The Academy of Motion Picture Arts and Sciences and The Linux Foundation today launched the Academy Software Foundation (ASWF) to provide a neutral forum for open source software developers in the motion picture and broader media industries to share resources and collaborate on technologies for image creation, visual effects, animation and sound.
“We are thrilled to partner with The Linux Foundation for this vital initiative that fosters more innovation, more collaboration, more creativity among artists and engineers in our community,” said Academy CEO Dawn Hudson. “The Academy Software Foundation is core to the mission of our Academy: promoting the arts and sciences of motion pictures.”
“Open Source Software has enabled developers and engineers to create the amazing visual effects and animation that we see every day in the movies, on television and in video games,” said Jim Zemlin, Executive Director of The Linux Foundation. “With the Academy Software Foundation, we are providing a home for this community of open source developers to collaborate and drive the next wave of innovation across the motion picture and broader media industries.”
The ASWF is the result of a two-year investigation by the Academy’s Science and Technology Council into the use of Open Source Software (OSS) across the motion picture industry. The survey found that more than 80% of the industry uses open source software, particularly for animation and visual effects. However, this widespread use of OSS has also created challenges including siloed development, managing multiple versions of OSS libraries (“versionitis”) and varying governance and licensing models that need to be addressed in order to ensure a healthy open source ecosystem.
“Developers and engineers across the industry are constantly working to find new ways to bring images to life, and open source enables them to start with a solid foundation while focusing on solving unique , creative challenges rather than reinventing the wheel,” said Rob Bredow, SVP, Executive Creative Director and Head of Industrial Light & Magic and Member of the Academy’s Science and Technology Council , Open Source Investigation Committee. “We are very excited to launch the Academy Software Foundation and provide a home for open source developers to collaborate , regardless of where they work, and share best practices which we believe will drive innovation across the industry.”
ASWF Mission: The mission of the ASWF is to increase the quality and quantity of open source contributions by developing a governance model, legal framework and community infrastructure that lowers the barrier to entry for developing and using open source software. Developers interested in learning more or contributing can sign up to join the mailing list at www.aswf.io/community.
The ASWF Goals are to:
Provide a neutral forum to coordinate cross-project efforts, establish best practices and share resources across the motion picture and broader media industries.
Develop an open continuous integration (CI) and build infrastructure to enable reference builds from the community and alleviate issues caused by siloed development.
Provide individuals and organizations with a clear path for participation and code contribution.
Streamline development for build and runtime environments through the sharing of open source build configurations, scripts and recipes.
Provide better, more consistent licensing through a shared licensing template.
“In the last 25 years, software engineers have played an increasing role in the most successful movies of our time,” said David Morin, Project Lead for the Academy Open Source Investigation. “The Academy Software Foundation is set to provide funding, structure and infrastructure for the open source community, so that engineers can continue to collaborate and accelerate software development for moviemaking and other media for the next 25 years.”
For more information about the Academy Software Foundation, visit http://www.aswf.io/.
The ASWF will have a significant presence at SIGGRAPH 2018. Interested developers and engineers can learn more about the ASWF by attending the keynote session on Monday, August 13, from 2:00 – 3:15 pm PT by Rob Bredow, SVP, Executive Creative Director and Head of ILM, or following the keynote livestream on YouTube or Facebook.
Conference attendees are also invited to participate in the Academy Software Foundation Birds of a Feather (BoF) session on Tuesday, August 14, from 9:00 – 10:00 am PT in the Vancouver Convention Centre, East Building, Room 11.
Academy Software Foundation Supporting Premier Partners
Founding members of the ASWF include: Academy of Motion Picture Arts and Sciences, Animal Logic, Autodesk, Blue Sky Studios, Cisco, DNEG, DreamWorks Animation, Epic Games, Google Cloud, Intel, Walt Disney Studios, and Weta Digital at the Premier level, and Foundry and SideFX at the General level.
Animal Logic
“Animal Logic is proud to be an inaugural member of this industry initiative to support foundational software on which future innovations will be developed. Combined with our open-source contribution through AL_USDMaya, this signifies our commitment to giving back to the community that has provided us with so much.”
