The Writers Guild of America West (WGAW) and the Writers Guild of America, East (WGAE) tonight announced the winners of the 2018 Writers Guild Awards for outstanding achievement in writing for film, television, new media, videogames, news, radio/audio, promotional, and graphic animation categories at concurrent ceremonies at The Beverly Hilton in Los Angeles and the Edison Ballroom in New York City.
Get Out, Written by Jordan Peele; Universal Pictures
Call Me by Your Name, Screenplay by James Ivory; Based on the Novel by André Aciman; Sony Pictures Classics
Jane, Written by Brett Morgen; National Geographic
TELEVISION AND NEW MEDIA WINNERS
The Handmaid’s Tale, Written by Ilene Chaiken, Nina Fiore, Dorothy Fortenberry, Leila Gerstein, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder, Wendy Straker Hauser, Eric Tuchman; Hulu
Veep, Written by Gabrielle Allan, Rachel Axler, Ted Cohen, Jennifer Crittenden, Alex Gregory, Steve Hely, Peter Huyck, Erik Kenward, Billy Kimball, David Mandel, Ian Maxtone-Graham, Dan Mintz, Lew Morton, Georgia Pritchett, Will Smith; HBO
The Handmaid’s Tale, Written by Ilene Chaiken, Nina Fiore, Dorothy Fortenberry, Leila Gerstein, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder, Wendy Straker Hauser, Eric Tuchman; Hulu
ORIGINAL LONG FORM
Flint, Written by Barbara Stepansky; Lifetime
ADAPTED LONG FORM
Big Little Lies, Teleplay by David E. Kelley, Based on the Novel by Liane Moriarty; HBO
ADAPTED SHORT FORM NEW MEDIA
“Starboy” (Zac & Mia), Teleplay by Allen Clary and Andrew Rothschild, Based on the novel Zac & Mia by A.J. Betts; go90.com
“Time’s Arrow” (BoJack Horseman), Written by Kate Purdy; Netflix
“Chicanery” (Better Call Saul), Written by Gordon Smith; AMC
“Rosario’s Quinceanera” (Will & Grace), Written by Tracy Poust & Jon Kinnally; NBC
COMEDY/VARIETY TALK SERIES
Last Week Tonight with John Oliver, Writers: Tim Carvell, Josh Gondelman, Dan Gurewitch, Geoff Haggerty, Jeff Maurer, John Oliver, Scott Sherman, Will Tracy, Jill Twiss, Juli Weiner, Ben Silva, Seena Vali; HBO
COMEDY/VARIETY SKETCH SERIES
Saturday Night Live, Head Writers: Chris Kelly, Sarah Schneider, Bryan Tucker, Writers: James Anderson, Kristen Bartlett, Jeremy Beiler, Neal Brennan, Zack Bornstein, Joanna Bradley, Megan Callahan, Michael Che, Anna Drezen, Fran Gillespie, Sudi Green, Steve Higgins, Colin Jost, Erik Kenward, Rob Klein, Nick Kocher, Michael Koman, Dave McCary, Brian McElhaney, Dennis McNicholas, Drew Michael, Lorne Michaels, Josh Patten, Katie Rich, Pete Schultz, Streeter Seidell, Will Stephen, Kent Sublette, Julio Torres; NBC Universal
39th Annual Kennedy Center Honors, Written by Dave Boone; CBS
QUIZ AND AUDIENCE PARTICIPATION
Hollywood Game Night, Head Writer: Grant Taylor; Writers: Michael Agbabian, Alex Chauvin, Ann Slichter, Dwight D. Smith; NBC
General Hospital, Head Writers: Shelly Altman, Jean Passanante; Writers: Anna Theresa Cascio, Suzanne Flynn, Charlotte Gibson, Lucky Gold, Kate Hall, Elizabeth Korte, Daniel James O’Connor, Dave Rupel, Katherine Schock, Scott Sickles, Christopher Van Etten, Christopher Whitesell; ABC
CHILDREN’S EPISODIC AND SPECIALS
“An American Girl Story – Ivy & Julie 1976: A Happy Balance” (American Girl), Written by May Chan; Amazon
DOCUMENTARY SCRIPT – CURRENT EVENTS
“Confronting ISIS” (Frontline), Written by Martin Smith; PBS
DOCUMENTARY SCRIPT – OTHER THAN CURRENT EVENTS
“The Great War, Part II” (American Experience), Written by Stephen Ives; PBS
NEWS SCRIPT – REGULARLY SCHEDULED, BULLETIN, OR BREAKING REPORT
“White Helmets” (60 Minutes), Written by Scott Pelley, Nicole Young, Katie Kerbstat; CBS News
