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Maxxxine goes to Hollywood
After the stylized gore and delightfully depraved storytelling of ‘X’, the subverted dreamland of ‘Pearl’, director Ti West’s third offering ‘Maxxxine’ was somewhat disappointing.
Mia Goth reprised her role as Maxine and was every bit the ethereal horror movie icon. The audience is led around the twisted world of 1980’s Hollywood complete with a killer soundtrack and crunchy-looking hairdos. The character of Maxine wants to be a legitimate actress rather than an adult film star. In ‘X’ Maxine repeatedly states that she wants to be famous, in ‘Maxxxine’ she is famous as an adult film star. Many of the male characters recognize her from her work, so Maxine has achieved the fame she was desperate for but wants to legitimize herself as an actress despite her dark past following her to Tinseltown.
Kevin Bacon was also an unexpected treat as the slimy PI. The rest of the cast was stellar, each imbuing their characters with enough quirk and intrigue, to make what essentially was a pretty basic storyline; entertaining. Elizabeth Debicki particularly shines as the female horror director who sees Maxine’s potential and casts the aspiring actress in her horror sequel (Meta anyone?). Debicki is every bit as intimidating and impressive as her amazing shoulder pads!
It’s not that ‘Maxxxine’ “jumps the shark” exactly, I can understand wanting to give your trilogy a big finish. However, the production’s desire to go big meant that ‘Maxxxine’ lost the delicious claustrophobia its previous installments had that works so well in the horror genre. Maybe its because we are no longer in the grips of a worldwide pandemic, ‘Pearl’ and ‘X’ were filmed back-to-back in March 2021, ‘Maxxxine’ didn’t have the building sense of dread that served the others so well.
‘Maxxxine’ is not constructed like a traditional horror instead more like a thriller or crime drama. Yet, the kill scenes still remain inventive and disturbing; the alleyway scene lives rent-free in my head for better or worse! Despite all the pro’s ‘Maxxxine’ is just missing that special something (dare I say that ‘X factor’?) which elevates it from a basic slasher movie. The layer of realism added to the first half of ‘Maxxxine’ feels like it’s shaking off the tentative optimism of ‘X’ and the technicolor delusions of ‘Pearl’ in order to mature into the real cutthroat world of showbiz. This angle could have worked if the direction had stuck to it. Instead, the storyline becomes increasingly more convoluted.
The penultimate scene is an outlandish mess highlighted by the fact it takes place under the looming Hollywood sign. With added guns and helicopters it’s easy to forget the humble barn that started Maxine’s story. Whether it was too much studio intervention, the curse of the doomed finale of a trilogy, or Ti West forgetting that scaling back scenes has the most impact. The sensory of assault of ‘Maxxxine’s’ finale does not unnerve the audience the same way Pearl’s flinching, tear-filled unnatural smile still does.
‘Maxxxine’ is still an entertaining watch. Fans of the unofficial trilogy will enjoy seeing how Maxine’s story ends. But after both ‘X’ and ‘Pearl’ became, quite rightly, instant horror classics, this fan expected more.
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Holiday Movie Review: Violent Night
Violent Night (2022), starring David Harbour as a rugged, action hero Santa, delivers a wildly entertaining twist on holiday films. Combining dark humor, brutal action, and unexpected heart, the movie follows Santa as he defends a family held hostage on Christmas Eve. Harbor shines as a jaded yet surprisingly endearing Santa, bringing grit and charm to the role. The film’s blend of holiday magic and high-octane violence is reminiscent of Die Hard but with a festive twist.
Director Tommy Wirkola balances the chaotic fight scenes with moments of redemption and holiday spirit, creating a surprisingly satisfying narrative. While the film isn’t for traditionalists (its R-rating is well-earned), it’s perfect for fans of unconventional holiday fare.
Rating: 8/10: A bold, bloody, and refreshingly unique holiday film that’s destined to become a cult classic.
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The Grinch vs. The Grinch: Jim Carrey vs. Benedict Cumberbatch – Who Played the Better Green Grump?
Dr. Seuss’s beloved character, the Grinch, has been brought to life in two iconic adaptations: Ron Howard’s How the Grinch Stole Christmas (2000), starring Jim Carrey, and Illumination’s The Grinch (2018), featuring the voice of Benedict Cumberbatch. While both films capture the essence of the Grinch’s transformation, their execution, tone, and performances make for an interesting comparison.
Jim Carrey’s Grinch (2000)
Ron Howard’s live-action adaptation is a bold, larger-than-life take on the classic tale. Jim Carrey’s portrayal is a masterclass in physical comedy and eccentricity. His Grinch is chaotic, sarcastic, and hilariously over-the-top, with Carrey’s boundless energy infusing the character with a manic charm that makes every scene memorable.
