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HULU NABS STREAMING RIGHTS TO BLINDSPOT AND LUCIFER

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Hulu today announced a multi-year, multi-series deal with Warner Bros. Domestic Television Distribution that includes the acquisition of the exclusive streaming video on-demand rights to the top breakout dramas of this broadcast season, Blindspot and Lucifer. In addition, Hulu will have the streaming premiere of all past seasons of top-ranking cable drama Rizzoli & Isles, as well as fan-favorite series Smallville and Southland – all of which will become available to stream exclusively on Hulu’s No Commercials and Limited Commercials subscription plans over the coming months.

The deal will make Hulu the exclusive U.S. streaming home to all episodes of season one of Blindspotfollowing its run on NBC, as well as future seasons of the hit series. Blindspot is created by Martin Gero, who executive produces along with Greg Berlanti, Sarah Schechter, Mark Pellington and Marcos Siega. The series is from Berlanti Productions in association with Warner Bros. Television. Starring Sullivan Stapleton, Jaimie Alexander, Rob Brown, Audrey Esparza, Ukweli Roach, Ashley Johnson and Marianne Jean-Baptiste, Blindspot follows a woman (Alexander) with no memories of her past, who’s found in Times Square with her body covered in intricate tattoos.  Igniting the interest of the FBI, the clues hidden inside her tattoos reveal a larger conspiracy of crime, while leading her closer to discovering the truth about her identity.

Hulu has also acquired the exclusive U.S. streaming rights to all episodes of the new drama seriesLucifer. Currently in its first season on FOX, Lucifer is produced by Jerry Bruckheimer Television in association with Warner Bros. Television. The series is based on characters created by Neil Gaiman, Sam Kieth and Mike Dringenberg for DC Entertainment’s Vertigo imprint and executive produced by Jerry Bruckheimer, Jonathan Littman, Joe Henderson, Ildy Modrovich and Len Wiseman. Hulu will be the exclusive U.S. streaming destination for viewers to catch up on all past episodes of the series. Starring Tom Ellis, Lauren German, Kevin Alejandro, DB Woodside, Lesley-Ann Brandt, Scarlett Estevez, Kevin Rankin and Rachael Harris, Lucifer is the story of the original fallen angel. Bored and unhappy as the Lord of Hell, Lucifer Morningstar (Ellis) has abandoned his throne and retired to Los Angeles, where he teams up with an LAPD detective (German) to help punish criminals.

In addition to current hit broadcast series Blindspot and Lucifer, Hulu will premiere past seasons of one of the top-performing cable programs, Rizzoli & Isles for the first-time ever on a streaming service. Seasons one through five will stream on Hulu beginning this April, and future seasons will be available to stream on Hulu following their season run on TNT.

Additionally, popular library titles from Warner Bros. Television including The O.C., Southland andSmallville will also become available to stream on Hulu. All episodes of The O.C. will become available to stream in April, and Southland and Smallville will make their streaming premieres exclusively on Hulu later this year.

“We are honored to announce that, in our first licensing agreement with Warner Bros. Television, we will be bringing two of the year’s biggest hits, Blindspot and Lucifer, exclusively to Hulu,” said Craig Erwich, SVP Head of Content, Hulu.

The new deal further expands the Hulu and Warner Bros. relationship. This year, Hulu premiered event series 11.22.63 produced by Bad Robot Productions in association with Warner Bros. Television, from executive producers J.J. Abrams, Stephen King, Bridget Carpenter, Kevin Macdonald, Bryan Burk and star James Franco. Library films JFK and Thirteen Days will also be added to Hulu’s library of programming later this year through the new licensing agreement.

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Review of “Good Bad Ugly”

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Director: Adhik Ravichandran 

Starring: Ajith Kumar, Arjun Das, Trisha, Simran

Genre: Action / Crime Drama

Rating: 4.5/5


“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.

“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.

While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.

The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.

“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.

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Presence: A Horror Movie For People That Don’t Like Horror Movies

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In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!

When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting.  And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!

Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home. 

Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence. 

Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.

The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!

However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene. 

Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes. 

My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues. 

I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.

Presence is available to stream.

Three and a half stars.

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Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)

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Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan


Overview

Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.

Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.

Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.

The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.

The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.


Rating: 9/10

Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.


Pros

  • Unparalleled hand-drawn animation
  • Unique art direction inspired by traditional Chinese painting
  • Rich mythological lore
  • Epic fight choreography

Cons

  • Sparse episode release
  • Story pacing can be uneven at times

Final Verdict 9/10

If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.

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