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‘Beetlejuice Beetlejuice’: Get on the Soul Train! 

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The death of patriarch Deetz brings everyone back together, tossing in Beetlejuice himself to stir the plot and some new faces to shovel in some ghostly shenanigans! 

Oh, thank goodness ya’ll. The first Beetlejuice film came out when I was but a wee thing and my mom, who saw it, forbade me to until I was a bit older. Which of course led me to see the film anyway, have gross and spooky but oddly compelling nightmares and in general, develop a love for all things Tim Burton. His unique style and color palette for each and every movie he lovingly crafts is a masterpiece of skill, always a labor of love, and it shows. And some 30-odd years later after the first film, a Burton homage to all the horror and ghostly influences he had as a youngling that inspired a very-good cartoon show that lasted more than 4 seasons and almost 100 episodes and a fandom that spanned decades, Tim Burton brought that same style, that same unique love for filmmaking he gifted us way back in good lawd was that 1988 come on, to an excellent sequel. 

So the Deetz’s have kind of scattered to the winds of various places, Delia with her “body art” pieces and Lydia with her unsurprising talking with ghosts show, while Lydia’s daughter Astrid (Jenna Ortega) is in total denial and embarrassed by the whole thing, her whole family is just … weird. And things get even more weird when suddenly everyone has to converge on the family house in Winter River to attend the funeral of Grandpa, Charles Deetz, who died at sea but totally not in the way you think. 

It’s a pity there was no way in the netherworld that they’d bring back Jeffrey Jones, who played Charles Deetz in the first film, to play the character in the sequel. Look it up if you want to know why, I guarantee the knowledge won’t make you happy; I liked how the sequel got around the whole issue, it was actually a very Burton-style solution. 

So this armpit stain of a human, Rory (Justin Theroux), seems to be rather desperate. About everything! He just has to connect with Astrid somehow, he just has to remind everyone at the most inappropriate time dude seriously that he is there if anyone needs a shoulder to cry on, and oh yeah, he just has to ask Lydia to marry him … at her father’s wake. It’s enough to make a teenage girl run away, and that is exactly what Astrid does when our beloved Lydia just folds like a house of cards and says, wait for it, “Yes?” 

The first newcomer up to bat is Jeremy (Arthur Conti), simpering and sympathetic to Astrid, and did we mention cute? Astrid is staring at him with stars in her eyes and not noticing things she probably should be, so when Jeremy offers to spend the evening – not the night that’s the actual wedding ceremony yes we know gag – of Halloween doing whatever with her, of course she’s going to say yes. Astrid wants so badly to see her dead dad that she pays zero attention to what she is saying, out loud, from that one book. You know the one? Into the creepy green glow, we go! 

Elsewhere in the afterlife, Beetlejuice (Michael Keaton) has settled into a ghostly life of … office work? Really? Surrounded by Bob the shrunken head guy and his clones basically, BJ waits for a request to come in and does, well, whatever anyway! Our ghost with the most is the exact same slovenly creepily somehow briefly charming definitely smarming demon he was before, still pining for Lydia, and ready to run for the ninth circle of hell when he finds out that his ex-wife Delores (Monica Belluci) has somehow escaped her unraveling confinement, pulled herself together, and is coming for her wayward husband! 

That poor janitor (Danny Devito) sure didn’t deserve to die. Uh, again. And you have to wonder if the afterlife has actual cops and stuff to work crime scenes like this, ‘cuz this deflated sad sack this-shouldn’t-be-possible corpse is getting over-dramatized by the would-be cop at least he played one on TV, Wolf Jackson (Willem Dafoe), or to be fair, his do-gooding ghost. He does have guys in uniforms with him that obey him, and assistant Olga (Liv Spencer) with word cards, gesture-coffee and helpful “You’re not a real cop,” reminders, so at least Wolf sure looks like a real cop. And needs must when a young handsome ghost plots to steal the life of your only daughter! 

