Runtime: 2h 17min

Genre: Action, Drama, Crime

Director: Manoj Rathi

Writer: Veerendra Pal Singh

Studio: Rathi Films India

Cast:

Gavie Chahal as Veeru

Aarushi Sharma as Meera

Karamveer Choudhary as Chaudhary Saab

Manjit Singh as Inspector Malik

Rajendra Bhatia as MLA Dhillon

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Jaat comes galloping in with the firepower of a rural action epic and the emotional core of a revenge drama. Directed by Manoj Rathi, this gritty North Indian action film pulls no punches, delivering a hard-hitting tale about honor, family, and retribution.

Gavie Chahal commands the screen as Veeru, a former army man turned vigilante who returns to his village only to find it ravaged by corruption and political thuggery. Chahal brings stoic intensity to the role, capturing both the silent rage and explosive force required of a righteous hero. Aarushi Sharma as Meera provides warmth and emotional grounding, while Karamveer Choudhary adds gravitas in his portrayal of an old patriarch trying to hold on to fading traditions.

The film’s biggest strength lies in its raw action sequences, beautifully choreographed and grounded in realism. Hand-to-hand combat, shootouts in mustard fields, and gripping chase scenes through narrow village lanes are highlights that keep you on the edge of your seat.

What Worked:

Authentic setting: The dusty lanes, village politics, and vibrant Haryanvi culture feel lived-in and immersive.

Powerful soundtrack: Folk-infused music enhances key moments, especially during confrontations.

Action choreography: Brutal, believable, and satisfying for fans of grounded action.

Strong lead performance: Gavie Chahal delivers a breakout role with screen presence and emotional depth.

Pacing issues: The second act lingers due to subplots that could have been trimmed. Predictable plot points: The revenge arc follows a familiar path and would benefit from more unexpected twists. Underdeveloped antagonist: Although the villain is effective, they lack depth and backstory, which would make the rivalry more engaging..

Rating: 7.5/10

Verdict: Jaat is a must-watch for fans of desi action with heart. It wears its rustic flair with pride and delivers a satisfying punch of drama, action, and cultural resonance. While it doesn’t reinvent the genre, it revs up the rural revenge saga with style and sincerity.

In the sprawling multiverse of the Marvel Cinematic Universe (MCU), few roles are as iconic, enigmatic, and intellectually menacing as Victor Von Doom — better known to fans as Doctor Doom. As Marvel prepares for its next phase, whispers of bold, unexpected casting choices are swirling. One name that has recently ignited fan discussions is none other than Bollywood’s megastar: Shah Rukh Khan.

At first glance, the idea of India’s “King of Romance” portraying one of Marvel’s most feared villains may seem like a stretch. But scratch the surface, and you’ll find a compelling argument — not just for diversity and international appeal, but for pure cinematic brilliance.

Shah Rukh Khan, or SRK, is not just a movie star; he’s a global phenomenon. With over 30 years in film, his range spans from charming heroes to complex antiheroes. His performances in films like Fan, Raees, and Jawan show a darker, more brooding side — proving he has the intensity and intelligence to pull off a character like Doom. Unlike the stereotypical one-dimensional villain, Doctor Doom requires a sense of wounded pride, imperial intellect, and tragic ego. SRK can deliver all three with chilling precision.

The Marvel Universe is evolving — both in content and casting. We’ve already seen major franchises embrace actors from diverse backgrounds: Simu Liu in Shang-Chi, Tenoch Huerta in Wakanda Forever, and Iman Vellani in Ms. Marvel. Casting SRK as Doom wouldn’t just be a bold step for Marvel; it would be a global statement — signaling a true embrace of the international market.

Latveria, Doom’s fictional homeland, has always been vaguely European. But Marvel has often adapted characters and backstories to better reflect real-world audiences and narrative opportunities. A reimagined Doom — perhaps a brilliant technocrat rising from a war-torn South Asian nation — would add layers of depth and relevance to the MCU’s ever-growing geopolitical canvas.

Doctor Doom isn’t just a villain; he’s a ruler, a genius, and sometimes even an uneasy ally. The character must command every scene — through intellect, menace, and occasionally, a sliver of humanity. SRK has the rare ability to fill a room with charisma, whether he’s speaking with a whisper or a roar. In fact, the very thing that makes SRK such a beloved romantic hero — his commanding presence — could make him an unforgettable Doom.

Imagine millions of fans in India — and the Indian diaspora worldwide — seeing one of their greatest cinematic icons in a pivotal Marvel role. It would be a watershed moment for representation in Hollywood. More importantly, it would challenge outdated notions of what a villain — or any powerful character — should look and sound like.

Of course, this is all speculation. Marvel has remained tight-lipped about the future of Doctor Doom. But the idea of Shah Rukh Khan donning the iron mask isn’t just wishful thinking. It’s a thrilling possibility — one that could bring gravitas, global appeal, and a fresh narrative edge to the MCU.

Marvel has always been about breaking the mold. Casting SRK as Doctor Doom wouldn’t just break it — it would forge an entirely new one in vibranium.

Genre: Crime Thriller, Action

Director: Sailesh Kolanu

Writer: Sailesh Kolanu

Run Time: 2 hours 12 minutes

Starring: Adivi Sesh, Nani, Ruhani Sharma, Meenakshi Chaudhary, Rao Ramesh, Tanikella Bharani

Summary:

HIT 3: The Third Case is the thrilling culmination of Sailesh Kolanu’s HIT universe, tying together narratives from the previous films (HIT: The First Case and HIT: The Second Case) into a tightly wound, explosive film. In this third installment, investigator Vikram Rudraraju (Adivi Sesh) and KD (Nani) must work together as a serial killer terrorizes Hyderabad and Visakhapatnam with a cryptic pattern that links past victims from both of their cases. The movie spans across two cities and multiple timelines, gradually unearthing a personal connection between the killer and the protagonists.

Adivi Sesh delivers a career-defining performance as Vikram, channeling vulnerability, rage, and razor-sharp focus. His emotional arc—especially in a gut-punch scene involving a confrontation with his past—is one of the film’s most powerful moments.

Nani, reprising his role as KD, balances intensity with wry humor, offering much-needed levity without undercutting the film’s grim tone. His chemistry with Sesh is electric, making their partnership one of the film’s major strengths.

Ruhani Sharma returns as Neha with a more active role, showcasing both compassion and resolve in the face of devastating truths.

Meenakshi Chaudhary plays a new forensic expert whose analytical skills help crack the case wide open. She is sharp and grounded, a welcome addition to the HIT universe.

Director-writer Sailesh Kolanu masterfully ties up long-running threads, delivering a smart, emotionally charged script filled with twists that feel earned. The pacing is brisk, and the tension is palpable throughout, though the second act briefly sags under the weight of its multiple storylines. Still, Kolanu sticks the landing with a third-act twist that is as shocking as it is satisfying.

HIT 3 is a gripping conclusion to a rare genre franchise in Indian cinema. It’s smart, slick, and packed with standout performances—especially from Sesh and Nani. While not flawless, it rewards longtime fans and newcomers alike with a satisfying blend of crime, emotion, and adrenaline.

Rating: 8.5/10