Box office history was made when Marvel Studios’ “Avengers: Infinity War” shattered all opening records, surpassed the $2 billion mark at the global box office in just 48 days, and remains the fourth highest-grossing film of all time. Now, the cinematic event ten-years in the making comes home Digitally on July 31 and Blu-ray on Aug. 14 with over two hours of bonus.
“Marvels’ Avengers: Infinity War” is a must-own addition to every in-home film collection and is packaged several ways so that fans get the most out of their viewing experience. Consumers who experience the ultimate showdown Digitally will join a 30-minute roundtable with Marvel Cinematic Universe (MCU) directors Anthony and Joe Russo, Jon Favreau, Joss Whedon, James Gunn, Ryan Coogler, Peyton Reed and Taika Waititi who reflect on how
The 4K Cinematic Universe Edition’s never-before-seen bonus material grants behind-the-scenes access to MCU members and features the memorable moments when characters first meet, the rationale behind some unexpected on-screen pair-ups, and a funny Super Hero gag reel. Featurettes explore the frighteningly powerful Thanos and two action-packed attempts to prevent his collection of all six Infinity Stones: the struggle on Titan and the massive battle in Wakanda. Deleted scenes and filmmaker commentary reveal even more on-set secrets from Marvel Studios’ monumental undertaking.
The Multi-Screen Edition includes a Blu-ray and a Digital Copy of the film, giving viewers the flexibility to watch the film on different devices. Those with 4K Ultra HD capability may opt for a 4K Cinematic Universe Edition, which includes a 4K Ultra HD disc, a Blu-ray, and a Digital Copy.
And for those who wish to catch up on their MCU history, select retailers are also offering bundled packaging as well as individual Digital and Physical releases of “Marvel’s The Avengers” and “Avengers: Age of Ultron.”
BONUS MATERIAL (may vary by retailer):
Blu-ray & Digital:
- Strange Alchemy (5:08)– Share the thrill of characters from across the MCU meeting for the first time—and discover why some were teamed up together.
- The Mad Titan (6:34) – Explore the MCU’s biggest, baddest villain, his trail of influence through the stories, and the existential threat he represents.
- Beyond the Battle: Titan (9:36) – Dive into the climactic struggle on Thanos’ ruined world, including the epic stunts and VFX, to uncover the source of its power.
- Beyond the Battle: Wakanda (10:58) – Go behind the scenes to find out how the filmmakers pulled off the most massive and challenging battle Marvel had ever attempted.
- Deleted and Extended Scenes (10:07)
- Happy Knows Best (1:23) – Tony and Pepper spar over the details of their upcoming wedding—until a hassled Happy Hogan pulls up with an urgent request.
- Hunt for the Mind Stone (1:24) – On a darkened street, Wanda Maximoff and the wounded Vision attempt to hide from Thanos’ brutal allies.
- The Guardians Get Their Groove Back (3:20) – As Peter Quill and Drax quarrel over their failed mission to Knowhere, Mantis interrupts with news.
- A Father’s Choice (4:00) – Thanos confronts Gamora with a vision from her past—and with lying to him about the Soul Stone.
- Gag Reel (2:05)– Watch your favorite Super Heroes make super gaffes in this lighthearted collection of on-set antics.
- Audio Commentary (approx. 149 min.) by Anthony and Joe Russo, Christopher Markus and Stephen McFeely
- A Directors’ Roundtable (approx. 32 min.) – Eight amazing directors reflect on how their movies contribute to the Marvel Cinematic Universe’s larger storytelling adventure.
In “Avengers: Infinity War,” members from every MCU franchise must sacrifice like never before in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe. The film stars Robert Downey Jr. as Tony Stark/Iron Man, Chris Hemsworth as Thor, Mark Ruffalo as Bruce Banner/The Hulk, Chris Evans as Steve Rogers/Captain America, Scarlett Johansson as Natasha Romanoff/Black Widow, Don Cheadle as Colonel James Rhodes/War Machine, Benedict Cumberbatch as Doctor Strange, Tom Holland as Peter Parker/Spider-Man, Chadwick Boseman as T’Challa/Black Panther, Zoe Saldana as Gamora, Karen Gillan as Nebula, Tom Hiddleston as Loki, Paul Bettany as Vision, Elizabeth Olsen as Wanda Maximoff/Scarlet Witch, Anthony Mackie as Sam Wilson/Falcon, Sebastian Stan as Bucky Barnes/Winter Soldier, Idris Elba as Heimdall, Danai Gurira as Okoye, Peter Dinklage as Eitri, Benedict Wong as Wong, Pom Klementieff as Mantis, Dave Bautista as Drax, featuring Vin Diesel as Groot, Bradley Cooper as Rocket, with Gwyneth Paltrow as Pepper Potts, with Benicio Del Toro as The Collector, with Josh Brolin as Thanos, and Chris Pratt as Peter Quill/Star-Lord.
