Listed by Sports Illustrated as one of the greatest wrestlers in WWE history, few wrestlers, or entertainers for that matter, have done more to brand their name than Chris Jericho.
From the eponymous List of Jericho, a bit he made famous on the WWE stage, to his rock n’ roll persona which has become part of his identity from the wrestling ring to his heavy metal rock band, Fozzy, “Jericho” is synonymous with an over-the-top drive that knows no bounds, and some say, an ego to match. We discuss the motivation behind his unrelenting self-promotion, and work ethic, throughout our talk.
Talk is Jericho is his popular Westwood One podcast show; But I’m Chris Jericho, a streaming comedy series, is going into its second season (CBC Canada); and a collaboration with Hot Topic clothing stores on a T-shirt featuring his likeness and emblazoned with “Jerichoholic,” ensures his name and image are everywhere these days.
In Jericho’s new book (the fourth one he’s written, if you’re counting), No Is A Four-Letter Word, Jericho describes himself as an underdog who set his sights on professional wrestling and rock n’ roll, while growing up in a small town in Winnipeg, Canada. As a teen, he dreamed about making it big, though he says he got little support from friends and acquaintances in his small “prairie town” as he puts it. It was his father, a retired NHL hockey player, and his grandmother, an enthusiastic wrestling fan, who gave him the confidence needed to pursue his dreams.
He favors using his name, Jericho, to saying “I” or “Me,” when speaking about himself, and pulls no punches when discussing his success, both, inside and outside the ring.
Chris Jericho is determined to give the biblical Walls of Jericho a run for its money with respect to historical value.
TME: Tell me about your stage name “Jericho.”
Chris Jericho: It just sounded cool. I originally thought up the name “Jack Action,” and the guy I was originally training with started laughing at Jack Action (Laughs). At the time I needed to think of a name quickly, because I had a show coming up in three weeks. I was into a band called The American Dream, and they had an album called Walls of Jericho. I was in my car, I looked at that album and I thought, “That’s a pretty cool name.” I was also a big fan of the show Teen Titans back then, and there was a character called Jericho, although he was the character with the worst superpowers. But the combination of the two and I thought, “Chris Jericho.” When I was training in Canada, they wanted me to be a country western type of character called Cowboy Chris Jericho, and I was mortified about that because I was a rocker guy. In my very first match, I’m listed as “Cowboy Chris Jericho” from Casper, Wyoming.
TME Then you quickly made your transition to a rock-n-roll character, I’m assuming.
Chris Jericho: Well, yeah. I mean, my character wasn’t necessarily a rocker at that point. I just wasn’t a cowboy (laughs).
TME: I read your latest book, No Is A Four-Letter Word. You’re a “Mountains in the Distance” kind of a guy. You don’t rest on your laurels. It’s not about the mountain that’s already been climbed; it’s about that next mountain in the distance. Even though you’ve done a million different things, is there a dream or goal yet to be fulfilled?
Chris Jericho: I don’t really have an answer for that, because I don’t set goals or boundaries for myself. I react and go with the flow of opportunities that are offered to me. When I was a kid I wanted to be in a rock n’ roll band and I wanted to be a wrestler; those were the two goals. People didn’t think I could do either of them. But here we are 27 years later. Once you get that kind of confidence and success rate, then you become dangerous. Now I’ll try anything and most of the time it’s a success. I don’t do anything for the money. I don’t do anything that I don’t feel that I want to do. Therefore, it all flows together because I’m just being me and committing to something, and wanting it to be good. It’s when you don’t feel right about something. It’s like if you were writing a piece about someone that you’re not really feeling, and not into. It’s never going to be as good as something that you’re excited about and want to do. Even talking about But I’m Chris Jericho, this is an idea I had in 2005 when I left the WWE and took a break because I was burned out. I went to LA to study acting. I’d go to these auditions and there would be ten guys who looked exactly like me. You go in and do one line like, “These pretzels are making me thirsty.” And it was like, “Thank you. Next.”
TME: I like the Seinfeld reference…
Chris Jericho: I’d be thinking, “But I’m Chris Jericho. I have a fanbase and notoriety.” I learned in Hollywood that nobody gave a shit. I thought, what would happen if Jericho got blackballed from wrestling and had to start from scratch as an actor? That’s where the idea came from for But I’m Chris Jericho. I pitched the show for 8 years! It was finally sold in 2013 for a first season. Then it took four years for the second season to be made.
