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Record Of The Year
“Really Love,” D’Angelo And The Vanguard
WINNER: “Uptown Funk,” Mark Ronson featuring Bruno Mars
“Thinking Out Loud,” Ed Sheeran
“Blank Space,” Taylor Swift
“Can’t Feel My Face,” The Weeknd

Album Of The Year
Sound & Color, Alabama Shakes
To Pimp A Butterfly, Kendrick Lamar
Traveller, Chris Stapleton
WINNER: 1989, Taylor Swift
Beauty Behind The Madness, The Weeknd

Song Of The Year
“Alright,” Kendrick Duckworth, Mark Anthony Spears & Pharrell Williams, songwriters (Kendrick Lamar)
“Blank Space,” Max Martin, Shellback & Taylor Swift, songwriters (Taylor Swift)
“Girl Crush,” Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Little Big Town)
“See You Again,” Andrew Cedar, Justin Franks, Charles Puth & Cameron Thomaz, songwriters (Wiz Khalifa featuring Charlie Puth)
WINNER: “Thinking Out Loud,” Ed Sheeran & Amy Wadge, songwriters (Ed Sheeran)

Best New Artist
Courtney Barnett
James Bay
Sam Hunt
Tori Kelly
WINNER: Meghan Trainor

Best Pop Solo Performance
“Heartbeat Song,” Kelly Clarkson
“Love Me Like You Do,” Ellie Goulding
WINNER: “Thinking Out Loud,” Ed Sheeran
“Blank Space,” Taylor Swift
“Can’t Feel My Face,” The Weeknd

Best Pop Duo/Group Performance
“Ship To Wreck,” Florence + The Machine
“Sugar,” Maroon 5
WINNER: “Uptown Funk,” Mark Ronson featuring Bruno Mars
“Bad Blood,” Taylor Swift featuring Kendrick Lamar
“See You Again,” Wiz Khalifa featuring Charlie Puth

Best Traditional Pop Vocal Album
WINNER: The Silver Lining: The Songs Of Jerome Kern, Tony Bennett & Bill Charlap
Shadows In The Night, Bob Dylan
Stages, Josh Groban
No One Ever Tells You, Seth MacFarlane
My Dream Duets, Barry Manilow (& Various Artists)

Best Pop Vocal Album
Piece By Piece, Kelly Clarkson
How Big, How Blue, How Beautiful, Florence + The Machine
Uptown Special, Mark Ronson
WINNER: 1989, Taylor Swift
Before This World, James Taylor

Best Dance Recording
“We’re All We Need,” Above & Beyond featuring Zoë Johnston
“Go,” The Chemical Brothers
“Never Catch Me,” Flying Lotus featuring Kendrick Lamar
“Runaway (U & I),” Galantis
WINNER: “Where Are Ü Now,” Skrillex and Diplo with Justin Bieber

Best Dance/Electronic Album
Our Love, Caribou
Born In The Echoes, The Chemical Brothers
Caracal, Disclosure
In Colour, Jamie XX
WINNER: Skrillex And Diplo Present Jack Ü, Skrillex and Diplo

Best Contemporary Instrumental Album
Guitar In The Space Age!, Bill Frisell
Love Language, Wouter Kellerman
Afrodeezia, Marcus Miller
WINNER: Sylva, Snarky Puppy & Metropole Orkest
The Gospel According To Jazz, Chapter IV, Kirk Whalum

Best Rock Performance
WINNER: “Don’t Wanna Fight,” Alabama Shakes
“What Kind Of Man,” Florence + The Machine
“Something From Nothing,” Foo Fighters
“Ex’s & Oh’s,” Elle King
“Moaning Lisa Smile,” Wolf Alice

Best Metal Performance
“Identity,” August Burns Red
WINNER: “Cirice,” Ghost
“512,” Lamb of God
“Thank You,” Sevendust
“Custer,” Slipknot

Best Rock Song
WINNER: “Don’t Wanna Fight,” Alabama Shakes, songwriters (Alabama Shakes)
“Ex’s & Oh’s,” Dave Bassett & Elle King, songwriters (Elle King)
“Hold Back The River,” Iain Archer & James Bay, songwriters (James Bay)
“Lydia,” Richard Meyer, Ryan Meyer & Johnny Stevens, songwriters (Highly Suspect)
“What Kind of Man,” John Hill, Tom Hull & Florence Welch, songwriters (Florence + The Machine)