Marvel Studios’ “Avengers: Infinity War” is directed by Emmy® Award–winning directors Anthony and Joe Russo from an original screenplay by Christopher Markus & Stephen McFeely. Kevin Feige produced the film, with Louis D’Esposito, Victoria Alonso, Michael Grillo, Trinh Tran, Jon Favreau, James Gunn and Stan Lee serving as executive producers.
Directors Anthony and Joe Russo’s creative team includes director of photography Trent Opaloch (“Captain America: Civil War,” “Elysium”), production designer Charles Wood (“Guardians of the Galaxy Vol. 2,” “The Matrix”), editors Jeffrey Ford, ACE (“Captain America: Civil War,” “Avengers: Age of Ultron”), and Matthew Schmidt (“Avengers: Age of Ultron,” “Iron Man 3”), three-time Oscar®-nominated costume designer Judianna Makovsky (“Captain America: Civil War,” “Harry Potter and the Sorcerer’s Stone”), visual effects supervisor Dan DeLeeuw (“Captain America: The Winter Soldier,” “Captain America: Civil War”), six-time Oscar®–nominated special effects supervisor Dan Sudick (“Captain America: Civil War,” “Black Panther”), and stunt coordinator Sam Hargrave (“Captain America: Civil War,” “Atomic Blonde”).
Based on the Marvel comic franchise first published in 1963, “Avengers: Infinity War” continues the lineage of epic big-screen adventures chronicled in “Iron Man,” “The Incredible Hulk,” “Iron Man 2,” “Thor,” “Captain America: The First Avenger,” “Marvel’s The Avengers,” “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy,” “Avengers: Age of Ultron,” “Ant-Man,” “Captain America: Civil War,” “Doctor Strange,” “Guardians of the Galaxy Vol. 2,” “Spider-Man: Homecoming,” “Thor: Ragnarok,” and “Black Panther.”
DISC SPECIFICATIONS (applies to film content only):
Product SKUs: Cinematic Universe Edition (4K Ultra HD+Blu-ray+Digital), Multi-Screen Edition (Blu-ray+Digital), Digital UHD (select retailers include Dolby Vision), HD, SD, DVD and On-Demand
Feature Run Time: Approximately 149 minutes
Aspect Ratio: 2.39
Audio: UHD BD: English Dolby Atmos, Latin Spanish 7.1 Dolby Digital Plus, French Canadian 5.1 Dolby Digital, English Descriptive Audio 2.0 Dolby Digital
Blu-ray: English 7.1 DTS-HDMA, Brazilian Portuguese, French and Spanish 5.1 Dolby Digital, English Descriptive Audio 2.0 Dolby Digital
DVD: English, French and Spanish 5.1 Dolby Digital, English Descriptive Audio 2.0 Dolby Digital
UHD Digital: English Dolby Atmos (some platforms), English 7.1 Dolby Digital Plus (some platforms), English 5.1 & 2.0 Dolby Digital, Latin Spanish 5.1 & 2.0 Dolby Digital, French 5.1 & 2.0 Dolby Digital, English Descriptive Audio 2.0 Dolby Digital
HD Digital: English 7.1 Dolby Digital Plus (some platforms), English 5.1 & 2.0 Dolby Digital, Latin Spanish 5.1 & 2.0 Dolby Digital, French 5.1 & 2.0 Dolby Digital, English Descriptive Audio 2.0 Dolby Digital
SD Digital: English 5.1 & 2.0 Dolby Digital, Latin Spanish 5.1 & 2.0 Dolby Digital, French 5.1 & 2.0 Dolby Digital, English Descriptive Audio 2.0 Dolby Digital
UHD Subtitles: English SDH, Cantonese, Japanese, Korean, Latin Spanish, Thai,
Traditional Chinese, French Canadian
BD Subtitles: English SDH, French Canadian, Brazilian Portuguese & Latin Spanish
DVD Subtitles: English SDH, French Canadian, Latin Spanish
Digital Subtitles: English SDH, French Canadian, Latin Spanish
Digital & DVD Captions: English
Midnight Mass: The Blood of Life
The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God.
Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes.
Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God.
We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant.
Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed.
Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus.
Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship.
Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care.
The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love.
Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls.
Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now!
Saw X: It ain’t brain surgery!
Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer!
First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive!
So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance.
Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth.
The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge!
First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer.
A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now!
Scott Pilgrim Takes Off
“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.
The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.
The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.
The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.
“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.