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NEW YORK BUSINESS LEADERS TO BRING PARAMOUNT PICTURES’ “SELMA” TO 27,000 7th, 8th and 9th GRADE STUDENTS IN NEW YORK CITY WHEN IT OPENS JANUARY 9th

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Paramount Pictures announced today that it will partner with African-American business leaders in New York City to offer free admission to the Golden Globe-nominated film “SELMA,” from director Ava DuVernay, to 7th, 8th and 9th grade students in New York City.

Inspired by the film’s message of resilience and hope and its historical significance, 27 African-American leaders in the New York business community have come together to create a fund that will allow the city’s 7th, 8th and 9th grade students to see “SELMA” for free at participating theaters. The students will provide a student ID or report card at any of the New York City locations for free admittance. The effort will begin at 7:00 p.m. on January 8th and run through January 19th (Martin Luther King, Jr. Day) or while tickets last.

Those contributing to the fund are:

Amsale Aberra and Neil Brown, Owners of The Amsale Group
Gerald Adolph, Senior Partner, Booz & Company and Gwen Adolph
Ursula Burns, Chairman and CEO, Xerox and Lloyd Bean
Valentino D. Carlotti, Partner, Goldman Sachs Group
Ken Chenault, Chairman and CEO, American Express and Kathryn Chenault
Tony Coles, former CEO, Onyx Pharmaceuticals and Robyn Coles
Edith Cooper, Executive Vice President, Global Head of Human Capital Management, Goldman Sachs Group and Roger Taylor
Roger W. Ferguson, Jr., President and CEO, TIAA-CREF and Annette L. Nazareth
Bruce Gordon, Chairman, ADT, former CEO NAACP and Tawana Tibbs
Charles J. Hamilton, Jr., Senior Counsel, Windels Marx Lane & Mittendorf LLP and Pamela G. Carlton, President, Springboard
Vernon Jordan, Senior Managing Director at Lazard and Ann Dibble Jordan
Debra Lee, Chairman and CEO of BET Networks
Bill Lewis, Co-Chairman of Investment Banking, Lazard and Carol Sutton Lewis
Ed Lewis, founder of Essence Magazine and Carolyn Lewis
Tracy Maitland, CEO and Founder, Advent Capital Management and Kimberly Hatchett
Ray McGuire, Head of Global Banking, Citigroup and Crystal McCrary
Scott Mills, Executive Vice President, Human Resources and Administration, Viacom and Iva Mills
Adebayo Ogunlesi, CEO, Global Infrastructure Partners, Lead Director, Goldman Sachs and Dr. Amelia Quist-Ogunlesi
Richard Parsons, Senior Advisor, Providence Equity Partners and Laura Parsons
Charles Phillips, CEO, Infor, Viacom Director and Karen Phillips
Jonelle Procope, President, Apollo Theater and Fred Terrell, Vice Chairman of Investment Banking, Credit Suisse
Tamara Harris Robinson, CEO, Haramat Advisory Services
Marva Smalls, Executive Vice President, Global Inclusion Strategy, Viacom
Frank Thomas, The Study Group
John Utendahl, Vice Chairman, Deustche Bank Americas
Reginald Van Lee, Executive Vice President, Booz Allen
Ted Wells, Partner, Paul, Weiss, Rifkind, Wharton & Garrison and Nina Wells

“Martin Luther King, Jr.’s momentous journey in Alabama is an important piece of American history,” said Bill Lewis, Co-Chairman of Investment Banking, Lazard. “We are passionate about bringing this story to New York City’s students and we encourage business leaders in other cities to organize similar programs so that more students around the country have the chance to see this powerful film about an epic chapter in American history.”

“Paramount is honored to partner with New York City’s deeply esteemed business men and women to give students in New York the opportunity to experience Ava DuVernay’s beautiful and moving masterpiece,” said Brad Grey, Chairman and CEO of Paramount Pictures.

Commented Sherrilyn Ifill, President and Director-Counsel of the NAACP Legal Defense and Educational Fund, the organization that litigated to obtain the right to march in Selma, “We are thankful for the generous support and leadership of the New York business community and Paramount Pictures in helping deliver ‘SELMA’ and Dr. King’s message to our future leaders.”

Darren Walker, President, Ford Foundation stated “This coordinated effort from the New York business community demonstrates a commitment to education and the children of New York City. ‘SELMA’ is the right catalyst for this prominent group and it’s a model worth building on.”

