Monkey Man Review

Not only does Dev Patel star in Monkey Man but it is his directorial debut and also boasts a co-writing credit!

Dev Patel plays a downtrodden young man living in the slums of a fictional Indian city named Yatana. Known only as ‘Kid’ he scrapes together a meager living being beaten by more popular fighters in a rigged underground fighting club. Kid fights under the moniker of ‘Monkey Man’ whilst wearing a gorilla mask. Using his finely honed street smarts Kid infiltrates an elite private club populated by the city’s most powerful people.

We follow Kid as he climbs up the levels of corruption; to face not only the evil government syndicate but his own traumatic past.

Having only seen Patel in comedic roles such as; SKINS, David Copperfield, and Shyamalan’s The Last Airbender (unintentionally comedic perhaps?) it was a revelation to see him in a serious role. Since Monkey Man uses dialogue so sparsely, it was impressive how Patel portrayed an individual with severe trauma and rage simmering just below the surface. Not to mention the extreme physical prowess and transformation Patel displays throughout the movie. The numerous fight scenes (although extremely gory) are beautifully choreographed to an amazing soundtrack by Jed Kurzel. Worth mentioning is the film’s strategic use of mirrors. Kid and his trauma are reflected back at him letting the audience know he can’t hide from who he is, or who he is to become.

It’s not just the fight scenes, the entire movie is beautifully stylized with the use of color and movement. Juxtaposition is used artfully throughout. With the gritty realness and griminess of the intricate fight scenes. Much like the deprivation of the city slums juxtaposed with the luminous skyscrapers.

There are so many running themes throughout the narrative. The opening scene tells the story of Hanuman, the Hindu monkey god who grasps the sun believing it to be a juicy mango. Subsequently, Hanuman is punished by the gods. Kid’s story mirrors that of Hanuman’s. Even the monkey grasping the sun could be seen as foreshadowing the reason for the severe scarring on Kid’s hands.

Patel himself (who grew up in London, UK) recalled spending his childhood “ashamed” (Aryan P, 2024) of his “Indianness”(Aryan P, 2024). Using Monkey Man he, like his protagonist Kid, reclaims a part of himself. Before creating the film Patel said he was going to “double down and triple down on the culture in every single way” (Aryan P, 2024). The movie is drenched in South Asian influences from the Bollywood-inspired score to the sociopolitical commentary. These influences are magnified in my personal favorite scene in the movie. Kid is rebuilding his strength by punching a basmati rice punchbag. Patel doubled down on the cultural influence with the use of a Bhangra call and response, a style of music and dance from South Asia. The kid punches the basmati bag while another character serenades his movements on the tabla (Indian hand drums). There is no other way to describe this scene but ‘cool’. Patel definitely fulfilled his promise of making Indian culture cool and exciting.

It’s hard to believe this is Patel’s first time in the director’s chair. The movie is expertly directed with its visceral power. When Kid emerges from the river, his hero’s journey truly begins. The frame immediately clears as the audience rises from the river with Kid. The neon haziness and grime from the previous scenes are gone. The audience feels like it can finally take a deep breath as we are treated to beautiful shots of the overarching Indian forest. Kid has returned to his roots.

Being a white western person I can’t quite appreciate all of the cultural nuance and social commentary. Patel remarked he made the movie for people who look like him and people who don’t (Aryan P, 2024) Monkey Man has many universal truths weaving through the narrative that makes it a satisfying watch for everyone.