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“Master of Dark Shadows” Might Be A Glorified Obituary

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There are two reviews to be written about Master of Dark Shadows, a new documentary nominally about producer/director Dan Curtis. For those of you already immersed in his work, there’s not much in the film you won’t already know.

Worse, much of Curtis’ career is reduced to bullet points between the demise of “Dark Shadows” — the Gothic soap he created in 1966 — and his expensive television collaborations with Herman Wouk in the 1980s, “The Winds of War” and “War and Remembrance.” The cover art might depict Carl Kolchak, the Zuni Fetish Warrior from “Trilogy of Terror” and Bette Davis in “Burnt Offerings,” but “Master of Dark Shadows” breezes past them with barely a mention. Worse, they’re referenced only in regards to Curtis’ interest in escaping the horror ghetto, which is not especially flattering to those works or their fans.

Still, as someone who loves many of the movies and television series touched upon in the film, it felt nice to spend a little time with old friends. Master of Dark Shadows might be a glorified obituary, but it’s an obituary for someone whose work I adore. I’m glad this movie exists, even if the content is a little underwhelming.

For those of you less familiar with Curtis, think of Master of Dark Shadows not as an obituary, but as a 100-level college course. From a cultural perspective the movies and television shows he created, produced, directed or championed make up some of the fundamentals of American horror. I’d put Dan Curtis in the same category as Rod Serling, Richard Matheson and sure, even Joss Whedon.

You always know when you’re watching a Dan Curtis production, credits be damned. They’re deeply American in their sensibilities, which often makes them difficult to parse. He shares Hammer’s interest in formal wear and cleavage, but none of their sense of grace and moral tradition. I’ve compared his first feature, House of Dark Shadows, to Italian Giallo films, but that comparison falls shy of being correct because of the stodgy displays of sexuality in his movies. Curtis also loved classic monsters like vampires, ghosts and witches, but preferred to slam them together against the nihilistic sensibilities of 1970s cinema. There are no happy endings in a Dan Curtis production.

Of course, none of this is really discussed in Master of Dark Shadows. Instead, director David Gregory holds our hand as he walks us briefly through the early days of Curtis’ career as a salesman for syndicated television and his first real success as a producer, bringing golf to television with “Challenge Golf.” Curtis was able to parlay this success into making a pitch for a dramatic series, negotiating with ABC in 1966 for a project that became Dark Shadows. After a slow start, the Gothic soap became a television sensation, and it’s here in the film that Jonathan Frid wrestles away control of the narrative from both Curtis and Gregory. Which is no small feat for a man who has been dead since 2012.

Despite being billed as “The Gothic World of Dan Curtis,” the majority of Master of Dark Shadows is spent discussing Dark Shadows. And whenever you discuss Dark Shadows, you’re going to spend most of your time talking about Frid, the Canadian actor who joined the cast more than 200 episodes into the show’s run and became a pop culture sensation. The gaunt, middle-aged alumnus of Yale and Oxford was set to retire from acting when offered the role of Barnabas Collins…a year later he found himself an unlikely teen heartthrob appearing on the covers “Tiger Beat” and “Sixteen” alongside Davey Jones and David Cassidy.

Image courtesy of collinsporthistoricalsociety.com

More than an hour passes before Master of Dark Shadows moves on from Dark Shadows and Jonathan Frid, spending about 10 minutes on his Herman Wouk adaptations (the first of which, The Winds of War, cost a whopping $38 million to produce — less than some actual wars) before moving back to… Dark Shadows. In this case, it’s the 1991 prime-time “revival” series for NBC, but even in this sequence — the final one in the documentary — you can sense resentment from Curtis over having to return to the well.

Ben Cross, the actor who succeeded Frid in the role of Barnabas Collins, says Curtis wanted to distance himself from the original series to such an extent that he asked the cast not to watch it. Decades later, on another channel and shooting on a different coast, Curtis still found himself in the shadow of Jonathan Frid.

Master of Dark Shadows closes on footage from the 50th anniversary Dark Shadows Festival in 2016 in Tarrytown, New York, and some words from Curtis that Gregory must not have digested. “I’ve always said I’d be remembered for Dark Shadows,” Curtis says in an interview taped sometime before his death in 2006. “And not things I really cared about, which were the great epics that I made. ‘Dark Shadows’ will be the thing that will be on my gravestone.”

When the closing credits begin to roll, it’s over the face of Frid as Barnabas Collins, fangs bared in a panel from the 1971 Dark Shadows newspaper comic strip.