Best Rock Album
Chaos And The Calm, James Bay
Kintsugi, Death Cab for Cutie
Mister Asylum, Highly Suspect
WINNER: Drones, Muse
.5: The Gray Chapter, Slipknot

Best Alternative Music Album
WINNER: Sound & Color, Alabama Shakes
Vulnicura, Björk
The Waterfall, My Morning Jacket
Currents, Tame Impala
Star Wars, Wilco

Best R&B Performance
“If I Don’t Have You,” Tamar Braxton
“Rise Up,” Andra Day
“Breathing Underwater,” Hiatus Kaiyote
“Planes,” Jeremih Featuring J. Cole
WINNER: “Earned It (Fifty Shades Of Grey),” The Weeknd

Best Traditional R&B Performance
“He Is,” Faith Evans
WINNER: “Little Ghetto Boy,” Lalah Hathaway
“Let It Burn,” Jazmine Sullivan
“Shame,” Tyrese
“My Favorite Part Of You,” Charlie Wilson

Best R&B Song
“Coffee,” Brook Davis & Miguel Pimentel, songwriters (Miguel)
“Earned It (Fifty Shades Of Grey),” Ahmad Balshe, Stephan Moccio, Jason Quenneville & Abel Tesfaye, songwriters (The Weeknd)
“Let It Burn,” Kenny B. Edmonds, Jazmine Sullivan & Dwane M. Weir II, songwriters (Jazmine Sullivan)
WINNER: “Really Love,” D’Angelo & Kendra Foster, songwriters (D’Angelo And The Vanguard)
“Shame,” Warryn Campbell, Tyrese Gibson & DJ Rogers Jr, songwriters (Tyrese)

Best Urban Contemporary Album
Ego Death, The Internet
You Should Be Here, Kehlani
Blood, Lianne La Havas
Wildheart, Miguel
WINNER: Beauty Behind The Madness, The Weeknd

Best R&B Album
Coming Home, Leon Bridges
WINNER: Black Messiah, D’Angelo And The Vanguard
Cheers To The Fall, Andra Day
Reality Show, Jazmine Sullivan
Forever Charlie, Charlie Wilson

Best Rap Performance
“Apparently,” J. Cole
“Back To Back,” Drake
“Trap Queen,” Fetty Wap
WINNER: “Alright,” Kendrick Lamar
“Truffle Butter,” Nicki Minaj Featuring Drake & Lil Wayne
“All Day,” Kanye West featuring Theophilus London, Allan Kingdom & Paul McCartney

Best Rap/Sung Collaboration
“One Man Can Change The World,” Big Sean Featuring Kanye West & John Legend
“Glory,” Common & John Legend
“Classic Man,” Jidenna Featuring Roman GianArthur
WINNER: “These Walls,” Kendrick Lamar Featuring Bilal, Anna Wise & Thundercat
“Only,” Nicki Minaj Featuring Drake, Lil Wayne & Chris Brown

Best Rap Song
“All Day,” Ernest Brown, Tyler Bryant, Sean Combs, Mike Dean, Rennard East, Noah Goldstein, Malik Yusef Jones, Karim Kharbouch, Allan Kyariga, Kendrick Lamar, Paul McCartney, Victor Mensah, Charles Njapa, Che Pope, Patrick Reynolds, Allen Ritter, Kanye West, Mario Winans & Cydel Young, songwriters (Kanye West Featuring Theophilus London, Allan Kingdom & Paul McCartney)
WINNER: “Alright,” Kendrick Duckworth, Mark Anthony Spears & Pharrell Williams, songwriters (Kendrick Lamar)
“Energy,” Richard Dorfmeister, A. Graham, Markus Kienzl, M. O’Brien, M. Samuels & Phillip Thomas, songwriters (Drake)
“Glory,” Lonnie Lynn, Che Smith & John Stephens, songwriters (Common & John Legend)
“Trap Queen,” Tony Fadd & Willie J. Maxwell, songwriters (Fetty Wap)