TME: Why is that? I watched the first season of the series, which was hilarious. Loved it! Why did it not get picked up for a second season until 2018?
Chris Jericho: That’s the million-dollar question, because it was a hit and it won a lot of awards. At the end of it, I realized it was really good, and we created this universe with all these wacky characters; Scott Thompson was in it, Colin Mochrie was in it from Who’s Line Is It Anyway. Andy Kindler from Everybody Loves Raymond and Bob’s Burgers. These are really funny people. We won awards at the Los Angeles Film Festival, Toronto Film Festival, Vancouver Film Festival.
TME: How did the show get revived?
Chris Jericho: CBC Network in Canada called a year ago and they wanted to do another season. It’s really gratifying. If I believe in something, I will do everything I can to make it happen. After we did the first season, and you were talking about the mountain, I wanted to do more. I knew there was something to this show that was special and funny. Thankfully, finally, CBC agreed with that. If you really want something to happen, sometimes it doesn’t happen easily, and that’s okay. You have to believe in it and stick with it, even if it’s not easy.
TME: Do you consider yourself to be a great manifester?
Chris Jericho: I look at it as being positive and believing in yourself, and eliminating negativity. That was something I learned way early on in my career when I was starting out as a wrestler at nineteen. People see me now as one of the greatest wrestlers of all time, but that wasn’t always the case. Everyone laughed when I originally said I wanted to be a wrestler; literally laughed. One time at church the pastor said, “Chris is going to Calgary to be a wrestler,” and he started laughing. I eliminated those people. Anyone who thought that I couldn’t do it or gave me any kind of negativity, I didn’t allow it to permeate.
TME: What do you teach your three kids about making their dreams come true, or do you simply lead by example?
Chris Jericho: Just set an example, because they’re young right now. One thing I don’t tolerate in my house is if they say, “Well, I’m not good at this,” or “I suck.” No, you don’t! If you want to be good at something, you have to put the time in. That’s the thing with a lot of kids these days, or maybe always; trying once or twice, and if it doesn’t work out they go on to the next thing. If you really want to do something, for example, if you really want to play basketball, it takes more then three free throws at the net to get good. You’ve got to spend hours practicing. That’s what I show my kids, that hard work always wins.
TME: Denzel Washington has a saying he uses a lot that I love – “anything you practice, you get good at.”
Chris Jericho: It’s true. And some people do have a natural talent for something. I could play guitar every day, and I’m not necessarily going to be Eddie Van Halen, but I could probably get to be a pretty damn good guitar player. And don’t worry about what this guy down the block is doing or succeeding at. It’s about, how can you improve yourself on a daily basis? How can you get better at what you want to do? Don’t worry about anybody else. Be happy with what you’re doing.
TME: Which opportunity came first for you, the WWE or your band Fozzy?
Chris Jericho: I started playing music when I was thirteen or fourteen. I began wrestling at nineteen. The wrestling took off first, but I still always dabbled in the music. Then I finally met the right guys, and the music came to fruition in 1999. I was finally able to start working on music because I had finally met the right guys that I wanted to play with. I’ve always had to keep both vocations separate, because a lot of times a celebrity will start a band more as a novelty and sometimes they’re not really all that good at it. I knew I would have to work twice as hard to get respect because of who I am, but that’s fine. There is a select group of people who can do both. Taylor Momsen of Reckless, Jared Leto with 30 Seconds to Mars, or Johnny Depp with Hollywood Vampires. If you’re good, you’re good. A good song and a good musician is a good song and a good musician. Doesn’t matter what else you do on the side. I don’t mind going the extra mile to prove to people that Fozzy is a great rock n’ roll band. Judas (the group’s 7th studio album) has been in the top ten for nine weeks on radio, and doing ten million streams.
TME: Do you feel that Fozzy has arrived? Or do you feel you have something more to prove?
Chris Jericho: We’ve definitely arrived, and we’re bigger now than we’ve ever been. If we stopped tomorrow that’s fine, but until we’re headlining arenas, headlining stadiums there’s always more you can do and bigger you can get. But I’m not worrying about what the Rolling Stones are doing; I’m worrying about what Fozzy is doing. As of right now, we’re the biggest we’ve ever been with a legit hit song, so yeah, we have arrived. We’ve had some other hit songs, but Judas is on a completely different level. I call it The Judas Effect. The awareness of the shows and the awareness of the band, they’re playing it at hockey games now.
TME: Do you see Fozzy, at some point, headlining at Madison Square Garden?
