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BFG: An amazing journey into long lost realm of elegance.

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Release date:July 1, 2016

Studio:Walt Disney Pictures

Director:Steven Spielberg

MPAA Rating:PG (for action/peril, some scary moments and brief rude humor)

Screenwriter:Melissa Mathison

Starring:Mark Rylance, Ruby Barnhill, Penelope Wilton, Jemaine Clement, Rebecca Hall, Rafe Spall, Bill Hader

Genre:Fantasy, Adventure

[divider]Where to start?

This story begins with the introduction of the sweet, dutiful, imaginative Sophie (night time protector of her orphanage), I mean that in the sense that she is the one who makes sure that doors are locked and rabble- rousers are quelled. She is the watcher in the night, of course, all the while trying to avoid the head mistress.

The film jumps right into things with Sophie (who is brought to us by the very talented and adorable Ruby Barnhill) encountering the BFG (portrayed marvelously by Mark Rylance) quite by accident. There is a disturbance in an alley and it is there where She catches her first glimpse of him. Now, of course he can’t afford to be seen so, he opts for the only logical approach when it comes to handling this situation…he nabs her.

From here he romps through the city using several clever disguises until he reaches the open landscape of the country. Then the real adventure begins in the land of the giants!

Her introduction to this world is from a jostled, fast-paced, muddled point of view as she was taken from the orphanage, bed sheets and all and can only see so much. Now, naturally, she is afraid for her life, having heard the stories about giants and their dietary preferences, but the BFG dispels this regarding himself in a most adorable way. He shows himself to be a kind-hearted, and gentle sort of fellow who is not at all interested in eating people, and it is through gentle action he reassures Sophie that he means no harm, but in fact is intending to protect her the other Giants in the Realm.

Of course to create this realm, in these modern times, there had to be a blending of computer graphics and practical set pieces. This however was achieved wonderfully with Sophie reaching out to, and grabbing hold of several items, a well as interfacing with the computer generated elements of her environment. Speaking of that; The environment here is rich with colors and textures especially in the area of the Giants. One can see the different layers of wrinkles, skin, hair, all the different elements that make up this world. The lands they traverse are detailed and beautiful, full of depth and grandeur.

The main element, however, that ties it all together, for me, would be the music. The music is grand, soft, soaring, full of emotion! It took me on my own separate adventure through this tale, and it is only because of the near supernatural talents of the great John Williams that this could have been accomplished. This concert behind the scenes took me to a place out of time, to classics like E.T. and Star Wars. The music was it’s own texture within this film. In a word it was absolutely Elegant.

Back in the BFG world, however, we are shown the the BFG is being bullied by the other, far less intelligent, giants, and it is they who are the threat here. Sophie, however, is the one who is integral to her friend gaining confidence and the ability to stand up against the other giants. This courage unfolds rather naturally as his friendship with Sophie deepens.

During the softer parts of the film we see that the giant is a collector and dispenser of Dreams and that he, in fact, has a large Library full of glowing jars of the dreams he collects, which are gatherd from a special tree at the top of a special mountain. We are treated to this warm and stunning scene of Sophie and The BFG collecting dreams that fall from the Aurora Borealis like drops of dew into the leaves of the magical tree. Some of the dreams are normal, everyday, sort of Dreams, others are deep, intricate, layered, sorts of dreams, but then there are the nightmares! These are mischievious little will-o-wisps of wickedness which the giant can manipulate, when necessary, in order to illicit certain reactions, especially when it comes to the other giants. This is something he does NOT like doing, but there are occasions in the story where it becomes necessary.

One of those circumstances is after an especially rough time with the other giants. Sophie makes the suggestion of soliciting the help of the Queen to take care these other giants. So, after done convincing and planning, the nightmare is crafted, the journey made, and the bad dream dispensed. The Queen wakes up from her nightmare and it is soon revealed that there is some truth to her vision.

After the formalities are taken care of there is a wonderful scene of hilarity where the giant is introduced to the humans and their customs. This is a raucous time full of awkward adjustments, new sensations and the making of new friends and allies.

In this wonderful moment a plan is devised to take care of the other Giants, and while this could have been a very violent and militant scene full of gunfire and explosions it ended up being surprisingly passive, and I really appreciated that, this being a children’s film.

The film itself has a wonderful and very touching closing scene which sets Sophie on a new, and better path, and ties everything altogether very nicely.

Overall I would say this film had a wonderful, almost nostalgic, feel. The story is fast-paced enough to keep the children interested, but with enough layers and depth to appease the adults.

