Indiegogo, the world’s largest crowdfunding platform, and Vimeo announced this weekend from the Sundance Film Festival, a partnership designating Vimeo as a preferred distribution platform for films funded on Indiegogo. Vimeo has also committed to an ongoing creator fund for select Indiegogo funded film campaigns in exchange for exclusive distribution on Vimeo On Demand.
“Vimeo is all about giving power to the creators”
Additionally, Indiegogo will be joining Vimeo’s newly formed Vimeo On Demand Publisher Network, with a dedicated VOD storefront on Indiegogo’s site featuring titles funded by Indiegogo campaigns available for purchase. Vimeo will also create a dedicated Indiegogo VOD home on Vimeo featuring a rotating selection of Indiegogo campaign funded films curated by Vimeo.
“Indiegogo is leading the way for next generation filmmaking,” said Slava Rubin, CEO of Indiegogo. “Mirroring the diversity of our open platform, we are proud to support an incredibly robust community of filmmakers across multiple genres. With the addition of Vimeo as a distribution partner, it is now easier than ever for filmmakers using Indiegogo, to pursue their passions, receive funding, garner global exposure, and deliver their work directly to their fans.”
“Vimeo is all about giving power to the creators,” said Kerry Trainor, CEO, Vimeo. “This partnership highlights both Vimeo and Indiegogo’s continued support of independent filmmakers on a global level, and provides Indiegogo’s community of creators an opportunity to be exposed to an even wider audience via Vimeo’s transactional VOD platform.”
Film campaigners who choose to distribute their films on Vimeo On Demand will be able to tap into benefits not offered by any other crowdfunding platform:
- Matching funds: Vimeo’s new Creator Fund will commit up to a million dollars in matching funds for select Indiegogo funded film campaigns in 2015.
- Vimeo marketing dollars: Vimeo will contribute digital marketing spend and social promotion for campaigns in the matching funds program and other selected Indiegogo funded film campaigns.
- Free unlimited fulfillment: Participating campaigns will have access to free fulfillment on all digital download perks via Vimeo VOD.
- Discounted Vimeo PRO: Indiegogo film campaigners will be eligible for a substantial discount on Vimeo PRO membership.
- Featured collection on Vimeo: An “Indiegogo Funded Films” collection will be featured on Vimeo, which reaches over 170 million global users a month.
The first project to participate in the new partnership is Malcom Carter’s “The Connected Universe,” an eye-opening documentary on the interconnectivity of all things. The film – which currently sits as Indiegogo’s highest funded documentary in history — features the work of noted theorist Nassim Haramein and promises to expose viewers to new research that could have a profound effect on how we think about the universe.
Past Indiegogo campaigns that have used Vimeo as their distribution method include Video Game High School Season Three, Angry Video Game Nerd: The Movie and Mad As Hell, which will be available next month on Vimeo.
The Vimeo partnership is the most recent addition to a host of services on Indiegogo designed to help provide the most robust end-to-end solution for filmmakers. From funding a project, to perk fulfillment via partners like Amplifier to distribution with Vimeo, Indiegogo is committed to providing filmmakers with the tools, resources and support they need to bring their vision to life.
In addition to the film and video content, Indiegogo has helped thousands of entrepreneurs secure funds for their products, including Panono, Ghost Drone and Axiom Beta, the world’s first open digital cinema camera, which has driven forward progress in the film industry and been integral in helping movies get made in the best way possible.
Justice League: Warworld Official Trailer
Until now, the Justice League has been a loose association of superpowered individuals. But when they are swept away to War World, a place of unending brutal gladiatorial combat, Batman, Superman, Wonder Woman, and the others must somehow unite to form an unbeatable resistance able to lead an entire planet to freedom.
AMC presents Anne Rice’s ‘Interview with the Vampire’: Bloody beautiful, dear heart
Set as a sequel series of sorts to the original film, the vampire Louis du Pointe du Lac approaches reporter Daniel Molloy decades later to do an actual, honest exclusive of his life as a vampire.
As we all know, Rice’s original movie Interview with the Vampire is a classic and features some of the most gorgeous male performances around. Brad Pitt as Louis, Tom Cruise as a flippant blonde-haired Lestat, Antonio Banderas as the ravishing Armand, Christian Slater as the reporter, and even a quite young Kirsten Dunst as the tiny terror Claudia. Rice has a whole world of her making about vampires, witches, mummies, and other world-ending supernatural creatures, and they are all achingly beautiful, and usually quite melancholy about their beleaguered existence.
Before her passing, Anne Rice was directly involved with the new show, wrote the updated scripts herself, and was often on hand for consulting during filming. A whole bunch of revamps (sorry) were made to the original story, including but not limited to – Louis du Pointe du Lac (Jacob Anderson) is now a black man in early 20th century New Orleans, no longer a slave plantation man but now the proud owner of several brothels on a certain street, with a very much still-alive family who presents Louis with lots of troubles, and oh yeah, he’s in the closet too.
At this point, I want to note something important about the gay elements of the show. Rice originally published her novel Interview way back in 1976, and every single last gay tendency, male or non-binary or whatever, got her a good deal of flack. Rice has long been known for characters, vampire or other, who transcend the notion of physical sexuality into more of a divine lust of the spirit. Sure, there are plenty of physical love scenes still, but homosexuality was never something Rice just threw in to be provocative, she made no defining lines on the way her supernatural creatures could love each other, and personally I think that’s stellar.
