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Debi Mazar Talks Womanhood, Millennials and Breaking Rules

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In the 1990s Debi Mazar’s cat-eyed glamour was spotted everywhere, alongside close friend Madonna. Arm-in-arm they strolled red carpets across two continents and partied with a glittery group of social provocateurs.

As an actress, Mazar came on the scene and shone brightly in the 1990 iconic mob film, Goodfellas, as Ray Liotta’s coke-addled mistress. She then appeared alongside actress Annabella Sciorra in Spike Lee’s 1991 interracial romance drama, Jungle Fever and followed that up with two more Spike Lee films, Malcolm X and Girl 6. In 1995 she spiced up the screen as one half of Sugar & Spice alongside Drew Barrymore in Batman Forever. More recent projects included the role of sharp-tongued publicist Shauna on HBO’s runaway hit series, Entourage, which aired from 2004-2011.

Her characters have always been quick to offer a sarcastic comeback or some bold advice, no effs given. If film and television casts can be compared to ingredients, then Mazar is surely the hot sauce. 

These days, the mom of two teenage daughters splits her time between New York City and Italy. Landing on another hit series with TV Land’s Younger, now going into its seventh season, Mazar takes the reigns once again as irreverent artsy urbanite, Maggie. The show centers around a Gen-X divorcee who poses as a millennial to jumpstart her career in book publishing, only to have worlds collide in parenthood, work and love. 

When speaking with Mazar, she gives it to me straight, no chaser. A dye in the wool New Yorker with an Avant-Garde spirit, she shares her views on friendship, parenthood, social media and the art of risk taking.

That’s My Entertainment: In your series, Younger, your character Maggie is the catalyst that gives the other characters permission to make bold decisions that they wouldn’t ordinarily make. In your own life, who has given you permission to draw outside the lines?

Debi Mazar: I surround myself with many friends that do that for me; it’s not just one person. Certainly, it starts with my husband. I obviously run things by him. In my life, I’ve had people I looked up to who were older, or who had sage advice in their soul to offer. Sometimes it could even be my teenage daughters. Their thoughts are generally so pure. My older gay male friends always have sage advice, and my girlfriends, [the late fashion designer] Isabel Toledo being one of them, and Madonna being one of them… ultimately, you know deep in your soul what you should do, and I’ve always been a risk-taker.

TME: Are you as bold and irreverent as the characters you’ve played?

DM: I think I’m bolder than my current character on Younger, for real! Maggie is a little more Bohemian, and she’s [artsy]. I sometimes wish she could be even bolder. I know she’s a catalyst for the story. Often, in my life, I’m just like, “Oh please, just fucking do it already!” I think I’m a little bit more the type of person in my own life who will say, “Do what you need to do,” as opposed to merely suggesting. There have been times with the character of Liza (played by Sutton Foster), where I wish my character, Maggie, could have offered her that type of direct advice. But we have to tell a story and stretch it out for television. 

“Younger” Ep. 404 (Aired 7/19)

TME: Younger just finished its sixth season, and you’re going into your seventh season. It’s amazing when you consider how much competition there is for people’s attention these days. Why do you think the show has resonated with your audience?

DM: Our show is about female relationships, for the most part. They’re strong women who are bonding together and lifting each other up. In a world that is so crazy, I think that is a big part of the show’s appeal. Our show is also filled with humor, it’s extremely positive and light. It really is entertainment.

The marketing machine that TV Land and Viacom put together, in terms of promoting the show and how they continue to promote the show, has been aggressive and fun. I give them a lot of credit for throwing it out into the stratosphere, especially on a network that was all about reruns. When I first got offered the show and they said it was on TV Land, I said, “Wait, isn’t that the rerun channel?” 

TME: That reminds me of what Dave Chappelle said about the first season of Chappelle’s Show airing on Comedy Central. He said, “That wasn’t exactly the place to be at the time.” Sometimes it takes one groundbreaking show.

DM: Yeah, I was like, “Oh, that’s weird. I don’t know.” (laughs) Of course, I would love being next to I Love Lucy, but they were doing this whole new launch of original programming when Younger started. Having the platform of Hulu, and wherever else you can watch Younger, that’s helped enormously to blast it out, and the show has sold well, globally. I hop through airports constantly, and no matter where I go people tell me they watch Younger. Ultimately, our show is about love. 