Chris Jericho: Absolutely. If I didn’t… quit now. I grew up in Madison Square Garden. My dad (retired NHL player, Ted Irvine) used to play for the New York Rangers. I remember sitting in the crowd at three or four years old watching him play, and hating the fact that it was so loud. The crowd was so loud, and fast forward to 1999, I made my first appearance at Madison Square Garden for WWE. Then fast forward a couple of years later in 2008, John Cena and I had a cage match that broke the box office attendance record for the WWE Main Event at MSG. It all comes full circle. And, yes, now I want to take Fozzy to Madison Square Garden.
TME: I want to talk about your dad, Ted Irvine, who as we were discussing, was a successful NHL hockey player with the New York Rangers. Was there ever a time when you wanted to follow in his footsteps to become a professional hockey player?
Chris Jericho: No. After my dad retired we moved to Winnipeg [Canada], and everybody plays hockey there; it’s just what you do. I had fun playing hockey; it was a great childhood experience. But honestly, I just wasn’t very good at it. There were four tiers. Tier 1 were the best guys, tier 4 were the worst. I was always a tier 3 guy. They would have tryouts, and I could never even get to tier 2. I wasn’t the worst player, but I wasn’t the best. My dad knew it; he knew I enjoyed it, but the passion wasn’t there. I was always passionate about music and wrestling. Once I let him know what I wanted to do, he was super supportive. We drove out to Calgary to check out the wrestling school, the year before I left to go in 1989. He drove me out there to see what his son was going to be getting into. He was always very, very supportive because he knew hockey wasn’t my thing.
TME: Why wrestling?
Chris Jericho: Why does the world rotate? It always appealed to me. My grandma used to watch it when I was a kid. She’d freak out and yell and scream at the TV. There was always this Saturday trifecta of Bugs Bunny, wrestling and then hockey on television. That was just a Saturday night. She always loved wrestling, and I always enjoyed it and watched it with her. Hockey was always about the team. I liked that wrestling was about the individual and the characters and personalities. Because I was really into music, I liked that a lot of wrestlers had a kind of rock n’ roll type of attitude and image. I became mystified by it.
TME: The theatrics of it all; the combination of theatrics and athleticism in one…
Chris Jericho: Exactly, and characters… the personalities. That’s where it all started. I became a big wrestling fan. I was watching a local wrestling show from Calgary and they advertised the wrestling school on there, and that was it. You’d see wrestling shows on television that were from New York, California, Chicago. Back then, New York might as well have been Mars! How the fuck was I going to get to New York? But Calgary, I could get in my car and drive there in thirteen hours. I decided I wanted to go to Calgary and train how to wrestle.
TME: You talk in your book about your experience in Saudi Arabia, when you were there wrestling for the WWE. You were shocked that women in Saudi Arabia were not permitted to attend your show. You had a lot of female fans there who weren’t able to come see you. They stood outside by the road to catch a glimpse of you or get a wave from you, because that was the closest they were going to get to seeing your match. In light of what is going on in the United States right now, with women fighting for equal treatment in the workplace, and in general, and the fact that you have daughters, what kind of impression did that experience leave with you? How do you feel about it, and would you go back to Saudi Arabia?
Chris Jericho: I’m not going to protest it. When you travel the world, different countries have different customs. Different religions have different customs; different races of people, depending upon where you are, have different customs. You can’t mess with it, you know? When in Rome, as the saying goes. I’m not going to protest going to Saudi Arabia because they don’t allow women to go to the shows. I think it’s ridiculous, and it hurt the business. You go and play to a 70% full house because there’s only guys in there. The vibe is different. It’s not as fun, because you don’t have that female element and the reaction they give you. And why wouldn’t you want women there? But that’s how it is. I can’t change the entire Muslim tradition and the way they do things. I just observe. It’s like the Prime Directive in the Star Trek universe. You can observe, and if you can’t change it, don’t try to.
TME: Let’s talk about your podcast on Westwood One, Talk Is Jericho. Do you feel like something of a journalist when you are interviewing guests for your show?
Chris Jericho: I don’t do interviews in that way. It’s more of a conversation. It’s more about relating, talking, connecting and just having a great conversation. There aren’t questions or a specific structure. When people leave my show, they leave thinking it was a fun show and they were excited to be a part of it. It’s more about being curious and personable, and respecting people who have accomplished something, whether it’s the most famous of actors, hall of fame musicians or a guy I went to high school with. People follow me because it’s Jericho’s show, not so much because of who I have on.
