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Critters: A New Binge Review

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Despite being seen by many as a Gremlins ripoff (even though the initial script was written before the hit film went into production), Critters has amassed a cult legacy. The fandom has been will fed in recent months with the announcement of a Shudder-exclusive series and a secret film coming from Syfy.

While details are still scant on the latter project, the streaming platform has revealed Critters: A New Binge. Although the series maintains some of the camp elements of its predecessors, it doesn’t capture the same B-movie magic.

The show follows the titular Critters on a return trip to Earth in search of a comrade who was left behind years ago. Hunted by intergalactic bounty hunters, the pint-sized creatures crashland in the hometown of Christopher (Joey Morgan), a teen struggling to fit in thanks to his eating habits and his mother’s (Kirsten Robek) sexual reputation. When the two worlds collide things quickly get out of hand, spiraling ever deeper into outlandish territory by the episode.

From the opening minute A New Binge doesn’t take itself too seriously, to its advantage. Poking fun at the bad CGI in a film they are watching en route to Earth, the Critters crew is openingly acknowledging the show’s biggest shortcoming; terrible CGI and green-screen effects. Knowing this, it leans into the comedy aspects of the franchise, littering the script with as many jokes as there are scares.

However, those jokes don’t often land. There are outdated references to The Matrix and the first Mission Impossible movie that feel like your dad trying and failing to stay relevant. When the script does crib from a more recent film, the execution can still manage to be embarrassing. The more low-brow, gross humor typically garners a reaction – there’s something inherently amusing about watching the little fuzzballs throw an insult at someone. Then the second half of the series features a plot turn so wild that it’s difficult not to laugh at the fact that it’s committed to the bit so wholeheartedly.

While most of the cast is serviceable given the material they have to work with, Joey Morgan and Bzhaun Rhoden stand out from the crowd thanks to a jovial commitment to their characters’ friendship. Both of the young actors exude a natural and infectious joy as they amp up around each other. The show wisely spends a majority of the opening episodes with the pair letting their chemistry carry most scenes.

Putting aside the actual content for a second (which is weird to say in a critique of said content), but the oddest and most frustrating aspect of watching A New Binge is the format of the show. It is comprised of eight episodes, each running 8-10 minutes. It’s marketed as a full on television show, but in practice it’s more akin to a web series from the early days of Youtube.

The early episodes awkwardly attempt to fit into this structure by offering up closing scenes under the presumption that adding heightened music automatically makes it a cliffhanger. You have to watch the next episode in order to get a sense of narrative satisfaction. The second half of the run thankfully smooths this out, but I was still left feeling that this would’ve been better suited as a full-length feature.

With only a couple standout qualities, the latest entry into the Critters franchise won’t have you begging for seconds. It’s an interesting and appreciated experiment, one that Shudder could easily do with another obscure franchise, but let’s hope the next endeavor has a bit more substance.

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The Life and Times of Kota Srinivasa Rao: A Pillar of Indian Cinema Bids Farewell

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On July 13, 2025, Indian cinema lost one of its most enduring lights—Kota Srinivasa Rao, a name that has been woven into the very fabric of Telugu cinema and Indian film history for nearly five decades. He was 77.

To speak of Kota garu is to speak of a man who embodied the soul of acting, not merely performance, but lived truth on screen. As a journalist who has spent years documenting the landscape of Indian entertainment, and more importantly, as a lifelong admirer of its emotional and artistic depth, I find it nearly impossible to separate the arc of my love for Telugu cinema from the face, voice, and commanding presence of Kota Srinivasa Rao.

Born on July 10, 1948, in Kankipadu, Andhra Pradesh, Kota Srinivasa Rao was the son of freedom fighter and dramatist Kota Seetha Rama Anjaneyulu. The stage called to him early, long before the silver screen embraced him. His transition from theater to cinema in the late 1970s was seamless, natural, and even. His debut in K. Viswanath’s Pranam Khareedu (1978) may have seemed modest at the time, but in hindsight, it was the quiet ignition of a force that would later dominate the craft of acting across genres and generations.

Kota Garu was never a man of one shade. He could play a corrupt politician one moment and a hapless, loving father the next—with equal gravitas and complete immersion. Who could forget his roles in Gaayam, Shiva, Aha Naa Pellanta, Pratighatana, Money, Anaganaga Oka Roju, Leader, and Tagore? These weren’t just performances; they were living case studies in human contradiction and nuance.

In Aa Naluguru, his portrayal of a morally grey newspaper editor offered a sobering mirror to society. In comedies like Hello Brother, his deadpan wit was so precise that it could make audiences erupt with laughter on a single line delivery. Every filmmaker—from K. Viswanath to Ram Gopal Varma, Krishna Vamsi to Sekhar Kammula—sought him out, not just for his craft, but for his wisdom. Watching him act was never passive; it was an education.

Kota Srinivasa Rao did not rely on grand gestures. He mastered silence, pauses, and subtle shifts of the eye or lip. His voice—a deep, gravelly cadence seasoned with satire and command—could either be a thunderclap or a whisper that echoed.

To those of us in the audience, especially those who grew up in Andhra Pradesh and Telangana, his voice became part of our lives. We knew it like we knew the changing winds before the monsoon. Even when he wasn’t on screen, you could feel his influence in the rhythm of dialogue and the texture of storytelling.

Despite his towering fame, Kota garu remained rooted. His brief but meaningful stint in politics—elected as MLA from Vijayawada East in 1999—reflected his desire to contribute beyond the screen. But he soon returned to his first love: the cinema.

His accolades are many, including the Padma Shri (2015) and multiple Nandi Awards, but what truly set him apart was how loved and respected he was by peers and audiences alike. For young actors and directors, working with Kota garu was a rite of passage.