 

“Younger” Ep. 604 (Airs 7/10/19)

Allison Kugel: I would consider you a Gen-Xer, like me. There is a Gen-X versus Millennial component to the show that speaks to a lot of people. Do you long for what was, or are you more of an embrace the times we’re in kind of person? 

 

Debi Mazar: I’m a mother of teenagers, so I’ve had to deal with Millennials and Gen-Z, and I find them so refreshing. I am a Gen X type of person in terms of where I live, and liking how things used to be, and yes, I do complain that I liked New York City better when it was less crowded. I liked the city when it was edgier and not so antiseptic and cleaned up. On the flip side, I’m also a modernist and someone that looks to the future. I can’t sit around talking about how things used to be, because you have to exist in how things are and make your next decisions based on that. I can easily decide that I’m moving to Italy tomorrow, because I married an Italian and we have a country home in Florence. And I can choose to really go a whole other route, pretend like I’m in the Renaissance, and live in the country and tune out a lot of stuff. But I’m kind of addicted to certain things at this point. I have Instagram and I sit and check my phone for things all the time. 

TME: Darren Star is the brilliant creator of Younger. What would you say are the hallmarks of a Darren Star (Beverly Hills, 90210; Sex and the City; Younger) television series?

DM: Darren likes to push buttons in terms of sexuality. He likes to push buttons with love triangles, the dynamics of friendships and with fashion. He loves all of that. If you watch any of his shows, there is always an element of people that are living on the edge, having to make decisions; they are dressing up and going out; they are having fun; and they’re voracious and hungry for things. His shows are funny, witty, fast-moving and nice to look at. The greatest thing Darren does is write wonderful female characters. I mean, remember when Sex and the City was happening? A lot of people were like, “I’m the Samantha of my group,” or “I’m the Carrie.” With my character, Maggie, on Younger, I’m happy to play a lesbian. I think it appeals to a huge demographic within the LGBTQ (at this point Mazar laments that she may be leaving out some letters) community. It’s relevant.

TME: Darren Star recently claimed there is a statistic showing that women are often put in positions of power during extreme corporate shake ups, placing them on what he referred to as “the edge of a cliff,” and making them more vulnerable to failure in their respective positions. In Younger, Hilary Duff’s character, Kelsey, experiences this when she is put in charge of Millennial Publishing during a shake up in the company. Do you think the audience is ultimately looking to be entertained by her failure, or inspired by her success?

DM: I think the audience is watching to see what happens. We all live on the edge of not knowing whether we’re going to be a failure or a success, and failure and success is something that is measured by ego. It could be measured in many different ways. I don’t know if that is a proven statistic, but I happen to think that women are stronger than men in many ways. Women turn shit around all the time. There are a lot of success stories in Corporate America of how women have turned things around. So, I don’t really know where that statistic comes from and I don’t think it’s a male or female thing, necessarily. Half of it is luck and timing, anyway.

 

“Younger” Ep. 608 (Airs 8/07/19)

TME: Do you think someone can become extremely successful playing by the rules, or do you think that rules must be broken while chasing a dream?

DM: A rebel has to break rules. You have to take chances, and you have to fall on your face before you get back up and know that you made a mistake, and you can try to do it differently. I think you have to break the rules to a degree… in a smart way.

TME: Who in your life has made you most proud to have been born a woman?

DM: It’s interesting, because I wanted to have a son, but I got daughters. I’m proud that they ended up being girls, because they’re magnificent. I look at Malala [Yousafzai] paving the way. She was tortured; being a woman representing a society and getting shot in the head, and then going out there and being an activist. There’s the Gloria Steinems of the world, and a billion other women of the world. Had they been born men… I just think that gender isn’t necessarily the answer. The gender discussion now is so big that sometimes people aren’t born women and they choose to become them. And, hey, that’s a beautiful thing too. 

TME: Why do you think ageism is so prevalent in American culture, specifically?

DM: Oh God! Well I think it’s not just America, unfortunately. 

TME: Since you live in Italy for part of the year, would you say it is similar or different in that respect?

DM: I feel young for my age, to a degree, but my body doesn’t always feel so young because I’m not, and it’s just how it is. Throughout history, men were always the presidents in America. We still haven’t had an American president that’s a female. When I’m in Europe, people appreciate people, whether they have leathery skin or not. It’s about character and their souls and their mind.

I do feel appreciated in America, because I think it’s about the frame of mind of the person who might feel the ageism. I might not be able to go out and get a job that a twenty-year old is getting, but I don’t try to do that. In fact, when I was in my late twenties and early thirties, I was chasing after the roles of grandmothers on sitcoms. I don’t care about the number. As an actor, we all have to be different shapes, sizes, colors and have imperfections. That’s what makes us look interesting. 

