Movie
The Last Voyage of the Demeter: Double-knock on wood!
Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!
Director: Gunasekhar
Studio: Sri Venkateswara Bala Kuteer
Genre: Mythological, Drama
Runtime: Approx. 133 minutes
Writers: Gunasekhar (Screenplay), Valmiki (Based on the Ramayana)
Starring: Master NTR (Lord Rama), Master Rajesh (Lakshmana), Baby Sowmya (Sita), Master Ramakrishna (Hanuman)
Indian cinema has a long-standing tradition of adapting mythological epics for the screen, and Bala Ramayanam (1996) stands out as a unique and ambitious project. Directed by Gunasekhar, this Telugu-language film is a faithful retelling of the Ramayana, featuring an all-child cast—a remarkable feat that adds a layer of innocence and charm to the story.
Master NTR, the grandson of legendary actor-politician Nandamuri Taraka Rama Rao, delivers an impressive performance as Lord Rama, capturing both his divine composure and human emotions. The supporting cast, particularly Master Rajesh as Lakshmana and Baby Sowmya as Sita, bring sincerity to their roles, making the film engaging despite their young age.
Gunasekhar’s direction ensures that the grandeur of the Ramayana is upheld, with stunning sets and well-executed battle sequences. The cinematography and art direction elevate the film, bringing a divine aura to Ayodhya and Lanka alike. The music, composed by Madhavapeddi Suresh, complements the film’s devotional tone, with soul-stirring compositions that enhance the narrative.
What makes Bala Ramayanam particularly endearing is its ability to make the epic accessible to younger audiences. The film captures the essence of dharma (righteousness), devotion, and valor, while the young actors’ performances add a layer of purity rarely seen in mainstream adaptations.
While the film’s child cast might feel unconventional for some viewers, their dedication and earnest performances make Bala Ramayanam a memorable and heartwarming watch. The production values, direction, and music all contribute to its timeless appeal. For lovers of Indian mythology and classic storytelling, this film remains a delightful adaptation of the Ramayana.
Final Rating: 8.5/10
Gene Hackman, one of Hollywood’s most respected and versatile actors, passed away on February 26, 2025, at the age of 95. Known for his commanding presence and ability to bring complex characters to life, Hackman left behind an incredible legacy in film. With two Academy Awards, four Golden Globes, and a career spanning over four decades, he was an actor who could master any genre, from gritty crime dramas to heartwarming sports films.
Born on January 30, 1930, in San Bernardino, California, Hackman’s rise to fame was far from conventional. He served in the U.S. Marine Corps before pursuing acting, training at the Pasadena Playhouse alongside fellow legend Dustin Hoffman. His breakthrough came with Bonnie and Clyde (1967), and from there, his career skyrocketed. Hackman’s ability to play both heroes and villains with equal intensity made him a Hollywood powerhouse.
Top 10 Gene Hackman Movies You Need to Watch
1. The French Connection (1971)
Hackman’s Oscar-winning role as Detective Jimmy “Popeye” Doyle defined the modern cop drama, delivering one of cinema’s greatest car chases.
2. Unforgiven (1992)
As the ruthless sheriff Little Bill Daggett, Hackman earned his second Academy Award, proving his ability to embody deeply layered antagonists.
3. The Conversation (1974)
A gripping psychological thriller where Hackman plays a surveillance expert trapped in a moral crisis, showcasing his talent for quiet intensity.
4. Bonnie and Clyde (1967)
His breakout role as Buck Barrow in this groundbreaking crime film introduced audiences to Hackman’s natural charisma.
5. Mississippi Burning (1988)
In one of his most powerful performances, Hackman plays an FBI agent investigating civil rights crimes, earning him another Oscar nomination.
6. Superman (1978)
As Lex Luthor, Hackman brought a mix of charm and menace to the iconic comic book villain, making him a fan favorite.
7. Hoosiers (1986)
A classic underdog sports film where Hackman shines as the determined and passionate high school basketball coach Norman Dale.
8. Crimson Tide (1995)
This intense submarine thriller pits Hackman against Denzel Washington in a gripping battle of leadership and ethics.
9. The Royal Tenenbaums (2001)
Hackman’s turn as the eccentric and dysfunctional patriarch Royal Tenenbaum proved his comedic and dramatic brilliance.