Best Rap Album
2014 Forest Hills Drive, J. Cole
Compton, Dr. Dre
If You’re Reading This It’s Too Late, Drake
WINNER: To Pimp A Butterfly, Kendrick Lamar
The Pinkprint, Nicki Minaj

Best Country Solo Performance
“Burning House,” Cam
WINNER: “Traveller,” Chris Stapleton
“Little Toy Guns,” Carrie Underwood
“John Cougar, John Deere, John 3:16,” Keith Urban
“Chances Are,” Lee Ann Womack

Best Country Duo/Group Performance
“Stay A Little Longer,” Brothers Osborne
“If I Needed You,” Joey+Rory
“The Driver,” Charles Kelley, Dierks Bentley & Eric Paslay
WINNER: “Girl Crush,” Little Big Town
“Lonely Tonight,” Blake Shelton featuring Ashley Monroe

Best Country Song
“Chances Are,” Hayes Carll, songwriter (Lee Ann Womack) “Diamond Rings And Old Barstools,” Barry Dean, Luke Laird & Jonathan Singleton, songwriters (Tim McGraw)
WINNER: “Girl Crush,” Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Little Big Town)
“Hold My Hand,” Brandy Clark & Mark Stephen Jones, songwriters (Brandy Clark)
“Traveller,” Chris Stapleton, songwriter (Chris Stapleton)

Best Country Album
Montevallo, Sam Hunt
Pain Killer, Little Big Town
The Blade, Ashley Monroe
Pageant Material, Kacey Musgraves
WINNER: Traveller, Chris Stapleton

Best New Age Album
WINNER: Grace, Paul Avgerinos
Bhakti Without Borders, Madi Das
Voyager, Catherine Duc
Love, Peter Kater
Asia Beauty, Ron Korb

Best Improvised Jazz Solo
“Giant Steps,” Joey Alexander, soloist
WINNER: “Cherokee,” Christian McBride, soloist
“Arbiters Of Evolution,” Donny McCaslin, soloist
“Friend Or Foe,” Joshua Redman, soloist
“Past Present,” John Scofield, soloist

Best Jazz Vocal Album
Many A New Day: Karrin Allyson Sings Rodgers & Hammerstein, Karrin Allyson
Find A Heart, Denise Donatelli
Flirting With Disaster, Lorraine Feather
Jamison, Jamison Ross
WINNER: For One To Love, Cécile McLorin Salvant

Best Jazz Instrumental Album
My Favorite Things, Joey Alexander
Breathless, Terence Blanchard Featuring The E-Collective
Covered: Recorded Live At Capitol Studios, Robert Glasper & The Robert Glasper Trio
Beautiful Life, Jimmy Greene
WINNER: Past Present, John Scofield

Best Large Jazz Ensemble Album
Lines Of Color, Gil Evans Project
Köln, Marshall Gilkes & WDR Big Band
Cuba: The Conversation Continues, Arturo O’Farrill & The Afro Latin Jazz Orchestra
WINNER: The Thompson Fields, Maria Schneider Orchestra
Home Suite Home, Patrick Williams

Best Latin Jazz Album
WINNER: Made In Brazil, Eliane Elias
Impromptu, The Rodriguez Brothers
Suite Caminos, Gonzalo Rubalcaba
Intercambio, Wayne Wallace Latin Jazz Quintet
Identities Are Changeable, Miguel Zenón

Best Gospel Performance/Song
“Worth” [Live], Anthony Brown & Group Therapy
WINNER: “Wanna Be Happy?” Kirk Franklin
“Intentional,” Travis Greene
“How Awesome Is Our God” [Live], Israel & Newbreed Featuring Yolanda Adams
“Worth Fighting For” [Live],” Brian Courtney Wilson

Best Contemporary Christian Music Performance/Song
WINNER: “Holy Spirit,” Francesca Battistelli
“Lift Your Head Weary Sinner (Chains),” Crowder
“Because He Lives (Amen),” Matt Maher
“Soul On Fire,” Third Day featuring All Sons & Daughters
“Feel It,” Tobymac featuring Mr. Talkbox

