Mick Ignis is a prolific character actor who you may have seen in the popular Harry Potter short “Serverus Snape in the Marauders”. His latest works include several demons on the hit IFC show “Stan Against Evil”.
I had a chance to catch up with him to talk about his latest movie project that will air on the SyFy channel October 14th 9pm/8 CT called “The Sandman” .
AQ: Hey Mick! thanks for talking with us. Tell us about your upcoming project “The Sandman”? What is it about?
MI: “The Sandman” follows a young girl named Madison (Shae Smolik) who has a powerful and uncontrollable ability to manifest a murderous, supernatural guardian whenever she feels fear. After being taken in by her aunt Claire (Haylie Duff), Madison becomes the target of an agency, lead by a shady character called Valentine (Tobin Bell), looking to use The Sandman for their own gain. It’s a terrifying introduction to this new horror monster that I can’t wait to unleash on audiences.
AQ: How did you get involved in this project?
MI: I was recommended to the film’s writer/director Peter Sullivan by my good friends George Troester and Cig Neutron, who’s studio TroTron FX, handled the creature effects for “The Sandman“. I met with Peter at his office to discuss the role and we immediately had a blast talking about the script and all the terrifying directions we could take the character in. Peter is clearly a huge fan of the genre and managed to create a character that resonates the energy of past horror icons while bringing something completely new and horrific to the table. I was already excited about the project when I first read the script, but that excitement continued to grow after every shot we got in the can. As horror nerds, this was a dream film for us all.
Photo Credit The Sandman
AQ: Did you have any creative input into the final look of your character?
MI: The creatures look was all the work of the talented FX team who designed him. Creature concept artist Adam Milicevic did some amazing designs of “The Sandman” and the suit really came together with the sculpt and finishing texture that truly gave the appearance of a being made from dark sand. The added visual effects that complete the characters transformations will be the icing on the cake.
I noticed that it was executive produced by Stan Lee. Did you ever get to meet him on set?
I have not yet had the pleasure of meeting Stan, but I hope to soon! I’ve been a HUGE Marvel fan since I was a comic book devouring child, so I just about lost my mind after finding out that Stan signed on as Executive Producer of the film. It’s beyond an honor to share a project with someone who’s work has had such a profound effect on my life.
AQ: What was the casting process like for this movie?
MI: This being such a small community, so many of the roles that come my way are by referral. Which I’m grateful for, as I (like many actors) HATE auditioning. I had worked with George on several projects before this and have been good friends with him and Cig for years, so we already had a strong working relationship. For creature roles like this, having a strong team around the character is essential. I’m playing The Sandman, but it’s the entire fx team that truly brings him to life. It’s a very collaborative effort.
Photo Credit The Sandman
AQ: What was the makeup process like when suiting up for your scenes?
MI: This project was MUCH easier on me than others I’ve been on. The suit and mask were custom sculpted to my body cast, so I have an excellent range of movement with it. It takes two people about 20 minutes to get me in the suit and pop on the mask. Significantly less than the hours spent gluing me in to prosthetics!
AQ: Tell me a little more about your acting background. Where did you get your start? Did you always want to be an actor?
MI: I feel like, while I didn’t have the confidence to be an actor until my early 20s, I was always finding some way in which to tell stories. I started in entertainment as a stop-motion animator on shows like “Robot Chicken” and “Moral Orel“, where my focus was on studying movement and transferring that over to the puppets I was pushing around. That itself is a sort of acting performance. While I loved animation, it didn’t feel like THE thing I was meant to be doing with my life, so I took what I loved most about the animation process and furthered it by going to school for acting and makeup artistry. Playing monsters wasn’t my initial pursuit but, with my physicality and connection to the makeup fx world, it was an inevitable path and I love the diverse range of characters I’ve been able to portray.
Photo Credit The Sandman
AQ: How did the practical fx make up come into play with your acting career? Was there some intensive training involved?
MI: The first person to really start throwing me under prosthetics was my fx teacher Rob Burman and I took to it quickly. From there, I worked at a studio called Amalgamated Dynamics, where veteran fx artist Alec Gillis cast me in projects like “The Evil Within” and “Harbinger Down”. This being such a small industry, word traveled fast between FX studios and film producers and I’ve been steadily building up my rogues gallery ever since. There wasn’t any specific training for this, just experience and learning more and more from each role.
AQ: You came from a theater background. Do you think you would go back to it?
MI: I absolutely would! I love performing on stage. It’s a completely different feeling from doing something for film and the immediate audience response is intoxicating. It’s a bit of a time commitment but, if the right role opportunity came along, I would definitely jump back in to doing a theater production.
AQ: Which do you prefer TV /movies or the stage?