10. The Firm (1993)
Playing a morally ambiguous mentor in this legal thriller, Hackman added depth to one of the decade’s biggest hits.
Gene Hackman retired from acting in 2004, but his influence remains undeniable. His performances shaped modern cinema, inspiring actors and filmmakers alike. Whether playing a hard-nosed detective, a ruthless villain, or a flawed hero, Hackman had the rare ability to make every role unforgettable. His passing marks the end of an era, but his films will continue to captivate audiences for generations to come.
Director: Laxman Utekar
Starring: Vicky Kaushal, Rashmika Mandanna, Akshaye Khanna
Genre: Historical Action
Running Time: 161 minutes
Final Rating: 4/5 A powerful, immersive experience that demands to be seen on the big screen.
HAR HAR MAHADEV! From the very first frame, Chhaava announces itself as a bold and exhilarating cinematic spectacle. Laxman Utekar crafts an epic introduction, throwing us directly into the battlefield where Chhatrapati Sambhaji Maharaj (Vicky Kaushal) confronts the relentless Mughal invaders. The cinematography is nothing short of breathtaking, capturing the grandeur of war, the ferocity of battle, and the indomitable spirit of one of India’s greatest warriors.
This film is more than just an action-packed historical drama—it is a deep dive into India’s rich heritage. The legacy of the Maratha Empire, the resilience of its kings, and the undying spirit that defied foreign invaders are brought to life with remarkable intensity. Chhaava does not merely recount history; it ignites pride and reverence for the past.
Vicky Kaushal, in his portrayal of Chhatrapati Sambhaji Maharaj, commands the screen with a performance that is both ferocious and deeply introspective. He seamlessly balances the warrior’s relentless drive with the gentle wisdom of a ruler, embodying the weight of legacy and the burden of destiny. His presence in the climax scene is nothing short of electrifying—without spoilers, it is a moment that truly seals the emotional and thematic weight of the film.
Rashmika Mandanna delivers a powerful supporting performance as the empress, bringing both grace and fire to her role. While her portrayal may not reach the iconic levels of her Pushpa performances, she excels in conveying silent rage, restrained agony, and the poised strength of a queen. Her moments of quiet defiance and deep emotional conflict add layers to the narrative, making her an essential part of the film’s heart.
Stepping into the role of the Mughal Emperor, Akshaye Khanna delivers a compelling performance as the antagonist. His portrayal is nuanced, bringing out the frustration and obsession of an emperor determined to conquer the Deccan, only to find himself thwarted by the bloodline of Chhatrapati Shivaji Maharaj. His expressions of despair and fury as history repeats itself are some of his finest acting moments.
Chhaava is a grand theatrical experience that blends history, action, and emotion into a stirring tribute to India’s warrior legacy. The film’s scale, cinematography, and performances ensure that it remains engaging throughout its 161-minute runtime. Beyond just a historical drama, it poses a profound question—if a single mortal could embody such power and devotion, imagine the divine force he worshipped.
This is more than a film; it is a cinematic homage to the legends, deities, and myths that shape India’s identity. As the credits roll, one thing is certain—Chhaava is a rousing call to explore the depths of India’s historical and spiritual grandeur on the big screen.
HAR HAR MAHADEV!
Businessman (2012) – Movie Review
Solo leveling in India
Chirutha review
Bala Ramayanam (1996) – A Classic Retelling of the Epic
With the tragic news of Michelle Trachtenberg’s death, we at That’s My Entertainment wanted to pay tribute.
Is ‘Call Me By Your Name’ Really A Romantic Movie?
With the tragic news of Michelle Trachtenberg’s death, we at That’s My Entertainment wanted to pay tribute.
Solo Leveling: Could We Be Getting Five Seasons and a Live-Action Movie?
Preview: War 2 – NTR Jr. and Hrithik Roshan Collide in an Action Extravaganza This July
Ne Zha 2
Comic-Con 2024: Arthur C Clarke’s Venus Prime TV series
Comic-Con 2024: Max Collins’s TRUE NOIR
Comic-Con 2024: Will Wight’s Cradle
Interview With Heroes & Villains Creative Director Doug Johnson
Thatsmye Interviews: Les Weiler on Henchin’: the Series