Autodesk
“Autodesk understands and appreciates the diversity of our media and entertainment customer’s workflows and the critical role open source projects play in making them successful. We are very excited to collaborate with the Academy and The Linux Foundation to build this industry initiative to strengthen the projects and ecosystem we all rely on.”
Blue Sky Studios
“Blue Sky Studios is thrilled to be a part of the Academy Software Foundation launch. Open source technologies give filmmakers the wonderful opportunity to collaborate and give back to the community. As a studio we are committed to making entertainment that means something to the world, and are excited when other filmmakers do the same. With the ASWF we have the opportunity to help each other in this goal: to create technology for ourselves and each other, so we can craft beautiful and compelling stories that make us all proud.”
Cisco
“Cisco is joining the Academy Software Foundation to help fuel technology innovation in the creation and production of film and TV. Linux and OSS have become de facto standards across a wide number of industries, and we are realizing the distinct benefits for pre- and post-production as Hollywood and Silicon Valley continue to explore best practices for technology transfer.”
DNEG
“Open source software projects have contributed significantly to the success and growth of the Visual Effects industry. DNEG recognises the importance of these projects in the service of our key goal: participating in the telling of inspiring and innovative stories through technology. As such we are delighted to support the ASWF and are excited by the prospect of collaborating on the software that will form the basis of the future of our industry.”
DreamWorks Animation
“DreamWorks Animation is pleased to be a founding Premier member of the Academy Software Foundation. The formation of the Foundation underscores how vital open source technology is in the production industry, and how essential it is to future innovation and advancements. As an active open source contributor, and a dedicated consumer, we at DreamWorks Animation recognize the value of an oversight organization to ensure continued resources and momentum for software development.”
Epic Games
“Epic Games is committed to providing a new generation of real-time technology for the film and television industry based on standard technology and practices. We are strong supporters of open source software and open platforms, and are thrilled to be part of the new Academy Software Foundation.”
– Marc Petit, General Manager, Unreal Engine Enterprise at Epic Games
Google Cloud
“Google Cloud is excited to be a Premier member of the Academy Software Foundation and to help contribute to the open source standards for industry software. Our core belief in an open platform for cloud users echoes the sentiments of the VFX industry and we look forward to collaborating on projects that will benefit all users.”
Intel Corporation
“As a founding member of the Academy Software Foundation, Intel will join a vibrant community of studios, and software and hardware technology leaders to spur developer innovations and enable top-quality motion picture content that is better, faster and less expensive to make. Intel’s just announced Intel® Rendering Framework including software libraries Embree and OSPRay, and the new OpenImageDenoise library, can be used by ASWF members to develop compelling motion pictures and visual effects with all the benefits of open source solutions on Intel® architecture-based systems.”
The Walt Disney Studios, including Walt Disney Animation Studios, Industrial Light & Magic, Pixar Animation Studios and Marvel Studios
“The creation of the Academy Software Foundation is an important and exciting step for the motion picture industry. By increasing collaboration within our industry, it allows all of us to pool our efforts on common foundational technologies, drive new standards for interoperability and increase the pace of innovation.”
Weta Digital
“We are proud to help establish the Academy Software Foundation as a Founding member. Thoughtful curation and dedicated financial commitment to open source platforms and standards is vital for our industry as we mature. The pace of innovation in visual effects is supported by a reliable platform of technology contributions by many companies and groups. The Academy Software Foundation will provide a unique collaboration environment that marries the interests of all parties and ensures the industry’s history of experimentation and creativity will continue well into the future.”
Director: Adhik Ravichandran
Starring: Ajith Kumar, Arjun Das, Trisha, Simran
Genre: Action / Crime Drama
Rating: 4.5/5
“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.
“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.
While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.
The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.
“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.
In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!
When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting. And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!
Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home.
Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence.
Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.
The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!
However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene.
Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes.
My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues.
I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.
Presence is available to stream.
Three and a half stars.
Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan
Overview
Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.
Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.
Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.
The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.
The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.
Rating: 9/10
Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.
Pros
- Unparalleled hand-drawn animation
- Unique art direction inspired by traditional Chinese painting
- Rich mythological lore
- Epic fight choreography
Cons
- Sparse episode release
- Story pacing can be uneven at times
Final Verdict 9/10
If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.
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