Connect with us

EPIX Unveils Two New Original Series

Published

on

Premium TV network EPIX announced today that it is adding original, scripted series to its programming slate, beginning with series from its joint-venture studio partners Paramount, Lionsgate (NYSE: LGF) and Metro-Goldwyn-Mayer. Two of the series will begin production this fall for premiere autumn 2016. The series, “Graves” from Lionsgate Television and “Berlin Station” from Paramount Television, mark the first original series that will appear on EPIX across its channels, EPIX On Demand, EPIX.com and TV Everywhere platforms with its distribution partners. A third original series from MGM will be announced in the near future.

“’Graves’ is a perfect vehicle to usher EPIX into premium scripted programming, and we look forward to delivering high end quality content for years to come”

Commenting on the original series, Mark Greenberg, President and CEO of EPIX said, “Paramount, Lionsgate and MGM are great partners, investors and supporters of our network and are proven leaders in television entertainment. Tapping into the creative talents of these entertainment power-houses to deliver this kind of compelling programming is exactly what we had envisioned when we created this joint-venture and launched the channel. Our focus was on business success and profitability first and having established that firm business foundation, we are now in a position to launch our original series with these two great shows from Lionsgate and Paramount and a third on the way from MGM.”

Added Jocelyn Diaz, Executive Vice President for Original Programming, “Original series provide a platform to build our brand and distinguish our offering. We are proud of the level of quality and sophistication of these projects and are thrilled to announce them today with our partners.”

“Berlin Station” is an hour-long, 10-part espionage drama series that will be produced in partnership with Paramount Television. Academy Award nominee Michaël Roskam (“Bullhead,” “The Drop”) will executive produce the straight-to-series order and is set to direct the first two episodes. American spy novelist Olen Steinhauer (The Cairo Affair, All The Old Knives) will write and executive produce the series. Academy Award winner Eric Roth (“House of Cards,” “The Insider,” “Munich”) and Anonymous Content (“True Detective,” “The Knick”) will also serve as executive producers.

“Olen is among the most respected espionage voices of our time, and Michael has a seasoned and distinct command of noir. Together, they make the ideal creative team to collaborate with on this sophisticated and gritty modern day spy thriller,” said Amy Powell, President, Paramount Television. “We also take great pride in partnering with the distinguished and prolific storyteller Eric Roth and the talented team at EPIX on developing an inspired original series that is reflective of the network’s commitment to high quality entertainment.”

“Berlin Station” follows Daniel Meyer, a newly anointed case officer who has arrived at the CIA foreign station in Berlin, Germany. It with a clandestine mission: to uncover the source of a leak who has supplied information to a now-famous whistleblower named “Thomas Shaw.” Guided by jaded veteran Hector DeJean, Daniel learns to contend with the rough-and-tumble world of the field agent—agent-running, deception, the dangers and moral compromises. As he dives deeper into the German capital’s hall of mirrors and uncovers the threads of a conspiracy that leads back to Washington, Daniel wonders: Can anyone ever be the same after a posting to Berlin?

Michaël Roskum is represented by Anonymous Content’s Keith Redmon and Luke Rivett, and UTA and attorney Alan Wertheimer. Olen Steinhauer is represented by Jill Gillett and Sylvie Rabineau at RWSG. Steve Golin, Kerry Kohansky-Roberts, Keith Redmon and Luke Rivett from Anonymous Content will also be executive producers of the series.

“Graves” is a single camera, half-hour comedy starring Oscar-nominated Nick Nolte as a former President of the United States. Twenty years after his presidency, former President Richard Graves has the epiphany that his policies have damaged the country for decades and so, with his young assistant, he goes on a Don Quixote-like journey to right his administration’s wrongs just as his wife, the former First Lady, decides to follow her own political ambitions.

The 10-episode, straight-to-series order will be produced in partnership with Lionsgate TV. Joshua Michael Stern (Swing Vote) created the project and will write, direct and executive produce the series. Oscar-winning producer Greg Shapiro (The Hurt Locker) will also be an executive producer.

“‘Graves’ is a perfect vehicle to usher EPIX into premium scripted programming, and we look forward to delivering high end quality content for years to come,” said Kevin Beggs, Chairman, Lionsgate Television Group. “‘Graves’ is a provocative comedy featuring a terrific script from writer/director Joshua Michael Stern, a consummate producer in Greg Shapiro and the brilliant and charismatic Nick Nolte as a former U.S. President whose conscience catches up with him with tragic and comic results. It is perfectly timed to premiere in an election year and marks a new chapter in the successful evolution of EPIX as a leading premium cable platform.”

Nick Nolte is represented by CAA and Jackoway Tyerman. Joshua Michael Stern is represented by Paradigm and AJ Brandenstein at Sloane, Offer, Weber & Dern, LLP. Greg Shapiro is represented by Darren Trattner at Jackoway Tyerman.