Best Gospel Album
“Destined To Win” [Live], Karen Clark Sheard
“Living It,” Dorinda Clark-Cole
“One Place Live,” Tasha Cobbs
WINNER: “Covered: Alive In Asia” [Live] (Deluxe),” Israel & Newbreed
“Life Music: Stage Two,” Jonathan McReynolds

Best Contemporary Christian Music Album
Whatever The Road, Jason Crabb
How Can It Be, Lauren Daigle
Saints And Sinners, Matt Maher
WINNER: This Is Not A Test, Tobymac
Love Ran Red, Chris Tomlin

Best Roots Gospel Album
WINNER: Still Rockin’ My Soul, The Fairfield Four
Pray Now, Karen Peck & New River
Directions Home (Songs We Love, Songs You Know), Point of Grace

Best Latin Pop Album
Terral, Pablo Alborán
Healer, Alex Cuba
WINNER: A Quien Quiera Escuchar (Deluxe Edition), Ricky Martin
Sirope, Alejandro Sanz
Algo Sucede, Julieta Venegas

Best Latin Rock, Urban or Alternative Album
Amanecer, Bomba Estereo
Mondongo, La Cuneta Son Machín
WINNER (TIE): Hasta La Raíz, Natalia Lafourcade
Caja De Música, Monsieur Periné
WINNER (TIE): Dale, Pitbull

Best Regional Mexican Music Album (Including Tejano)
Mi Vicio Mas Grande, Banda El Recodo De Don Cruz Lizarraga
Ya Dime Adiós, La Maquinaria Norteña
Zapateando, Los Cojolites
WINNER: Realidades – Deluxe Edition, Los Tigres Del Norte
Tradición, Arte Y Pasión, Mariachi Los Camperos De Nati Cano

Best Tropical Latin Album
Tributo A Los Compadres: No Quiero Llanto, José Alberto “El Canario” & Septeto Santiaguero
WINNER: Son De Panamá, Rubén Blades With Roberto Delgado & Orchestra
Presente Continuo, Guaco
Todo Tiene Su Hora, Juan Luis Guerra 4.40
Que Suenen Los Tambores, Victor Manuelle

Best American Roots Performance
“And Am I Born To Die,” Béla Fleck & Abigail Washburn
“Born To Play Guitar,” Buddy Guy
“City Of Our Lady,” The Milk Carton Kids
“Julep,” Punch Brothers
WINNER: “See That My Grave Is Kept Clean,” Mavis Staples

Best American Roots Song
“All Night Long,” The Mavericks
“The Cost Of Living,” Don Henley & Merle Haggard
“Julep,” Punch Brothers
“The Traveling Kind,” Emmylou Harris & Rodney Crowell
WINNER: “24 Frames,” Jason Isbell

Best Americana Album
The Firewatcher’s Daughter, Brandi Carlile
The Traveling Kind, Emmylou Harris & Rodney Crowell
WINNER: Something More Than Free, Jason Isbell
Mono, The Mavericks
The Phosphorescent Blues, Punch Brothers

Best Bluegrass Album
Pocket Full Of Keys, Dale Ann Bradley
Before The Sun Goes Down, Rob Ickes & Trey Hensley
In Session, Doyle Lawson & Quicksilver
Man Of Constant Sorrow, Ralph Stanley & Friends
WINNER: The Muscle Shoals Recordings, The Steeldrivers

Best Blues Album
Descendants Of Hill Country, Cedric Burnside Project
Outskirts Of Love, Shemekia Copeland
WINNER: Born To Play Guitar, Buddy Guy
Worthy, Bettye LaVette
Muddy Waters 100, John Primer & Various Artists

Best Folk Album
Wood, Wire & Words, Norman Blake
WINNER: Béla Fleck And Abigail Washburn, Béla Fleck & Abigail Washburn
Tomorrow Is My Turn, Rhiannon Giddens
Servant Of Love, Patty Griffin
Didn’t He Ramble, Glen Hansard

Best Regional Roots Music Album
WINNER: Go Go Juice, Jon Cleary
La La La La, Natalie Ai Kamauu
Kawaiokalena, Keali’i Reichel
Get Ready, The Revelers
Generations, Windwalker And The MCW