TME: I read you’re making an appearance at WWE Monday Night Raw this year. Can you tell me about this appearance?
Chris Jericho: They’re having their 25th anniversary show. A bunch of people are coming back to be involved in the show, and they asked me to do it. It’s not going to be the Full Jericho Experience, and I don’t want it to be because I don’t want people to think I’m coming back. It’s just one more cameo to say “Hi,” be involved and to be appreciative of the history of the show and all the contributions that I’ve made to it.
TME: Do you think you have a big ego?
Chris Jericho: Absolutely. Not in a dangerous or bad way, but you have to be aware of who you are and what you’ve accomplished. You don’t brag about it, but ego isn’t necessarily a bad thing. You talk to anybody that’s accomplished anything and they’re going to have a little bit of an ego, because you know how much you went through to get it. Like you said about Denzel, you practice something enough, and you get good at it. Well if you practice something and you become good at it, you become one of the best at it, how could you not have an ego? But there’s still a way to be humble and have an ego, if that makes sense. Someone giving you accolades and their undying admiration, that’s a pretty cool thing. To know you’ve changed somebody’s life or influenced somebody’s life in a positive way, it’s very powerful. That is very humbling and one of the reasons I still love doing what I do after 27 years. A lot of people rely on me to entertain them and to help them out of situations where maybe they’re having a bad day. They can have a laugh on me. I also know that when I walk down the street, 9 times out of 10, someone’s going to want to take a picture or say hello, and I don’t think it’s a bad thing to have that sort of ego. If it is, then I’m guilty of it. I don’t think it’s possible to not have an ego when you have been doing as much as I have and had the level of success I’ve had over the years.
TME: You’re now 47. What are your thoughts about turning 50? What does the number 50 signify in your life?
Chris Jericho: Nothing, really. I just had this match in Tokyo (at the Tokyo Dome for New Japan Wrestling) and it was a great match. People were calling it the best match of Jericho’s career, and saying, “Who can believe he did it at 47?” I don’t think of myself that way. I think of myself as someone who’s still in his prime. Because of an age, people are supposed to say that you’re not? Is aging going to happen? Of course, it is. You can’t stop time. But for now, at 47, I feel like I did when I was 27. But I’m a lot smarter and a lot better. Fifty? As long as you still try these days, you can still look good, you can still be cool, and you can still contribute. I saw the Stones last year. Mick Jagger at 74 was still the best front man in rock n’ roll. Not a great front man for 74, a great front man, period! I saw Ann-Margret the other day, she’s 75, and still amazingly gorgeous. There’s no retiring at 55 with a gold watch, anymore. My dad still works at 74. Why shouldn’t he?
TME: So, Chris Jericho at 50 will be a non-event?
Chris Jericho: Jericho at 50? What happens if at 50 I have a better match than I had at 47? What happens at 50 if Fozzy has a Number 1 song? I’m much smarter now than I was when I was young. As long as my attitude and drive don’t go away, it doesn’t matter what age you are.
Dune Part Two: The Lisan Al Gaib comes for you!
Welcome back to our struggle for control of the known universe already in progress, the continuation of the journey of Paul Atreides from exile to Emperor, Dune Part Two!
So when we last left our intrepid if dubious heroes, House Atreides had been betrayed and virtually destroyed, by a combination of House Harkonnens surprise attacks and the added treachery of Emperor Shaddam and his Sardaukar. Paul Atreides (Timothee Chalamet), the last surviving heir (so far) of House Atreides and his mother Jessica, have taken refuge on the desert planet of Arrakis amongst the indigenous Fremen, and as far as most are aware, the other remnants of House Atreides are dead as well. And here is where we catch up with everyone, as the struggle for Atreides emergence and dominance begins in earnest!
The Emperor’s daughter Princess Irulan (Florence Pugh) is known for her many skills, but her copious note-taking and writings on the large events shaping her world come to the forefront as she takes counsel with her father amidst games of chance on their homeworld. Her life is one of luxury and privilege but alas, Irulan is a trained Bene Gesserit and is well aware that in all likelihood, she will be used as a pawn in the marriage games empires have to go through. Bet she never imagined it could be to a House everyone swore had been utterly destroyed.
