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Black Panther: Wakanda Forever

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The first Black Panther movie was a critical and box office beast. But, more so, it was a cultural phenomenon. It showed that a movie with that many Black actors, actresses and people on the other side of the camera could be a viable crossover success and it fueled more than a few other opportunities for more diversity in the Hollywood blockbuster world. It was already a massive undertaking for director Ryan Coogler and crew, to take on the challenge of trying to continue a series that has so much weight to it and live up to the expectations of fans and those deeply affected by it’s impact. Then after tragedy struck and the lead actor,, Chadwick Boseman passed The film had his shadow looming over it to contend with also. How do you replace him? Do you replace him? Will the movie as good? How do you outdo one of Marvel’s best villains in Killmonger? With so many questions everyone was ready for some answers

The newest chapter in one of Marvel’s most praised films center’s around the world dealing with the sudden death of T’Challa from a mysterious disease. This piece of the story is art imitating the real life of Boseman as very few knew of his private fight with cancer which led to his passing. With the King now, dead and the world now aware of the precious resource of vibranium metal and all of its power we have politicians doing what they are known to do; trying to figure out how to get their hands on the resources of other countries for their benefit. We see a group of mercenaries breaking into a Wakandan facility to steal vibranium and being stopped by Wakandas chief protectors, The Dora Milaje. These mercenaries are brought before a council of representatives from various countries and the now Queen of Wakanda, Ramonda. With these new threats to Wakandas’ safety and secrets the political intrigue that is prevalent in the comic pages of Black Panther is more of a factor in this film. The mad scramble by the World to find and exploit vibranium takes the search in to the deep seas. This is how we introduce Namor into the storyline. As his up to now, unknown people of Talokan have vibranium as well, he is not so keen to have people in the oceans searching as it’ll lead to the world finding his people as well. Namor says to Shuri, something to the effect of “people have been exploiting people like us for resources for centuries.” He wants to protect his people much like Wakanda did before opening itself up to the world but, is willing to kill to do so like Killmonger in the previous film. This helps slot Namor into line with the”He’s got a valid point” villains that tend to be more interesting than the generic evil-to-be evil villains we usually get from Marvel movies. I did enjoy the choice of actor Tenoch Huerta as the underwater villain. He adds even more diversity to a cast of talented minority actors. The Mexican actor helps give Namor a new Mayan background for his origin and honestly I believe it adds gravity to his reasoning for wanting to get rid of those who may expose his people to the world as he would know how this story has played out through history.

The acting in this one is some of the best I’ve ever seen in the superhero genre, period. Tenoch Huerta as Namor is forceful and ruthless but, able to show grace and tenderness when around his people and it helps make you feel something other than disdain for the”bad guy” Angela Bassett as Queen Ramonda gets far more lines this time around and is impactful during her screen time but, the accent is a bit shaky at times. Not, After Earth, Will and Jaden Smith bad but, not the strongest aspect of her character for sure. Shuri (Leticia Wright) does get to open up and bit more and gets to show more than her snarky side this time out as she grieves her brother and her own weakness. Danai Gurira as Okoye is as good as before but, not much is new in her portrayal of the character. M’Baku is now an ardent ally of the Wakandan people and an advisor to the throne. He’s a bit more light hearted but still as tough as before. Trevor Noah as the AI for Wakandas tech gets way more lines and funny moments this time out too.

One of my primary complaints of the initial film was the crap final fight being too FX heavy and taking me out of the film. This I feel was addressed (because I’m quite certain Ryan Coogler takes my opinions to heart) as the fights in general seemed to be better handled to keep you engaged throughout. The final confrontation in this one was far better than T’Challa vs Killmonger. Still, using VFX but, not focusing on it for massive periods helped ground the shots in relative reality. The film itself is better than the first overall, in acting but, slightly weaker in story. The villain is as strong as Killmonger which keeps with a great tradition I hope continues in the next part in the series. This film is truly one of Marvel’s best. In story, acting, and introducing new characters (Namor and RiRi Willaims). This movie was fitting and loving done tribute to Chadwick Boseman and afantastic way to move the MCU and the Black Panther series in to the future.I know I said this one is better than the last and I gave that one a 5 out of 5 but, hindsight and all that a revised review I give the first film a 3.5 and give Wakanda Forever a 4.5 out of 5.

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Holiday Movie Review: Violent Night

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Violent Night (2022), starring David Harbour as a rugged, action hero Santa, delivers a wildly entertaining twist on holiday films. Combining dark humor, brutal action, and unexpected heart, the movie follows Santa as he defends a family held hostage on Christmas Eve. Harbor shines as a jaded yet surprisingly endearing Santa, bringing grit and charm to the role. The film’s blend of holiday magic and high-octane violence is reminiscent of Die Hard but with a festive twist.

Director Tommy Wirkola balances the chaotic fight scenes with moments of redemption and holiday spirit, creating a surprisingly satisfying narrative. While the film isn’t for traditionalists (its R-rating is well-earned), it’s perfect for fans of unconventional holiday fare.

Rating: 8/10: A bold, bloody, and refreshingly unique holiday film that’s destined to become a cult classic.

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The Grinch vs. The Grinch: Jim Carrey vs. Benedict Cumberbatch – Who Played the Better Green Grump?

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Dr. Seuss’s beloved character, the Grinch, has been brought to life in two iconic adaptations: Ron Howard’s How the Grinch Stole Christmas (2000), starring Jim Carrey, and Illumination’s The Grinch (2018), featuring the voice of Benedict Cumberbatch. While both films capture the essence of the Grinch’s transformation, their execution, tone, and performances make for an interesting comparison.

