With an acting career spanning four decades and multiple awards and nominations, Regina King has effortlessly embodied countless memorable characters across the big and small screens.
From thought provoking films like Boyz n the Hood, Poetic Justice, Jerry Maguire and Ray; to lighter fare like the Legally Blonde and Miss Congeniality franchises, Regina King brings a special sparkle to every role she’s tackled. On the small screen, King’s presence in past television series like Southland, The Boondocks, The Leftovers, Shameless, and her Emmy- winning turn in American Crime, have highlighted some of the more significant social issues of our time, both with ironic humor and with poignant drama. Wherever art is imitating life in a significant way, Regina King has been tapped to play a pivotal role in the project.
What audiences may not know is that King is also an accomplished television director, with a growing resume of credits including smash hit television shows from Scandal and Greenleaf to The Good Doctor and This Is Us.
Her most recent Emmy-nominated performance as Latrice Butler, grieving mother of a teenage son who is the victim of a death by auto, hit and run by a group of Jersey City police officers, is a true tour de force and a defining role in a long and treasured career.
TME: What drew you to playing Latrice Butler in Seven Seconds?
Regina King: I was actually drawn to the role of [prosecutor] KJ Harper (played by Clare-Hope Ashitey), and [series creator] Veena Sud was sure that she wanted me for the role of Latrice. I liked the pilot script and decided to take that dive into the emotional pool.
TME: You play the mother of a teenage boy who is killed by a police officer. What was your creative process in tackling such an intense role?
Regina King: Being a mother myself, and the mother of a black young man, there are certain fears you have that are unique to having a black child in America. You have fears as a parent when your kids are growing up, because you can’t control everything. But there are those experiences that are specific to black children that are not the same for others. You experience a bit of it, yourself, as a child growing up in America. Unfortunately, it’s our culture and something you grow up with. You then carry that perspective with you throughout your life. So, I had that going into this role. I also spoke to a mother whose son was murdered by a police officer. Hearing her pain up close and personal, and her feeling safe enough to share it with me, I would say that combination of things was how Latrice was birthed into Seven Seconds.
TME: Is the story a fictional account or based on true events?
Regina King: It was based on the truth as far as the regard for black American kids and the law, and how they are regarded in America. That part of it is true, of course. So many examples have had similar outcomes to this story, but it was not taken from one specific person’s story.
TME: While you were shooting Seven Seconds, did you think about the parents of Trayvon Martin, Philando Castile, Michael Brown, Tamir Rice and so many young men who’ve lost their lives in similar circumstances? And did you feel a responsibility to reflect these parents’ pain in your performance?
Regina King: There was a responsibility to accurately portray their pain, their lives, and their stories, absolutely.
TME: Do you think a series like Seven Seconds has the power to impact hearts and minds for change, or to simply reflect what is going on in society?
Regina King: I think both. What’s reflective for me is not reflective for you. Seeing it in a television show or in a movie creates an opportunity for each of us to see the other’s perspective. I feel that the series American Crime (the ABC series for which King won an Emmy) was very similar in that way.
TME: Do you take a role like this home with you?
Regina King: I tried not to take it home with me. But again, a bit of this lives with you. It is the narrative of a part of the fabric of what America is. Unfortunately, you are always living it. It took a lot out of me; I’ll be honest. It was the closest to an experiential role I’ve ever had. I’ve known people who have been victims of police brutality, but no one who was closer than a friend or a distant family member. Because it was a friend or a distant family member, I wasn’t with them in their day-to-day struggle of what that experience brings. You go through life hoping that you never personally have an experience like that, but you know that the odds are greater than not that you will, because of who you are. It’s crazy to even say this, but you feel blessed or lucky that your child has made it to twenty-two (King is referring to her 22-year-old son, Ian).
TME: What is so remarkably upsetting about your statement is that even if you are regarded by society as successful, you are thanking God that your son has made it to the age of twenty-two.
Regina King: Made it to twenty-two without having a criminal record, and without having an experience with the police where you may not survive; you may not come home. Unfortunately, that is something you feel gratitude for. He has had an experience with the police pulling him over, and him having to sit down on the curb. He was let go after they ran his license plate and his ID. He was pulled over for being nineteen and driving his girlfriend home. That’s not a normal reason to be pulled over.
TME: Let’s talk about your most recent Emmy nomination for Seven Seconds. Now that you have an Emmy win from 2015’s American Crime, is the pressure off somewhat for this upcoming ceremony, or are the nervous butterflies still there? And what’s the feeling in your body when you’re sitting there listening to the names of the nominees being called out?
Regina King: All three times being nominated felt different. But there is nothing like the first anything, right? It’s totally surreal. The second time is kind of like, “Nah-uh, really?! How did I find a hundred-dollar bill again in the exact same place?!” It’s one of those feelings. Not to be frivolous about it, but it’s like, what are the odds?