 

“Younger” Ep. 408 (Aired 8/16)

TME: What are your thoughts on Younger’s lead character Liza (played by Sutton Foster) relaunching her career in publishing by lying about her age? The series starts off with her pretending to be 26, although she is a forty-year-old divorcee with a teenage daughter.

DM: When the series starts off, her character was damaged. She was a divorcee suffering from a broken heart, a broken family, living in the suburbs, truly devoting herself to her child, which we all do. Suddenly she is single and going, “Oh my God, my daughter is moving out and going to college. What the hell am I going to do?” When she comes to my apartment, I am there to save her and wrap her up in my arms and be a friend first. I tell her, “I love you, you’re great, you’re beautiful.” When all of these [job] interviews are not working out, I suggest she have some fun and change it up. When I first started my career, I didn’t have a lot of acting credits and I fudged a little bit on my resume to make it look better than it was, because I wanted to get some action. I don’t think there’s anything wrong with hustling, embellishing and trying to convince people that you can do the job. 

TME: Speaking of this generation leading the way, what’s one piece of technology that you can’t live without, personally and professionally?

 

DM: Instagram, hands down! I’m able to post a still-life image that I find beautiful, or I’m able to show something that I shoot a picture of, that’s funny and makes people laugh. I’m able to share a photograph of a throwback from a moment in my life. It’s a reflection of my sense of style, my sense of photography, my sense of depth of field, color and comedy. To me, Instagram is really that and I keep my feed positive. On the flip side of it, when people come after me for my anti-Trump stuff or political stuff, I just block certain people. I don’t want to read into it and fall down that rabbit hole. I love WhatsApp because you can talk to anybody all over the world, and I also love how in Europe everyone walks down the street voice messaging into their phone’s mic, instead of texting. That’s my new favorite thing to do. 

TME: Towards the end of season six of Younger, your character Maggie is having a steamy fling with actress Nicole Ari Parker, who guest stars on the show. What was that like?

DM: You know, Nicole Ari Parker did the two episodes of our show and we never closed out the fact that we’re having this little affair. Then I date a guy after her. It shows that Maggie’s hot to trot, and she’s on the market

 

“Younger” Ep. 607 (Airs 7/31/19)

TME: Your character is very fluid, sexually?

DM: Actually, she’s not fluid, but she is just seduced by a single moment with a man in that one episode. So, she’s not fluid. But if Darren [Star] decides I’m fluid in season seven, then I guess I will be (laughs)

TME: (Laughs)

DM: But he decided, at least in season six, that I wasn’t, and I’m fine with that. If I have to, I’d much rather make out with girls than make out with guys, because I’m married, and I only want to kiss my husband. 

TME: I get that.

DM: I mean, if I have to it’s okay, it’s part of my job, but it’s much easier for me to go on set and be like, “Look, we got this. Let’s make this fun.” Sometimes you get these actresses who get a little bit nervous. I just make them feel calm and loved and feel easy about doing the scene with me.

Nicole [Ari Parker] and I had moments where we’d be on the street ready to make out for a scene, and I taught her how to kiss me for the cameras. We didn’t have to put tongues down, we just put our lips together and smash our faces together like they did in the 1920’s movies. It doesn’t have to be this groping, weird thing. Actors can make it look good if they know what they’re doing. It’s really about the suggestion of sensuality.

 

“Younger” Ep. 510 (Airs 8/14/18)

TME: You’ve had a group of eclectic and fabulous friends over the years. What kinds of people do you typically gravitate towards in your own life?

DM: I’m that person that supports all people. I love fucked up people; I love straight shooters; I love people that are very by the book. I just see beauty in all kinds of people. When you let go of the norms and you allow people to be who they are, you find beauty and strength in them. 

Younger Season 6 Key Art

Younger airs on TV Land on Wednesdays at 10/9c. Catch up on Seasons 1-6 on TV Land On Demand or on Hulu and PlayStation Vue. Follow Debi Mazar on Instagram @debimazar.

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‘Abigail’: Bite Me Harder Tiny Dancer

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A gang of misfit kidnappers find their tiny target far more bloodthirsty than they bargained for! 

