her comeback role for The Auteur begins garnering her Oscar-worthy attention. 

So, Anna and Dex are going to go through yet another round of IVF, likely one of their last attempts at it, from a different doctor, Dr. Andrew Hill (Denis O’Hare), and clinic based on Siobhan’s recommendation. And already, strange things are beginning to happen to Anna – her appointments that she set herself begin springing up incorrectly, a doom saying woman called Preacher (Julia White) shows up spouting warnings about trusting no one, dire warnings appear in unlikely places, and BTW, it seems as though long-suffering but good-nurtured Dex has a side-piece too. It doesn’t help that Dex’s new partner at his art gallery, Sonia Shawcross (Annabelle Dexter-Jones), bears a striking resemblance to his dead ex-wife Adeline, either. Those spiked emerald heels start appearing weirdly too, and it seems as though no one will listen to Anna as she grows more and more suspicious that some sort of sinister cult has designs on her as-yet-unborn baby. At the same time, Anna tries to live the life of a successful returning actress, attending parties and gallery openings while draping her rapidly-expanding middle in shimmering fabrics and actively ‘campaigning’ for that little golden statue that most actors covet. Competition is fierce, even among her co-stars of The Auteur, and while Anna wants to be supportive of her fellow entertainers, she clearly appears to be incapable of doing both at the same time – wanting the baby and the little gold award at the same time is too much to ask, apparently. 

Elsewhere, mostly in the past, various women in states of desperation formed from one situation or another are visited by sinister-looking women in prim black dresses, headgear reminiscent of – to me anyway – an odd cross betwixt birds and bunnies, my guess is an ostensive nod to fertility in general, and a general feeling of blood-bound witchery about them at critical moments of crossroad choices. 

Though the second half of the season moves a good deal faster than the first, the attempts at callbacks and reminder flashes to Part 1 hit with all the impact of a dropped bag of garbage onto their friends Talia’s (Julia Canfield) borrowed bougie kitchen floor – splat, into incomprehensible silence, from all parties, both characters and audience, concerned. Even the reminders that, in Part 1 of Delicate Dex’s mother Virginia Harding (Debra Monk) did indeed have perfectly valid memories of abuse at the hands of a black cult and Dex’s own father Dex Sr. (Reed Birney), the revelation pales and peels away in the face of Dex’s true parentage. 

Which brings us back around full circle kinda sorta, to the only real character worth a damn in this entire miserable season of strange feminism and aspirations of world domination through a kind of idiotic Rosemary’s Baby nightmare scenario, we should have known she’d steal the show when Kardashian was cast for it, Siobhan Corbyn, leader of the blood cult her high and mighty (old) self. Throughout the whole show her character has remained exactly the same, and it’s a wonder Anna can stare at her all stupefied while Siobhan does her villain speech at the end of the last episode. Siobhan never masked her ambition or greed, her mysterious protective vibe and even deep love for Anna, and can always be counted on to have secret plans of her own, already in motion, bitch. 

The idea that Anna herself was used as a surrogate for Siobhan and her incestuous eugenicist plans, plus the sweet little demon baby she just birthed, has an ironic the-world-is-tilting-the-wrong-way kind of witchy madness to it. Sure, Anna really can have it all, the baby and the golden statue, if only she joins the patriarchy-crushing cabal of blood witches with world domination plans, got it. 

I have questions, or I would have, but things are moving on and Anna is being saved by … Dex’s dead ex, Adaline the former member of the coven right okay her, she’s going to show back up and offer Anna a simple chant to Hestia her patron Goddess, and that is somehow enough to deal with Siobhan entirely – poof. And finally, after all that rigamarole, decades of planning and scheming and witchy plotting finally settled, Anna really can have it all as a White Witch of Hollywood, heaven help us, with her perfectly human baby and that damned little golden statue, clutched in an only slightly desperate grip. 

As with any season of AHS there are a great deal of statements that could be implied just under the skin of the season – the canker way of ambition, the millenia-old pain of a woman giving birth, the savagery and bloodshed that comes with bringing forth life, pushback against both the patriarchy and ultra-feminism, the absolute desperation of humans wanting to have a child, and perhaps strangest and most open to interpretation of all, what it means to be feminine. The worlds population of women who can’t or don’t or simply won’t have children, for any reason or none, are relegated to servants, expendable servants at that, for this new world order that Siobhan is proposing, and that is far too close a comfort to things like outright slavery. A dictator is a dictator, no matter how great she looks in those emerald spiked heels. 

It’s not the really beautiful grotesquerie that Ryan Murphy and his AHS gang are often known for, nor is it utterly terrible and should be burned at the stake. What Delicate should be, is put back together with missing and cut footage, an hour long per episode again come on folks, fleshed some more of Siobhan’s baby-stealing adventures in the past and given us an actual reason to like anything about the whiny Anna, at least the Part 2 we as longtime AHS fans deserve. Toss in some more spidery hijinks! Give us the actual origin of those weird feather bunny-ear headdresses! 

American Horror Story Delicate the whole season can be seen on FX! 

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Jurassic Park: Unraveling the Mystery in a World Gone Prehistoric!

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Hold onto your hats, dino fans! The highly anticipated sequel to the adrenaline-pumping Camp Cretaceous saga is here, and it’s taking us on a wild ride six years in the making. Following the harrowing events of Camp Cretaceous, our beloved “Nublar Six” are back, but they’re not out of the woods just yet. In fact, they’re about to plunge headfirst into a world where dinosaurs roam freely alongside dangerous humans, and trust us when we say, it’s a Jurassic jungle out there!

Picture this: a world where survival isn’t just about avoiding sharp-toothed predators but also navigating the treacherous waters of human greed and deceit. As our resilient heroes reunite in the aftermath of a heart-wrenching tragedy, they quickly realize that danger lurks around every corner, and trust is a luxury they can’t afford. 

But wait, there’s more! Prepare to embark on a globetrotting adventure like no other as the Nublar Six find themselves thrust into the heart of a conspiracy that threatens not only the fragile balance between dinosaurs and humanity but also their very existence. From the lush jungles of Isla Nublar to the bustling streets of bustling cities, buckle up for a rollercoaster ride of epic proportions as our intrepid group races against time to uncover the truth about one of their own and, ultimately, save both dinosaur and humankind from certain doom.

So, dear readers, if you thought you’d seen it all in Jurassic Park, think again! With heart-stopping action, pulse-pounding suspense, and jaw-dropping revelations, this latest installment promises to be a game-changer in the Jurassic universe. Get ready to roar with excitement because Jurassic Park: Unraveling the Mystery is about to take a bite out of your imagination and leave you hungry for more!

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