The afterlife is the same mish-mash fever dream of clashing psychedelics with black and white stripe styles and surprise neons, and there’s even not one but a few musical numbers. Why should the afterlife be grim anyway? Break out that fringe, shake that thang, get on the soul train! But once you do, Astrid will be gone forever. How to prevent this?? Do the one thing poor Lydia, who suffered nightmares and therapy and stuff over this very guy, swore she would never do – say his name, three times! 

Anything more would give the entire movie all away and really, you want to catch all the zany ghostly afterlife shenanigans for yourself, so catch a sandworm to ride to see Beetlejuice Beetlejuice in theaters now! 

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The rise of Japanese anime in India

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In recent years, the Indian entertainment landscape has witnessed a remarkable surge in the popularity of Japanese anime, leading to an increasing demand for localized content. Recognizing this trend, several platforms have begun offering anime dubbed in regional Indian languages such as Hindi, Tamil, and Telugu, making these captivating stories more accessible to a broader audience.

Streaming services have played a pivotal role in this cultural integration. For instance, Animedub.pro provides a vast collection of anime dubbed in languages including Hindi, Telugu, Tamil, Malayalam, and Bengali. Popular series like “Naruto,” “My Hero Academia,” and “Jujutsu Kaisen” are available in these regional languages, allowing fans to enjoy content in their preferred dialects. 

Similarly, Crunchyroll, a leading anime streaming platform, announced a slate of Hindi, Tamil, and Telugu dubs for series such as “Dr. STONE,” “BLUE LOCK,” and “Haikyu!!” between May and June 2024, further catering to the diverse linguistic demographics of India. 

The success of dubbed anime is significantly attributed to the talented Indian voice artists who bring these characters to life. Notable examples include:

Prasad Barve: Renowned for voicing Ash Ketchum in the Hindi version of “Pokémon” during the early 2000s, Barve’s portrayal became iconic among Indian audiences. 

Sonal Kaushal: Known as ‘The Motor Mouth,’ Kaushal has been the Hindi voice of Doraemon since 2005, endearing herself to a generation of viewers. 

Ankur Javeri: Celebrated for his portrayal of Goku in the Hindi dub of “Dragon Ball Z,” Javeri’s performance has electrified fans at events like Zee Cafe’s Anime Fest. 

Javed Jaffrey: While not an anime series, Jaffrey’s humorous narration of the Japanese game show “Takeshi’s Castle” in Hindi showcased his versatility and contributed to the show’s cult status in India. 

The localization of anime through regional dubbing has not only broadened the genre’s appeal but has also fostered a deeper cultural exchange between India and Japan. By experiencing stories that blend universal themes with distinct cultural nuances, Indian audiences have developed a greater appreciation for Japanese storytelling. This trend has also opened new avenues for Indian voice artists, providing them with opportunities to showcase their talent and connect with audiences nationwide.

In conclusion, the dubbing of Japanese anime into Indian languages like Hindi, Tamil, and Telugu signifies a harmonious blend of cultures, enriching the entertainment experiences of audiences and paving the way for a more inclusive media landscape.

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Jaat (2024) – A Gritty and Pulse-Pounding Ride Through Rural JusticeJaat

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Runtime: 2h 17min

Genre: Action, Drama, Crime

Director: Manoj Rathi

Writer: Veerendra Pal Singh

Studio: Rathi Films India

Cast:

Gavie Chahal as Veeru

Aarushi Sharma as Meera

Karamveer Choudhary as Chaudhary Saab

Manjit Singh as Inspector Malik

Rajendra Bhatia as MLA Dhillon

Jaat comes galloping in with the firepower of a rural action epic and the emotional core of a revenge drama. Directed by Manoj Rathi, this gritty North Indian action film pulls no punches, delivering a hard-hitting tale about honor, family, and retribution.

Gavie Chahal commands the screen as Veeru, a former army man turned vigilante who returns to his village only to find it ravaged by corruption and political thuggery. Chahal brings stoic intensity to the role, capturing both the silent rage and explosive force required of a righteous hero. Aarushi Sharma as Meera provides warmth and emotional grounding, while Karamveer Choudhary adds gravitas in his portrayal of an old patriarch trying to hold on to fading traditions.

