You know a movie people love to riff and is unbearable without anyone talking over it? Birdemic. That movie has characters with zero chemistry, no charisma, horrible acting and even worse editing and special effects. The whole point of that movie is to warn people about global warming and the effects it would have on the environment and the inhabitants of this planet. Why am I mentioning such a movie? Well, because in 1977, a movie called Day of the Animals was released in theaters and it also deals with animals and the environment also. The main difference is that this movie was done so much better with a better budget, “good” actors and it also has a plot that actually is easy to decipher without any monologue scientific babble going on that comes out of nowhere and delays the movie from finishing. With that being said, comparing the two movies isn’t fair and should not the best reference to go on. The one question to ask is this movie enjoyable to watch? We’ll be breaking down the movie based on plot, the suspense/animal attacks that are frequent throughout the movie and the overall message of the movie. Let’s roll up our sleeves and put on plenty of sunblock as we take a dive into the mountains and explore Day of the Animals.
We open the movie with a text scroll. It warns us about aerosol canisters and its harm on the ozone layer and what it can do to the environment. It sets the mood for the movie. The movie is about a bunch of weekend hikers who go into the woods with a guide to get away from the city life and get back in touch with nature. We have a bunch of characters including a professor, former football player, two young lovers, a couple going through a rough patch, an ad executive, mother and her son, an anchorwoman, a Native American and the tour guide. So, it’s a great turn out. They take helicopters and go into the woods where they start to hike but notice that it is very quiet out there. They don’t hear any animals except for a lone screech/caw of a hawk. As they get further and further into the woods, they notice the animals stalking them. The birds are gathered together on the branches and just stare at them. It only becomes a problem when a woman (the one in the rough patch) gets attacked by a lone wolf. After the wolf retreats, the rough patch couple split from the group to get help while the rest of the tour continue. This is when the audience will start to know this is the beginning of the end for many of these characters. We just don’t know yet who will die and who will survive. The plot has a nice beat of the drum with the movie. It doesn’t really try to hurry up the action and the animal attack scenes but rather have the tension of the people grow and start to splinter as they start to lose hope that they will make it out alive. Though the pacing in the beginning could be a little contrived and not too interesting, it does make up for it with exposition of different characters just so we know a little bit more about them and give some sort of humanity to them so they don’t feel like a cardboard cutout of stock characters. I do enjoy each character has some sort of personality and even if it is annoying or racist, they still have their defining characteristic as well as a defining moment in the movie whether its a fight scene, a death scene or just for surviving.
From the beginning of the movie, we get lots of different scenes with animals and reptiles in their habitat doing their thing. It it shot very nice with just a nice hint of that 1970’s grainy film that we often associate with this time period. It would be nice having Morgan Freeman narrating the nature shots for how frequent they were using them but I digress. The animal attack scenes are done very well. The protagonists have their uneasiness in the wild and the animals are constantly stalking them throughout with a lone hawk seemingly being the boss/lookout. It’s when the music builds to that uneasy sound or the dead silence is when the animals will attack. Though they don’t get graphic with the blood and the final cue de grace, the shots being implemented show the animals attacking with some angles of the animals mouths, humans screaming and the rest of the characters reacting to the attack. It creates the uncomfortable image of an animal attacking and what it will look like if you were on the other end. In the pack attack sequences, there is so much going on and all you see are swarms of the animals and a lonely body on the ground squirming and the fighting. I enjoy the scenes with the animals because it offers us variety. We get a chance with swarm of hawks, mountain lions, wolves, rats, rattlesnakes, and even German shepherds’. I think the suspense of the animals and what they can actually do to a human offers us a glimpse of what to do and not to do when confronted by animals in the woods or even on your own street.
