Paramount Pictures announced today that it will partner with African-American business leaders in New York City to offer free admission to the Golden Globe-nominated film “SELMA,” from director Ava DuVernay, to 7th, 8th and 9th grade students in New York City.
Inspired by the film’s message of resilience and hope and its historical significance, 27 African-American leaders in the New York business community have come together to create a fund that will allow the city’s 7th, 8th and 9th grade students to see “SELMA” for free at participating theaters. The students will provide a student ID or report card at any of the New York City locations for free admittance. The effort will begin at 7:00 p.m. on January 8th and run through January 19th (Martin Luther King, Jr. Day) or while tickets last.
Those contributing to the fund are:
Amsale Aberra and Neil Brown, Owners of The Amsale Group
Gerald Adolph, Senior Partner, Booz & Company and Gwen Adolph
Ursula Burns, Chairman and CEO, Xerox and Lloyd Bean
Valentino D. Carlotti, Partner, Goldman Sachs Group
Ken Chenault, Chairman and CEO, American Express and Kathryn Chenault
Tony Coles, former CEO, Onyx Pharmaceuticals and Robyn Coles
Edith Cooper, Executive Vice President, Global Head of Human Capital Management, Goldman Sachs Group and Roger Taylor
Roger W. Ferguson, Jr., President and CEO, TIAA-CREF and Annette L. Nazareth
Bruce Gordon, Chairman, ADT, former CEO NAACP and Tawana Tibbs
Charles J. Hamilton, Jr., Senior Counsel, Windels Marx Lane & Mittendorf LLP and Pamela G. Carlton, President, Springboard
Vernon Jordan, Senior Managing Director at Lazard and Ann Dibble Jordan
Debra Lee, Chairman and CEO of BET Networks
Bill Lewis, Co-Chairman of Investment Banking, Lazard and Carol Sutton Lewis
Ed Lewis, founder of Essence Magazine and Carolyn Lewis
Tracy Maitland, CEO and Founder, Advent Capital Management and Kimberly Hatchett
Ray McGuire, Head of Global Banking, Citigroup and Crystal McCrary
Scott Mills, Executive Vice President, Human Resources and Administration, Viacom and Iva Mills
Adebayo Ogunlesi, CEO, Global Infrastructure Partners, Lead Director, Goldman Sachs and Dr. Amelia Quist-Ogunlesi
Richard Parsons, Senior Advisor, Providence Equity Partners and Laura Parsons
Charles Phillips, CEO, Infor, Viacom Director and Karen Phillips
Jonelle Procope, President, Apollo Theater and Fred Terrell, Vice Chairman of Investment Banking, Credit Suisse
Tamara Harris Robinson, CEO, Haramat Advisory Services
Marva Smalls, Executive Vice President, Global Inclusion Strategy, Viacom
Frank Thomas, The Study Group
John Utendahl, Vice Chairman, Deustche Bank Americas
Reginald Van Lee, Executive Vice President, Booz Allen
Ted Wells, Partner, Paul, Weiss, Rifkind, Wharton & Garrison and Nina Wells
“Martin Luther King, Jr.’s momentous journey in Alabama is an important piece of American history,” said Bill Lewis, Co-Chairman of Investment Banking, Lazard. “We are passionate about bringing this story to New York City’s students and we encourage business leaders in other cities to organize similar programs so that more students around the country have the chance to see this powerful film about an epic chapter in American history.”
“Paramount is honored to partner with New York City’s deeply esteemed business men and women to give students in New York the opportunity to experience Ava DuVernay’s beautiful and moving masterpiece,” said Brad Grey, Chairman and CEO of Paramount Pictures.
Commented Sherrilyn Ifill, President and Director-Counsel of the NAACP Legal Defense and Educational Fund, the organization that litigated to obtain the right to march in Selma, “We are thankful for the generous support and leadership of the New York business community and Paramount Pictures in helping deliver ‘SELMA’ and Dr. King’s message to our future leaders.”
