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#RaisingDion Brings To Light Raising A Child With Special Gifts

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Raising Dion isn’t just another drama about raising a child as a single parent.  It’s much more complicated than that. It is the story of Nicole who raises her son after the death of her husband Mark. As Dion ages, Nicole starts noticing he’s different from the other kids and must do everything she can to keep his abilities a secret while figuring out where these powers came from.

The show’s team consists of

SHOWRUNNER: Carol Barbee

EPs: Michael B. Jordan, Kenny Goodman, Kim Roth, Dennis Liu, Michael Green, and Charles D. King

It is based on a comic book of the same name by Dennis Liu and the first season is slated for nine one hour episodes.

The characters are

JA’SIAH YOUNG – “Dion Warren”

The adorable 8-year-old son of Nicole and Mark, Dion is a precocious boy with an affinity for superheroes and science. This affinity becomes his challenging reality as he begins to develop mysterious abilities, making his life difficult as he enters a new school and deals with the trauma of losing his father when he needed him the most.

 

ALISHA WAINWRIGHT – “Nicole Warren”

A big dreamer who faces reality as a widowed mother of a special young boy, Nicole navigates the trials and tribulations of parenthood alone once her husband, Mark, passes. She struggles to balance everything once Dion begins to develop superhuman abilities, creating a hectic day-to-day in which she strives to protect his childhood and his safety.

 

JASON RITTER – “Pat Rollins”

Always doubted and misunderstood, Pat’s passion for science and comics sets an image of a seemingly awkward man, yet his warmth wins Dion over amidst the loss of his father. Pat was Mark’s best friend since their college days at Columbia, and after Mark’s passing makes a big effort to be there for Nicole and Dion, and loves them like family.

 

MICHAEL B. JORDAN – “Mark Warren”

Mark was an adventurous, intelligent man who made a point of making the most of life out of his lifelong passion for STEM. Such an ambitious nature eventually leads to Mark’s demise, one that Nicole begins to realize was under much more mysterious circumstances than she originally thought.

 

JAZMYN SIMON – “Kat Neese”

Kat is a surgical resident and Nicole’s sister. She’s the one that has her life together, and can’t help but correct Nicole on her life and parenting. All in all, she’s a wonderful and supportive aunt and sister, but has a hard time biting her tongue as she watches her sister make mistakes.

 

SAMMI HANEY – “Esperanza Jimenez”

A ride or die you always want in your corner, Esperanza is a bright classmate of Dion who has brittle bone disease. A brilliant artist wise beyond her years, she looks out for Dion in an endearing manner, and, though it takes a while, Dion grows to realize she is his best friend.

 

This new twist of a superhero story will be released October 9th so keep a look out!

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‘Alien Romulus’: Rook takes pawns

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Spoilers lurk in empty space stations too! 

A gang of space colonists trying to scavenge cryo-sleep pods from a derelict space station come across the remnants of monstrous creature experiments the Weyland-Yutani Corporation was conducting there! 

Following the current trend plaguing films with a long-running franchise, Alien Romulus is an interleaved sequel, which is to say the film is set timeline-wise between the events of the first Alien blockbuster and the excellent sequel Aliens. Everybody got where we are? Then make sure your futuristic ray guns are fully charged so you can take on the Xenomorphs in Alien Romulus

Meet Rain (Cailee Spaeny) and her adopted synthetic “brother” Andy (David Johnson), who wants desperately to get off-planet and avoid the mines and further indentured servitude, which is a good deal harder than it sounds. So Rain gets together with other disgruntled colonist folk like herself – Tyler (Archie Renaux), Kay (Isabela Merced), Bjorn (Spike Fearn), and Navarro (Aileen Wu) – and hatch a wacky plan to swipe some cryogenic sleep pods so they can safely smuggle all of them to a nearby-ish idyllic planet system where they might live freely. This sort of trip normally takes years, hence the cryo-sleep pods. And Rain’s would-be commando pals all think it’s a pretty safe bet that this derelict space station they’ve found would have a bank of still-functioning cryo pods, so it’s off to play scavengers we go! 

The space station is indeed derelict, but it’s hardly empty. With the knowledge that the place was owned and operated by the Weyland-Yutani Corporation that’s all we the audience need to know, but our poor scavengers can’t make heads or tails of the clearly scientific experimental rooms, devoid of human presence but again, definitely not empty. And after a few rounds of catch-me-if-you-can with a roomful of face huggers, our scavengers come across someone, something if you want to be a jerk about it, that might actually be able to help them. 

They manage to get the synthetic android, Rook, the upper half of him at least, semi-functioning, and that’s all it takes for them to get a crash course in corporate greed and one particular aliens physiology and future potential, for Rook is still very much a Company man. And this means scavenging whatever information they managed to retain from their terrible experiments on the xenomorphs and their face hugger proto-form to get to the Weyland-Yutani Corporation by whatever means necessary, including co-opting and brainwashing fellow synthetic Andy to help him. 

The choice to use CGI and animatronics, built by Legacy Effects, and the visage of the late excellent actor Ian Holm for the countenance of the synthetic Rook was an interesting choice. It does keep a certain kind of continuity going in the Alien world and kind of cements where we are in the film timeline more, but I think the same effect could have been obtained with a different actor just as well. 