With the action sequences and the animals going crazy and attacking people, what is the message the director is trying to tell us? Is this supposed to have a profound impact on the consumers daily life or is the movie a cash grab to incite the same kind of uneasiness and fear like The Birds did with Hitchcock? I think with the text scroll, it has a little bit of both. The director, lead actor and producer of the movie did Grizzly the year before to much success. That movie was compared to a knockoff of Jaws. This movie is I guess the knockoff of The Birds. I don’t really think the director was trying to give a profound message about the environment but rather used the ozone depletion as a way to give a reason to why the animals are attacking the people.
Though the director might not have given us his reason, it does offer questions about the ozone layer in general. With all the devastation happening currently right now in America with the hurricanes and a giant earthquake hitting Mexico, how has ozone depletion really affect the planet? I’m not going to go Al Gore on anyone talking about the polar ice caps melting and sea levels rising and the temperature on the planet continually rising (Oh snap, I did say that. Oops). Either or, the radiation that protects us is in the ozone layer and with it constantly decreasing, would radiation poison be a factor in animals natural behavior? Could this be a precursor for things to come? Will we expose enough animals to radiation that they can mutate and there could be an actual Planet of the Apes where humans becomes the endangered species? Maybe? I doubt it. Or, do I?…
Overall, this movie was fun. It tells a concise story and the action and suspense keeps me interested in who will come out on top and who will become the next victim. Some of the acting is a little hokey and it can have extra exposition at the times we don’t really want it, but, it does give the characters a background and some personality instead of stock characters who we don’t know much about and are just scene fillers. The animals are trained very well in the movie and it is nice to have a variety instead of just bears and wolves. If you want to see a movie that is about animals attacking humans caused by poor environment, watch this and avoid Birdemic.
“Day of the Animals” is available on Amazon Prime.
Written by Leon Rudzin
Ringu
Way back in the 90s, a sudden film spawned a popular film franchise, triggered a Western popularization of Japanese Horror, and started a renaissance of Japanese Horror, all with a single film – Ringu.
Based on a series of novels written by Koji Suzuki, the story involves a cursed VHS tape that, after you watch it, leads to a phone call informing the viewer that they now have seven days left to live. After that, the vengeful spirit of Sadako, the girl from the well that gives Ringu its name, comes and kills you in the most terrorizing way possible. After her niece Tomoko is found horrifically dead, investigative reporter Reiko Asakawa takes it upon herself to look into the curse.
The film is lauded worldwide for its’ unique-for-that-time atmosphere, slow-burn gripping horror, and intertwining of traditional Japanese ghostly vengeful horror with modern twists. There have been several sequels to the original Ringu, and a whole bunch of Americanized remakes, but nothing replaces the original vision of a contortionist nightmare wraith climbing backwards out of a well to come frighten you literally to death!
Ju-On the Grudge
They say that when a person dies in the grip of a deep and powerful rage, a curse is born. The curse gathers in the place where that person died and repeats itself there, with the help of the dead haunting said location, often killing anyone who comes into contact with that curse.
The traditional vision of the yurei, the vengeful wrongfully killed Japanese ghost, is something we Westerners have generally come to accept as being female, with long straggly black hair and an almost see-through-like quality about her. Ju-on gives the yurei in this story license, potentially sympathetic reason even, to wreak her ghostly vengeance upon the world that did her wrong and turns her traditional yurei appearance into weapons with which to terrorize her victims. That long straggly black hair is now prehensile and deadly, the sound of the poor drowned cat coming from the tiny boy-ghosts mouth heralds extreme sudden peril, and even that insanely creepy door-closing noise coming from mother Kayako’s mouth is now an iconic known of the Ju-On franchise.
Originally based on two short films from acclaimed director Takashi Shimizu from when he studied at the Film School of Tokyo under a Kurosawa, the Ju-On franchise of course spawned an Americanized version, aptly titled The Grudge, and a whole host of sequels. Now boasting over 8 Japanese films, a Netflix streaming TV show under the title Ju-On: Origins, several Americanized remakes with their accompanying sequels, a crossover movie featuring the ghosts from Ju-On and Ringu in a face-off, and novelizations of nearly all the films, Ju-On still stands high as a front-runner for the huge popularization of the other type of Japanese ghost-beastie, the “vengeful ghost” or onryo for viewers all around the world!
