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17th Annual Tribeca Film Festival Announces 2018 Dates and Call for Submissions

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For the 17th year, the Tribeca Film Festival, presented by AT&T, will bring creators, diverse audiences, and the industry together in New York City during the annual storytelling festival running April 18-29, 2018.

As part of a new multi-year collaboration, creators will be able to submit their feature and short films to the 2018 festival through Withoutabox, the online festival submission system favored by filmmakers for its ease of use and streamlined process. This new relationship with Withoutabox continues Tribeca’s ongoing mission to empower storytellers with the opportunities and tools to bring their stories to life.

The 2018 Festival is set to build on the momentum from last year’s edition, which not only saw record setting attendance numbers from recent years, but also the highest percentage of film sales to distributors. The 2017 line-up made major cultural headlines from reunions like The Godfather and Reservoir Dogs; to Tribeca Immersive’s critically acclaimed Virtual Arcade and Storyscapes programming, which showcased the latest in VR and installations that explored the intersection of storytelling and technology; to the N.O.W. (New Online Work) section’s showcase of digital storytellers. For the second year, the Tribeca X Award celebrated the best in branded storytelling from artist-brand collaborations. Tribeca Talks®’ Directors Series and Storytellers brought luminaries such as Barbra Streisand, Alejandro González Iñárritu, Bruce Springsteen, and Tom Hanks together for once-in-a-lifetime conversations. Tribeca TV world premiered new series including Emmy® nominees The Handmaid’s Tale and Genius, in addition to introducing audiences to new shows such as The Sinner and debuting the latest seasons of fan favorites like Unbreakable Kimmy Schmidt. The inaugural Tribeca Games Festival premiered to sold-out crowds with the first-ever crowd play of Marvel’s Guardians of the Galaxy: The Telltale Series, Episode 1, a concert with British electronic producer and multi-instrumentalist Mura Masa, and keynotes with some of the top game creators, including legendary creator Hideo Kojima.

“Following a banner year that saw record high submissions across all of our festival programs, it’s clear there is more exciting work being created in more different ways and on more different platforms than ever before,” said Tribeca Director of Programming Cara Cusumano. “Withoutabox is the perfect partner to help further our film submissions and we eagerly look forward to seeing what our endlessly surprising creators bring us in 2018.”

“Withoutabox is home to the top filmmakers and film festivals in the world, and our mission is to provide filmmakers with unparalleled opportunities to share their projects with a global audience,” said Matt Kumin, Head of Withoutabox, IMDbPro and Box Office Mojo. “The Tribeca Film Festival is one of the most important festivals in the world and we are thrilled they have selected Withoutabox to be their exclusive third party film submissions service beginning with the highly anticipated 2018 film festival.”

Submissions will open September 5 for all sections of the Festival – feature and short films, TV, Immersive, N.O.W. (New Online Work) and the Tribeca X Award. Filmmakers can submit a film for consideration via Withoutabox at https://www.withoutabox.com/tribeca and VR, episodic, online storytelling, and branded storytelling can be submitted directly to www.tribecafilm.com.

Deadlines to submit U.S. and projects for the 2018 Tribeca Film Festival are as follows:

  • September 5, 2017 – SUBMISSIONS OPEN
  • October 18, 2017 – EARLY ENTRY DEADLINE for feature and short films, Tribeca TV, Tribeca Immersive, N.O.W. (New Online Work)
  • November 22, 2017 – OFFICIAL ENTRY DEADLINE A for feature films, Tribeca TV, Tribeca Immersive, N.O.W.
  • December 1, 2017 – OFFICIAL ENTRY DEADLINE B for short films
  • December 13, 2017
    • EARLY ENTRY DEADLINE for Tribeca X Award
    • LATE ENTRY DEADLINE for feature films, TV, Immersive, N.O.W.
  • January 12, 2018 – OFFICIAL ENTRY DEADLINE for Tribeca X Award
  • February 14, 2018 – LATE ENTRY DEADLINE for Tribeca X Award

Submission rules, regulations, and complete information regarding eligibility for the 2018 Tribeca Film Festival are now available at https://tribecafilm.com/festival/submissions. Questions regarding submissions may be directed to entries@tribecafilmfestival.org or by calling 212.941.2305

The Festival is curated by the programming team including Director of Programming Cara Cusumano, Artistic Director Frederic Boyer; VP of Shorts Sharon Badal; Liza Domnitz (features, TV, and online work); Loren Hammonds (virtual reality and features); Ian Hollander (features); Ben Thompson (shorts); Mara Webster (talks), and Ingrid Kopp (Storyscapes), program advisors Paula Weinstein and Tammie Rosen, and a team of associate programmers.