 

 

 

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‘Abigail’: Bite Me Harder Tiny Dancer

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A gang of misfit kidnappers find their tiny target far more bloodthirsty than they bargained for! 

So, unfortunately, the trailers gave it away and let’s be real that’s why most of us are here, the knowledge that the kidnap victim Abigail (Alisha Weir), codenamed by the would-be kidnappers appropriately as ‘tiny dancer’, is in fact, a vampire. Not a spoiler, point of fact, one of the film’s actual great selling points. And the reactions from the misfit club when faced with a real actual f*cking vampire, range hilariously from the blunt “no such thing as vampires” all the way to, “Are we talking True Blood or Twilight rules or what?” all while covered in buckets and buckets of blood. 

Anyway, the gang manages to subdue and abscond with the aforementioned Abigail, in a pre-prepared duffle bag, like you do, and converge to a new location, a house oddly similar to the one she was just taken from. Welcomed and given codenames by a man who introduces himself as Lambert (Giancarlo Esposito), our misfit club is told to simply hold down the fort in this strange old house with the girl chained up in a room and one person to attend her, for twenty-four hours, and they’ll all get paid. 

As inevitable as the tides, the dopey druggie Dean (Angus Cloud) is the first to die, and we’re going to give that death-style points for inspiring terror right off the bat. The very controlling Frank (Dan Stevens, holy crap yes that is the guy from FXs Legion) is also of course the most suspicious – of everyone around him, sure, but also he himself is totes sus. We don’t learn terribly much about the musclebound tank who gets dubbed Peter (Kevin Durand), he’s your pretty typical little-brains-heart-of-gold muscle-for-hire any proper gang needs, right down to the bottle problem. Sammy (Kathryn Newton), well, even for being a purported hacker-type, she has, like, reality issues. Rickles (William Catlett), he’s arguably the most dangerous among them, ex-military and yet somehow here and involved in kidnapping for a few mills. Joey (Melissa Barrera) is our Final Girl, and though she has the inevitable problems in her recent past, she seems more capable of doing the hard thing and still somehow empathizing at the end of the day. Must be her burning desire to get back with her son. 

The fit hits the shan pretty quickly, and Abigail morphs from tiny dancer to tiny monster, though honestly, the way Abigail spoke the entire time in the film, if the ‘nappers had been paying close enough attention, would have been a solid clue. The performance from Alisha Weir as Abigail is incredible, as she literally dances a fine line between comedy, tragedy, and outright monstrosity. With a face full of makeup and the force of a tiny tornado to back it up, Weir brings to mind the great performances of the vampires in 30 Days of Night who saw the practicality in the need to trap their food, but also, play with it a bit first before feasting! Anything else would give away the absolute fun time that is Abigail, so you should go see it, out in theaters now!

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Scrubs Reunion: The Band Gets Back Together

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Fans of the beloved medical comedy series Scrubs were recently treated to a thrilling surprise when John C. McGinley, who portrayed the iconic Dr. Perry Cox, dropped a photo on Twitter hinting at a potential reunion project. The image, showing McGinley alongside his former co-stars, sparked a wave of excitement and speculation among fans who have been longing for more adventures with the beloved Sacred Heart Hospital staff.

While details about the reunion project are still scarce, the mere possibility of seeing the gang back together again has sent waves of nostalgia through fans who fondly remember the show’s original run from 2001 to 2010. Scrubs was not just a sitcom; it was a heartfelt exploration of friendship, love, and the chaotic world of medicine, all wrapped up in a quirky and often hilarious package.

At the heart of the show was the bromance between JD (played by Zach Braff) and Turk (played by Donald Faison), whose antics and deep bond served as the emotional anchor for the series. Their dynamic, along with the sage wisdom (and relentless sarcasm) of Dr. Cox, provided viewers with memorable moments that have stood the test of time.

As we eagerly await more news about the Scrubs reunion project, one thing is for sure: it’s time to dust off those old DVDs, rewatch our favorite episodes, and get ready to welcome back our favorite gang of doctors, nurses, and janitors for what promises to be a memorable reunion.

But Scrubs was more than just its main characters. The supporting cast, including the eccentric Janitor (played by Neil Flynn), the neurotic Elliot (played by Sarah Chalke), and the wise-cracking nurse Carla (played by Judy Reyes), each brought their own unique flavor to the show, creating a rich tapestry of characters that fans grew to love.

While the photo shared by McGinley has fueled speculation about what the reunion project might entail, whether it’s a one-off special, a new season, or something else entirely, one thing is certain: fans are eagerly awaiting any opportunity to dive back into the world of Sacred Heart Hospital.

