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Retro Review: Godzilla

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Release Date: September 16, 2014
MPAA Rating: PG-13
Runtime: 123 mins.
Director: Gareth Edwards
Studio: Legendary Pictures
Genre: Sci-Fi, Action
Stars:Bryan Cranston, Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe

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During a horrible accident at a nuclear power plant in Japan a man loses his wife , his job, and seemingly, his mind. Fast forward 15 years and Joe Brody (Cranston) is still looking for answers as to what really happened that day. His son, Ford, (Taylor-Johnson) whom is now an EOD tech in the military gets a phone call that his father has been arrested in Japan flies off to get him out. After a little convincing Ford is talked in to breaking in to a quarantined zone where the accident occurred. This ends up dragging him in to a face to face encounter with unstoppable monsters. Who will save the day when man is no longer able to defend itself ? I’m pretty sure you can figure that out.

As far as the locales go they picked some good spots. They jumped between Japan, Hawaii, Las Vegas, and San Francisco. The 3-D in the movie added an extra layer of oomph to the visuals when showing how massive the creatures are to us insignificantly small humans. The CGI for Godzilla is phenomenal and he looks way better than a mutated iguana (yeah ’98 that was a shot at you!). Now the acting was up and down as an overall effort. Bryan Cranston is the best part of the cast as he lights up the screen whenever he’s on it. Unfortunately, there is far too little of him on screen. Aaron Taylor-Johnson (AKA Kick-Ass) seems disinterested in playing his role as Ford. He’s literally got one facial expression for every situation. His reaction to hearing his father is in jail is the same as the first time he sees Godzilla.Its a lackluster effort and shouldn’t be allowed by the director, let alone a professional actor. Elizabeth Olsen (the Olsen that can act) is good in the few moments she receives on screen. Along with Cranston she helps bring some emotion to the human element of the film. Watanabe has like maybe 25 lines in the whole film so he’s not too significant. He does however get to deliver the ever so popular Japanese pronunciation of Godzilla. It’s his one shining moment on camera. Oh, and the final monster fight is overtly bad ass. Too bad that it takes like 3/4 of the movie before any fighting really goes down.

This series was in need of a reboot especially after the last two fiascos. The mission did not fail, as this is a great reintroduction to the masses. Awesome CGI, Two great performances from two under utilized actors, and one awesome monster fight are pluses. The draw backs are the lackluster performance of the main character and the lack of solid Godzilla action until almost the end of the film. Overall, it’s awesome and contains many cheerable moments. It’s a crowd pleaser for sure.

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Review of Meiyazhagan on Netflix

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Netflix’s Meiyazhagan is an evocative Indian drama that dives deep into themes of familial loyalty, personal ambition, and the cultural intricacies of rural Tamil Nadu. Directed by C. Prem Kumar, a promising filmmaker with an evident love for authentic storytelling, Meiyazhagan delivers a rich narrative that resonates with viewers on both an emotional and cultural level.

The story follows Meiyazhagan, a young man torn between his duties to his family and his aspirations to escape the confines of his small village. Set against the lush backdrop of Tamil Nadu’s countryside, the film masterfully intertwines his struggles with the region’s socio-economic challenges. The story explores timeless themes of tradition versus progress, community dynamics, and the consequences of breaking societal norms.

The cast is exceptional, with the titular role played by Karthi who captures Meiyazhagan’s internal conflict with raw vulnerability. His nuanced performance is matched by the supporting cast. The romantic subplot is tender yet grounded, providing an additional emotional layer without detracting from the main narrative.

The cinematography is a visual feast, with every frame highlighting the vibrant landscapes of Tamil Nadu. From bustling village markets to serene agricultural fields, the film immerses the audience in its setting. Traditional Tamil folk music underscores key moments, enhancing the authenticity and emotional weight of the scenes.

For international audiences, Meiyazhagan is available with subtitles and a dubbed version. While the subtitles capture the essence of the dialogue, purists will appreciate watching the film in its original Tamil language for its linguistic nuances. The dubbing is serviceable, though it loses some of the emotive depth conveyed by the actors’ voices.

Meiyazhagan is more than just a coming-of-age story; it’s a poignant reflection on the importance of cultural identity in a rapidly modernizing world. The film doesn’t shy away from portraying the harsh realities of rural life but balances this with moments of hope and humor, leaving the audience both moved and inspired.

