New Line Cinema’s widely acclaimed horror thriller “IT” smashed the record books with stunning opening weekend numbers on both the domestic and international fronts, it was announced today by Sue Kroll, President Worldwide Marketing and Distribution, Warner Bros. Pictures. Based on Stephen King’s beloved perennial bestseller, the film took in an estimated $189.4 million worldwide.
Domestically, “IT” scared up an astounding $123.1 million, crushing multiple records in its first weekend, starting with $13.5 million Thursday night previews, which made history as the highest horror preview; the largest R-rated preview; and the top September preview ever. Through the weekend, the milestones continued to mount, just a few of which include: the top horror film opening ever; biggest September opening for a film of any genre; and highest non-holiday weekend release for an R-rated film. On its own, “IT” surpassed the all-time industry record gross for a post-Labor Day weekend. In addition, “IT” now stands as New Line Cinema’s highest opening ever, and moviegoers looking for the biggest scares gave IMAX® their #1 opening weekend in September. The records had begun falling even before release, as “IT” became the top horror pre-seller ever and Fandango’s top September pre-seller ever for any genre.
Internationally, “IT” also saw huge releases in 46 markets, topping the box office in virtually all of them. Taking in an extraordinary $66.3 million, “IT” had the largest opening ever for a horror film. Among the other benchmarks are: the highest opening weekend for a horror film and top September debut ever in Russia and Australia; the biggest horror film debut in Brazil, Holland and Poland; and Warner Bros. Pictures’ largest opening for 2017 in 19 markets, including Russia, Australia, Spain, Poland, Norway, Belgium, Finland, Denmark and Chile. Anticipation is high in major markets yet to open, including Sweden, Mexico, France, Argentina, Germany and Italy.
In making the announcement, Kroll stated, “Anticipation for ‘IT’ has been at a fever pitch since the record-breaking debut of its teaser trailer, and the film has exceeded all expectations. ‘IT’ is not only a tremendously successful entry in New Line’s expanding horror-verse, but its appeal transcends the genre. Everyone involved, including director Andy Muschietti, his cast, and the producers, did a remarkable job bringing Stephen King’s cherished masterpiece to the big screen. I want to congratulate them, as well as all of our colleagues at New Line, on this fantastic start. I also want to recognize the inspired marketing campaign, spearheaded by Blair Rich, and our worldwide distribution efforts, led by Jeff Goldstein, Veronika Kwan Vandenberg and Tom Molter, and all their teams. We look forward to strong reviews and word-of-mouth carrying the film well into the fall/holiday season.”
“IT” tells the story of seven young outcasts growing up in the township of Derry, Maine, who call themselves the Losers’ Club. Each of them has been ostracized for one reason or another; each has a target on their back from the local pack of bullies…and all have seen their inner fears come to life in the form of an ancient shapeshifting predator they can only call It. For as long as their town has existed, Derry has been the entity’s hunting ground, emerging from the sewers every 27 years to feed on the terrors of its chosen prey: Derry’s children. Banding together over one horrifying and exhilarating summer, the Losers form a close bond to help them overcome their own fears and stop a killing cycle that began on a rainy day, with a small boy chasing a paper boat as it swept down a storm drain…and into the hands of Pennywise the Clown.
Directed by Andy Muschietti (“Mama”), “IT” is based on the Stephen King novel of the same name, which has been terrifying readers for decades. First published in 1986, IT became an instant classic. It continues to be counted among the best and most influential works of the undisputed literary master of horror, inspiring numerous film and television projects in the years that have followed.
The film stars Bill Skarsgård (“Allegiant,” TV’s “Hemlock Grove”) as the story’s central villain, Pennywise. An ensemble of young actors also star in the film, including Jaeden Lieberher (“Midnight Special”), Jeremy Ray Taylor (“Alvin and the Chipmunks: The Road Chip”), Sophia Lillis (“37”), Finn Wolfhard (TV’s “Stranger Things”), Wyatt Oleff (“Guardians of the Galaxy”), Chosen Jacobs (upcoming “Cops and Robbers”), Jack Dylan Grazer (“Tales of Halloween”), Nicholas Hamilton (“Captain Fantastic”) and Jackson Robert Scott, making his film debut.
Muschietti directed “IT” from a screenplay by Chase Palmer & Cary Fukunaga and Gary Dauberman, based on the novel by King. Roy Lee, Dan Lin, Seth Grahame-Smith, David Katzenberg and Barbara Muschietti produced the film, with Dave Neustadter, Walter Hamada, Richard Brener, Toby Emmerich, Marty P. Ewing, Doug Davison, Jon Silk and Niija Kuykendall serving as executive producers.
The behind-the-scenes creative team included director of photography Chung-Hoon Chung (“Me and Earl and the Dying Girl,” “Oldboy”), production designer Claude Paré (“Rise of the Planet of the Apes”), editor Jason Ballantine (“Mad Max: Fury Road”), and costume designer Janie Bryant (TV’s “Mad Men”). The music was composed by Benjamin Wallfisch (“Annabelle: Creation”).
New Line Cinema presents a Vertigo Entertainment/Lin Pictures/Katzsmith Production, “IT.” The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
“IT” has been rated R for violence/horror, bloody images, and for language.
“The Electric State,” now streaming on Netflix, is a science fiction adventure directed by Anthony and Joe Russo. The screenplay, crafted by Christopher Markus and Stephen McFeely, is loosely based on Simon Stålenhag’s 2018 illustrated novel of the same name. The film boasts a star-studded cast, including Millie Bobby Brown as Michelle, Chris Pratt as Keats, and features voices from Anthony Mackie and Woody Harrelson. With a runtime of 128 minutes, the movie transports viewers to a retro-futuristic 1990s America, where a teenage girl embarks on a quest to find her missing brother amidst a landscape populated by sentient robots.
Despite its ambitious premise and substantial $320 million budget, “The Electric State” has garnered predominantly negative reviews from critics. Many have pointed out the film’s lack of emotional depth and coherence. For instance, The Guardian described it as a “bogglingly expensive dud,” criticizing its soulless storytelling and lack of artistic merit. Similarly, Vulture labeled the film a “$320 million piece of junk,” highlighting issues with direction, character development, and overall execution.
The narrative follows Michelle, portrayed by Millie Bobby Brown, as she ventures into a dystopian version of the late 1990s, accompanied by Keats, a smuggler played by Chris Pratt. Their mission leads them into an exclusion zone inhabited by defeated robots, all in search of Michelle’s younger brother, Christopher. While the film’s special effects have been acknowledged for their quality, these visual achievements are overshadowed by a storyline that many found lacking in engagement and originality.
Audience reactions have been mixed, with some viewers appreciating the visual spectacle and performances, while others echo the critics’ sentiments regarding the film’s shortcomings. On Rotten Tomatoes, the film holds a critic score of 17%, reflecting the overall negative critical reception.
In conclusion, “The Electric State” presents a visually impressive but narratively deficient experience. Despite the high-profile cast and substantial investment, the film struggles to deliver a compelling and cohesive story. Based on the critical consensus and audience feedback, I would rate this film a 4 out of 10.
Nicholas Cage is not the Dracula we deserve, but the Dracula we need!
With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon!
Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it.
After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.
Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!
Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!
Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy!
Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.
Three and a half stars.
The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.
The Arjun S/O Vyjayanthi teaser launch event is scheduled for:
Date: March 17, 2025
Time: 10:00 AM IST
Venue: AAA Cinemas (Screen 1), Hyderabad, India
Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.
Pre-Teaser Hints at High-Octane Action
Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.
Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.
Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations
Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!
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