In an age where reboots and revivals are commonplace, Scrubs stands out as a series that has the potential to recapture the magic that made it a fan favorite in the first place. With its blend of humor, heart, and unforgettable characters, a reunion project has the opportunity to not only satisfy longtime fans but also introduce a new generation to the joys of life at Sacred Heart.

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‘The Hunger Games: The Ballad of Songbirds and Snakes’: Rebellion with a cause

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The story of the rise of Coriolanus Snow, from teenage Capital City pawn to rising Dictator of the Hunger Games! 

Apparently no one out here in post-apocalyptic Panem has heard of irony and so they name their children things like Coriolanus (Tom Blyth), Tigress, and further off in Hunger Games lore, after swamp plants like Katniss. Corio’s father was a legendary general and that is pretty much the only reason young Snow and his meager family of grandmother called Grandma’am (Fionnula Flanagan) and sister Tigress (Hunter Schafer) are tolerated here in the Capital City at all. 

Most of the snotty youngsters at the academy won’t let Snow forget how far his family has fallen, but he’s generally not concerned with them. What is concerning is the strong disapproval of the drugged-up Dean Casca Highbottom (Peter Dinklage) and the creepy attention of Dr. Volumnia Gaul (Viola Davis) as she lurks in the classroom sniffing out talent. The Dean feels very strongly the annual Hunger Games should end, while Gaul is violently adamant that not only do the Games continue, but that they get as much more attention as possible. And young Snow is stuck in the middle, when the yearly prize money normally awarded to the academy student with the best grades gets switched out for, you guessed it, the student that can make this years’ Hunger Games as entertaining as possible. 

Whilst the students are protesting this sudden change, the annual Reaping is about to commence, and big shock and surprise, Corio’s candidate from District 12 Lucy Grey Baird (Rachel Zegler) is chosen as a Tribute. This is where the film begins to really take off on musical wings, for as it turns out, Lucy Grey can sing. Boy, can that gal sing! She can sing, she can play guitar, she can work a crowd, she can calm things down, she can fire ‘em up too! And Corio, being no dummy himself, instantly plots ways to use his Tributes amazing voice to draw attention to her, and admittedly his own, plight! 

Though far too many people sneer at the idea, Corio takes his position as Mentor to his Tribute seriously enough to sneak onto the tram taking the Tributes to their habitat, which turns out to be a completely appropriate moniker, as this year the Tributes are held before the Hunger Games in a large zoo habitat so the weatherman ‘Lucky’ Flickerman (Jason Schwartzman), host of this years games, can MC the hell out of everything up close and personal! 

What happens at this years Hunger Games and the subsequent consequences to both Corio and Lucy Grey is actually only half the story, and the movie. Coriolanus has always had to be opportunistic, but learning to be absolutely ruthless when necessary under the tutelage of Dr. Gaul, who basically thinks it’s always best to be merciless, is an eye-opening education indeed.  Even after they’ve both been consigned to military service and his friend Sejanus Plinth (Josh Andres Rivera) decides to finally rebel, Corio and Sejanus continue to deceive each other and themselves, to accomplish their separate goals. Not even the love Corio swears he feels for Lucy Grey can save him, or them, from the adamant absolute necessity of the Hunger Games continuing. And after all that’s happened, Coriolanus Snow has gotten a terrific education in the best way to be the absolutely ruthless next Hunger Games advocate, and oh yeah, President of Panem. 

The movie does itself no favors by trying to stuff not one but two major storylines and a bunch of side storylines sadly introduced and then ignored, into the film. It would have been entirely possible to turn Ballads of Songbirds and Snakes into two different movies, separated between feathers and scales if you like, and do justice to the major storylines in both. Blyth gives a fine  performance as a young Coriolanus Snow, but the fact that President Snow is played by Donald Sutherland in all three of the Hunger Games films means Blyth has incredibly large shoes to fill. Rachel Zegler as Lucy Grey is absolute fire, and yes the actress did sing the songs in the film herself, including the Hunger Games franchise epic song, ‘The Hanging Tree’. Every time Lucy Grey opens her mouth and sheer soul-searing music comes out, it provides a distinct counterpoint to the soul-crushing ambition of Coriolanus Snow and further demonstrates the District and Caste separation Hunger Games is known for. And if, by the end of the film, Coriolanus Snow has come to agree that the Hunger Games must continue but perhaps under his own auspices, he has no one but himself to blame when another younger but still rebellious female blows it all up in his face! 

Choose rebellion or conformity for yourself in The Hunger Games: The Ballad of Songbirds and Snakes

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