Meanwhile, on Arrakis, Paul is trying to integrate himself into the Fremen way of life, which is admittedly far different from the life he led back on the Atreides homeworld of Caladan. (If nothing else, Caladan has vast oceans.) The Fremen are fiercely independent, gloriously strong fighters, survivors who dare to ride and revere the giant sandworms that inhabit their planet that they call Shai-Hulud, and rightfully distrustful of outsiders. After all, the previous stewardship of Arrakis belonged to House Harkonnen, known for their cruelty and glee at hunting Fremen and torturing their victims, sometimes for weeks at a time. But Paul won his and Jessicas way into the Fremen by fair combat against Jamis, and if nothing else, the Fremen are firm in their beliefs of the old ways.
Or rather, the elder Fremen are, most particularly the famed Fedaykin fighter and Naib (leader) of Sietch Tabr Stilgar (Javier Bardem) is adamant in his unshakable belief that Paul is the foretold Lisan Al Gaib, the Voice from the Outer World, that will lead the Fremen to peace and paradise. Stilgar’s steadfast belief in Paul’s potential only grows, and he manages with just that to convince a great many of the other Fremen elders. The younger generation of Fremen however, of which Paul’s beloved Chani (Zendaya) is a part, generally scoff at the legends of otherworldly prophets and Arrakis as a fabled green, wet heaven. In the beginning, Paul himself swears he doesn’t want to be the Messiah, only a Fremen fighter amongst the rest of them, hundreds of years of the Missionaria Protectiva, the Bene Gesserit practice of spreading useful religious propaganda as seeds on various planets, is working double-time against him. It doesn’t help that Paul’s mother Jessica (Rebecca Ferguson) is expounding on that myth as much as she possibly can.
And why would she do that? Survival yes, but also, Jessica is a thoroughly trained Bene Gesserit and knows of plans within plans within plans. Jessica also has many secrets of her own, and one very important one happens to be that she’s pregnant with Paul’s sister. The Bene Gesserit bodily control may be something out of legend, but even Jessica, possibly Reverend Mother Mohiam’s best and most fractious student, will have trouble with the trial the Fremen are insisting she go through to become truly one of them. The Reverend Mother equivalent of Sietch Tabr, known as their Sayyadina, is old and dying, and the Fremen have to have a Reverend Mother. Jessica tells Paul this much and explains that each culture is different in their trial to become a Reverend Mother, so she honestly doesn’t know what to expect. The reality happens to be worse than she could’ve imagined – Jessica must drink the Water of Life, a deadly poison that comes from Shai-Hulud (sort of), and come out the other side of it. And Jessica manages to do it, barely, with almost all of the consequences going to the poor fetus in her womb, the girl that will grow to become Alia Atreides, an insane legend in her own right. But for now, the unnamed fetus is awake and aware and full of the memories of generations of Bene Gesserit women that came before her – before she was even born.
Paul participates in razzia raids amongst the Fremen as they work to take out the spice mining operations of the Harkonnens, immerses himself in the vastly different desert culture of his chosen people, and perhaps most importantly, his romance with his beloved Chani only grows stronger. After declaring his desire to join the fierce fighter elites amongst the Fremen known as Fedaykin, Paul is told by Stilgar that he must summon and ride one of the giant sandworms, the embodiment of Shai-Hulud where the Fremen get their terrible tooth Crysknives from. And after much sendup, in a glorious scene of blinding sand and huge monstrous killer worm-riding, Paul is triumphant and riding atop the sacred creature, his Maker hooks set properly to control the great beast, waving at great distance to his fellow Fremen as Chani looks on in bemusement.
But that’s all external, and inside Paul is beginning to become divided on what he wants to do. As Jessica pushes the Protectiva hard amongst the women and priestesses of the Fremen, she is also pushing her son to become much larger than he ever wanted to be, if nothing else a conqueror can take revenge for the destruction of House Atreides and the death of her beloved Duke Leto. Paul may have earned his place amongst the Fremen and been given new names – Usul, meaning the strength of the base of the pillar, as his private name within the Sietch; and Muad’Dib, from the small mouse survivor of the desert, well versed in desert ways, called ‘Instructor-of-Boys’ in Fremen legend, as his open-use name – but now everyone wants Paul to be something greater, and potentially more destructive, than what he currently is. It only gets worse when Paul begins to suffer prophetic dreams, and visions when he’s awake, prodding him further to his destiny as an epic conqueror of worlds. Nothing can be done for it, Paul convinces himself that he must take the Water of Life himself, to awaken the sleeping prophet inside himself, and allow him to hopefully See a path through the future.
