I remember the days of my youth when I was a growing adolescent and teenager. I remember the slow diligent process of growing facial hair, noticing more and more women, and the difference from my lovely falsetto voice into a more baritone/bass volume. I remember those days with good moments and I also loathe those days.
I hated my voice cracking, being sweaty, and the changes to my body that I learned in health classes. It is a tough time for young people to start their process of going through puberty and in the show Big Mouth, Nick Kroll and his team encapsulate some of the funny and weird issues that plague many when it happens.
The show features four friends starting puberty and along the way, deal with school drama, puberty monsters and lots of other issues. The show is starting season three pretty soon, so, is the show really worth your time and attention? We’ll review the characters, the story, and the humor of the show of season 1. Is this show up your alley or should it go back behind closed doors in shame. Let’s review season one of Big Mouth.
The show features the four main characters of Nick, Andrew, Jessi, and Jay. Each one of them are quite unique and offer different kind of a character dynamic to the show. Nick (voiced by Nick Kroll) is the short kid who has way too open parents and is a late bloomer when it comes to puberty.
Andrew (voiced by John Mulaney) experiences puberty and is having a hard time controlling his desires and needs. Jessi (voiced by Jessi Klein) is a down to earth female who is is slowly experiencing womanhood but with not many women friends, has to try and figure it out usually by herself. Jason (voiced by Jason Mantzoukas) is a kid who is all over the place with his sexuality, his love of magic and his kinks of couchs and pillows. These characters are all unique and go through puberty and deal with their hormone monsters in different ways. Andrew becomes a chronic masturbator and has the need to express himself sexually and desires sex, even though he hasn’t had it.
Nick is more innocent, a late bloomer whose hormones aren’t taking over and thus remains a blank slate on how hormones and puberty has affected everyone. Jessi really has a 180 with her hormones. She is likable, but with becoming a woman, a growing divorce of her parents and the mom finding a new lover, she becomes a very jaded emo who is just trying to maintain some sense of understanding. Jay just goes further down the rabbit hole on what he can hump and explore.
Besides humping a pillow and couch ottomans, his older brothers are just disgusting and their bad influences have definitely rubbed off on him. All the kids are very likable. You have a good laugh sometimes at their expense mostly because we can relate to them and remember, in our own childhood that we have been there before even if we try to deny it.
The story revolves around the four main characters with learning about puberty and their growing sexual desires and needs, such as finding themselves and Jessi having her time of the month. Without giving away spoilers or specific episodes, the story explores all the adolescent misunderstandings and discoveries of finding out who you are in growing up into a man or woman.
We meet the hormone/puberty monsters and Andrews’ monster is so out there and hilarious because they don’t have subtlety. He turns Andrew, who was a shy nerdy kid, into a young man who is constantly wanting sex and human contact just to relieve himself. The monsters forgo decency and just give their humans the worst advice on how to handle their urges. As the season continues, we delve more and more into the kids learning new lessons and trying to somehow not lose themselves while changing so much with puberty. Showing the need to return to their own innocence and just be good friends before all of the hormones start having their personalities and their attitudes change whether for the good or the bad.
The humor is definitely in your face. It is gut busting as well as cringe worthy. There are some moments when Nick and Andrew talk that are hilarious based on the immaturity, the naivety, and also just smart dialogue. Some of the uncomfortable humor does involve those characters too but mostly involves Jay and Jessi. Jay is just a dog and some of his humor is just absurd and so out there.
It is hard to figure out if it is really funny or are you laughing because you’re uncomfortable. Jessi’s descent into puberty offers some weird humor that made me as a man, feel uneasy, but that can just be me. Some of the comedy has been hit or miss at times. The overall feeling is that it’s in good fun and it does have a lot going on. The immature mind enjoying it a lot and the mature side also finding some of the jokes indeed laughable.
Overall, season one is a lot of fun. The main characters have their quirks and their own sense of humor and comedy. The ensemble characters like coach Steve and the monsters are greatly needed in making the show flow with lots of jokes and face palming expressions. I’m glad I did watch the show and I look forward to seeing season 2 and what craziness will take place.