So all of Louis’ own issues aside, things are about to get remarkably more troubling, with the advent of a blonde-haired Adonis with ice-blue eyes and a razor-sharp jawline, and an even sharper set of fangs, Lestat de Lioncourt (Sam Reid). Initially, Lestat professes to admire Louis and his capability in running his various enterprises, seemingly satisfied with going along on brothel adventures (Lestat has long been known to bang anything that’ll hold still long enough) and verbally poking Louis to see where his “do not cross” lines are.
Not a single person who knows Anne Rice and her original novel, or even the first film, can deny the insane connection Louis and Lestat happen to have. Love and lust and envy and hatred are all tangled up in the relationship of these two vampires, made more complicated by the fact that Lestat is Louis’ Sire, or Maker if you prefer. This particular portrayal of the love story between two compelling characters, one inherently kind and desirous to do good (or at least not be bad) in an unfeeling world, the other an arrogant prince of the immortal kind with seemingly little regard for the pain he causes others (other than in an amusement capacity), how they push and pull at each other and cause each-other so much damage but simply find themselves both unable to give up the other entirely, can be an allegory for all the bad-for-you relationships, regardless of sexual orientation. And things are made so much more wretched when a third vampire is introduced to their little damned family.
The portrayal of Claudia (Bailey Bass) in this version of the story, a teenage black female with a sickeningly sweet Southern accent, has some rather different origin scenes too. Most of Claudia’s arc, while moving the story right along at a healthy clip, is full of complaints at the odd restraints of her existence – Louis cautions for temperance, while Lestat gives that wicked grin and encourages Claudia to revel in her bloody existence as a vampire. Jealousy rears its inevitable head, whether its Lestat’s envy of the brother-sister father-daughter relationship Louis has with Claudia, or Claudia’s own jealousy of the rather obvious romantic relationship between Louis and Lestat, or even the jealousy of seasoned vampires watching a fledgling getting to experience many supernatural firsts – vampires are immortal and unchanging, after all, so anything new and surprising is zealously sought after and treasured almost as much as blood. So when Claudia inevitably starts acting out, things are made so much worse with the realization that she’s actually far more terrible than Lestat when it comes to restraint, as in, she has none.
Then there’s what’s happening with the present – a ridiculously expensive high-rise and high-res environmentally-controlled apartment in Dubai, an accent-less and increasingly begrudging Louis, insistent on following a proper timeline to his stories but still attempting to conceal things from Molloy, even after he swore he wouldn’t, his assistant Rashid (Assad Zaman) is also getting more and more protective of his Master, and Molloy himself, who never had a bullsh*t tolerance in the first place, getting more strident as the interview rages on in his search for the raw, honest truth. Because redemption can come from honesty in this interview, even for the reporter conducting it, if only Molloy would allow it.
Full of gorgeous scenery, familial ties that bind and gag, revelations about the nature of love and how it can twist when used as a weapon, and absolutely stellar performances from every single actor involved, Anne Rice’s Interview with the Vampire can be devoured on AMC now!
Created by Brett Goldstein, Bill Lawrence, Jason Segel
Number of Episodes 10
Runtime: 33 minutes
Starring Jason Segel, Jessica Williams, Harrison Ford
Streaming on Apple TV
Jason Segel plays Jimmy, (How I Met Your Mother) a grieving therapist who lost his wife due to a terminal illness. He is coping with her death but gives little care to their teenage daughter, Grace played by Lukita Maxwell.
He works at a practice with his mentor Paul, played by Harrison Ford, and Gaby played by Jessica Williams. Jimmy’s work is less than inspiring because he has seen several patients over the years with no real breakthroughs. Finally, he is assigned a new patient who his co-worker couldn’t take on. This particular patient was court-ordered to see a therapist to avoid certain jail time. Sean, played by Luke Tennie, is an honored war vet with severe anger issues and has been arrested several times for starting fights in bars. Jimmy also has some frustrations at home as his next-door neighbor Liz, played by Christa Miller, has taken over as Alice’s parent. Without his wife and daughter, Jimmy is a mess and just drinks himself into a deep depression. His friends have become estranged and worst of all, his daughter has no respect for him.
During one session, Sean is reluctant to give Jimmy a chance as he was just pathetic in his eyes. Jimmy forgoes traditional therapy practices and goes for something a little extra. He takes Sean to a boxing club and has him work out his frustrations with a sparring partner. Sean and Jimmy have a breakthrough and then things start turning around for Jimmy/ The only problem is that Paul doesn’t approve of these new practices and warns him that this will lead to trouble.
Jimmy tries these new practices with his other patients and slowly makes breakthroughs but still seeks the constant praise and mentorship of Paul. Jimmy starts to try new things at home to reclaim parenthood over his daughter. Unknowingly Paul has been secretly counseling Jimmy’s daughter to help her with her issues with her father as well as being a father figure that he never was.
Things start going upside down when one of his patients tries to kiss him, another patient is lying about leaving her husband, and even worse, Sean sees Jimmy as a friend and not a therapist. The final straw is when Liz and Gaby find out that their daughter has fallen in love with Sean.
The show starts off slow at first, establishing the characters and giving the audience an inside view of the main protagonist’s world not unlike Lawrences’ other shows like Ted Lasso and Scrubs. This really allows the audience to get attached to their favorite characters and builds a world that we would all love to live in. The real problems addressed in this show are not sugar-coated and always highlight human qualities we would soon forget sometimes. It’s a real gem after Ted Lasso and you’ll just need to be a little patient in the beginning, but the payoff is well worth it in the end.