Three … Extremes
A horror anthology film comprised of a trio of stories from directors from China, South Korea and Japan, Three … Extremes was controversial when it came out and continues to remain so to this day.
Chinese Indie director Fruit Chan brings us Dumplings, a story of a woman desperate to retain her youth at literally the worst cost in the whole world; South Korea’s Park Chan Wook delivers Cut, about a prominent film director and his wife being terrorized by a psychopath from his past; and finally, almost inevitably, Japanese director Takashi Miike offers us Box, where a circus contortionist grapples with the guilt of her tormented past when evil returns to take vengeance in her adult life.
Fruit Chans’ Dumplings was expanded to whole-movie format though it kept the exact same monstrous storyline as the short; Park Chan Wook is known for such masterpieces as Oldboy, Lady Vengeance, and Snowpiercer just to name a few, he has so many; and of course Takashi Miike has so many action and horror and “other” flicks to his unique style of directing that, beyond the world of JHorror even, Miike is now a household name.
Over Your Dead Body
Arguably the most famous (and infamous) ghost story in Japan, Yotsuya Kaidan began life as a Kabuki play made for the stage in 1825, and has been adapted to film more than 30 times since then, continuing to be a giant influence on Japanese horror culture even today. The story is a tale of much betrayal, so much murder, and of course, ghostly revenge, with many layers and characters and interleaved mini-stories being added to Tsuruya Nanboku IV’s original work.
Here in modern day in the film, a troop of actors have been cast in a reimagining of the Yotsuya Kaidan stage play, and they each have their own obsessions and desires, mostly for other members of the cast. The play proceeds to intensify and amplify the casts’ possessive loves, and as the lines between reality and the play blur, spurned love morphs into multiple grudges. And we all know about Asian folk and their ghostly grudges.
Over Your Dead Body is a lesser-known Takashi Miike movie and as such, sports his zany over-the-top style of filmmaking, but for this film alone, is presented in an almost arthouse style of horror. Expect the usual splattergore and emotional explosions Miike is known for, but also anticipate a beautifully shot grotesquerie of the horrors we humans voluntarily visit upon each-other!
Audition
Based on the book by Ryu Murakami, one of the very few movies to get a “holysh*t!” style rating from the likes of Rob Zombie himself, Audition is not for the faint of stomach. Takashi Miike directs another horror movie in his singularly unnerving style, so strap in!
Shigeharu Aoyama is a widower and has been for some time, and after his grown son expresses his plans to move out soon, Aoyama acknowledges his loneliness and decides its time to start looking for a new wife. But not in any kind of normal way, like dating apps or whatever, no, Aoyama and a fellow film producer friend of his conceive to hold auditions for a non-existent film so Aoyama can choose his potential bride from the audition pool of women. Any romance begun on such lies is bound for failure, but Asami, the former ballerina with let’s just say some serious trauma issues to work out that Aoyama selects for his paramour, takes her reactions to such duplicity to major extremes.
Credited with being a major influence on the likes of Eli Roth, the Soska sisters, Rob Zombie and tons of other horror directors, plus being described as a progenitor of the now-infamous sub-genre of Horror gleefully called “torture porn”, Audition evokes strong reactions in an unforgettable Miike blend of duplicity, gorgeous monstrosity, and gore!
After being corrupted by the smile entity curse, global singing sensation Skye Riley (Naomi Scott) begins experiencing terrifying visions and strange events, forcing her to try to fight back against the pressures of superstardom and her own past demons, before it’s entirely too late!