EPIX and MGM are finalizing an agreement on an original series that will add to the network’s programming line-up. Specific details will be announced in the near future.

“We are working with EPIX to develop our next exciting series and look forward to bringing our signature style and storytelling to EPIX soon,” said Roma Khanna, President of MGM Television Group and Digital. “From Vikings to Fargo, MGM Television is the force behind some of the most exciting and award-winning series currently on television.”

In addition to the new scripted series, EPIX will continue to present original documentaries and docu-series (Deep Web, NHL Road to the Winter Classic and Stadium Series), comedy specials (Russell Brand, Jim Norton, Jim Breuer, Lisa Lampanelli) and music events (Katy Perry: Prismatic Tour), along with new movies (The Hunger Games: Mockingjay Part 1, Selma, Interstellar)and thousands of titles from partner studios and other sources.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

TV

Frogfathers lessons from the Normandy surf

Published

on

Frog Fathers: Lessons from the Normandy Surf” is a deeply moving documentary directed by Bob Whitney, narrated by John C McGinley, and presented by World of Warships and FORCE BLUE. It chronicles the journey of four Navy SEAL veterans revisiting the site of the D-Day landings to honor their forefathers and gain a deeper understanding of the sacrifices made during World War II.

The film’s strength lies in its raw emotional impact and historical significance. It blends personal narratives with archival footage, offering a poignant tribute to the bravery and resilience of those who fought on June 6, 1944. The veterans’ reflections and the cinematography effectively capture the solemnity and reverence of their pilgrimage.

While the documentary focuses primarily on the veterans’ experiences, it also serves as an educational tool, highlighting the strategic importance of the Normandy invasion and its pivotal role in shaping modern history. The film’s respectful approach and engaging storytelling make it a compelling watch for anyone interested in military history and the enduring legacy of the D-Day heroes.

Overall, “Frog Fathers” is a powerful and heartfelt documentary that honors the past while inspiring present and future generations to remember the sacrifices made for freedom 

Continue Reading

TV

American Horror Story: Delicate

Published

on

As most of us are already aware, the 12th Season of AHS has been fraught with all kinds of differences to the previous seasons, mainly in that this is the first one to be based entirely off a novel, ‘Delicate Condition’ by Danielle Valentine. The first half of the season aired in October 2023 to mediocre reviews, while the SAG-AFTRA strike caused production and airing delays for the latter half of the season, and the episodes of Part 2 were all cut to less than an hour long apiece. And none of that is even getting into the disjointed attempt at storytelling for Season 12, so let’s dive into this! 

Meet Anna Victoria Alcott (Emma Roberts), former young ling star of Hollywood now struggling to recapture fame as an adult, who wants a baby, very very badly. Bad enough to drive herself and her husband Dex (Matt Czuchry) through multiple unsuccessful rounds of IVF (in-vitro fertilization), bad enough to keep trying no matter how crushing each failure turns out to be, bad enough to involve her purported best friend and bougie publicist Siobhan Corbyn (Kim Kardashian) in her struggles, and maybe, just maybe, bad enough to give up on a burgeoning resurgence of her career after interest in her comeback role for The Auteur begins garnering her Oscar-worthy attention. 

So, Anna and Dex are going to go through yet another round of IVF, likely one of their last attempts at it, from a different doctor, Dr. Andrew Hill (Denis O’Hare), and clinic based on Siobhan’s recommendation. And already, strange things are beginning to happen to Anna – her appointments that she set herself begin springing up incorrectly, a doom saying woman called Preacher (Julia White) shows up spouting warnings about trusting no one, dire warnings appear in unlikely places, and BTW, it seems as though long-suffering but good-nurtured Dex has a side-piece too. It doesn’t help that Dex’s new partner at his art gallery, Sonia Shawcross (Annabelle Dexter-Jones), bears a striking resemblance to his dead ex-wife Adeline, either. Those spiked emerald heels start appearing weirdly too, and it seems as though no one will listen to Anna as she grows more and more suspicious that some sort of sinister cult has designs on her as-yet-unborn baby. At the same time, Anna tries to live the life of a successful returning actress, attending parties and gallery openings while draping her rapidly-expanding middle in shimmering fabrics and actively ‘campaigning’ for that little golden statue that most actors covet. Competition is fierce, even among her co-stars of The Auteur, and while Anna wants to be supportive of her fellow entertainers, she clearly appears to be incapable of doing both at the same time – wanting the baby and the little gold award at the same time is too much to ask, apparently. 

Elsewhere, mostly in the past, various women in states of desperation formed from one situation or another are visited by sinister-looking women in prim black dresses, headgear reminiscent of – to me anyway – an odd cross betwixt birds and bunnies, my guess is an ostensive nod to fertility in general, and a general feeling of blood-bound witchery about them at critical moments of crossroad choices. 

