The 75th Annual Golden Globe Awards aired live on NBC Sunday, January 7,
below is a full list of the nights winners and nominees:
BEST MOTION PICTURE – DRAMA
Call Me by Your Name (Sony Pictures Classics)
Dunkirk (Warner Bros. Pictures)
The Post (Twentieth Century Fox)
The Shape of Water (Fox Searchlight Pictures)
WINNER Three Billboards Outside Ebbing, Missouri (Fox Searchlight Pictures)
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
Jessica Chastain, Molly’s Game
Sally Hawkins, The Shape of Water
WINNER Frances McDormand, Three Billboards Outside Ebbing, Missouri
Meryl Streep, The Post
Michelle Williams, All the Money in the World
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
Timothée Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Tom Hanks, The Post
WINNER Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.
BEST MOTION PICTURE – MUSICAL OR COMEDY
The Disaster Artist (A24)
Get Out (Universal Pictures)
The Greatest Showman (Twentieth Century Fox)
I, Tonya (NEON)
WINNER Lady Bird (A24)
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY
Judi Dench, Victoria & Abdul
Helen Mirren, The Leisure Seeker
Margot Robbie, I, Tonya
WINNER Saoirse Ronan, Lady Bird
Emma Stone, Battle of the Sexes
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
Steve Carell, Battle of the Sexes
Ansel Elgort, Baby Driver
WINNER James Franco, The Disaster Artist
Hugh Jackman, The Greatest Showman
Daniel Kaluuya, Get Out
BEST MOTION PICTURE – ANIMATED
The Boss Baby (Twentieth Century Fox)
The Breadwinner (GKIDS)
WINNER Coco (Walt Disney Studios Motion Pictures)
Ferdinand (Twentieth Century Fox)
Loving Vincent (Good Deed Entertainment)
BEST MOTION PICTURE – FOREIGN LANGUAGE
A Fantastic Woman (Sony Pictures Classics)
First They Killed My Father (Netflix)
WINNER In the Fade (Magnolia Pictures)
Loveless (Sony Pictures Classics)
The Square (Magnolia Pictures)
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Mary J. Blige, Mudbound
Hong Chau, Downsizing
WINNER Allison Janney, I, Tonya
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Willem Dafoe, The Florida Project
Armie Hammer, Call Me by Your Name
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
WINNER Sam Rockwell, Three Billboards Outside Ebbing, Missouri
BEST DIRECTOR – MOTION PICTURE
WINNER Guillermo del Toro, The Shape of Water
Martin McDonagh, Three Billboards Outside Ebbing, Missouri
Christopher Nolan, Dunkirk
Ridley Scott, All the Money in the World
Steven Spielberg, The Post
BEST SCREENPLAY – MOTION PICTURE
Guillermo del Toro & Vanessa Taylor, The Shape of Water
Greta Gerwig, Lady Bird
Liz Hannah & Josh Singer, The Post
WINNER Martin McDonagh, Three Billboards Outside Ebbing, Missouri
Aaron Sorkin, Molly’s Game
BEST ORIGINAL SCORE – MOTION PICTURE
Carter Burwell, Three Billboards Outside Ebbing, Missouri
WINNER Alexandre Desplat, The Shape of Water
Jonny Greenwood, Phantom Thread
John Williams, The Post
Hans Zimmer, Dunkirk
BEST ORIGINAL SONG – MOTION PICTURE
“Home,” Ferdinand
Music by: Nick Jonas, Justin Tranter, Nick Monson
Lyrics by: Nick Jonas, Justin Tranter
“Mighty River,” Mudbound
Music by: Raphael Saadiq
Lyrics by: Mary J. Blige, Raphael Saadiq, Taura Stinson
“Remember Me,” Coco
Music by: Kristen Anderson-Lopez and Robert Lopez
Lyrics by: Kristen Anderson-Lopez and Robert Lopez
“The Star,” The Star
Music by: Mariah Carey, Marc Shaiman
Lyrics by: Mariah Carey, Marc Shaiman
WINNER “This is Me,” The Greatest Showman
Music by: Benj Pasek, Justin Paul
Lyrics by: Benj Pasek, Justin Paul
BEST TELEVISION SERIES – DRAMA
The Crown (Netflix)
Game of Thrones (HBO)
WINNER The Handmaid’s Tale (Hulu)
Stranger Things (Netflix)
This Is Us (NBC)
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
Caitriona Balfe, Outlander
Claire Foy, The Crown
Maggie Gyllenhaal, The Deuce
Katherine Langford, 13 Reasons Why
WINNER Elisabeth Moss, The Handmaid’s Tale
BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
Jason Bateman, Ozark
WINNER Sterling K. Brown, This Is Us
Freddie Highmore, The Good Doctor
Bob Odenkirk, Better Call Saul
Liev Schreiber, Ray Donovan
BEST TELEVISION SERIES – MUSICAL OR COMEDY
black-ish (ABC)
WINNER The Marvelous Mrs. Maisel (Amazon)
Master of None (Netflix)
SMILF (Showtime)
Will & Grace (NBC)
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY
Pamela Adlon, Better Things
Alison Brie, Glow
WINNER Rachel Brosnahan, The Marvelous Mrs. Maisel
Issa Rae, Insecure
Frankie Shaw, SMILF
BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
Anthony Anderson, black-ish
WINNER Aziz Ansari, Master of None
Kevin Bacon, I Love Dick
William H. Macy, Shameless
Eric McCormack, Will & Grace
BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION
WINNER Big Little Lies (HBO)
Fargo (FX)
Feud: Bette and Joan (FX)
The Sinner (USA Network)
Top of the Lake: China Girl (SundanceTV)
BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION
Jessica Biel, The Sinner
WINNER Nicole Kidman, Big Little Lies
Jessica Lange, Feud: Bette and Joan
Susan Sarandon, Feud: Bette and Joan
Reese Witherspoon, Big Little Lies
BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION
Robert DeNiro, The Wizard of Lies
Jude Law, The Young Pope
Kyle MacLachlan, Twin Peaks
WINNER Ewan McGregor, Fargo
Geoffrey Rush, Genius
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION
WINNER Laura Dern, Big Little Lies
Ann Dowd, The Handmaid’s Tale
Chrissy Metz, This Is Us
Michelle Pfeiffer, The Wizard of Lies
Shailene Woodley, Big Little Lies
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION
David Harbour, Stranger Things
Alfred Molina, Feud: Bette and Joan
Christian Slater, Mr. Robot
WINNER Alexander Skarsgård, Big Little Lies
David Thewlis, Fargo

Movie
Joy Ride Is An Extremely Raunchy And Hilarious Comedy

Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.
The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.
I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.
Events
Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?

Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.
Movie
The Last Voyage of the Demeter: Double-knock on wood!

Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!