TME: I don’t think it’s a luck thing. You really are such a gifted actor, and your performance in Seven Seconds was a tour de force.
Regina King: Well, I mean, what are the odds of walking by that same corner again and finding that same bill?
TME: Do you let that stuff, like awards and accolades, or critics, shape you at all? Do you ever find yourself being very conscious of, “What are the critics going to think?” “What are the nominating committees going to think?”
Regina King: First and foremost, I’m focused on doing good work. I’m not thinking, “Ooh, this is gonna get me an Emmy!” (Laughs)
TME: (Laughs) There are people like that in your business. You know that, right?
Regina King: I joke, but yes, I know! The first time, I wasn’t even in the Television Academy. Becoming a member of the Television Academy and knowing all that goes into voting, with all the material that’s out there, it’s a lot. Since my last name starts with a “K,” I fall right in the middle of all the names.
When you’re voting, and you see all the titles of the shows and the people’s names, first it starts with the Z’s and then it goes all the way to the A’s. Then the next category starts with the A’s and goes all the way to the Z’s, in that same pattern. So, I don’t take it lightly that someone was able to get to “K” for King and get to “S” for Seven Seconds. I don’t take that lightly, that not only did they make it that far, but they made it that far and they watched and stayed. I don’t take that lightly because those are my peers.
TME: What do you see as your higher purpose in all that you do, from parenting your son to your work. And what spiritual philosophy do you subscribe to?
Regina King: Overall, just trying to walk in my truth. I recently did a panel talk (Entertainment Weekly’s Women Who Kick Ass Comic Con Panel) and [actress] Chloe Bennet said something that I definitely subscribe to. She said, “At this moment in time I can feel a certain way and say a certain thing, and then in 2022 I might contradict that just because I’m in a different place at that point.” For me, I can only be in my truth right now, in this moment. If I am walking in that truth, if I share an opinion right now about something, in the year 2022 I will not say, “I didn’t say that in 2018.” I would know I said it, because in that moment it was true for me.
TME: Right.You would say, that was me then. I saw this beautiful tribute on your Instagram feed to actress Marla Gibbs. Marla gave you your first big job playing her daughter on the show 227, when you were fourteen years old. You thanked her for all that she did for you as a mentor. You say, among many other things, “She taught me how to be a professional.” I want to ask you about some other influential people you’ve worked with over the years, and what your takeaway was from working with these people. Let’s start with Tupac Shakur, who you worked with in 1993’s Poetic Justice.
Regina King: I would say he’s a man that walked in his truth. Man, did he ever. That would be the biggest takeaway, in that he was just unapologetic, and it was beautiful.
TME: And working with Tom Cruise in 1996’s Jerry Maguire?
Regina King: An example of a consummate professional. If you hear anybody say that they don’t like that guy, hmmm, I don’t know. I’d have to go back and look in the books on that person. He’s a good guy, and he is a professional. He is that same example of what Marla [Gibbs] was, and I saw from him that it exists when you’re on that mega level.
TME: And working with Jamie Foxx in 2004’s Ray?
Regina King: Jamie is super talented. The first thing that came to my mind when you said “Jamie,” is that he’s a caring guy. He takes great care with things that he does, and with the people that he works with. That’s the reason why he’s so good at embodying a character, because he takes care with the details.
TME: I also came across a picture you posted with your son. You were waiting in line together to vote in the June primaries, and it was his first time voting. Finish this sentence for me: “I hope that in my son’s lifetime…”
Regina King: The first thing that came to my mind is that he wants to have children, but he goes back and forth between asking if it’s irresponsible to bring children into this world. And I see where he is coming from with that.
TME: Tell him that you have great faith in the next generation to lift the consciousness of this planet.
Regina King: Oh, I tell him that all the time, that I have great faith in him and his generation. Literally, from year to year with the conversations that we have, it goes from, “When I have kids,” to, “Man, I don’t know if I want to bring a kid into all this.” Just because of certain things that happen in the world. It’s the same reason you don’t want to turn on the news half the time.
TME: If there’s one thing the kids from Marjorie Stoneman Douglas High School in Parkland, FL, showed me, it’s that with the younger generations coming up there is a different level of consciousness, and it gives me great hope.
Regina King: What I love is that they’re able to articulate their passion in a way that is open. Whereas, I feel like a lot of our generation, we weren’t able to articulate our anger as effectively. There is a maturity present with the younger generation, but they still have that passion. It makes me more confident in what they can accomplish.
Catch Regina King’s Emmy-nominated performance in the limited series, Seven Seconds, streaming now on Netflix. Follow her on Instagram @iamreginaking and on Twitter @reginaking.
Joy Ride Is An Extremely Raunchy And Hilarious Comedy
Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.
The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.
I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.
Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?
Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.
The Last Voyage of the Demeter: Double-knock on wood!
Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!