The film’s biggest strength lies in its raw action sequences, beautifully choreographed and grounded in realism. Hand-to-hand combat, shootouts in mustard fields, and gripping chase scenes through narrow village lanes are highlights that keep you on the edge of your seat.

What Worked:

Authentic setting: The dusty lanes, village politics, and vibrant Haryanvi culture feel lived-in and immersive.

Powerful soundtrack: Folk-infused music enhances key moments, especially during confrontations.

Action choreography: Brutal, believable, and satisfying for fans of grounded action.

Strong lead performance: Gavie Chahal delivers a breakout role with screen presence and emotional depth.

Pacing issues: The second act lingers due to subplots that could have been trimmed. Predictable plot points: The revenge arc follows a familiar path and would benefit from more unexpected twists. Underdeveloped antagonist: Although the villain is effective, they lack depth and backstory, which would make the rivalry more engaging..

Rating: 7.5/10

Verdict: Jaat is a must-watch for fans of desi action with heart. It wears its rustic flair with pride and delivers a satisfying punch of drama, action, and cultural resonance. While it doesn’t reinvent the genre, it revs up the rural revenge saga with style and sincerity.

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Could Shah Rukh Khan Be Marvel’s Real Dr. Doom? A Bold But Brilliant Possibility

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In the sprawling multiverse of the Marvel Cinematic Universe (MCU), few roles are as iconic, enigmatic, and intellectually menacing as Victor Von Doom — better known to fans as Doctor Doom. As Marvel prepares for its next phase, whispers of bold, unexpected casting choices are swirling. One name that has recently ignited fan discussions is none other than Bollywood’s megastar: Shah Rukh Khan.

At first glance, the idea of India’s “King of Romance” portraying one of Marvel’s most feared villains may seem like a stretch. But scratch the surface, and you’ll find a compelling argument — not just for diversity and international appeal, but for pure cinematic brilliance.

Shah Rukh Khan, or SRK, is not just a movie star; he’s a global phenomenon. With over 30 years in film, his range spans from charming heroes to complex antiheroes. His performances in films like Fan, Raees, and Jawan show a darker, more brooding side — proving he has the intensity and intelligence to pull off a character like Doom. Unlike the stereotypical one-dimensional villain, Doctor Doom requires a sense of wounded pride, imperial intellect, and tragic ego. SRK can deliver all three with chilling precision.

The Marvel Universe is evolving — both in content and casting. We’ve already seen major franchises embrace actors from diverse backgrounds: Simu Liu in Shang-Chi, Tenoch Huerta in Wakanda Forever, and Iman Vellani in Ms. Marvel. Casting SRK as Doom wouldn’t just be a bold step for Marvel; it would be a global statement — signaling a true embrace of the international market.

Latveria, Doom’s fictional homeland, has always been vaguely European. But Marvel has often adapted characters and backstories to better reflect real-world audiences and narrative opportunities. A reimagined Doom — perhaps a brilliant technocrat rising from a war-torn South Asian nation — would add layers of depth and relevance to the MCU’s ever-growing geopolitical canvas.

Doctor Doom isn’t just a villain; he’s a ruler, a genius, and sometimes even an uneasy ally. The character must command every scene — through intellect, menace, and occasionally, a sliver of humanity. SRK has the rare ability to fill a room with charisma, whether he’s speaking with a whisper or a roar. In fact, the very thing that makes SRK such a beloved romantic hero — his commanding presence — could make him an unforgettable Doom.

Imagine millions of fans in India — and the Indian diaspora worldwide — seeing one of their greatest cinematic icons in a pivotal Marvel role. It would be a watershed moment for representation in Hollywood. More importantly, it would challenge outdated notions of what a villain — or any powerful character — should look and sound like.

Of course, this is all speculation. Marvel has remained tight-lipped about the future of Doctor Doom. But the idea of Shah Rukh Khan donning the iron mask isn’t just wishful thinking. It’s a thrilling possibility — one that could bring gravitas, global appeal, and a fresh narrative edge to the MCU.

Marvel has always been about breaking the mold. Casting SRK as Doctor Doom wouldn’t just break it — it would forge an entirely new one in vibranium.

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