So the facehuggers are loose and the bigger scary-as-hell forms are starting to emerge and attack our scavenger crew, and somehow the pregnant Kay manages to get herself implanted by a facehugger, and the inevitable question of human-xenomorph hybrids begins in earnest – only a few hundred years before when it happened in Alien Resurrection

The whole human-xeno hybrid storyline, the proto-mashup thing that looks to me like they took an Engineer from Prometheus and gave it Xenomorph bones, and how quickly they adopt the need to shoehorn the two mismatched worlds of Prometheus and the Alien films into another Alien movie is entirely aggravating and unnecessary. The atmosphere of traditional Alien-style horror we came to love a very long time ago from Ridley Scott was carrying the movie just fine up to this point of sudden human-xeno pregnancy, traumatic birth, and the emergence (and thankfully, death) of this thing they simply called “the Offspring”. Again, the insistence to try and mashup two very different film worlds is unneeded and more likely to turn fans off both franchises. At least, former Romanian basketball player Robert Bobroczkyi and his more-than-7-foot-natural-height played the part of the Offspring, with only the tail being CGI’d, lending some vague manner of brief believability to the creature. 

It’s not as though the Alien films actually need a whole lot in the way of humans we care about, especially if there’s a pack of Xenomorphs scrambling around the station, or a fleet of green-slimed eggs that most definitely don’t have chocolate inside waiting to jump-scare the audience into oblivion. But if you’re going to have at least half the story be about the humans and their plight first, it would be better to give them something to make them less generic than “red-shirt A”, to try and give us the audience a reason to groan in sympathy when a chest-burster is born, instead of cheering for the baby xeno to go feast already! And to be fair, the first three acts of the film are quite good, in the OG Scott manner of silence-space-screaming horror that is now a genre standard. There is an almost long-standing non-tradition of being dissatisfied with the endings to the latter Alien movies anyway. 

Find out what happened to our scavengers and see if Rook takes all the pawns in Alien Romulus, in theaters now! 

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Hallmark Launches New Streaming Service: Hallmark Plus

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In an exciting move for fans of feel-good programming, Hallmark has officially launched its new streaming platform, Hallmark Plus. Catering to its loyal audience, this service offers subscribers on-demand access to Hallmark’s signature content, including heartwarming dramas, romantic comedies, and festive holiday films. With its well-established brand of wholesome entertainment, Hallmark Plus is poised to become a go-to platform for viewers seeking uplifting and family-friendly content year-round.

Hallmark Plus has debuted with an impressive catalog of shows, movies, and specials that fans have come to love. Among the standout offerings are classic Hallmark hits like:

When Calls the Heart: A fan-favorite series set in the Canadian frontier, following the story of a young schoolteacher, Elizabeth Thatcher, and her life in the close-knit town of Hope Valley.

The Good Witch: A beloved series featuring Cassie Nightingale, a magical woman with an uncanny ability to bring joy and healing to those around her in the town of Middleton.

Chesapeake Shores: A romantic drama that explores the complexities of family, love, and second chances in the picturesque town of Chesapeake Shores.

Hallmark Movies & Mysteries Collection: Fans of cozy mysteries will find an extensive library of Hallmark’s popular mystery films, including The Aurora Teagarden Mysteries and Murder, She Baked series.

Subscribing to Hallmark Plus comes at a competitive price, making it an affordable option for those looking to add to their streaming lineup. Currently, the service is priced at $6.99 per month, with an option to save by purchasing an annual subscription for $69.99. Subscribers can also enjoy a 7-day free trial, allowing them to explore the extensive catalog before committing.

One of the most anticipated aspects of Hallmark Plus is the fresh, original content coming exclusively to the platform. The streaming service plans to expand its library with brand-new series and movies tailored to its audience’s love for heartfelt storytelling. Among the upcoming titles, several have already generated buzz, including:

The Way Home: A time-travel family drama following three generations of women, set to explore themes of forgiveness and understanding.

Holiday Engagements: A romantic series revolving around the ups and downs of modern relationships during the holiday season, focusing on love stories with heartwarming holiday backdrops.

In a surprising and refreshing shift from its usual drama and romance-focused programming, Hallmark Plus will premiere its first-ever limited comedy series, Holidazed. This six-part series offers a lighter, comedic take on the holiday season, following the chaotic misadventures of a family that struggles to keep it together during the most wonderful (and stressful) time of the year.

Holidazed will feature an ensemble cast of quirky characters, hilarious holiday mishaps, and plenty of heart. Early previews suggest it will bring a fresh energy to Hallmark’s lineup, making it a must-watch for both die-hard Hallmark fans and new viewers who enjoy holiday-themed comedies. The series is expected to launch just in time for the festive season, further expanding Hallmark’s tradition of being a household name during the holidays.

Hallmark Plus is a promising addition to the growing roster of streaming services, offering a wide range of heartwarming and entertaining content for viewers looking to escape into stories full of love, laughter, and community. With a blend of classic hits and exciting new releases like Holidazed, Hallmark Plus is sure to win the hearts of subscribers eager for wholesome entertainment. At an affordable price point, it’s an appealing option for fans of feel-good TV and movies year-round.

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