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5 Expectations for Stan Against Evil Season 3

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I would like to start this article by introducing myself. My name is Nick Thyes and I am a “Stan Against Evil” fan. So much so that I created a podcast about it called “Pod Against Evil”, which led the fine people of “That’s My Entertainment” inviting me to write about this amazing little horror show. Since season 3 will be arriving this fall, I think it would be fun to go over some expectations for the new season. From what we have seen from the first two seasons of the show, I think I can sum up what “Stan Against Evil” has in store for us in one word… “More”
SAE is one of those shows that knows what it is and accomplishes what it sets out to do in a spectacular way. It is a show that really doesn’t need to change anything major about itself in order to be successful. All it really needs to do is give us more of what we love. And since that is exactly what happened with season 2, I think it stands to reason, we can expect that from the next season as well. So without further ado, here are the top 5 things I am expecting/hoping for from season 3 of “Stan Against Evil”.

1) More Crazy Monsters

“The pony needs blood!”

There is nothing like a special effects team firing on all cylinders, creating delightful practical monstrosities. The show already has an amazing menagerie of witches and monsters, potbelly demon pigs, evil infants, and the glory that is the werepony. I don’t see why this would change for season 3 and I wait eagerly to see what deliciously devious horrors the show throws at us. The news that David Koechner is returning and will have a storyline in which he changes into some type of insect creature has me feeling comfortably assured on this particular front. Keep up the great work Autonomous FX.

2) More Great Guest Stars

“Showmanship and Pizzazz!”

SAE has had it’s share of amazing guest stars including the likes of Patty McCormack, Jonah Ray, Steven Ogg and honestly any horror comedy show that doesn’t have Jeffery Combs in it at some point, is doing something wrong. This also looks like a tradition that will continue as it is already confirmed some of the people appearing will be Christopher Mintz-Plasse as a star from a fictional vampire show, Scott Adsit as an apathetic demon-plumber, and Maria Bamford as the no-nonsense Nurse Pickles and also the second voice talent the show has utilized from “Legend of Korra” which is never a bad thing in my book.

3) More World Building

“A place full of ding dongs doing all kinds of bologna”

The show has been expanding it’s mythos overtime and considering how season 2 ends, I expect there to be a big shift in the dynamic of at least the first few episodes. I don’t think anything too big should be expected, as this show is at its best when it is doing the monster of the week thing with long running plot stuff in the background. Season 2 makes a great move of giving some background to the witches and demons that are after our dynamic duo. Just a little explanation of how they ran afoul of Constable Eccles goes a long way in giving us some pathos to these poor souls and makes Eccles feel like a constant pervading threat. I hope they continue this as well as show us a little bit more of the Black Hat Society and what it does during the whole demon apocalypse thing.

4) More Denise!

This is a more personal one for me since I am a millennial that feels constantly unprepared for being an adult in the real world and I feel that Denise is my spirit guide. Deborah Baker Jr. kills it in this part, she was born to play. I would absolutely love if, in the new timeline, she assumed Claire’s role and Stan and Evie find her leading some kind of resistance as some sort of Buffy/Mad Max hybrid. Oh! Or maybe a body switch episode where we can see Varney or McGinley’s impression of Denise. I could do this all day!
What can I say? She is my favorite character on the show and I selfishly want more of her.
Sue me!

5) More Dynamic Duo Bonding

Of course what’s really at the heart of the show is the relationship between the two leads. John C McGinley is a comedic TV legend and Janet Varney rises to his level and then some. What I think people take for granted is how much John and Janet sell their emotional beats here. Whether it is Stan taking a moment to grieve his wife or Evie portraying gratitude and understanding with just a look, these two sell the crap out of their emotional bond and deeper relationship in mere seconds. They are friends of the deepest kind. The kind that have been through hell together. While they are both too tough to ever admit how much they respect one another, I hope to see more of these rare moments of acknowledging their building relationship. I would seriously love if the last shot of this show was just these two sitting on the coach together watching TV and sharing a beer.

And that is my top 5 expectations for Season 3. What are some of your expectations? Leave a comment below or hit me up on twitter at @NickThyes. In the meantime keep those shovels up Stan fans!

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Review of Meiyazhagan on Netflix

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Netflix’s Meiyazhagan is an evocative Indian drama that dives deep into themes of familial loyalty, personal ambition, and the cultural intricacies of rural Tamil Nadu. Directed by C. Prem Kumar, a promising filmmaker with an evident love for authentic storytelling, Meiyazhagan delivers a rich narrative that resonates with viewers on both an emotional and cultural level.

The story follows Meiyazhagan, a young man torn between his duties to his family and his aspirations to escape the confines of his small village. Set against the lush backdrop of Tamil Nadu’s countryside, the film masterfully intertwines his struggles with the region’s socio-economic challenges. The story explores timeless themes of tradition versus progress, community dynamics, and the consequences of breaking societal norms.

The cast is exceptional, with the titular role played by Karthi who captures Meiyazhagan’s internal conflict with raw vulnerability. His nuanced performance is matched by the supporting cast. The romantic subplot is tender yet grounded, providing an additional emotional layer without detracting from the main narrative.