Though the second half of the season moves a good deal faster than the first, the attempts at callbacks and reminder flashes to Part 1 hit with all the impact of a dropped bag of garbage onto their friends Talia’s (Julia Canfield) borrowed bougie kitchen floor – splat, into incomprehensible silence, from all parties, both characters and audience, concerned. Even the reminders that, in Part 1 of Delicate Dex’s mother Virginia Harding (Debra Monk) did indeed have perfectly valid memories of abuse at the hands of a black cult and Dex’s own father Dex Sr. (Reed Birney), the revelation pales and peels away in the face of Dex’s true parentage. 

Which brings us back around full circle kinda sorta, to the only real character worth a damn in this entire miserable season of strange feminism and aspirations of world domination through a kind of idiotic Rosemary’s Baby nightmare scenario, we should have known she’d steal the show when Kardashian was cast for it, Siobhan Corbyn, leader of the blood cult her high and mighty (old) self. Throughout the whole show her character has remained exactly the same, and it’s a wonder Anna can stare at her all stupefied while Siobhan does her villain speech at the end of the last episode. Siobhan never masked her ambition or greed, her mysterious protective vibe and even deep love for Anna, and can always be counted on to have secret plans of her own, already in motion, bitch. 

The idea that Anna herself was used as a surrogate for Siobhan and her incestuous eugenicist plans, plus the sweet little demon baby she just birthed, has an ironic the-world-is-tilting-the-wrong-way kind of witchy madness to it. Sure, Anna really can have it all, the baby and the golden statue, if only she joins the patriarchy-crushing cabal of blood witches with world domination plans, got it. 

I have questions, or I would have, but things are moving on and Anna is being saved by … Dex’s dead ex, Adaline the former member of the coven right okay her, she’s going to show back up and offer Anna a simple chant to Hestia her patron Goddess, and that is somehow enough to deal with Siobhan entirely – poof. And finally, after all that rigamarole, decades of planning and scheming and witchy plotting finally settled, Anna really can have it all as a White Witch of Hollywood, heaven help us, with her perfectly human baby and that damned little golden statue, clutched in an only slightly desperate grip. 

As with any season of AHS there are a great deal of statements that could be implied just under the skin of the season – the canker way of ambition, the millenia-old pain of a woman giving birth, the savagery and bloodshed that comes with bringing forth life, pushback against both the patriarchy and ultra-feminism, the absolute desperation of humans wanting to have a child, and perhaps strangest and most open to interpretation of all, what it means to be feminine. The worlds population of women who can’t or don’t or simply won’t have children, for any reason or none, are relegated to servants, expendable servants at that, for this new world order that Siobhan is proposing, and that is far too close a comfort to things like outright slavery. A dictator is a dictator, no matter how great she looks in those emerald spiked heels. 

It’s not the really beautiful grotesquerie that Ryan Murphy and his AHS gang are often known for, nor is it utterly terrible and should be burned at the stake. What Delicate should be, is put back together with missing and cut footage, an hour long per episode again come on folks, fleshed some more of Siobhan’s baby-stealing adventures in the past and given us an actual reason to like anything about the whiny Anna, at least the Part 2 we as longtime AHS fans deserve. Toss in some more spidery hijinks! Give us the actual origin of those weird feather bunny-ear headdresses! 

American Horror Story Delicate the whole season can be seen on FX! 

Continue Reading

Streaming

Jurassic Park: Unraveling the Mystery in a World Gone Prehistoric!

Published

on

Hold onto your hats, dino fans! The highly anticipated sequel to the adrenaline-pumping Camp Cretaceous saga is here, and it’s taking us on a wild ride six years in the making. Following the harrowing events of Camp Cretaceous, our beloved “Nublar Six” are back, but they’re not out of the woods just yet. In fact, they’re about to plunge headfirst into a world where dinosaurs roam freely alongside dangerous humans, and trust us when we say, it’s a Jurassic jungle out there!

Picture this: a world where survival isn’t just about avoiding sharp-toothed predators but also navigating the treacherous waters of human greed and deceit. As our resilient heroes reunite in the aftermath of a heart-wrenching tragedy, they quickly realize that danger lurks around every corner, and trust is a luxury they can’t afford. 

But wait, there’s more! Prepare to embark on a globetrotting adventure like no other as the Nublar Six find themselves thrust into the heart of a conspiracy that threatens not only the fragile balance between dinosaurs and humanity but also their very existence. From the lush jungles of Isla Nublar to the bustling streets of bustling cities, buckle up for a rollercoaster ride of epic proportions as our intrepid group races against time to uncover the truth about one of their own and, ultimately, save both dinosaur and humankind from certain doom.

So, dear readers, if you thought you’d seen it all in Jurassic Park, think again! With heart-stopping action, pulse-pounding suspense, and jaw-dropping revelations, this latest installment promises to be a game-changer in the Jurassic universe. Get ready to roar with excitement because Jurassic Park: Unraveling the Mystery is about to take a bite out of your imagination and leave you hungry for more!

Continue Reading

Trending

Copyright © 2023 That's My Entertainment