A growing list of leading New York City institutions are supporting this project by communicating this plan and hosting screenings and discussions, including Harlem Children’s Zone, Abyssinian Baptist Church, Carver Bank, the Apollo Theater, KIPP Schools, Harlem School of the Arts and The New York Public Library.

“We thank the great organizations that quickly agreed to join this effort,” said Charles Phillips, CEO, Infor and Viacom Director. “‘SELMA’ is timely, thought-provoking art about a transformative period in our country and a story that speaks to generations.”

The participating New York City theaters are:

UA Kaufman Astoria Cinemas 14 Astoria
AMC Bay Plaza Cinema 13 Bronx
Concourse Plaza Multiplex 10 Bronx
Alpine Cinemas 8 Brooklyn
Bam Harvey Theater Brooklyn
Cobble Hill Cinemas 5 Brooklyn
Linden Boulevard Multiplex Cinemas 14 Brooklyn
The Pavilion Theater Brooklyn
UA Court Street 12 Brooklyn
UA Sheepshead Bay Stadium 14 Brooklyn
Williamsburg Cinemas 7 Brooklyn
Movieworld Cinemas 7 Douglaston
AMC Fresh Meadows 7 Fresh Meadows
UA Midway Stadium 9 Forest Hills
Regal Atlas Park Stadium 8 Glendale
Jamaica Multiplex Cinemas 15 Jamaica
AMC Loews 34th Street 14 New York
AMC Loews Kips Bay 15 New York
AMC Loews Lincoln Square 13 New York
AMC Empire 25 New York
AMC Magic Johnson Harlem 9 New York
Bow Tie Chelsea Cinemas 9 New York
City Cinemas East 86th Street Cinema New York
Regal Battery Park Stadium 11 New York
Regal Union Square Stadium 14 New York
UA Staten Island Stadium 16 Staten Island
College Point Multiplex Cinemas 12 Whitestone

To reserve 25 or more student tickets during this program, please visit www.SelmaMovie.com/nyc while tickets last.

Directed by DuVernay and starring David Oyelowo as Martin Luther King Jr., “SELMA” has been nominated for four Golden Globes: Best Picture, Best Actor, Best Director and Best Song (“Glory” by Common and John Legend).

The film also stars Tom Wilkinson, Cuba Gooding Jr., Alessandro Nivola, Giovanni Ribisi, Common, Carmen Ejogo, Lorraine Toussaint, with Tim Roth and Oprah Winfrey as “Annie Lee Cooper.”

Paramount Pictures, Pathé, and Harpo Films present “SELMA.” Produced by Christian Colson, Dede Gardner, Jeremy Kleiner, Oprah Winfrey, the film is executive produced by Brad Pitt, Cameron McCracken, Diarmuid McKeown, Nik Bower, Ava DuVernay, Paul Garnes and Nan Morales. The film is written by Paul Webb. “SELMA” is directed by Ava DuVernay.

“SELMA” is the story of a movement. The film chronicles the tumultuous three-month period in 1965, when Dr. Martin Luther King, Jr. led a dangerous campaign to secure equal voting rights in the face of violent opposition. The epic march from Selma to Montgomery culminated in President Johnson (Tom Wilkinson) signing the Voting Rights Act of 1965, one of the most significant victories for the civil rights movement. Director Ava DuVernay’s “SELMA” tells the story of how the revered leader and visionary Dr. Martin Luther King Jr. (David Oyelowo) and his brothers and sisters in the movement prompted change that forever altered history.

Currently open in select cities, “SELMA” opens in theaters nationwide on January 9th, 2015. To learn more about the film, go to www.selmamovie.com

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Review of “Good Bad Ugly”

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Director: Adhik Ravichandran 

Starring: Ajith Kumar, Arjun Das, Trisha, Simran

Genre: Action / Crime Drama

Rating: 4.5/5


“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.

“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.

While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.

The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.

“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.

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Presence: A Horror Movie For People That Don’t Like Horror Movies

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In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!

When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting.  And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!

Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home. 

Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence. 

Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.

The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!

However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene. 

Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes. 

My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues. 

I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.

Presence is available to stream.

Three and a half stars.

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Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)

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Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan


Overview

Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.

Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.

Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.

The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.

The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.


Rating: 9/10

Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.


Pros

  • Unparalleled hand-drawn animation
  • Unique art direction inspired by traditional Chinese painting
  • Rich mythological lore
  • Epic fight choreography

Cons

  • Sparse episode release
  • Story pacing can be uneven at times

Final Verdict 9/10

If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.

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