Jim Carrey’s Grinch (2000)

Ron Howard’s live-action adaptation is a bold, larger-than-life take on the classic tale. Jim Carrey’s portrayal is a masterclass in physical comedy and eccentricity. His Grinch is chaotic, sarcastic, and hilariously over-the-top, with Carrey’s boundless energy infusing the character with a manic charm that makes every scene memorable.

This version delves into the Grinch’s backstory, giving him a tragic childhood that explains his hatred for Whoville and Christmas. While this added depth works for some, others felt it detracted from the simplicity of the original story. The film’s whimsical production design and Danny Elfman’s score perfectly complement Carrey’s performance, but the humor occasionally skews more adult, which may alienate younger viewers.

Illumination’s The Grinch opts for a gentler, more family-friendly approach. Benedict Cumberbatch’s voice work offers a softer, more subdued interpretation of the character. This Grinch is more relatable and less cruel, making his eventual redemption feel heartwarming but less impactful.

Benedict Cumberbatch’s Grinch (2018)

The animation is visually stunning, capturing the colorful charm of Dr. Seuss’s world. The narrative sticks closer to the original book, with a few modern twists (like a subplot involving Cindy Lou Who’s quest to help her overworked single mom). Pharrell Williams’s narration and playful soundtrack give the film a contemporary vibe that resonates with children and families. However, Cumberbatch’s Grinch lacks the wild unpredictability that made Carrey’s performance unforgettable.

While both films have their merits, Jim Carrey’s Grinch stands out as the more iconic portrayal. Carrey’s physicality, comedic timing, and ability to humanize the character elevate the 2000 film, making it a definitive version for many fans. Benedict Cumberbatch’s Grinch, while charming and visually delightful, feels safer and less memorable in comparison.

Winner: Jim Carrey For its sheer energy, humor, and enduring impact, How the Grinch Stole Christmas (2000) with Jim Carrey remains the ultimate Grinch experience.

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Y2K: Get up and Break Stuff!

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A pair of loser best pals decide to crash the cool kid’s end-of-the-year bash, unaware that the whole computer virus Y2K craze is about to become horrifyingly real! 

So Eli (Jaeden Martell) and Danny (Julian Dennison), the self-proclaimed “Sticky boys for life!”, basically have only each other. Typical high school boys, talk rather consistently about make-outs and sex and even trade a trophy Durex condom between them as their token “king of the make-outs moment” icon. They troll the local VHS video store and the stoner proprietor Garrett (director Kyle Mooney) for purported wisdom, endure bullying from the likes of CJ (Daniel Zolghadri) and Farkas (Eduardo Franco) and Soccer Chris (The Kid Laroi), and sadly many others, and inevitably Eli has happy hormone-laced dreams of being with closeted nerd and final girl Laura (Rachel Zegler). Eli’s parents Robin (Alicia Silverstone) and Howard (Tim Heidecker) are living their bygone days of being cool, fascinated by their still-new here in 1999 cellphones and dismissing concerns of this “Y2K nonsense”, while Danny’s mom Cheryl (Maureen Sebastian) really is super cool and breathlessly includes Danny in her Tae Bo kickboxing lessons. 

Even after Laura and her crew of jock and popular kids decide to flat use Eli and Danny as cover for their oh-so-daring daylight robbery of a local convenience store’s liquor, our Sticky Boys are still compelled to go crash the last party of the year. Of course, Danny wants it far more than Eli, but still, hearing that Laura and her community college boyfriend Jonas (Mason Gooding) broke up and fortified with pilfered alcohol and derring-do, the Sticky Boys throw on their version of party clothes and hop aboard a bike, like a for-real lame-ass ten-speed bicycle or whatever, and give it a go! 

It should come as absolutely no surprise that Danny turns out to be the way more social of our Sticky Boys, and while he means well, telling the story of how Eli came to be known as “piss-mouth” loudly at a high school party probably wasn’t the best idea. Seeing Danny finally get some make-outs as the clocks loudly begin counting down the new year is enough for Eli, but as he sullenly prepares to leave, things begin to take a massively unexpected turn! 

Here in 2024 there are far too many things we rely on that happen to have computer chips or some kind of electronic equivalent in them, and while 1999 might have been less so, the Y2K virus that began small and maybe cute starts sucking up every last bit of electronica it can find and quickly goes murder-massacre on the kids in true Gremlins 2-style mayhem! Death by flung CDs, a la the bartender in Hellraiser III, if anybody besides me remembers that! Death by castrating drinks blender, ooooh nooo! The deaths just get more creative and insane, and Eli and a few fortunate survivors hoof it off to find someplace where the deadly Y2K virus can’t get at them! 

The movie is full of nostalgia for the 90s music, particularly for the Limp Bizkit megahits that were everywhere then, which makes sense since Fred Durst himself has a giant cameo in the movie. The reveal of the conglomerated computer bad guy is very much like the amazing-for-the-time computer graphics of The Lawnmower Man, which hey, came out in 1992 too! And perhaps best of all, the showing of Y2K in my theater was hosted by the legendary Tony Hawke y’all. Full of remember-when tunes, fun practical-effects killer gags, and a huge “Hey, I did that too!”-style vibe, Y2K should be your new ring in the Happy New Year movie comedy, in theaters now!

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