The cinematography is a visual feast, with every frame highlighting the vibrant landscapes of Tamil Nadu. From bustling village markets to serene agricultural fields, the film immerses the audience in its setting. Traditional Tamil folk music underscores key moments, enhancing the authenticity and emotional weight of the scenes.

For international audiences, Meiyazhagan is available with subtitles and a dubbed version. While the subtitles capture the essence of the dialogue, purists will appreciate watching the film in its original Tamil language for its linguistic nuances. The dubbing is serviceable, though it loses some of the emotive depth conveyed by the actors’ voices.

Meiyazhagan is more than just a coming-of-age story; it’s a poignant reflection on the importance of cultural identity in a rapidly modernizing world. The film doesn’t shy away from portraying the harsh realities of rural life but balances this with moments of hope and humor, leaving the audience both moved and inspired.

At times, the pacing lags, particularly in the second act, where certain subplots feel unnecessarily prolonged. Additionally, while the cultural depth is commendable, some viewers unfamiliar with Tamil traditions might find themselves longing for more context.

Meiyazhagan is a heartfelt drama that offers a compelling narrative, exceptional performances, and an authentic portrayal of Tamil Nadu’s cultural richness. Despite minor pacing issues, it is a must-watch for fans of Indian cinema and those seeking stories that bridge the gap between tradition and modernity.

Final Rating: ★★★★☆ (4/5) Whether you’re a seasoned fan of Indian movies or a newcomer to Tamil cinema, Meiyazhagan on Netflix is a cinematic journey worth embarking on.

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Review: Arcane Season 2

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The long-anticipated second season of Netflix’s Arcane continues to push the boundaries of animation and storytelling. Following the explosive events of Season 1, tensions escalate between the affluent city of Piltover and the struggling undercity of Zaun. The narrative focuses heavily on the strained relationship between Vi (Hailee Steinfeld) and her volatile sister, Jinx (Ella Purnell). Their dynamic remains the emotional core of the series, with both actresses delivering compelling performances that heighten the show’s drama.

The animation remains a standout, blending 3D elements with hand-drawn aesthetics and experimenting with styles like sketch-like pencil work and chromatic watercolors during emotional or metaphysical sequences. This fusion of mediums elevates the viewing experience.The show delves into complex themes of power, vengeance, and loss. While it occasionally leans into heavy-handedness, these moments are offset by its gripping character arcs and poignant emotional beats.

Music Integration: The soundtrack plays a significant role, with original songs enhancing both action-packed and introspective scenes. While some sequences verge on being overproduced, others strike a perfect balance, deepening the narrative impact.

Season 2 is divided into three acts, with Act II providing a slower, more contemplative pace that allows for richer character development. The fast-paced action sequences are breathtaking, though they can sometimes feel overwhelming.

Arcane’s second season solidifies its position as one of the most ambitious animated series of its time. It successfully combines striking visuals, compelling storytelling, and emotional depth, making it a must-watch for both fans of the original and newcomers. While not every moment lands perfectly, the series’ bold approach to animation and narrative ensures its lasting impact.

Rating: 9/10

Sources: Empire Online, Polygon, and Forbes reviews.

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Review of Black and White Spoon on Netflix

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Netflix’s Black and White Spoon is a Korean culinary competition series that seamlessly blends artistry, culture, and high-stakes drama into an unforgettable viewing experience. From its sleek production values to its deeply emotional storytelling, this show offers more than just tantalizing dishes—it serves a heartfelt exploration of culinary passion and perseverance.

The series pits contestants against each other in a dual-themed format where they must create dishes inspired by opposing concepts—light versus dark, sweet versus savory, or tradition versus innovation. This premise challenges the chefs’ creativity while providing viewers with visually stunning plates and fascinating backstories about Korean cuisine and its global influences.

The judges are a mix of culinary experts, celebrity chefs, and cultural critics, each bringing a unique perspective. Their feedback is sharp, insightful, and, at times, surprisingly emotional, further heightening the tension.

What sets Black and White Spoon apart is its emphasis on storytelling through food. Each episode dives deep into Korean culinary heritage, intertwining it with personal anecdotes from the contestants. Dishes are not merely judged on technical precision but also on the emotional resonance they evoke. For instance, a simple kimchi stew becomes a tribute to family ties, while a modern take on bibimbap showcases the fusion of tradition and innovation.

The cinematography deserves special mention. Every shot of sizzling grills, delicately plated meals, and reactions from the judges feels like an art piece. The pacing, however, can sometimes feel uneven. While the personal stories add emotional weight, they occasionally overshadow the cooking itself, leaving food enthusiasts craving more behind-the-scenes action in the kitchen.

Black and White Spoon is an inspiring and visually rich series that celebrates the art of cooking and the complexities of Korean cuisine. Its emotional depth and cultural insight make it a standout in the crowded genre of food competition shows, though slightly better pacing could elevate it further.


This is a must-watch for foodies, fans of Korean culture, and anyone who loves the blend of artistry and competition in culinary storytelling.

Final Rating: ★★★★☆ (4.5/5)

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