This version delves into the Grinch’s backstory, giving him a tragic childhood that explains his hatred for Whoville and Christmas. While this added depth works for some, others felt it detracted from the simplicity of the original story. The film’s whimsical production design and Danny Elfman’s score perfectly complement Carrey’s performance, but the humor occasionally skews more adult, which may alienate younger viewers.
Illumination’s The Grinch opts for a gentler, more family-friendly approach. Benedict Cumberbatch’s voice work offers a softer, more subdued interpretation of the character. This Grinch is more relatable and less cruel, making his eventual redemption feel heartwarming but less impactful.
Benedict Cumberbatch’s Grinch (2018)
The animation is visually stunning, capturing the colorful charm of Dr. Seuss’s world. The narrative sticks closer to the original book, with a few modern twists (like a subplot involving Cindy Lou Who’s quest to help her overworked single mom). Pharrell Williams’s narration and playful soundtrack give the film a contemporary vibe that resonates with children and families. However, Cumberbatch’s Grinch lacks the wild unpredictability that made Carrey’s performance unforgettable.
While both films have their merits, Jim Carrey’s Grinch stands out as the more iconic portrayal. Carrey’s physicality, comedic timing, and ability to humanize the character elevate the 2000 film, making it a definitive version for many fans. Benedict Cumberbatch’s Grinch, while charming and visually delightful, feels safer and less memorable in comparison.
Winner: Jim Carrey For its sheer energy, humor, and enduring impact, How the Grinch Stole Christmas (2000) with Jim Carrey remains the ultimate Grinch experience.
Movie
Y2K: Get up and Break Stuff!
A pair of loser best pals decide to crash the cool kid’s end-of-the-year bash, unaware that the whole computer virus Y2K craze is about to become horrifyingly real!
So Eli (Jaeden Martell) and Danny (Julian Dennison), the self-proclaimed “Sticky boys for life!”, basically have only each other. Typical high school boys, talk rather consistently about make-outs and sex and even trade a trophy Durex condom between them as their token “king of the make-outs moment” icon. They troll the local VHS video store and the stoner proprietor Garrett (director Kyle Mooney) for purported wisdom, endure bullying from the likes of CJ (Daniel Zolghadri) and Farkas (Eduardo Franco) and Soccer Chris (The Kid Laroi), and sadly many others, and inevitably Eli has happy hormone-laced dreams of being with closeted nerd and final girl Laura (Rachel Zegler). Eli’s parents Robin (Alicia Silverstone) and Howard (Tim Heidecker) are living their bygone days of being cool, fascinated by their still-new here in 1999 cellphones and dismissing concerns of this “Y2K nonsense”, while Danny’s mom Cheryl (Maureen Sebastian) really is super cool and breathlessly includes Danny in her Tae Bo kickboxing lessons.
Even after Laura and her crew of jock and popular kids decide to flat use Eli and Danny as cover for their oh-so-daring daylight robbery of a local convenience store’s liquor, our Sticky Boys are still compelled to go crash the last party of the year. Of course, Danny wants it far more than Eli, but still, hearing that Laura and her community college boyfriend Jonas (Mason Gooding) broke up and fortified with pilfered alcohol and derring-do, the Sticky Boys throw on their version of party clothes and hop aboard a bike, like a for-real lame-ass ten-speed bicycle or whatever, and give it a go!
It should come as absolutely no surprise that Danny turns out to be the way more social of our Sticky Boys, and while he means well, telling the story of how Eli came to be known as “piss-mouth” loudly at a high school party probably wasn’t the best idea. Seeing Danny finally get some make-outs as the clocks loudly begin counting down the new year is enough for Eli, but as he sullenly prepares to leave, things begin to take a massively unexpected turn!
Here in 2024 there are far too many things we rely on that happen to have computer chips or some kind of electronic equivalent in them, and while 1999 might have been less so, the Y2K virus that began small and maybe cute starts sucking up every last bit of electronica it can find and quickly goes murder-massacre on the kids in true Gremlins 2-style mayhem! Death by flung CDs, a la the bartender in Hellraiser III, if anybody besides me remembers that! Death by castrating drinks blender, ooooh nooo! The deaths just get more creative and insane, and Eli and a few fortunate survivors hoof it off to find someplace where the deadly Y2K virus can’t get at them!
The movie is full of nostalgia for the 90s music, particularly for the Limp Bizkit megahits that were everywhere then, which makes sense since Fred Durst himself has a giant cameo in the movie. The reveal of the conglomerated computer bad guy is very much like the amazing-for-the-time computer graphics of The Lawnmower Man, which hey, came out in 1992 too! And perhaps best of all, the showing of Y2K in my theater was hosted by the legendary Tony Hawke y’all. Full of remember-when tunes, fun practical-effects killer gags, and a huge “Hey, I did that too!”-style vibe, Y2K should be your new ring in the Happy New Year movie comedy, in theaters now!