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After the Finale -Reflections on Downton Abbey

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TV Network: PBS
Premiere Date: Oct 3, 2010
Genre: Drama
Executive Producers: Julian Fellowes , Gareth Neame , Rebecca Eaton , Liz Trubridge
Stars: Hugh Bonneville, Maggie Smith, Laura Carmichael, Elizabeth McGovern, Joanne Froggatt, Phyllis Logan, Penelope Wilton, Jim Carter, Jessica Brown-Findlay, Michelle Dockery, Amy Nuttall, Rob James-Collier, Brendan Coyle, Sophie McShera, Lesley Nicol, Dan Stevens, Siobhan Finneran, Rose Leslie, Thomas Howes,

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Confession and disclaimer first: I love Downton Abbey.  I didn’t watch it at the very beginning, I didn’t understand what all the fuss was about.  But, I decided to give it a chance, and when I saw the first episode, I was hooked!  I became a great fan of the show and a defender of Bates (Brendan Coyle).  For those who watched the show, Hugh Bonneville as Robert Crawley, Earl of Grantham was the central character upstairs.  He was the family rock around which swirled the changing world and the Crawley family. He was tempered by his American wife, Cora (Elizabeth McGovern), who helped him find his way in the new world. Fittingly, the show began with the news of the sinking of the Titanic, and the loss of the heir apparent, who was on the ship.

So, much has happened since the spring of 1912, the show has traveled many miles and significant changes that end with New Year’s Eve 1925.  The family upstairs and the servants downstairs have gone through so much together, including turning the great house into a World War I convalescent hospital.  Who would have thought?  Ultimately, the show was about the new century and the inevitability of change. After all, the roaring 20’s meant change in dress, attitudes and attire even in England.  Evolution over revolution, the family sought to maintain as much of their lives as possible, while embracing the breakdown of class barriers and distinctions.  In today’s terms, the Crawley’s represented the 1% trying to be fair to the 99% before they lose them altogether.

Undoubtedly, Maggie Smith (Countess Violet Grantham) is one of the best written and acted characters.  She is tough, witty and fair.  She has some of the best lines of the show written so crisply by Julian Fellowes.  “Don’t be a defeatest dear,” she scolds, “it’s very middle class,”  is one of her many classic lines.  She is often the foil that keeps the rest of the family in line, including beautiful but snarky, Lady Mary (Michelle Dockery).  The downstairs equivalent of the countess is Carson, played perfectly by Jim Carter.  Carson maintains the household with a softer, reasonable Mrs. Hughes (Phyliss Logan), the lion tamer who comes to love the beast.  There are so many well written characters, more than I can mention in one column.  Excellent writing with sterling performances.  The actors who stayed the whole six seasons, knew they were creating something special.  It was a once-in-a-lifetime opportunity, not to be squandered.

The finale was like a train ride into London, fast paced with plenty of scenery.  It’s always best when the production knows they are creating the last season and episodes, they can bring things together that would have been unsatisfying otherwise.  I won’t give you any spoilers, if you haven’t seen Downton Abbey, I encourage you to rent it or find it online.  But, in the finale, relationships are resolved one way or another, and in the very last scene look for the early bloom of a romance for Tom Branson (Allen Leech).  Even the show’s ‘villain’, Thomas Barrow (Rob James Collier) gets what he deserves, and justice may surprise you.  The last season was in a bit of a hurry, but I’m glad they kept it down to one wedding an episode.  There was more joy than sorrow in the finale.  Tragedy’s shadow hung over the show every season with the deaths of Matthew Crawley (Dan Stevens) and Lady Sybil (Jessica Brown Findlay), but that was put aside in the finale.

Drama, comedy, tragedy, and even scandal maked this wonderful series.  Final kudos to Mrs. Patomore (Lesley Nicol), long suffering Mosley (Kevin Doyle),  and Lady Edith (Laura Carmichael), may she, and all the Downton family find joy at last.