The problem with that plan, is that Bene Gesserit are almost exclusively all women, and only they are supposed to know how to transmute poisons internally, along with all sorts of other “witchcraft”. But Jessica has been training Paul in forbidden Bene Gesserit ways all his life, and as much as Paul might rail and even quail against it, there is no denying his incoming destiny, crushing any resistance he may have with all the force of a giant sandworm hunting a spice blow. And even when Paul has finally given in and taken the cursed substance almost mockingly called the Water of Life, it falls to another strong and prophetic in her right female in his life, his beloved Chani, to save him from himself. But even Chani can’t stop Paul’s destructive destiny as the conqueror of the known worlds, guilty of slaying millions upon millions of people in his quest for vengeance, thinly disguised as peace.
Over on the Harkonnen homeworld of Geidi Prime, “Beast” Rabban (Dave Bautista) is disgusted and enraged at the continuing Fremen raids against the Harkonnens on Arrakis, and terrified of what his uncle the notoriously cruel Baron Harkonnen (Stellan Skarsgard), will do to him in response. The Baron’s nephew Feyd-Rautha (Austin Butler), heir apparent or na-Baron to House Harkonnen, demonstrates his blood-inborn savagery in a slaughter of the remnants of House Atreides gladiator-style, as his birthday celebration. Pleased with the spectacle, the Baron commands Feyd-Rautha to take control of the fight against this Fremen rebel known as Muad’dib, as Rabban is proving himself more and more useless. And any tool or toy that the Baron finds broken or unusable, is destroyed before being discarded.
As the legend of Muad’dib grows off Arrakis and circulates among the Imperial worlds, the Emperor grinds his teeth in frustration and the Bene Gesserit, led by Reverend Mother Mohiam (Charlotte Rampling) as the Emperor’s Truthsayer, begin pushing forward their plots and machinations. Lady Margot Fenring (Lea Seydoux), a criminally underused character in this respect, demonstrates her willingness to be a pawn in Bene Gesserit machinations, but never forget, strong Bene Gesserit women have been breaking their own rules for generations. Just look at what Jessica did.
As the raids and rebellion on Arrakis continue, both the Emperor and the Baron become more and more desperate, sending in mercenaries and smugglers in the hopes they might have more luck. And aboard one of those smuggler’s vessels happens to be an old hand at being a smuggler himself, the warrior troubadour with the scarred face given him by “Beast” Rabban himself, Gurney Halleck (Josh Brolin). Reunited with his beloved Duke’s only son, Gurney finds himself swept up in the legend of Muad’dib in the making along with everyone else, though at least from Gurney’s point of view, Paul is using the messianic angle to take revenge for House Atreides.
Finally, in an act of what could be considered the ultimate in arrogance, Emperor Shaddam Corrino himself comes to Arrakis, along with Princess Irulan and many others of his Court, the Baron, and Feyd-Rautha in tow as well, to crush this upstart Muad’dib and his Fremen warriors. Sadly for all that the powerhouse actor Christopher Walken plays him, Emperor Shaddam Corrino is shown as a doddering old man, cowed in the face of Muad’dib’s overwhelming vitality and growing-ever-stronger legend. And there is where we will end the review, for the final confrontation between all key players in the Known Universe is full of spoilers and derivations from the original opus of Frank Herbert’s novel Dune.
For those of you who stuck around long enough to get to the end, after all, Dune Part Two is almost three hours long itself, if you are fans of the original novel and the zany Lynchian masterpiece that was the first Dune film, you may be disappointed or even angered at the changes made to the story for the climactic end scenes. Director Villenuve has an eye for making grand epic scenes like Paul’s sandworm ride but can be a bit scattered when it comes to piecing the story together with all the key players needing to be involved in a way that can be understood by any layman. Dune in any form is a rich, vast universe of storytelling, and even an almost three-hour-long sequel simply can’t cover every last bit that’s in the novels. But if nothing else, the film is an overwhelming feast for the eyes and should bring a whole new legion of fans to the many worlds contained within Dune.
If you want to dive further into the Dune-iverse, do yourself a favor and read the Dune prequel books written by Herbert Jr. and Kevin J. Anderson. Until then, dive into the sands of Arrakis along with Shai-Hulud and scream vengeance to the skies with Paul Muad’dib Atreides in Dune Part Two, in theaters now!
Thatsmye Interviews: Les Weiler on Henchin’: the Series
The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.
The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.
Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.
The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.