So, unfortunately, the trailers gave it away and let’s be real that’s why most of us are here, the knowledge that the kidnap victim Abigail (Alisha Weir), codenamed by the would-be kidnappers appropriately as ‘tiny dancer’, is in fact, a vampire. Not a spoiler, point of fact, one of the film’s actual great selling points. And the reactions from the misfit club when faced with a real actual f*cking vampire, range hilariously from the blunt “no such thing as vampires” all the way to, “Are we talking True Blood or Twilight rules or what?” all while covered in buckets and buckets of blood. 

Anyway, the gang manages to subdue and abscond with the aforementioned Abigail, in a pre-prepared duffle bag, like you do, and converge to a new location, a house oddly similar to the one she was just taken from. Welcomed and given codenames by a man who introduces himself as Lambert (Giancarlo Esposito), our misfit club is told to simply hold down the fort in this strange old house with the girl chained up in a room and one person to attend her, for twenty-four hours, and they’ll all get paid. 

As inevitable as the tides, the dopey druggie Dean (Angus Cloud) is the first to die, and we’re going to give that death-style points for inspiring terror right off the bat. The very controlling Frank (Dan Stevens, holy crap yes that is the guy from FXs Legion) is also of course the most suspicious – of everyone around him, sure, but also he himself is totes sus. We don’t learn terribly much about the musclebound tank who gets dubbed Peter (Kevin Durand), he’s your pretty typical little-brains-heart-of-gold muscle-for-hire any proper gang needs, right down to the bottle problem. Sammy (Kathryn Newton), well, even for being a purported hacker-type, she has, like, reality issues. Rickles (William Catlett), he’s arguably the most dangerous among them, ex-military and yet somehow here and involved in kidnapping for a few mills. Joey (Melissa Barrera) is our Final Girl, and though she has the inevitable problems in her recent past, she seems more capable of doing the hard thing and still somehow empathizing at the end of the day. Must be her burning desire to get back with her son. 

The fit hits the shan pretty quickly, and Abigail morphs from tiny dancer to tiny monster, though honestly, the way Abigail spoke the entire time in the film, if the ‘nappers had been paying close enough attention, would have been a solid clue. The performance from Alisha Weir as Abigail is incredible, as she literally dances a fine line between comedy, tragedy, and outright monstrosity. With a face full of makeup and the force of a tiny tornado to back it up, Weir brings to mind the great performances of the vampires in 30 Days of Night who saw the practicality in the need to trap their food, but also, play with it a bit first before feasting! Anything else would give away the absolute fun time that is Abigail, so you should go see it, out in theaters now!

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Scrubs Reunion: The Band Gets Back Together

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Fans of the beloved medical comedy series Scrubs were recently treated to a thrilling surprise when John C. McGinley, who portrayed the iconic Dr. Perry Cox, dropped a photo on Twitter hinting at a potential reunion project. The image, showing McGinley alongside his former co-stars, sparked a wave of excitement and speculation among fans who have been longing for more adventures with the beloved Sacred Heart Hospital staff.

While details about the reunion project are still scarce, the mere possibility of seeing the gang back together again has sent waves of nostalgia through fans who fondly remember the show’s original run from 2001 to 2010. Scrubs was not just a sitcom; it was a heartfelt exploration of friendship, love, and the chaotic world of medicine, all wrapped up in a quirky and often hilarious package.

At the heart of the show was the bromance between JD (played by Zach Braff) and Turk (played by Donald Faison), whose antics and deep bond served as the emotional anchor for the series. Their dynamic, along with the sage wisdom (and relentless sarcasm) of Dr. Cox, provided viewers with memorable moments that have stood the test of time.

As we eagerly await more news about the Scrubs reunion project, one thing is for sure: it’s time to dust off those old DVDs, rewatch our favorite episodes, and get ready to welcome back our favorite gang of doctors, nurses, and janitors for what promises to be a memorable reunion.

But Scrubs was more than just its main characters. The supporting cast, including the eccentric Janitor (played by Neil Flynn), the neurotic Elliot (played by Sarah Chalke), and the wise-cracking nurse Carla (played by Judy Reyes), each brought their own unique flavor to the show, creating a rich tapestry of characters that fans grew to love.

While the photo shared by McGinley has fueled speculation about what the reunion project might entail, whether it’s a one-off special, a new season, or something else entirely, one thing is certain: fans are eagerly awaiting any opportunity to dive back into the world of Sacred Heart Hospital.

