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And the winners are: The 2015 Grammy Awards

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Album of the Year

Beck, Morning Phase — WINNER
Beyonce, Beyonce
Ed Sheeran, x
Sam Smith, In the Lonely Hour
Pharrell Williams, Girl

Best New Artist

Bastille
Iggy Azalea
Brandy Clark
Haim
Sam Smith — WINNER

Best R&B Performance

“Drunk In Love,” Beyoncé ft. Jay Z — WINNER
“New Flame,” Chris Brown ft. Usher & Rick Ross
“It’s Your World,” Jennifer Hudson ft. R. Kelly
“Like This,” Ledisi
“Good Kisser,” Usher

Best Rock Album

Ryan Adams, Ryan Adams
Morning Phase, Beck — WINNER
Turn Blue, The Black Keys
Hypnotic Eye, Tom Petty & the Heartbreakers
Songs of Innocence, U2

Best Pop Solo Performance

“All of Me,” John Legend
“Chandelier,” Sia
“Stay With Me,” Sam Smith
“Shake It Off,” Taylor Swift
“Happy,” Pharrell Williams — WINNER

Best Country Album

Riser, Dierks Bentley
The Outsiders, Eric Church
The Way I’m Livin’, Lee Ann Womack
12 Stories, Brandy Clark
Platinum, Miranda Lambert — WINNER

Best Pop Vocal Album

Ghost Stories, Coldplay
Bangerz, Miley Cyrus
My Everything, Ariana Grande
Prism, Katy Perry
x, Ed Sheeran
In the Lonely Hour, Sam Smith — WINNER

Record of the Year

“Fancy,” Iggy Azalea ft. Charli XCX
“Chandelier,” Sia
“Stay With Me (Darkchild Version),” Sam Smith — WINNER
“Shake It Off,” Taylor Swift
“All About That Bass,” Meghan Trainor

Song of the Year

“Chandelier,” Sia
“All About That Bass,” Meghan Trainor
“Shake It Off,” Taylor Swift
“Stay With Me (Darkchild Version),” Sam Smith — WINNER
“Take Me to Church,” Hozier

Best Rap Album

The New Classic, Iggy Azalea
Because the Internet, Childish Gambino
Nobody’s Smiling, Common
The Marshall Mathers LP2, Eminem — WINNER
Oxymoron, ScHoolboy Q
Blacc Hollywood, Wiz Khalifa

Best Pop Duo/Group Performance

“Fancy,” Iggy Azalea ft. Charli XCX
“A Sky Full of Stars,” Coldplay
“Say Something,” A Great Big World ft. Christina Aguilera — WINNER
“Bang Bang,” Ariana Grande, Jessie J & Nicki Minaj
“Dark Horse,” Katy Perry ft. Juicy J

Best Rap Performance

“3005,” Childish Gambino
“0 to 100/The Catch Up,” Drake
“Rap God,” Eminem
“i,” Kendrick Lamar — WINNER
“All I Need Is You,” Lecrae

Best Alternative Music Album

This Is All Yours, alt-J
Reflektor, Arcade Fire
Melophobia, Cage the Elephant
St. Vincent, St. Vincent — WINNER
Lazaretto, Jack White

Best Rock Song

“Ain’t It Fun,” Paramore — WINNER
“Blue Moon,” Beck
“Fever,” The Black Keys
“Gimme Something Good,” Ryan Adams
“Lazaretto,” Jack White

Best Rap/Sung Collaboration

“Blak Majik,” Common ft. Jhené Aiko
“The Monster,” Eminem ft. Rihanna — WINNER
“Tuesday,” I Love Makonnen ft. Drake
“Studio,” ScHoolboy Q ft. BJ The Chicago Kid
“Bound 2,” Kanye West & Charlie Wilson

Best Rap Song

“Anaconda,” Nicki Minaj
“Bound 2,” Kanye West & Charlie Wilson
“i,” Kendrick Lamar — WINNER
“We Dem Boyz,” Wiz Khalifa
“0 to 100/The Catch Up,” Drake

Best Country Song

“American Kids,” Kenny Chesney
“Automatic,” Miranda Lambert
“Give Me Back My Hometown,” Eric Church
“I’m Not Gonna Miss You,” Glen Campbell — WINNER
“Meanwhile Back at Mama’s,” Tim McGraw ft. Faith Hill

Best Country Duo/Group Performance

“Gentle On My Mind,” The Band Perry — WINNER
“Somethin’ Bad,” Miranda Lambert with Carrie Underwood
“Day Drinking,” Little Big Town
“Meanwhile Back At Mama’s,” Tim McGraw ft. Faith Hill
“Raise ‘Em Up,” Keith Urban ft. Eric Church