Best Reggae Album
Branches Of The Same Tree, Rocky Dawuni
The Cure, Jah Cure
Acousticalevy, Barrington Levy
Zion Awake, Luciano
WINNER: Strictly Roots, Morgan Heritage

Best World Music Album
Gilbertos Samba Ao Vivo, Gilberto Gil
WINNER: Sings, Angelique Kidjo
Music From Inala, Ladysmith Black Mambazo With Ella Spira & The Inala Ensemble
Home, Anoushka Shankar
I Have No Everything Here, Zomba Prison Project

Best Children’s Album
¡Come Bien! Eat Right!, José-Luis Orozco
Dark Pie Concerns, Gustafer Yellowgold
WINNER: Home, Tim Kubart
How Great Can This Day Be, Lori Henriques
Trees, Molly Ledford & Billy Kelly

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
Blood On Snow (Jo Nesbø), Patti Smith
Brief Encounters: Conversations, Magic Moments, And Assorted Hijinks, Dick Cavett
WINNER: A Full Life: Reflections at Ninety, Jimmy Carter
Patience And Sarah (Isabel Miller), Janis Ian & Jean Smart
Yes Please, Amy Poehler (& Various Artists)

Best Comedy Album
Back To The Drawing Board, Lisa Lampanelli
Brooklyn, Wyatt Cenac
Happy. And A Lot., Jay Mohr
Just Being Honest, Craig Ferguson
WINNER: Live At Madison Square Garden, Louis C.K.

Best Musical Theater Album
An American In Paris
Fun Home
WINNER: Hamilton
The King And I
Something Rotten!

Best Compilation Soundtrack For Visual Media
Empire: Season 1
Fifty Shades Of Grey
WINNER: Glen Campbell: I’ll Be Me
Pitch Perfect 2
Selma

Best Score Soundtrack For Visual Media
WINNER: Birdman
The Imitation Game
Interstellar
The Theory Of Everything
Whiplash

Best Song Written For Visual Media
“Earned It (Fifty Shades Of Grey)” from Fifty Shades of Grey, The Weeknd
WINNER: “Glory” from Selma, Common & John Legend
“Love Me Like You Do” from Fifty Shades of Grey, Ellie Goulding
“See You Again” from Furious 7, Wiz Khalifa featuring Charlie Puth
“Til It Happens To You” from The Hunting Ground, Lady Gaga

Best Instrumental Composition
WINNER: “The Afro Latin Jazz Suite,” Arturo O’Farrill, composer
“Civil War,” Bob Mintzer, composer
“Confetti Man,” David Balakrishnan, composer
“Neil,” Rich DeRosa, composer
“Vesper,” Marshall Gilkes, composer

Best Arrangement, Instrumental or A Cappella
“Bruno Mars,” Paul Allen, Troy Hayes, Evin Martin & J Moss, arrangers (Vocally Challenged)
WINNER: “Dance Of The Sugar Plum Fairy,” Ben Bram, Mitch Grassi, Scott Hoying, Avi Kaplan, Kirstin Maldonado & Kevin Olusola, arrangers (Pentatonix)
“Do You Hear What I Hear?” Armand Hutton, arranger (Committed)
“Ghost Of A Chance,” Bob James, arranger (Bob James & Nathan East)
“You And The Night And The Music,” John Fedchock, arranger (John Fedchock New York Big Band)

Best Arrangement, Instruments and Vocals
“Be My Muse,” Shelly Berg, arranger (Lorraine Feather)
“52nd & Broadway,” Patrick Williams, arranger (Patrick Williams Featuring Patti Austin)
“Garota De Ipanema,” Otmaro Ruiz, arranger (Catina DeLuna Featuring Otmaro Ruiz)
WINNER: “Sue (Or In A Season Of Crime),” Maria Schneider, arranger (David Bowie)
“When I Come Home,” Jimmy Greene, arranger (Jimmy Greene With Javier Colon)