So, the first ten minutes or so of the film deal with the transference of the smile curse, demonic haunting, whatever you want to call it, being foisted off on some other poor slob. At least, that was the theory our gunman was operating under, but as we’re all aware, the smile curse has a tendency to make things go awry as much as possible, maximizing pain and fear for consumption. And junkies aren’t exactly known for their ability to make nefarious plans and pull them off without a hitch anyways.
Meet Skye Riley, the former rising singing mega-superstar who, a year ago or so, allowed herself to succumb to drugs under the intense pressures of stardom and suffered a devastating car crash in which her actor “boyfriend” died and Skye herself endured massive injuries that left bad scars. Her former best friend and handler Gemma (Dylan Gelula) was inevitably blamed for outing Skye’s drug use, yet Gemma turns out to be the one person Skye really wants to talk to when the smile entity begins really beating her over the head. Skye’s mom Elizabeth (Rosemarie Dewitt) has taken over the managerial duties of Skye’s resurging career and obsessively goads Skye into event after event, as they prepare to launch a comeback tour for Skye. Darius (Raul Castillo) and Joshua (Miles Gutierrez-Riley) are both in Skye’s performing sphere too, as a co-managerial type and the new personal assistant, respectively. And of course, there’s Lewis Fregoli (Lukas Gage), who we met in the beginning, a twitchy little drug dealer from Skye’s past who is ultimately responsible for visiting the smile curse upon Skye’s head. Thanks a lot, everybody.
Skye has problems ya’ll, even now. She endures dance and singing practice that causes her massive amounts of pain she’s supposed to hide; she drinks water like a beached fish because a therapist told her to drink water anytime she felt like using drugs again, hoo boy; she gets so twitchy she starts pulling out whole hanks of her hair so now Skye has a brand-new much shorter hairstyle in theory to celebrate her new world tour; and Skye is trying very hard to hide the car accident scars, which is seriously hard in those skimpy ridiculously revealing outfits megastars wear when performing onstage. So finally, in a desperate act that sadly everyone saw coming, Skye goes by herself to see Lewis in his rather obvious drug dealer loft, to score some Vicodin for her back. Really. That’s all, Skye swears.
The smile entity has now moved into Skyes’ entire world, as if things weren’t stressful enough, and now Skye is starting to twitch herself, when she sees that horrific smile split the mouths of strangers and even people she knows, and hears words cursing her delivered in a voice clearly not belonging to the person whose mouth they’re coming out of.
The scenes with the various characters haunting Skye in the smile curse fashion are all great, very similar to the original film but smartened up for the sequel, slick and polished, and absolutely sick in the reveling of scaring a person literally out of their mind. The scene with Skye’s backup dancers in her bedroom in particular, are incredibly well done and should be lauded tons.
Skye is trying to hold onto whats left of her sanity by her very fingernails when she finally agrees to meet with the anonymous person who’s been sending her eerie phone messages, Morris (Peter Jacobson). Morris actually does his best to try and explain the smile entity and its adjoining curse, and how the best way to stop the thing is to briefly “kill” Skye, though he seems to be twitchy and nervous for his own reasons too.
Time is running out for poor beleaguered Skye, and after a devastating and very bloody act that shatters what’s left of Skye’s dwindling mind, Skye makes the choice to try and fight the smile entity with every resource at her disposal. Somehow it never occurred to her that a walk-in freezer in a former Pizza Hut would be listed among those resources, but whatever!
The movie is full of jump scares and gore, yes, but the scenes are much less torture porn for the sake of it and more psychological horror presented in a visceral way that even still manages to leave a fair bit open to audience interpretation. Did Skye really just truth vomit all of that repressed rage aloud, or is it all pretty much in her head? That final concert battle scene, where there were hundreds of people in the live audience and in theory much more to be had from the live televised event, does this mean the smile entity has access now to a legion of potential victims?
Enjoy a villain who absolutely revels in being as evil as possible while sporting a terrifying mouth-splitting smile, Smile 2 is in theaters now!