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The Life and Times of Kota Srinivasa Rao: A Pillar of Indian Cinema Bids Farewell

On July 13, 2025, Indian cinema lost one of its most enduring lights—Kota Srinivasa Rao, a name that has been woven into the very fabric of Telugu cinema and Indian film history for nearly five decades. He was 77.
To speak of Kota garu is to speak of a man who embodied the soul of acting, not merely performance, but lived truth on screen. As a journalist who has spent years documenting the landscape of Indian entertainment, and more importantly, as a lifelong admirer of its emotional and artistic depth, I find it nearly impossible to separate the arc of my love for Telugu cinema from the face, voice, and commanding presence of Kota Srinivasa Rao.
Born on July 10, 1948, in Kankipadu, Andhra Pradesh, Kota Srinivasa Rao was the son of freedom fighter and dramatist Kota Seetha Rama Anjaneyulu. The stage called to him early, long before the silver screen embraced him. His transition from theater to cinema in the late 1970s was seamless, natural, and even. His debut in K. Viswanath’s Pranam Khareedu (1978) may have seemed modest at the time, but in hindsight, it was the quiet ignition of a force that would later dominate the craft of acting across genres and generations.
Kota Garu was never a man of one shade. He could play a corrupt politician one moment and a hapless, loving father the next—with equal gravitas and complete immersion. Who could forget his roles in Gaayam, Shiva, Aha Naa Pellanta, Pratighatana, Money, Anaganaga Oka Roju, Leader, and Tagore? These weren’t just performances; they were living case studies in human contradiction and nuance.
In Aa Naluguru, his portrayal of a morally grey newspaper editor offered a sobering mirror to society. In comedies like Hello Brother, his deadpan wit was so precise that it could make audiences erupt with laughter on a single line delivery. Every filmmaker—from K. Viswanath to Ram Gopal Varma, Krishna Vamsi to Sekhar Kammula—sought him out, not just for his craft, but for his wisdom. Watching him act was never passive; it was an education.
Kota Srinivasa Rao did not rely on grand gestures. He mastered silence, pauses, and subtle shifts of the eye or lip. His voice—a deep, gravelly cadence seasoned with satire and command—could either be a thunderclap or a whisper that echoed.
To those of us in the audience, especially those who grew up in Andhra Pradesh and Telangana, his voice became part of our lives. We knew it like we knew the changing winds before the monsoon. Even when he wasn’t on screen, you could feel his influence in the rhythm of dialogue and the texture of storytelling.
Despite his towering fame, Kota garu remained rooted. His brief but meaningful stint in politics—elected as MLA from Vijayawada East in 1999—reflected his desire to contribute beyond the screen. But he soon returned to his first love: the cinema.
His accolades are many, including the Padma Shri (2015) and multiple Nandi Awards, but what truly set him apart was how loved and respected he was by peers and audiences alike. For young actors and directors, working with Kota garu was a rite of passage.
Jr NTR once said in an interview, “You don’t act with Kota garu. You surrender. And in doing so, you become better without even realizing it.”
As the film industry and fans across India mourn his passing, one thing becomes clear: Kota Srinivasa Rao was not just part of Indian cinema—he was one of its pillars. He leaves behind a legacy that transcends language and time. He proved, over and over again, that you don’t need to be the lead to lead a scene. That character is not just something you play—it’s something you embody.
For those of us who grew up seeing him on VHS tapes, in dusty cinema halls, on cable TV reruns, and later streaming platforms, Kota garu’s presence was a constant. He was a reminder of what cinema was, and what it could be—pure, affecting, transformative.
As I write this not just as a journalist, but as someone whose very identity has been shaped by Indian films, I say: thank you, Kota garu. For the laughter. For the fear. For the wisdom. For the truth. Your performances were never just “roles.” They were lessons in being human.
In Gaayam, you once delivered the haunting line:
“Nijam cheppadam easy kaadu… adhi cheppataniki guts kavali.”
(“Telling the truth is not easy… It takes courage to speak it.”)
You spoke the truth through every role, and we heard you—loud and clear.
Your absence leaves a void, but your art remains. And in that, you are eternal.
Rest in peace, Kota Srinivasa Rao garu. Your voice may have fallen silent, but your cinema will echo forever.
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FX’s Alien: Earth Makes Impact at San Diego Comic-Con 2025 With World Premiere, Epic Hall H Panel, and Immersive Activation

Get ready to scream, San Diego.