Best Recording Package
Alagoas, Alex Trochut, art director (Alagoas)
Bush, Anita Marisa Boriboon, art director (Snoop Dogg)
How Big, How Blue, How Beautiful (Deluxe Edition), Brian Roettinger, art director (Florence + The Machine)
My Happiness, Nathanio Strimpopulos, art director (Elvis Presley)
WINNER: Still The King: Celebrating The Music Of Bob Wills And His Texas Playboys, Sarah Dodds, Shauna Dodds & Dick Reeves, art directors (Asleep At The Wheel)

Best Boxed Or Special Limited Edition Package
Beneath The Skin (Deluxe Box Set), Leif Podhajsky, art director (Of Monsters And Men)
I Love You, Honeybear (Limited Edition Deluxe Vinyl), Sasha Barr & Josh Tillman, art directors (Father John Misty)
WINNER: The Rise & Fall Of Paramount Records, Volume Two (1928-32), Susan Archie, Dean Blackwood & Jack White, art directors (Various Artists)
Sticky Fingers (Super Deluxe Edition), Stephen Kennedy & James Tilley, art directors (The Rolling Stones)
30 Trips Around The Sun, Doran Tyson & Steve Vance, art directors (Grateful Dead)
What A Terrible World, What A Beautiful World (Deluxe Box Set), Jeri Heiden & Glen Nakasako, art directors (The Decemberists)

Best Album Notes
Folksongs Of Another America: Field Recordings From The Upper Midwest, 1937-1946, James P. Leary, album notes writer (Various Artists)
Lead Belly: The Smithsonian Folkways Collection, Jeff Place, album notes writer (Lead Belly)
WINNER: Love Has Many Faces: A Quartet, A Ballet, Waiting To Be Danced, Joni Mitchell, album notes writer (Joni Mitchell)
Portrait Of An American Singer, Ted Olson, album notes writer (Tennessee Ernie Ford)
Songs Of The Night: Dance Recordings, 1916-1925, Ryan Barna, album notes writer (Joseph C. Smith’s Orchestra)

Best Historical Album
WINNER: The Basement Tapes Complete: The Bootleg Series Vol. 11, Steve Berkowitz, Jan Haust & Jeff Rosen, compilation producers; Peter J. Moore, mastering engineer (Bob Dylan And The Band)
The Complete Concert By The Sea, Geri Allen, Jocelyn Arem & Steve Rosenthal, compilation producers; Jessica Thompson, mastering engineer (Erroll Garner)
Native North America (Vol. 1): Aboriginal Folk, Rock, And Country 1966–1985, Kevin Howes, compilation producer; Greg Mindorff, mastering engineer (Various Artists)
Parchman Farm: Photographs And Field Recordings, 1947–1959, Steven Lance Ledbetter & Nathan Salsburg, compilation producers; Michael Graves, mastering engineer (Various Artists)
Songs My Mother Taught Me, Mark Puryear, compilation producer; Pete Reiniger, mastering engineer (Fannie Lou Hamer)

Best Engineered Album, Non-Classical
Before This World, Dave O’Donnell, engineer; Ted Jensen, mastering engineer (James Taylor)
Currency Of Man, Maxime Le Guil, engineer; Bernie Grundman, mastering engineer (Melody Gardot)
Recreational Love, Greg Kurstin & Alex Pasco, engineers; Emily Lazar, mastering engineer (The Bird And The Bee)
WINNER: Sound & Color, Shawn Everett, engineer; Bob Ludwig, mastering engineer (Alabama Shakes)
Wallflower, Steve Price, Jochem van der Saag & Jorge Vivo, engineers; Paul Blakemore, mastering engineer (Diana Krall)

Producer Of The Year, Non-Classical
WINNER: Jeff Bhasker
Dave Cobb
Diplo
Larry Klein
Blake Mills

Best Remixed Recording, Non-Classical
“Berlin By Overnight (CFCF Remix),” CFCF, remixer (Daniel Hope)
“Hold On (Fatum Remix),” Bill Hamel & Chad Newbold, remixers (JES, Shant, & Clint Maximus)
“Runaway (U & I) (Kaskade Remix),” Ryan Raddon, remixer (Galantis)
“Say My Name (RAC Remix),” André Allen Anjos, remixer (Odesza Featuring Zyra)
WINNER: “Uptown Funk (Dave Audé Remix),” Dave Audé, remixer (Mark Ronson Featuring Bruno Mars)

