Premium TV network EPIX announced today that it is adding original, scripted series to its programming slate, beginning with series from its joint-venture studio partners Paramount, Lionsgate (NYSE: LGF) and Metro-Goldwyn-Mayer. Two of the series will begin production this fall for premiere autumn 2016. The series, “Graves” from Lionsgate Television and “Berlin Station” from Paramount Television, mark the first original series that will appear on EPIX across its channels, EPIX On Demand, EPIX.com and TV Everywhere platforms with its distribution partners. A third original series from MGM will be announced in the near future.
“’Graves’ is a perfect vehicle to usher EPIX into premium scripted programming, and we look forward to delivering high end quality content for years to come”
Commenting on the original series, Mark Greenberg, President and CEO of EPIX said, “Paramount, Lionsgate and MGM are great partners, investors and supporters of our network and are proven leaders in television entertainment. Tapping into the creative talents of these entertainment power-houses to deliver this kind of compelling programming is exactly what we had envisioned when we created this joint-venture and launched the channel. Our focus was on business success and profitability first and having established that firm business foundation, we are now in a position to launch our original series with these two great shows from Lionsgate and Paramount and a third on the way from MGM.”
Added Jocelyn Diaz, Executive Vice President for Original Programming, “Original series provide a platform to build our brand and distinguish our offering. We are proud of the level of quality and sophistication of these projects and are thrilled to announce them today with our partners.”
“Berlin Station” is an hour-long, 10-part espionage drama series that will be produced in partnership with Paramount Television. Academy Award nominee Michaël Roskam (“Bullhead,” “The Drop”) will executive produce the straight-to-series order and is set to direct the first two episodes. American spy novelist Olen Steinhauer (The Cairo Affair, All The Old Knives) will write and executive produce the series. Academy Award winner Eric Roth (“House of Cards,” “The Insider,” “Munich”) and Anonymous Content (“True Detective,” “The Knick”) will also serve as executive producers.
“Olen is among the most respected espionage voices of our time, and Michael has a seasoned and distinct command of noir. Together, they make the ideal creative team to collaborate with on this sophisticated and gritty modern day spy thriller,” said Amy Powell, President, Paramount Television. “We also take great pride in partnering with the distinguished and prolific storyteller Eric Roth and the talented team at EPIX on developing an inspired original series that is reflective of the network’s commitment to high quality entertainment.”
“Berlin Station” follows Daniel Meyer, a newly anointed case officer who has arrived at the CIA foreign station in Berlin, Germany. It with a clandestine mission: to uncover the source of a leak who has supplied information to a now-famous whistleblower named “Thomas Shaw.” Guided by jaded veteran Hector DeJean, Daniel learns to contend with the rough-and-tumble world of the field agent—agent-running, deception, the dangers and moral compromises. As he dives deeper into the German capital’s hall of mirrors and uncovers the threads of a conspiracy that leads back to Washington, Daniel wonders: Can anyone ever be the same after a posting to Berlin?
Michaël Roskum is represented by Anonymous Content’s Keith Redmon and Luke Rivett, and UTA and attorney Alan Wertheimer. Olen Steinhauer is represented by Jill Gillett and Sylvie Rabineau at RWSG. Steve Golin, Kerry Kohansky-Roberts, Keith Redmon and Luke Rivett from Anonymous Content will also be executive producers of the series.
“Graves” is a single camera, half-hour comedy starring Oscar-nominated Nick Nolte as a former President of the United States. Twenty years after his presidency, former President Richard Graves has the epiphany that his policies have damaged the country for decades and so, with his young assistant, he goes on a Don Quixote-like journey to right his administration’s wrongs just as his wife, the former First Lady, decides to follow her own political ambitions.
The 10-episode, straight-to-series order will be produced in partnership with Lionsgate TV. Joshua Michael Stern (Swing Vote) created the project and will write, direct and executive produce the series. Oscar-winning producer Greg Shapiro (The Hurt Locker) will also be an executive producer.
“‘Graves’ is a perfect vehicle to usher EPIX into premium scripted programming, and we look forward to delivering high end quality content for years to come,” said Kevin Beggs, Chairman, Lionsgate Television Group. “‘Graves’ is a provocative comedy featuring a terrific script from writer/director Joshua Michael Stern, a consummate producer in Greg Shapiro and the brilliant and charismatic Nick Nolte as a former U.S. President whose conscience catches up with him with tragic and comic results. It is perfectly timed to premiere in an election year and marks a new chapter in the successful evolution of EPIX as a leading premium cable platform.”
Nick Nolte is represented by CAA and Jackoway Tyerman. Joshua Michael Stern is represented by Paradigm and AJ Brandenstein at Sloane, Offer, Weber & Dern, LLP. Greg Shapiro is represented by Darren Trattner at Jackoway Tyerman.
EPIX and MGM are finalizing an agreement on an original series that will add to the network’s programming line-up. Specific details will be announced in the near future.
“We are working with EPIX to develop our next exciting series and look forward to bringing our signature style and storytelling to EPIX soon,” said Roma Khanna, President of MGM Television Group and Digital. “From Vikings to Fargo, MGM Television is the force behind some of the most exciting and award-winning series currently on television.”
In addition to the new scripted series, EPIX will continue to present original documentaries and docu-series (Deep Web, NHL Road to the Winter Classic and Stadium Series), comedy specials (Russell Brand, Jim Norton, Jim Breuer, Lisa Lampanelli) and music events (Katy Perry: Prismatic Tour), along with new movies (The Hunger Games: Mockingjay Part 1, Selma, Interstellar)and thousands of titles from partner studios and other sources.
Midnight Mass: The Blood of Life
The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God.
Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes.
Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God.
We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant.
Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed.
Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus.
Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship.
Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care.
The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love.
Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls.
Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now!
Saw X: It ain’t brain surgery!
Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer!
First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive!
So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance.
Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth.
The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge!
First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer.
A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now!
Scott Pilgrim Takes Off
“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.
The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.
The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.
The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.
“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.