 

 

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Renfield; A Fangtastic Time

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Nicholas Cage is not the Dracula we deserve, but the Dracula we need!

With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon! 

Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it. 

After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.

Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!

Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!

Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy! 

Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.

Three and a half stars.

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Nandamuri Kalyan Ram’s Upcoming Film Builds Massive Hype

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The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.

The Arjun S/O Vyjayanthi teaser launch event is scheduled for:

Date: March 17, 2025

Time: 10:00 AM IST

Venue: AAA Cinemas (Screen 1), Hyderabad, India

Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.

Pre-Teaser Hints at High-Octane Action

Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.

Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.

Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations

Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!

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The Resurrection of ‘Jennifer’s Body’

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TW: Discussions of Sexual Assault.

I did myself a favour and watched the cult classic Jennifer’s Body (which I highly recommend you do, too). Watching this clever, funny, thought-provoking movie in 2025, it is hard to believe that it was a major flop when it was released in 2009.

‘00s nostalgia spurts throughout the film. From the frosted eyeshadow to the digital cameras, it’s enough to bring a tear to a millennial’s eye. However, not everything about the film is dated. In fact Jennifer’s Body is hailed today as a modern feminist classic. 

This is particularly intriguing when remembering how badly the film bombed in 2009. Looking at Rotten Tomatoes scores, Jennifer’s Body has a rather pitiful 46% critic score and an even worse 36% audience score. Was this comedy-horror simply ahead of its time? Many believe so.

In pre-#MeToo 2009, Jennifer’s Body was marketed as a fun, sexy romp aimed at straight men. Sex symbol Megan Fox in the starring role as Jennifer, fresh from her scantily-clad Transformers fame, audience thought they knew what to expect from the actress. And Fox is wrist-achingly beautiful in the film; there is no doubt about that, but many complained she remained disappointingly fully clothed. There was also the promised same-sex kiss between Fox and Amanda Seyfrie,d which was framed more as an uncomfortable, confused, and tragic scene between two childhood friends rather than sexy. 

In short, Jennifer’s Body was marketed for the male gaze, even with a female writer (Diablo Cody) and director (Karyn Kusama) instead of what it is, which was a commentary about the treatment of female bodies (the clue was in the title, really). 

Many have theorised that the film is essentially a rape-revenge fantasy. The premise is (spoilers!) that Jennifer is kidnapped by an indie boyband after a gig. The group’s plan is to sacrifice young Jennifer to Satan in exchange for fame (obviously). Their plan goes awry when Jennifer lies about being a virgin, when she is not in fact even a “backdoor virgin”. This little lie causes Jennifer to turn into a creature-monster-succubus-type thing. This is a clear commentary on how women are only seen as useful or worthy if their virginity is intact. Also, how the music industry sacrifices young women to the altar of male lust.

Later that night, Jennifer appears at her childhood friend Needy’s (Amanda Seyfried) home drenched in blood and covered in bruises, with a vacant stare. After this, Jennifer begins to indiscriminately kill young men from her school. 

I theorise that the film is cleverly inverting the expectation of young women being targeted. Jennifer is indiscriminate in her choosing of victims. A school jock, a sensitive emo guy, and a foreign exchange student walking home alone at night. She lures them to secluded areas with the promise of sex and tears them apart until they look like “lasagne with teeth”.

With Jennifer’s murder spree terrifying the small town, its young men are warned not to go anywhere alone. Johnny Simmon’s character, Chip, is even given mace by his mother to protect him on prom night. 

Jennifer’s Body cleverly inverts many of the horror movie tropes. For example, the ‘nerdy girl’, Needy is not a virgin either. Needy and her boyfriend Chip actually have regular, no-consequence sex, which is unusual for a female character in a horror movie. 

This cult classic may have died on its initial release but it was resurrected by the dashboards of Tumblr and feminist blogs. Seyfried even teased the possibility of a sequel soon. Suffice to say there is definitely more to Jennifer’s Body than meets the eye!

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