Best Surround Sound Album
Amdahl: Astrognosia & Aesop
WINNER: Amused To Death
Magnificat
Shostakovich: Symphony No. 7
Spes

Best Engineered Album, Classical
WINNER: Ask Your Mama, George Manahan & San Francisco Ballet Orchestra
Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double,’ Ludovic Morlot, Augustin Hadelich & Seattle Symphony
Monteverdi: Il Ritorno D’Ulisse In Patria, Martin Pearlman, Jennifer Rivera, Fernando Guimarães & Boston Baroque
Rachmaninoff: All-Night Vigil, Charles Bruffy, Phoenix Chorale & Kansas City Chorale
Saint-Saëns: Symphony No. 3, ‘Organ,’ Michael Stern & Kansas City Symphony

Producer Of The Year, Classical
Blanton Alspaugh
Manfred Eicher
Marina A. Ledin, Victor Ledin
Dan Merceruio
WINNER: Judith Sherman

Best Orchestral Performance
“Bruckner: Symphony No. 4,” Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
“Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double,’ Ludovic Morlot, conductor (Seattle Symphony)
WINNER: “Shostakovich: Under Stalin’s Shadow – Symphony No. 10,” Andris Nelsons, conductor (Boston Symphony Orchestra)
“Spirit Of The American Range,” Carlos Kalmar, conductor (The Oregon Symphony)
“Zhou Long & Chen Yi: Symphony ‘Humen 1839,’” Darrell Ang, conductor (New Zealand Symphony Orchestra)

Best Opera Recording
“Janáček: Jenůfa,” Donald Runnicles, conductor; Will Hartmann, Michaela Kaune & Jennifer Larmore; Magdalena Herbst, producer (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)
“Monteverdi: Il Ritorno D’Ulisse In Patria,” Martin Pearlman, conductor; Fernando Guimarães & Jennifer Rivera; Thomas C. Moore, producer (Boston Baroque)
“Mozart: Die Entführung Aus Dem Serail,” Yannick Nézet-Séguin, conductor; Diana Damrau, Paul Schweinester & Rolando Villazón; Sid McLauchlan, producer (Chamber Orchestra Of Europe)
WINNER: “Ravel: L’Enfant Et Les Sortilèges; Shéhérazade,” Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus & SKF Matsumoto Children’s Chorus)
“Steffani: Niobe, Regina Di Tebe,” Paul O’Dette & Stephen Stubbs, conductors; Karina Gauvin & Philippe Jaroussky; Renate Wolter-Seevers, producer (Boston Early Music Festival Orchestra)

Best Choral Performance
“Beethoven: Missa Solemnis,” Bernard Haitink, conductor; Peter Dijkstra, chorus master (Anton Barachovsky, Genia Kühmeier, Elisabeth Kulman, Hanno Müller-Brachmann & Mark Padmore; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)
“Monteverdi: Vespers Of 1610,” Harry Christophers, conductor (Jeremy Budd, Grace Davidson, Ben Davies, Mark Dobell, Eamonn Dougan & Charlotte Mobbs; The Sixteen)
“Pablo Neruda – The Poet Sings,” Craig Hella Johnson, conductor (James K. Bass, Laura Mercado-Wright, Eric Neuville & Lauren Snouffer; Faith DeBow & Stephen Redfield; Conspirare)
“Paulus: Far In The Heavens,” Eric Holtan, conductor (Sara Fraker, Matthew Goinz, Thea Lobo, Owen McIntosh, Kathryn Mueller & Christine Vivona; True Concord Orchestra; True Concord Voices)
WINNER: “Rachmaninoff: All-Night Vigil,” Charles Bruffy, conductor (Paul Davidson, Frank Fleschner, Toby Vaughn Kidd, Bryan Pinkall, Julia Scozzafava, Bryan Taylor & Joseph Warner; Kansas City Chorale & Phoenix Chorale)