Darren Walker, President, Ford Foundation stated “This coordinated effort from the New York business community demonstrates a commitment to education and the children of New York City. ‘SELMA’ is the right catalyst for this prominent group and it’s a model worth building on.”
A growing list of leading New York City institutions are supporting this project by communicating this plan and hosting screenings and discussions, including Harlem Children’s Zone, Abyssinian Baptist Church, Carver Bank, the Apollo Theater, KIPP Schools, Harlem School of the Arts and The New York Public Library.
“We thank the great organizations that quickly agreed to join this effort,” said Charles Phillips, CEO, Infor and Viacom Director. “‘SELMA’ is timely, thought-provoking art about a transformative period in our country and a story that speaks to generations.”
The participating New York City theaters are:
UA Kaufman Astoria Cinemas 14 Astoria
AMC Bay Plaza Cinema 13 Bronx
Concourse Plaza Multiplex 10 Bronx
Alpine Cinemas 8 Brooklyn
Bam Harvey Theater Brooklyn
Cobble Hill Cinemas 5 Brooklyn
Linden Boulevard Multiplex Cinemas 14 Brooklyn
The Pavilion Theater Brooklyn
UA Court Street 12 Brooklyn
UA Sheepshead Bay Stadium 14 Brooklyn
Williamsburg Cinemas 7 Brooklyn
Movieworld Cinemas 7 Douglaston
AMC Fresh Meadows 7 Fresh Meadows
UA Midway Stadium 9 Forest Hills
Regal Atlas Park Stadium 8 Glendale
Jamaica Multiplex Cinemas 15 Jamaica
AMC Loews 34th Street 14 New York
AMC Loews Kips Bay 15 New York
AMC Loews Lincoln Square 13 New York
AMC Empire 25 New York
AMC Magic Johnson Harlem 9 New York
Bow Tie Chelsea Cinemas 9 New York
City Cinemas East 86th Street Cinema New York
Regal Battery Park Stadium 11 New York
Regal Union Square Stadium 14 New York
UA Staten Island Stadium 16 Staten Island
College Point Multiplex Cinemas 12 Whitestone
To reserve 25 or more student tickets during this program, please visit www.SelmaMovie.com/nyc while tickets last.
Directed by DuVernay and starring David Oyelowo as Martin Luther King Jr., “SELMA” has been nominated for four Golden Globes: Best Picture, Best Actor, Best Director and Best Song (“Glory” by Common and John Legend).
The film also stars Tom Wilkinson, Cuba Gooding Jr., Alessandro Nivola, Giovanni Ribisi, Common, Carmen Ejogo, Lorraine Toussaint, with Tim Roth and Oprah Winfrey as “Annie Lee Cooper.”
Paramount Pictures, Pathé, and Harpo Films present “SELMA.” Produced by Christian Colson, Dede Gardner, Jeremy Kleiner, Oprah Winfrey, the film is executive produced by Brad Pitt, Cameron McCracken, Diarmuid McKeown, Nik Bower, Ava DuVernay, Paul Garnes and Nan Morales. The film is written by Paul Webb. “SELMA” is directed by Ava DuVernay.
“SELMA” is the story of a movement. The film chronicles the tumultuous three-month period in 1965, when Dr. Martin Luther King, Jr. led a dangerous campaign to secure equal voting rights in the face of violent opposition. The epic march from Selma to Montgomery culminated in President Johnson (Tom Wilkinson) signing the Voting Rights Act of 1965, one of the most significant victories for the civil rights movement. Director Ava DuVernay’s “SELMA” tells the story of how the revered leader and visionary Dr. Martin Luther King Jr. (David Oyelowo) and his brothers and sisters in the movement prompted change that forever altered history.
Currently open in select cities, “SELMA” opens in theaters nationwide on January 9th, 2015. To learn more about the film, go to www.selmamovie.com

Movie
Joy Ride Is An Extremely Raunchy And Hilarious Comedy

Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.
The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.
I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.
Events
Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?

Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.
Movie
The Last Voyage of the Demeter: Double-knock on wood!

Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!