Best Country Solo Performance

“Give Me Me Back My Hometown,” Eric Church
“Invisible,” Hunter Hayes
“Automatic,” Miranda Lambert
“Something In the Water,” Carrie Underwood — WINNER
“Cop Car,” Keith Urban

Best Urban Contemporary Album

Sail Out, Jhene Aiko
Beyonce, Beyonce
X, Chris Brown
Mali Is, Mali Music
G I R L, Pharrell Williams — WINNER

Best Dance/Electronic Album

Syro, Aphex Twin — WINNER
While (1, Deadmaus
Nabuma Rubberband, Little Dragon
Do It Again, Röyksopp & Robyn
Damage Control, Mat Zo

Best Dance Recording

“Never Say Never,” Basement Jaxx
“Rather Be,” Clean Bandit ft. Jess Glynne — WINNER
“F for You,” Disclosure ft. Mary J. Blige
“I Got U,” Duke Dumont ft. Jax Jones
“Faded,” Zhu

Best Latin Pop Album

Tangos, Ruben Blades — WINNER
Elypse, Camila
Raiz, Lila Downs, Niña Pastori & Soledad Pastorutti
Loco de Amor, Juanes
Gracias Por Estar Aqui, Marco Antonio Solis

 

Best Compilation Soundtrack for Visual Media

American Hustle
Guardians of the Galaxy
Frozen — WINNER
Get On Up: The James Brown Story
The Wolf of Wall Street

Best Music Video

“We Exist,” Arcade Fire
“Turn Down for What,” DJ Snake & Lil Jon
“Chandelier,” Sia
“Happy,” Pharrell Williams — WINNER
“The Golden Age,” Woodkid ft. Max Richter

Best Music Film

Beyoncé & Jay Z: On The Run Tour, Beyoncé & Jay Z
Ghost Stories, Coldplay
20 Feet From Stardom, Darlene Love, Merry Clayton, Lisa Fischer & Judith Hill — WINNER
Metallica: Through The Never, Metallica
The Truth About Love Tour: Live From Melbourne, Pink

Best Reggae Album

Fly Rasta, Ziggy Marley — WINNER
Back on the Controls, Lee “Scratch” Perry
Full Frequency, Sean Paul
Out of Many, One Music, Shaggy,
The Reggae Power, Sly & Robbie & Spicy Chocolate,
Amid the Noise and the Haste, Soja

Best Traditional Pop Vocal Album

Cheek to Cheek, Lady Gaga & Tony Bennett — WINNER
Sending You a Little Christmas, Johnny Mathis
Nostalgia, Annie Lennox
Partners, Barbra Streisand
Night Songs, Barry Manilow

Best Americana Album

The River & The Thread, Rosanne Cash — WINNER
Terms of My Surrener, John Hiatt
Bluesamericana, Keb’ Mo’
A Dotted Line, Nickel Creek
Metamodern Sounds in Country Music, Sturgill Simpson

Best Spoken Word Album

Actors Anonymous, James Franco
A Call to Action, Jimmy Carter
Carsick: John Waters Hitchhikes Across America, John Waters
A Fighting Chance, Elizabeth Warren
Diary of a Mad Diva, Joan Rivers — WINNER
We Will Survive: True Stories of Encouragement, Inspiration and the Power of Song, Gloria Gaynor

 

Best Gospel Album

Help, Erica Campbell — WINNER
Amazing, Ricky Dillard & New G
Withholding Nothing: Live, William McDowell
Forever Yours, Smokie Norful
Vintage Worship, Anita Wilson

Best Rock Performance

“Gimme Something Good,” Ryan Adams
“Do I Wanna Know?”, Arctic Monkeys
“Blue Moon,” Beck
“Fever,” The Black Keys
“Lazaretto,” Jack White — WINNER

Best Metal Performance

“Neon Knights,” Anthrax
“High Road,” Mastodon
“Heartbreaker,” Motörhead
“The Negative One,” Slipknot
“The Last In Line,” Tenacious D — WINNER

Best R&B Song

“Drunk In Love,” Beyonce ft. Jay Z — WINNER
“Good Kisser,” Usher
“New Flame,” Chris Brown ft. Usher & Rick Ross
“Options (Wolfjames Version),” Luke James ft. Rick Ross
“The Worst,” Jhené Aiko

Best R&B Album

Islander, Bernhoft
Lift Your Spirit, Aloe Blacc
Love, Marriage & Divorce, Toni Braxton & Babyface — WINNER
Black Radio 2, Robert Glasper Experiment
Give The People What They Want, Sharon Jones & The Dap-Kings

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Movie

Joy Ride Is An Extremely Raunchy And Hilarious Comedy

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Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.

The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.

I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.

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Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?

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Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.

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Movie

The Last Voyage of the Demeter: Double-knock on wood!  

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Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.

So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.

The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.

Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.

First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.

Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.

Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.

Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.

To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!

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