FX is going full-throttle at San Diego Comic-Con 2025, transporting fans into the spine-chilling world of Alien: Earth — the brand-new television series from visionary creator Noah Hawley (Fargo, Legion), inspired by the legendary sci-fi horror film franchise. Between a can’t-miss world premiere in Hall H and an atmospheric, interactive activation titled “The Wreckage,” this year’s FX slate will leave fans trembling in anticipation ahead of the show’s official premiere on Tuesday, August 12 on FX and Hulu.
👽 Enter the Wreckage: FX’s Alien: Earth Immersive Experience
Located on the Hilton Bayfront Lawn, “The Wreckage” lets fans step foot inside the ominous remains of the USCSS Maginot, a ship torn from deep space and crash-landed on Earth. This thrilling, two-part activation features daytime exploration and an after-dark survival horror mission dubbed Code Red — a terrifying twist perfect for the brave.
🔥 Highlights Include:
Alien: Earth: Code Red – A nighttime horror maze experience you won’t forget
Interactive Prodigy Corp Drop Site – Sign up as an FX Insider and unlock VR exclusives and giveaways
Exclusive Merch & Collabs – Enjoy in-world beverages from Chain, the cult-favorite pop-cuisine creators
Podcast Studio – Live interviews with talent, influencers, and creatives all weekend long
🗓️ Activation Dates & Times:
Date Daytime Hours Code Red Hours
Thu, July 24 11am–4pm 4:30pm–8pm
Fri, July 25 10am–4pm 4:30pm–10pm
Sat, July 26 10am–4pm 4:30pm–10pm
Sun, July 27 11am–3pm —
📍 Location: Hilton Bayfront Lawn, 1 Park Blvd, San Diego, CA 92101
🎟️ Admission is free. Ages 18+. Press can skip the line by RSVPing to madison.welsh@civic-us.com
🎬 Hall H World Premiere: Alien Lands at Comic-Con
The hype doesn’t end on the lawn. On Friday, July 25 from 1:25pm–2:50pm, FX takes over Hall H for the world premiere of Alien: Earth, screening the pilot episode before its global release.
Fans in Hall H will be the first on Earth to witness the terrifying new story, starring Sydney Chandler as a young woman who must lead a squad of soldiers through a world where extraterrestrial nightmares have arrived — and they’re not alone.
Following the screening, creator Noah Hawley, executive producer David W. Zucker, and the cast will participate in a Q&A, diving deep into the making of this bold, horrifying new chapter in the Alien universe.
🧬 About Alien: Earth
When a derelict alien spacecraft crash-lands on Earth, a dark and deadly mystery begins to unravel. As humanity faces the planet’s greatest threat yet, survival may rest in the hands of those least expected. Packed with dread, awe, and action, Alien: Earth builds on decades of cinematic legacy while exploring timely themes and fresh characters.
The series premieres August 12 on FX, and will stream on Hulu (and Hulu on Disney+ for bundle subscribers). Internationally, it will stream on Disney+.
🌌 Stay Connected:
🌐 Visit FXSDCC.com for updates and schedules
📱 Sign up to become an FX Insider: fx.tv/alien-earth-insider
📸 Follow @FXNetworks on socials for behind-the-scenes exclusives
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Hank Hill’s Backyard Takes Over SDCC 2025 – Propane and All

Hulu, the go-to streaming destination for adult animation, is back at San Diego Comic-Con 2025! This year, they are bringing Arlen, Texas, from the iconic King of the Hill franchise to life right outside the Convention Center. Guests will step inside Hank Hill’s Backyard for a big ole cookout, complete with BBQ bites served up throughout the day, classic lawn games, themed photo ops, and a cold can of Alamo (water) to beat the heat.
Located next to the Convention Center on the Bayfront’s Parking Lot (Fifth Ave Landing – Lot A1) – 600 Convention Way, San Diego, CA 92101 – Hank Hill’s Backyard will allow fans to experience what life is like in Arlen, Texas. Starting July 24 at 11:30 am – 7 pm, July 25-26 from 9:30 am-7 pm daily, and July 27 from 9:30 am–5 pm, Hank Hill’s Backyard will transport fans into the world of Arlen, where they can interact with legendary moments from the show.