Image courtesy of collinsporthistoricalsociety.com

Frid manages to upstage Curtis in the documentary’s bonus features, too. Among them are a delightful 1968 appearance by Frid on “The Dick Cavett Show” in which the two actors try to out-manner each other. (The episode has been lost, but has been “reconstructed” with stills and audio of the appearance.) There’s amazing newsreel footage of Frid’s 1969 UNICEF Halloween appearance at The White House with Tricia Nixon, plus his “Shakespeare & Poe in the Shadows” PBS special from 1983.

Dark Shadows cast member Kathryn Leigh Scott takes us on a guided tour of the New York City studios used by the show in the 1960s, which is invaluable because the studio has since been demolished. And … well, there’s lots of great bonus features on Master of Dark Shadows. My reaction to the documentary might be lukewarm, but the special features make this disc an essential part of any Dark Shadows fan library.

You can find read more from Wallace on Dark Shadows at
http://www.collinsporthistoricalsociety.com

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Baahubali: The Beginning

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Rating

Storyline: 9/10

Performances: 9/10

Direction: 10/10

Visuals and VFX: 10/10

Music: 8.5/10

Overall Rating: 9.5/10


S.S. Rajamouli’s Baahubali: The Beginning is a magnum opus that redefined the landscape of Indian cinema. Released in 2015, this epic historical drama captivated audiences worldwide with its grandeur, compelling storytelling, and unforgettable characters. With a mix of mythological inspiration and cinematic spectacle, Baahubali: The Beginning sets the stage for an extraordinary tale of power, betrayal, love, and legacy.

The film tells the story of Shivudu (Prabhas), a young man raised in a tranquil village who is drawn to the mysterious and towering waterfall near his home. His curiosity and courage lead him to the kingdom of Mahishmati, where he uncovers his royal lineage and his connection to the legendary warrior, Amarendra Baahubali (also played by Prabhas).

The narrative is skillfully interwoven with flashbacks revealing a tale of palace intrigue, betrayal by Bhallaladeva (Rana Daggubati), and the valor of Baahubali. The first installment ends on a cliffhanger that leaves viewers yearning for answers about the fate of Baahubali and the sinister conspiracy surrounding his death.

Prabhas as Shivudu/Amarendra Baahubali: Prabhas delivers a dual performance that is both regal and relatable. His commanding presence as Baahubali is balanced by the playful and curious nature of Shivudu. Rana Daggubati as Bhallaladeva: Rana embodies menace and ambition, portraying a formidable antagonist. His physicality and intense expressions add depth to his character. Anushka Shetty as Devasena: Though her role is limited in this installment, her fiery spirit and tragic undertones leave a lasting impression. Tamannaah Bhatia as Avantika: Tamannaah brings grace and strength to Avantika, a rebel fighting for Mahishmati’s freedom. Ramya Krishnan as Sivagami: Arguably one of the film’s standout performances, Ramya Krishnan’s portrayal of the steely and noble queen is unforgettable.Sathyaraj as Kattappa: Sathyaraj adds emotional weight and intrigue to the story as the loyal yet enigmatic warrior.

S.S. Rajamouli’s vision is unparalleled. His ability to blend mythological grandeur with human emotions ensures the story resonates universally. K.K. Senthil Kumar captures the magnificence of Mahishmati and the breathtaking landscapes with a keen eye for detail. The film’s VFX is groundbreaking for Indian cinema, particularly the waterfall sequences and battle scenes. M.M. Keeravani’s music is a soul-stirring mix of grandeur and emotion, amplifying key moments. The intricate set designs and costumes reflect the film’s epic scale and authenticity.

Baahubali: The Beginning explores themes of heroism, loyalty, family, and the thirst for power. It highlights the cultural richness of Indian storytelling while presenting it in a universally accessible format. The film’s success not only established Telugu cinema on the global stage but also proved that regional Indian films could achieve blockbuster status internationally.

Baahubali: The Beginning is more than a film; it is an experience. Its blend of epic storytelling, jaw-dropping visuals, and powerful performances makes it a landmark in Indian cinema. The movie is a must-watch for anyone who appreciates grand narratives and larger-than-life characters. It leaves you in awe and eagerly anticipating the sequel, Baahubali: The Conclusion.

Whether you’re a fan of historical epics or someone looking for an immersive cinematic experience, Baahubali: The Beginning is a film that transcends boundaries and sets a gold standard for Indian films on the global stage.