In an age where reboots and revivals are commonplace, Scrubs stands out as a series that has the potential to recapture the magic that made it a fan favorite in the first place. With its blend of humor, heart, and unforgettable characters, a reunion project has the opportunity to not only satisfy longtime fans but also introduce a new generation to the joys of life at Sacred Heart.

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‘The Hunger Games: The Ballad of Songbirds and Snakes’: Rebellion with a cause

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The story of the rise of Coriolanus Snow, from teenage Capital City pawn to rising Dictator of the Hunger Games! 

Apparently no one out here in post-apocalyptic Panem has heard of irony and so they name their children things like Coriolanus (Tom Blyth), Tigress, and further off in Hunger Games lore, after swamp plants like Katniss. Corio’s father was a legendary general and that is pretty much the only reason young Snow and his meager family of grandmother called Grandma’am (Fionnula Flanagan) and sister Tigress (Hunter Schafer) are tolerated here in the Capital City at all. 

Most of the snotty youngsters at the academy won’t let Snow forget how far his family has fallen, but he’s generally not concerned with them. What is concerning is the strong disapproval of the drugged-up Dean Casca Highbottom (Peter Dinklage) and the creepy attention of Dr. Volumnia Gaul (Viola Davis) as she lurks in the classroom sniffing out talent. The Dean feels very strongly the annual Hunger Games should end, while Gaul is violently adamant that not only do the Games continue, but that they get as much more attention as possible. And young Snow is stuck in the middle, when the yearly prize money normally awarded to the academy student with the best grades gets switched out for, you guessed it, the student that can make this years’ Hunger Games as entertaining as possible. 

Whilst the students are protesting this sudden change, the annual Reaping is about to commence, and big shock and surprise, Corio’s candidate from District 12 Lucy Grey Baird (Rachel Zegler) is chosen as a Tribute. This is where the film begins to really take off on musical wings, for as it turns out, Lucy Grey can sing. Boy, can that gal sing! She can sing, she can play guitar, she can work a crowd, she can calm things down, she can fire ‘em up too! And Corio, being no dummy himself, instantly plots ways to use his Tributes amazing voice to draw attention to her, and admittedly his own, plight! 

Though far too many people sneer at the idea, Corio takes his position as Mentor to his Tribute seriously enough to sneak onto the tram taking the Tributes to their habitat, which turns out to be a completely appropriate moniker, as this year the Tributes are held before the Hunger Games in a large zoo habitat so the weatherman ‘Lucky’ Flickerman (Jason Schwartzman), host of this years games, can MC the hell out of everything up close and personal! 

What happens at this years Hunger Games and the subsequent consequences to both Corio and Lucy Grey is actually only half the story, and the movie. Coriolanus has always had to be opportunistic, but learning to be absolutely ruthless when necessary under the tutelage of Dr. Gaul, who basically thinks it’s always best to be merciless, is an eye-opening education indeed.  Even after they’ve both been consigned to military service and his friend Sejanus Plinth (Josh Andres Rivera) decides to finally rebel, Corio and Sejanus continue to deceive each other and themselves, to accomplish their separate goals. Not even the love Corio swears he feels for Lucy Grey can save him, or them, from the adamant absolute necessity of the Hunger Games continuing. And after all that’s happened, Coriolanus Snow has gotten a terrific education in the best way to be the absolutely ruthless next Hunger Games advocate, and oh yeah, President of Panem. 

The movie does itself no favors by trying to stuff not one but two major storylines and a bunch of side storylines sadly introduced and then ignored, into the film. It would have been entirely possible to turn Ballads of Songbirds and Snakes into two different movies, separated between feathers and scales if you like, and do justice to the major storylines in both. Blyth gives a fine  performance as a young Coriolanus Snow, but the fact that President Snow is played by Donald Sutherland in all three of the Hunger Games films means Blyth has incredibly large shoes to fill. Rachel Zegler as Lucy Grey is absolute fire, and yes the actress did sing the songs in the film herself, including the Hunger Games franchise epic song, ‘The Hanging Tree’. Every time Lucy Grey opens her mouth and sheer soul-searing music comes out, it provides a distinct counterpoint to the soul-crushing ambition of Coriolanus Snow and further demonstrates the District and Caste separation Hunger Games is known for. And if, by the end of the film, Coriolanus Snow has come to agree that the Hunger Games must continue but perhaps under his own auspices, he has no one but himself to blame when another younger but still rebellious female blows it all up in his face! 

Choose rebellion or conformity for yourself in The Hunger Games: The Ballad of Songbirds and Snakes

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