MI: In a perfect world, I’d be performing on stage whenever I’m not shooting on film. Being an actor for movies and television will always be my dream and number one priority, but live performance is something I’ll always be passionate about. I get a bit of that feeling from dressing up and performing at conventions, but nothing beats a well-oiled stage production.
AQ: One of the big things we know you from is “Severus Snape and the Marauders”. Rumor has it that it’s developing a possible sequel. What can you tell us about that?
MI: The rumors are true! As “Severus Snape and The Marauders” closes in at 3 million views, the entire cast has decided to reunite to keep the story going with “The Great Wizarding War”. This will be a new medium for me, as we’ll be telling this ambitious magical war story as a 12-part radio play series. I’ve read the first few episodes and, if you thought the stakes and intensity was high in the film, just wait to hear what’ll be unleashed in this tale set in one of the wizarding worlds most dangerous times. I’m very excited to jump back in to playing Snape and take his story down this spiral. We’ll be announcing more details about the project soon!
John C. McGinley, Mick Ignis -Photo Credit Kim Simms/IFC
AQ: We also have seen you as that awesome goat demon in “Stan Against Evil”! What was it like working on that show!
MI: “Stan Against Evil” is one of the greatest joys in my career and I’m beyond grateful to series creator Dana Gould for bringing me on. I’ve now portrayed 4 different demons plaguing Willard’s Mill, which has given me a lot to play with. The entire cast is an absolute joy to work with and the show is only getting better as the blend of horror, comedy, and heart finds its perfect balance. It’s great to work on a show that has so much love and respect for monster characters. Rather than just being a “be scary from Point A to Point B” sort of production, the creatures really drive the story forward and give me something good to dig in to. And getting to fight John McGinley each summer doesn’t suck!
AQ: We’ve seen you in many forms. You are a great chameleon. We can never tell what you will show up in next. What’s your favorite character you have portrayed so far?
MI: It is SO hard to pick one character that I’ve enjoyed the most. Every one of them has been a different game. For Stan, the Baphomet is definitely close to my heart after seeing his scowling face around LA on bus stop posters and billboards (at the moment I’m wearing him as a lapel pin!). There’s a character I play in the season 2 finale that had such a fun, sinister personality to play with (and possibly one of my favorite kills in my career), so she’s definitely up there in my faves. Tomorrow night I’ll be seeing The Sandman for the first time and that’s going to be a majorly impactful experience, as it’s the first film I’ve been featured in to this extent. I don’t know…I’m terrible at picking favorites. I don’t really have favorites!
AQ: During the San Diego Comic Con you showed up in a wild WAHLUIGI cosplay. Do you always go dressed up to cons and what are some of your greatest costumes?
MI: Waluigi was something my buddy Cig and I have been talking about doing for YEARS! I saw a previous Wario makeup he did on himself and was immediately like, “dude, PLEASE do that again and turn me in to Waluigi so we can cause some chaos at Comic Con!”. He and Rannie Rodil did an amazing job putting the character together. Nintendo really loved it and it got a great viral response. This was my fourth year of doing these crazy, massive cosplay projects. In the past I’ve been Apocalypse, Thanos, The Vulture…now I’m looking for ways to raise the bar higher for next year! They’re a unique sort of “live theater” opportunity and I have a great time spending the day interacting with convention guests in character.
AQ: Do you have any advice for new actors wanting to do what you do?
MI: I’m all about character study. Get to know your characters as best you can. Learn what makes them tick, what their backstory is, why they do what they do. And remember to enjoy yourself. Be kind and supportive to those you work with. This is a hard and often times painful industry to navigate (I’m definitely still learning) so, if you’re not having fun doing what you love on set, what’s the point?!
Follow Mick on
Twitter @ignistwote
IG: MickIgnis
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Director: Adhik Ravichandran
Starring: Ajith Kumar, Arjun Das, Trisha, Simran
Genre: Action / Crime Drama
Rating: 4.5/5
“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.
“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.
While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.
The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.
“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.
In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!
When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting. And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!
Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home.
Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence.
Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.
The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!
However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene.
Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes.
My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues.
I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.
Presence is available to stream.
Three and a half stars.
Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan
Overview
Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.
Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.
Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.
The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.
The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.
Rating: 9/10
Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.
Pros
- Unparalleled hand-drawn animation
- Unique art direction inspired by traditional Chinese painting
- Rich mythological lore
- Epic fight choreography
Cons
- Sparse episode release
- Story pacing can be uneven at times
Final Verdict 9/10
If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.
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Presence: A Horror Movie For People That Don’t Like Horror Movies
Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)
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Review of “Good Bad Ugly”
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Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)
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