NEWS SCRIPT – ANALYSIS, FEATURE, OR COMMENTARY
“Chief of Chobani” (60 Minutes), Written by Steve Kroft, Oriana Zill de Granados; CBS News
“The Super Predators,” Written by Melissa Jeltsen, Dana Liebelson; Huffingtonpost.com
“CBS Radio 90th Anniversary,” Written by Dianne E. James, Gail Lee; CBS News Radio
RADIO/AUDIO NEWS SCRIPT – REGULARLY SCHEDULED, BULLETIN, OR BREAKING REPORT
“World News This Week: June 9, 2017,” Written by Tara Gimbel Tanis; ABC News Radio
RADIO/AUDIO NEWS SCRIPT – ANALYSIS, FEATURE, OR COMMENTARY
“Dishin’ Digital on WCBS-AM,” Written by Robert Hawley; WCBS
ON-AIR PROMOTION (RADIO OR TELEVISION)
“CBS Comedy,” Written by Dan Greenberger; CBS Television
OUTSTANDING ACHIEVEMENT IN VIDEOGAME WRITING
Horizon Zero Dawn, Narrative Director John Gonzalez; Lead Writer Benjamin McCaw; Writing by Ben Schroder, Anne Toole; Additional Writing by Dee Warrick, Meg Jayanth; Guerrilla Games
Emmy and Grammy-winning actor-writer-comedian Patton Oswalt (Happy!, A.P. Bio, Annihilation) hosted the WGAW’s West Coast ceremony. Presenters who appeared in Los Angeles included: Emmy and Golden Globe-winning actress Glenn Close (Damages, Albert Nobbs); Golden Globe-nominated actress Alison Brie (GLOW, The Post, The Disaster Artist); Emmy-nominated Better Call Saul star, The Post co-star, and Emmy-winning writer Bob Odenkirk; Oscar-nominated Lady Bird screenwriter-director Greta Gerwig; Oscar, Get Out co-star Bradley Whitford; Emmy, and Golden Globe-nominated actress and Speechless co-star Minnie Driver; Emmy and Golden Globe-winning actress Jane Lynch (Hollywood Game Night, Manhunt: Unabomber, Criminal Minds, Glee); Emmy and Golden Globe-nominated actor Sir Patrick Stewart (Logan, Blunt Talk); Emmy-nominated actress and Emmy-winning writer Wanda Sykes (black-ish); Brooklyn Nine-Nine co-star Terry Crews; SAG Awards-nominated Brooklyn Nine-Nine co-star and WGA-nominated Parks and Recreationwriter Chelsea Peretti; The Jim Jefferies Show star Jim Jefferies; LA to Vegas star and Golden Globe-winning actor Dylan McDermott; Emmy-winning comedian-actress-writer Sarah Silverman (Sarah Silverman: We Are Miracles, Bob’s Burgers); Emmy-winning comedian-actress Kathy Griffin (Kathy Griffin: My Life on the D-List); Ivory Aquino (When We Rise); Rob Riggle (Angie Tribeca, Modern Family, SNL); producers Doug Wick & Lucy Fisher (Divergent, The Great Gatsby); and a live performance by Puddles Pity Party.
In addition, the WGAW presented several honorary awards during its West Coast ceremony: Emmy-winning Serving in Silence: The Margarethe Cammermeyer Story star Glenn Close presented the WGAW’s Paddy Chayefsky Laurel Award for Television Writing Achievement to Emmy-winning writer-producer Alison Cross (Serving in Silence: The Margarethe Cammermeyer Story, Roe vs. Wade, S.W.A.T.); Doug Wick & Lucy Fisher presented the WGAW’s Laurel Award for Screenwriting Achievement to Writers Guild and Academy Award-winning screenwriter-director-producer James L. Brooks (Terms of Endearment, Broadcast News, As Good As It Gets); When We Rise co-star Ivory Aquino presented the WGAW’s Valentine Davies Award to Writers Guild and Academy Award-winning screenwriter and LGBTQ rights activist Dustin Lance Black (Milk, When We Rise) for his social activism which has positively impacted the LGBTQ community; Washington Post Executive Editor Martin “Marty” Baron presented the WGAW’s Paul Selvin Award to The Post screenwriters Liz Hannah and Josh Singer, whose Post screenplay embodies the spirit of constitutional and civil rights and liberties, including the First Amendment and freedom of the press.