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Love Hurts Delivers High-Octane Action with Heart

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Rating: 8/10

Genre: Action, Comedy

Runtime: 83 minutes

Director: Jonathan Eusebio

Writers: Matthew Murray, Josh Stoddard, Luke Passmore

Studio: 87North Productions, Universal Pictures

Stars: Ke Huy Quan, Ariana DeBose, Daniel Wu, Marshawn Lynch, Mustafa Shakir, Lio Tipton, Rhys Darby, André Eriksen, Sean Astin

Marvin Gable (Ke Huy Quan) is a former hitman who has reinvented himself as a successful realtor in suburban Milwaukee. But his peaceful life is shattered when Rose (Ariana DeBose), his former partner and lost love, reappears with a chilling warning. Adding to the chaos, Marvin’s estranged brother, Knuckles Gable (Daniel Wu), a ruthless crime lord, is on a relentless hunt for him. Forced to confront his past, Marvin must fight his way through old enemies and long-buried secrets—all while trying to keep his new life intact.

From the moment Love Hurts begins, it grips the audience with a pulse-pounding blend of action, comedy, and emotional depth. Director Jonathan Eusebio, best known for his stunt work in John Wick and Deadpool 2, makes a stellar transition to the director’s chair, delivering slick, hard-hitting action sequences that showcase his mastery of fight choreography.

Ke Huy Quan, in his first major leading role since his Academy Award win, is an unconventional yet compelling action star. He brings an everyman charm to Marvin, making him both relatable and surprisingly lethal when pushed to the edge. Ariana DeBose shines as Rose, exuding charisma and wit, while Daniel Wu commands the screen as a menacing yet layered villain.

The film moves at a breakneck pace, balancing high-octane action with well-timed humor and emotional weight. The chemistry between Quan and DeBose adds depth to the story, making their characters’ relationship feel authentic. While the plot treads familiar ground, it’s executed with such energy and style that it remains thoroughly engaging.

Love Hurts is a thrilling action-comedy that delivers intense fight sequences, sharp humor, and a heartfelt story. Ke Huy Quan proves that he’s not just a comeback story—he’s a bona fide action star. While the film doesn’t reinvent the genre, it executes its formula with precision and flair, making it a must-watch for action fans.

Final Rating: 8/10—An electrifying mix of action, comedy, and heart that proves love—and revenge—can hurt in all the right ways.

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Preview: War 2 – NTR Jr. and Hrithik Roshan Collide in an Action Extravaganza This July

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The stage is set for one of the most anticipated cinematic showdowns of 2025 as War 2 unites Hrithik Roshan and NTR Jr. in a high-octane spy thriller. Releasing in July 2025, this sequel to the 2019 blockbuster War promises to be a game-changer for Indian action cinema, combining heart-stopping stunts, gripping drama, and unparalleled star power.

Hrithik Roshan reprises his iconic role as Kabir, the brilliant and unrelenting intelligence officer. Opposite him, NTR Jr. delivers another powerhouse performance following his success in RRR and the recently released Devara. NTR Jr.’s portrayal in Devara, a gritty and emotionally charged action-drama, has already cemented his status as one of the most versatile stars of Indian cinema. His role in War 2 is rumored to bring an intense, enigmatic energy that will complement and challenge Hrithik’s suave and strategic Kabir.

Directed by Ayan Mukerji (Brahmāstra, Yeh Jawaani Hai Deewani), War 2 is a pivotal entry in YRF’s expanding spy universe, which includes blockbusters like Pathaan and Tiger Zinda Hai. Mukerji’s direction is set to deliver a perfect blend of jaw-dropping action sequences, emotional depth, and a storyline that interconnects the spy universe’s key players.

The combination of Hrithik Roshan’s finesse and NTR Jr.’s raw intensity promises fireworks on the big screen. Both actors have proven their mettle in action-packed roles, and their pairing is already creating a buzz among fans worldwide. The film’s international locales, intricate espionage plot, and adrenaline-pumping action set pieces ensure that War 2 will be nothing short of a visual spectacle.

Having already conquered audiences with his portrayal in Devara, where he showcased his commanding presence and action chops, NTR Jr. brings fresh excitement to War 2. His collaboration with Hrithik Roshan is a casting masterstroke that raises the stakes for this ambitious sequel.

Mark your calendars—July 2025 will be an unforgettable month for Indian cinema as War 2 takes audiences on a rollercoaster ride of action, intrigue, and star-studded brilliance.

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