At times, the pacing lags, particularly in the second act, where certain subplots feel unnecessarily prolonged. Additionally, while the cultural depth is commendable, some viewers unfamiliar with Tamil traditions might find themselves longing for more context.

Meiyazhagan is a heartfelt drama that offers a compelling narrative, exceptional performances, and an authentic portrayal of Tamil Nadu’s cultural richness. Despite minor pacing issues, it is a must-watch for fans of Indian cinema and those seeking stories that bridge the gap between tradition and modernity.

Final Rating: ★★★★☆ (4/5) Whether you’re a seasoned fan of Indian movies or a newcomer to Tamil cinema, Meiyazhagan on Netflix is a cinematic journey worth embarking on.

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Review: Arcane Season 2

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The long-anticipated second season of Netflix’s Arcane continues to push the boundaries of animation and storytelling. Following the explosive events of Season 1, tensions escalate between the affluent city of Piltover and the struggling undercity of Zaun. The narrative focuses heavily on the strained relationship between Vi (Hailee Steinfeld) and her volatile sister, Jinx (Ella Purnell). Their dynamic remains the emotional core of the series, with both actresses delivering compelling performances that heighten the show’s drama.

The animation remains a standout, blending 3D elements with hand-drawn aesthetics and experimenting with styles like sketch-like pencil work and chromatic watercolors during emotional or metaphysical sequences. This fusion of mediums elevates the viewing experience.The show delves into complex themes of power, vengeance, and loss. While it occasionally leans into heavy-handedness, these moments are offset by its gripping character arcs and poignant emotional beats.

Music Integration: The soundtrack plays a significant role, with original songs enhancing both action-packed and introspective scenes. While some sequences verge on being overproduced, others strike a perfect balance, deepening the narrative impact.

Season 2 is divided into three acts, with Act II providing a slower, more contemplative pace that allows for richer character development. The fast-paced action sequences are breathtaking, though they can sometimes feel overwhelming.

Arcane’s second season solidifies its position as one of the most ambitious animated series of its time. It successfully combines striking visuals, compelling storytelling, and emotional depth, making it a must-watch for both fans of the original and newcomers. While not every moment lands perfectly, the series’ bold approach to animation and narrative ensures its lasting impact.

Rating: 9/10

Sources: Empire Online, Polygon, and Forbes reviews.

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Review of Black and White Spoon on Netflix

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Netflix’s Black and White Spoon is a Korean culinary competition series that seamlessly blends artistry, culture, and high-stakes drama into an unforgettable viewing experience. From its sleek production values to its deeply emotional storytelling, this show offers more than just tantalizing dishes—it serves a heartfelt exploration of culinary passion and perseverance.

The series pits contestants against each other in a dual-themed format where they must create dishes inspired by opposing concepts—light versus dark, sweet versus savory, or tradition versus innovation. This premise challenges the chefs’ creativity while providing viewers with visually stunning plates and fascinating backstories about Korean cuisine and its global influences.

The judges are a mix of culinary experts, celebrity chefs, and cultural critics, each bringing a unique perspective. Their feedback is sharp, insightful, and, at times, surprisingly emotional, further heightening the tension.

What sets Black and White Spoon apart is its emphasis on storytelling through food. Each episode dives deep into Korean culinary heritage, intertwining it with personal anecdotes from the contestants. Dishes are not merely judged on technical precision but also on the emotional resonance they evoke. For instance, a simple kimchi stew becomes a tribute to family ties, while a modern take on bibimbap showcases the fusion of tradition and innovation.

The cinematography deserves special mention. Every shot of sizzling grills, delicately plated meals, and reactions from the judges feels like an art piece. The pacing, however, can sometimes feel uneven. While the personal stories add emotional weight, they occasionally overshadow the cooking itself, leaving food enthusiasts craving more behind-the-scenes action in the kitchen.

Black and White Spoon is an inspiring and visually rich series that celebrates the art of cooking and the complexities of Korean cuisine. Its emotional depth and cultural insight make it a standout in the crowded genre of food competition shows, though slightly better pacing could elevate it further.


This is a must-watch for foodies, fans of Korean culture, and anyone who loves the blend of artistry and competition in culinary storytelling.

Final Rating: ★★★★☆ (4.5/5)

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