If you’re a horror fan, Bruce Campbell needs no introduction. Best known for his iconic role as Ash Williams in Sam Raimi’s Evil Dead franchise, Campbell returned to his beloved role in Ash vs Evil Dead, a bloody, gory, and hilarious continuation of the series. Running for three seasons from 2015 to 2018, Ash vs Evil Dead is a fan-favorite show that blends slapstick humor with spine-chilling horror. For Bruce Campbell fans, here are the top five episodes from all three seasons that showcase his legendary performance as the wisecracking, chainsaw-wielding anti-hero, Ash.
1. Season 1, Episode 1: “El Jefe”
The series premiere “El Jefe” brings Ash Williams back into the spotlight after 30 years of living a quiet life. When the Necronomicon accidentally releases the Deadites again, Ash reluctantly steps back into his role as humanity’s savior. This episode does a great job of reintroducing us to Ash’s brash, arrogant, but lovable personality, while setting the tone for the mayhem to come. Full of gore, humor, and over-the-top action, this episode is a perfect mix of nostalgia and modern horror.
2. Season 2, Episode 2: “The Morgue”
Widely regarded as one of the best episodes in the series, “The Morgue” is a gory, gross-out extravaganza. Ash and Pablo infiltrate a morgue to retrieve the Necronomicon from a cadaver, leading to one of the most memorable scenes in horror television. Without giving too much away, Ash’s battle with a corpse in this episode is both hilarious and disgusting in a way that only Evil Dead could pull off. Campbell’s physical comedy and fearless approach to the bizarre is on full display here.
3. Season 3, Episode 10: “The Mettle of Man”
The series finale, “The Mettle of Man,” delivers on everything fans love about Ash vs Evil Dead—epic Deadite battles, blood-splattered action, and Bruce Campbell being the ultimate hero. As Ash confronts the Dark Ones and an apocalypse-level Deadite invasion, he makes the ultimate sacrifice to save humanity. This finale is bittersweet, providing plenty of epic moments for Ash while leaving fans wanting more. It’s a perfect end to a wild and thrilling series, with Campbell at his very best.
4. Season 2, Episode 9: “Home Again”
In “Home Again,” Ash is forced to confront his past by returning to the iconic cabin in the woods, where the Evil Dead saga first began. This episode is packed with nostalgia for long-time fans, bringing back all the familiar chills and thrills of the original Evil Dead films. The episode also features a strong emotional core, as Ash comes face-to-face with the memories of his friends and family who were lost to the Deadites. Bruce Campbell delivers a more layered performance in this episode, blending his usual snark with genuine pathos.
5. Season 1, Episode 8: “Ashes to Ashes”
“Ashes to Ashes” takes Ash back to the cabin for the first time in the series, where he must deal with his own demonic doppelgänger, Evil Ash. This episode plays with the classic Evil Dead themes of possession and madness, delivering a blend of psychological horror and dark comedy. The showdown between Ash and his evil twin is a series highlight, full of blood-soaked action and classic one-liners. Campbell’s dual performance as both hero and villain makes this episode a standout.
Why Horror Fans Love Ash vs Evil Dead
Bruce Campbell’s portrayal of Ash Williams is a large part of what makes Ash vs Evil Dead such a beloved show among horror fans. His ability to combine humor, physicality, and sheer badassery into one character has solidified his place as a horror icon. Whether he’s decapitating Deadites with his chainsaw or delivering snarky one-liners, Campbell’s Ash is always the highlight of any episode. His performance elevates the show from standard horror-comedy fare into a cult classic.
For fans of Bruce Campbell and the Evil Dead franchise, Ash vs Evil Dead is a must-watch series that honors the legacy of the films while pushing the boundaries of horror-comedy. These top five episodes showcase the very best of Ash’s wild, gory, and hilarious adventures. Whether you’re in it for the splatter, the laughs, or Campbell’s unbeatable charm, these episodes are essential viewing.
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