Attendees at the WGAW’s show included: The Big Sick co-screenwriter/star Kumail Nanjiani and co-screenwriter Emily V. Gordon; Big Little Lies creator David E. Kelley and actress Michelle Pfeiffer (The Wizard of Lies, mother!); TV host Jimmy Kimmel (Jimmy Kimmel Live, 90th Academy Awards); Oscar-nominated Get Out screenwriter/director Jordan Peele; Oscar-nominated The Shape of Water co-screenwriter/directorGuillermo del Toro & co-screenwriter Vanessa Taylor; Get Out co-star Catherine Keener; Molly’s Game screenwriter Aaron Sorkin; Good Behavior co-star Joey Kern; The Honorable Adam Schiff; L.A. City Councilman Paul Koretz; The OA co-creator/star Brit Marling; Call Me by Your Name screenwriter James Ivory; Nathan For You co-creator/star Nathan Fielder; and Portlandia writer-star Carrie Brownstein. In addition, the Guild commemorated the 70th anniversary of the Hollywood Blacklist, honoring Blacklist survivors Marsha Hunt and Norma Barzman who were in attendance.
The WGAE’s East Coast Ceremony was hosted by writer and comic Amber Ruffin (Late Night with Seth Meyers). Presenters who appeared in New York City included Golden Globe-winner Rachel Brosnahan (The Marvelous Mrs. Maisel); Emmy Award-winner Ann Dowd (The Handmaid’s Tale); SAG Award-winner Anna Chlumsky (Veep); Academy Award-nominee Lucas Hedges (Lady Bird); two-time Emmy Award-winner Jane Pauley (CBS News Sunday Morning); Writers Guild Award-nominee Anthony Atamanuik (The President Show); late night host Robin Thede (The Rundown with Robin Thede); actress-writer Julie Klausner (Difficult People); late night host Jordan Klepper (The Opposition with Jordan Klepper); and correspondent-writer Laura Grey (The Opposition with Jordan Klepper).
The WGAE presented three honorary awards at the East Coast ceremony. It was a reunion for Saturday Night Live and 30 Rock alums as Tracy Morgan and Rachel Dratch presented Tina Fey and Robert Carlock with the Herb Sargent Award for Comedy Excellence and Mentorship. Ken Burns presented the Ian McLellan Hunter Award for Career Achievement to his long-time collaborator Geoffrey C. Ward (The Vietnam War, The Roosevelts, The Civil War). Courtney Simon (As the World Turns) presented the Richard B. Jablow Award for Devoted Service to the Guild to Hamilton Nolan (Splinter News / Gizmodo Media Group).
Attendees at the WGAE’s show included the Guild’s President and House of Cards creator Beau Willimon; Call Me By Your Name author André Aciman; The Disaster Artist co-screenwriter Michael H. Weber; The Immortal Life of Henrietta Lacks writer-director George C. Wolfe; late night host Seth Meyers; Feud: Bette and Joan writer-producer Michael Zam; The Deuce writer-producer George Pelecanos; Unbreakable Kimmy Schmidt actress Ellie Kemper; The President Show actor and executive producer Adam Pally; The Americans creators Joe Weisberg and Joel Fields; Law & Order: Special Victims Unit creator Warren Leight; Ozcreator Tom Fontana; Dirty Dancing screenwriter Eleanor Bergstein; Doonesbury creator Garry Trudeau; acclaimed actor Lawrence Arancio; SAG-AFTRA’s Senior Advisor John McGuire; Teamsters Local 817 President Tommy J. O’Donnell; IATSE International President Matthew Loeb; Writers Guild Initiative President Michael Weller; and former WGAE Presidents Chris Albers and Michael Winship.
Production credits for the WGAW’s show included: Executive Producer Hugh Fink; Producers Tara Power and Joselyn Allen; Co-Producer Kelly Brock; Director Nick Murray; Head Writer Joe O’Brien; Writers Hugh Fink, Danielle Koenig, Ed Lee, Janine Brito, Mike Drucker, Gerry Duggan, Matt Oswalt; Creative Consultant Shelly Goldstein; Line Producer Shannon Walden; and Production Designer Chris Giammalvo.
Production credits for the WGAE’s show included: Co-Executive Producers Bonnie Datt and Shannon Walker; Head Writer Ann B. Cohen; Writers Ashley Nicole Black, David Steven Cohen, Timothy Cooper, Bonnie Datt, Tarik Davis, Alex English, Ziwe Fumudoh, Jenny Hagel, Don Hooper, Shantira Jackson, Dewayne Perkins, Dan Perlman, Amber Ruffin, Bill Scheft, Craig Shemin and Shannon Walker; Line Producer LBI Audio, Video & Scenic Solutions; and Clips/Tribute Reels Craig Shemin.
Joy Ride Is An Extremely Raunchy And Hilarious Comedy
Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.
The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.
I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.
Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?
Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.
The Last Voyage of the Demeter: Double-knock on wood!
Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!