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Renfield; A Fangtastic Time

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Nicholas Cage is not the Dracula we deserve, but the Dracula we need!

With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon! 

Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it. 

After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.

Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!

Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!

Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy! 

Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.

Three and a half stars.

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Nandamuri Kalyan Ram’s Upcoming Film Builds Massive Hype

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The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.

The Arjun S/O Vyjayanthi teaser launch event is scheduled for:

Date: March 17, 2025

Time: 10:00 AM IST

Venue: AAA Cinemas (Screen 1), Hyderabad, India

Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.

Pre-Teaser Hints at High-Octane Action

Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.

Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.

Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations

Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!

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The Resurrection of ‘Jennifer’s Body’

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TW: Discussions of Sexual Assault.

I did myself a favour and watched the cult classic Jennifer’s Body (which I highly recommend you do, too). Watching this clever, funny, thought-provoking movie in 2025, it is hard to believe that it was a major flop when it was released in 2009.

‘00s nostalgia spurts throughout the film. From the frosted eyeshadow to the digital cameras, it’s enough to bring a tear to a millennial’s eye. However, not everything about the film is dated. In fact Jennifer’s Body is hailed today as a modern feminist classic. 

This is particularly intriguing when remembering how badly the film bombed in 2009. Looking at Rotten Tomatoes scores, Jennifer’s Body has a rather pitiful 46% critic score and an even worse 36% audience score. Was this comedy-horror simply ahead of its time? Many believe so.

In pre-#MeToo 2009, Jennifer’s Body was marketed as a fun, sexy romp aimed at straight men. Sex symbol Megan Fox in the starring role as Jennifer, fresh from her scantily-clad Transformers fame, audience thought they knew what to expect from the actress. And Fox is wrist-achingly beautiful in the film; there is no doubt about that, but many complained she remained disappointingly fully clothed. There was also the promised same-sex kiss between Fox and Amanda Seyfrie,d which was framed more as an uncomfortable, confused, and tragic scene between two childhood friends rather than sexy. 

In short, Jennifer’s Body was marketed for the male gaze, even with a female writer (Diablo Cody) and director (Karyn Kusama) instead of what it is, which was a commentary about the treatment of female bodies (the clue was in the title, really). 

Many have theorised that the film is essentially a rape-revenge fantasy. The premise is (spoilers!) that Jennifer is kidnapped by an indie boyband after a gig. The group’s plan is to sacrifice young Jennifer to Satan in exchange for fame (obviously). Their plan goes awry when Jennifer lies about being a virgin, when she is not in fact even a “backdoor virgin”. This little lie causes Jennifer to turn into a creature-monster-succubus-type thing. This is a clear commentary on how women are only seen as useful or worthy if their virginity is intact. Also, how the music industry sacrifices young women to the altar of male lust.

Later that night, Jennifer appears at her childhood friend Needy’s (Amanda Seyfried) home drenched in blood and covered in bruises, with a vacant stare. After this, Jennifer begins to indiscriminately kill young men from her school. 

I theorise that the film is cleverly inverting the expectation of young women being targeted. Jennifer is indiscriminate in her choosing of victims. A school jock, a sensitive emo guy, and a foreign exchange student walking home alone at night. She lures them to secluded areas with the promise of sex and tears them apart until they look like “lasagne with teeth”.

With Jennifer’s murder spree terrifying the small town, its young men are warned not to go anywhere alone. Johnny Simmon’s character, Chip, is even given mace by his mother to protect him on prom night. 

Jennifer’s Body cleverly inverts many of the horror movie tropes. For example, the ‘nerdy girl’, Needy is not a virgin either. Needy and her boyfriend Chip actually have regular, no-consequence sex, which is unusual for a female character in a horror movie. 

This cult classic may have died on its initial release but it was resurrected by the dashboards of Tumblr and feminist blogs. Seyfried even teased the possibility of a sequel soon. Suffice to say there is definitely more to Jennifer’s Body than meets the eye!

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