Jr NTR once said in an interview, “You don’t act with Kota garu. You surrender. And in doing so, you become better without even realizing it.”

As the film industry and fans across India mourn his passing, one thing becomes clear: Kota Srinivasa Rao was not just part of Indian cinema—he was one of its pillars. He leaves behind a legacy that transcends language and time. He proved, over and over again, that you don’t need to be the lead to lead a scene. That character is not just something you play—it’s something you embody.

For those of us who grew up seeing him on VHS tapes, in dusty cinema halls, on cable TV reruns, and later streaming platforms, Kota garu’s presence was a constant. He was a reminder of what cinema was, and what it could be—pure, affecting, transformative.

As I write this not just as a journalist, but as someone whose very identity has been shaped by Indian films, I say: thank you, Kota garu. For the laughter. For the fear. For the wisdom. For the truth. Your performances were never just “roles.” They were lessons in being human.

In Gaayam, you once delivered the haunting line:
“Nijam cheppadam easy kaadu… adhi cheppataniki guts kavali.”
(“Telling the truth is not easy… It takes courage to speak it.”)

You spoke the truth through every role, and we heard you—loud and clear.

Your absence leaves a void, but your art remains. And in that, you are eternal.

Rest in peace, Kota Srinivasa Rao garu. Your voice may have fallen silent, but your cinema will echo forever.

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FX’s Alien: Earth Makes Impact at San Diego Comic-Con 2025 With World Premiere, Epic Hall H Panel, and Immersive Activation

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Get ready to scream, San Diego.

FX is going full-throttle at San Diego Comic-Con 2025, transporting fans into the spine-chilling world of Alien: Earth — the brand-new television series from visionary creator Noah Hawley (Fargo, Legion), inspired by the legendary sci-fi horror film franchise. Between a can’t-miss world premiere in Hall H and an atmospheric, interactive activation titled “The Wreckage,” this year’s FX slate will leave fans trembling in anticipation ahead of the show’s official premiere on Tuesday, August 12 on FX and Hulu.

👽 Enter the Wreckage: FX’s Alien: Earth Immersive Experience
Located on the Hilton Bayfront Lawn, “The Wreckage” lets fans step foot inside the ominous remains of the USCSS Maginot, a ship torn from deep space and crash-landed on Earth. This thrilling, two-part activation features daytime exploration and an after-dark survival horror mission dubbed Code Red — a terrifying twist perfect for the brave.

🔥 Highlights Include:
Alien: Earth: Code Red – A nighttime horror maze experience you won’t forget

Interactive Prodigy Corp Drop Site – Sign up as an FX Insider and unlock VR exclusives and giveaways

Exclusive Merch & Collabs – Enjoy in-world beverages from Chain, the cult-favorite pop-cuisine creators

Podcast Studio – Live interviews with talent, influencers, and creatives all weekend long

🗓️ Activation Dates & Times:

Date Daytime Hours Code Red Hours
Thu, July 24 11am–4pm 4:30pm–8pm
Fri, July 25 10am–4pm 4:30pm–10pm
Sat, July 26 10am–4pm 4:30pm–10pm
Sun, July 27 11am–3pm —

📍 Location: Hilton Bayfront Lawn, 1 Park Blvd, San Diego, CA 92101
🎟️ Admission is free. Ages 18+. Press can skip the line by RSVPing to madison.welsh@civic-us.com

🎬 Hall H World Premiere: Alien Lands at Comic-Con
The hype doesn’t end on the lawn. On Friday, July 25 from 1:25pm–2:50pm, FX takes over Hall H for the world premiere of Alien: Earth, screening the pilot episode before its global release.

Fans in Hall H will be the first on Earth to witness the terrifying new story, starring Sydney Chandler as a young woman who must lead a squad of soldiers through a world where extraterrestrial nightmares have arrived — and they’re not alone.

Following the screening, creator Noah Hawley, executive producer David W. Zucker, and the cast will participate in a Q&A, diving deep into the making of this bold, horrifying new chapter in the Alien universe.

🧬 About Alien: Earth
When a derelict alien spacecraft crash-lands on Earth, a dark and deadly mystery begins to unravel. As humanity faces the planet’s greatest threat yet, survival may rest in the hands of those least expected. Packed with dread, awe, and action, Alien: Earth builds on decades of cinematic legacy while exploring timely themes and fresh characters.

The series premieres August 12 on FX, and will stream on Hulu (and Hulu on Disney+ for bundle subscribers). Internationally, it will stream on Disney+.

🌌 Stay Connected:
🌐 Visit FXSDCC.com for updates and schedules

📱 Sign up to become an FX Insider: fx.tv/alien-earth-insider

📸 Follow @FXNetworks on socials for behind-the-scenes exclusives

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Hank Hill’s Backyard Takes Over SDCC 2025 – Propane and All

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Hulu, the go-to streaming destination for adult animation, is back at San Diego Comic-Con 2025! This year, they are bringing Arlen, Texas, from the iconic King of the Hill franchise to life right outside the Convention Center. Guests will step inside Hank Hill’s Backyard for a big ole cookout, complete with BBQ bites served up throughout the day, classic lawn games, themed photo ops, and a cold can of Alamo (water) to beat the heat.

Located next to the Convention Center on the Bayfront’s Parking Lot (Fifth Ave Landing – Lot A1) – 600 Convention Way, San Diego, CA 92101 – Hank Hill’s Backyard will allow fans to experience what life is like in Arlen, Texas. Starting July 24 at 11:30 am – 7 pm, July 25-26 from 9:30 am-7 pm daily, and July 27 from 9:30 am–5 pm, Hank Hill’s Backyard will transport fans into the world of Arlen, where they can interact with legendary moments from the show.

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