Best Chamber Music/Small Ensemble Performance
“Brahms: The Piano Trios,” Tanja Tetzlaff, Christian Tetzlaff & Lars Vogt
WINNER: “Filament,” Eighth Blackbird
“Flaherty: Airdancing For Toy Piano, Piano & Electronics,” Nadia Shpachenko & Genevieve Feiwen Lee
“Render,” Brad Wells & Roomful Of Teeth
“Shostakovich: Piano Quintet & String Quartet No. 2,” Takács Quartet & Marc-André Hamelin

Best Classical Instrumental Solo
WINNER: “Dutilleux: Violin Concerto, L’Arbre Des Songes,” Augustin Hadelich; Ludovic Morlot, conductor (Seattle Symphony)
“Grieg & Moszkowski: Piano Concertos,” Joseph Moog; Nicholas Milton, conductor (Deutsche Radio Philharmonie Saarbrücken Kaiserslautern)
“Mozart: Keyboard Music, Vol. 7,” Kristian Bezuidenhout
“Rachmaninov Variations,” Daniil Trifonov (The Philadelphia Orchestra)
“Rzewski: The People United Will Never Be Defeated!” Ursula Oppens (Jerome Lowenthal)

Best Classical Solo Vocal Album
Beethoven: An Die Ferne Geliebte; Haydn: English Songs; Mozart: Masonic Cantata, Mark Padmore; Kristian Bezuidenhout, accompanist
WINNER: Joyce & Tony – Live From Wigmore Hall, Joyce DiDonato; Antonio Pappano, accompanist
Nessun Dorma – The Puccini Album, Jonas Kaufmann; Antonio Pappano, conductor (Kristīne Opolais, Antonio Pirozzi & Massimo Simeoli; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia)
Rouse: Seeing; Kabir Padavali, Talise Trevigne; David Alan Miller, conductor (Orion Weiss; Albany Symphony)
St. Petersburg, Cecilia Bartoli; Diego Fasolis, conductor (I Barocchisti)

Best Classical Compendium
As Dreams Fall Apart – The Golden Age Of Jewish Stage And Film Music (1925-1955), New Budapest Orpheum Society; Jim Ginsburg, producer
Ask Your Mama, George Manahan, conductor; Judith Sherman, producer
Handel: L’Allegro, Il Penseroso Ed Il Moderato, 1740, Paul McCreesh, conductor; Nicholas Parker, producer
WINNER: Paulus: Three Places Of Enlightenment; Veil Of Tears & Grand Concerto, Giancarlo Guerrero, conductor; Tim Handley, producer
Woman At The New Piano, Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers

Best Contemporary Classical Composition
“Barry: The Importance Of Being Earnest,” Gerald Barry, composer (Thomas Adès, Barbara Hannigan, Katalin Károlyi, Hilary Summers, Peter Tantsits & Birmingham Contemporary Music Group)
“Norman: Play,” Andrew Norman, composer (Gil Rose & Boston Modern Orchestra Project)
WINNER: “Paulus: Prayers & Remembrances,” Stephen Paulus, composer (Eric Holtan, True Concord Voices & Orchestra)
“Tower: Stroke,” Joan Tower, composer (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony)
“Wolfe: Anthracite Fields,” Julia Wolfe, composer (Julian Wachner, The Choir Of Trinity Wall Street & Bang On A Can All-Stars)

Best Music Video
“LSD,” ASAP Rocky
“I Feel Love (Every Million Miles),” The Dead Weather
“Alright,” Kendrick Lamar
WINNER: “Bad Blood,” Taylor Swift featuring Kendrick Lamar
“Freedom,” Pharrell Williams

Best Music Film
Mr. Dynamite: The Rise Of James Brown
Sonic Highways
What Happened, Miss Simone?
The Wall
WINNER: Amy

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Midnight Mass: The Blood of Life

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The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God. 

Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes. 

Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God. 

We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant. 

Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed. 

Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus. 

Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship. 

Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care. 

The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love. 

Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls. 

Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now! 

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Saw X: It ain’t brain surgery!

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Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer! 

First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive! 

So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance. 

Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth. 

The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge! 

First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer. 

A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now! 

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Scott Pilgrim Takes Off

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“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.

The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.

The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.

The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.

“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.

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