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Retro Review: Charlie Chaplin’s City Lights



Charlie Chaplin was one of the greatest actors, writers and directors that ever lived. His meticulous planning, directing and made his films ever lasting and something that withstands the tests of time. His lovable tramp character is one of the most iconic characters and have transcended films.

One of the finest films he made was actually released on this day, January 30, 1931 and that film was City Lights.  This film is an underrated classic and highly regarded by most film historians and critics. After many years later and into the next generations and new millennium, does this film still hold up as one of the greatest? Well, in lieu of it’s anniversary, we’ll be going over the story, the acting and the feeling that the film has on the audience. Let’s sit back and get our bowler hat and walking stick and hobble over to our couches as we review City Lights.

The story revolves around the lovable Tramp walking around the town during daytime and evening under the city lights (get it?) and just having all these stories getting connected. Chaplin is walking around town when he meets a blind woman selling flowers. He is smitten by her and has a desire to want to be with her. After he leaves her, later on during the evening, he saves a rich millionaire from trying to kill himself by drowning. The man is drunk and decides to invite Chaplin to come with him to a party and to his house. The main problem is when the millionaire recovers from his drunken stupor, he doesn’t remember the tramp and usually kicks him out of his house.

The rest of the story revolves the Tramp trying to raise money for the blind woman so she can pay for her rent and also get some eye surgery so she can have the ability to see. The whole movie revolves around the Tramp trying to get money through many shenanigans like Chaplin’s famous boxing scene, working at a street cleaner, and getting money from the millionaire. The plot is simple and because it’s a silent movie, the acting has to be top notch just so we can get emotional and laugh and feel something as we gaze onto the big screen.

The acting, especially Chaplin, is right on point. There is a reason he is an acting legend and this is just one of his many examples of showcasing his ability to show much emotion and feeling and comedic chops without saying a single word and just use his body language and his facial abilities. When he is with the blind woman and receiving a flower, you feel how he feels based on the way he is looking at her and how he probably has never been treated so kind by a woman in a long time that you can see how much it means to him. When he saves the millionaire, he takes off the flower that he got from her because it means a lot to him and he doesn’t want to ruin it or lose it. With the silent movie limiting the dialogue to nonexistent, the acting is pantomime.

The blind woman did a great job with her acting ability showcasing her smile and her eyes are so piercing and so innocent that you want to help her and you want the Tramp to help her as well. The millionaire plays the drunken fool well. He is grandiose and over exaggerated. He is that kind of jerk who is nice while drinking but sober, is a crotchety droll, bitter man. All the main characters each have their strong suite and use it to their ability to showcase the story and make it a nice character driven expose on the Tramp and what he does in a movie that takes place over a couple of weeks in a then modern urban city.

Silent movies are different than many modern day movies. While the modern movie gets you amped up or make you happy or sad, they have a bigger production and a dialogue and a cinematography that helps you delve into your psyche to make you feel that way. Silent movies, it is all pantomime. The actors have to showcase their expressions in the face and gestures. They have to feel it all and over extend their ability to give us the chance to get any kind of emotional response. Watching this movie, I felt what the Tramp was feeling. He is so innocent and I wanted him to help the blind woman and I wanted him to succeed and win and get the girl.

With the millionaire, I wanted him to remember the Tramp and accept that he befriended a lonely poor man who walks the street. All of these emotions is what makes this movie special. They were able to touch me and make me root for them without opening their mouths and hearing them and with a camera that many of the times were stagnant and didn’t offer mood setting or any dynamic sets. It used a nice basic set and made something special with this movie because of the actors and what they were able to do with getting their emotions and acting across and reaching the audience.

Overall, this movie is fantastic. It has lasted this long and even though many of Chaplin’s works get more credit like The Great Dictator, Modern Times and The Kid, let’s not forget that this is a great movie that does show us some great comedy with the boxing scene, great emotional responses when the Tramp sees the blind woman at the end of the movie, and the frustration you feel when the millionaire runs into the Tramp at different times intoxicated. The movie hits every chord of your emotions and it is a nice movie to spend time watching alone or with a group of people who value classic movies. The movie was released in 1931, so, it is now 87 years old. Happy birthday City Lights and may you continue to be the beckon and starting point for people to admire classic silent movies.

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American Horror Story: Delicate



As most of us are already aware, the 12th Season of AHS has been fraught with all kinds of differences to the previous seasons, mainly in that this is the first one to be based entirely off a novel, ‘Delicate Condition’ by Danielle Valentine. The first half of the season aired in October 2023 to mediocre reviews, while the SAG-AFTRA strike caused production and airing delays for the latter half of the season, and the episodes of Part 2 were all cut to less than an hour long apiece. And none of that is even getting into the disjointed attempt at storytelling for Season 12, so let’s dive into this! 

Meet Anna Victoria Alcott (Emma Roberts), former young ling star of Hollywood now struggling to recapture fame as an adult, who wants a baby, very very badly. Bad enough to drive herself and her husband Dex (Matt Czuchry) through multiple unsuccessful rounds of IVF (in-vitro fertilization), bad enough to keep trying no matter how crushing each failure turns out to be, bad enough to involve her purported best friend and bougie publicist Siobhan Corbyn (Kim Kardashian) in her struggles, and maybe, just maybe, bad enough to give up on a burgeoning resurgence of her career after interest in her comeback role for The Auteur begins garnering her Oscar-worthy attention. 

So, Anna and Dex are going to go through yet another round of IVF, likely one of their last attempts at it, from a different doctor, Dr. Andrew Hill (Denis O’Hare), and clinic based on Siobhan’s recommendation. And already, strange things are beginning to happen to Anna – her appointments that she set herself begin springing up incorrectly, a doom saying woman called Preacher (Julia White) shows up spouting warnings about trusting no one, dire warnings appear in unlikely places, and BTW, it seems as though long-suffering but good-nurtured Dex has a side-piece too. It doesn’t help that Dex’s new partner at his art gallery, Sonia Shawcross (Annabelle Dexter-Jones), bears a striking resemblance to his dead ex-wife Adeline, either. Those spiked emerald heels start appearing weirdly too, and it seems as though no one will listen to Anna as she grows more and more suspicious that some sort of sinister cult has designs on her as-yet-unborn baby. At the same time, Anna tries to live the life of a successful returning actress, attending parties and gallery openings while draping her rapidly-expanding middle in shimmering fabrics and actively ‘campaigning’ for that little golden statue that most actors covet. Competition is fierce, even among her co-stars of The Auteur, and while Anna wants to be supportive of her fellow entertainers, she clearly appears to be incapable of doing both at the same time – wanting the baby and the little gold award at the same time is too much to ask, apparently. 

Elsewhere, mostly in the past, various women in states of desperation formed from one situation or another are visited by sinister-looking women in prim black dresses, headgear reminiscent of – to me anyway – an odd cross betwixt birds and bunnies, my guess is an ostensive nod to fertility in general, and a general feeling of blood-bound witchery about them at critical moments of crossroad choices. 

Though the second half of the season moves a good deal faster than the first, the attempts at callbacks and reminder flashes to Part 1 hit with all the impact of a dropped bag of garbage onto their friends Talia’s (Julia Canfield) borrowed bougie kitchen floor – splat, into incomprehensible silence, from all parties, both characters and audience, concerned. Even the reminders that, in Part 1 of Delicate Dex’s mother Virginia Harding (Debra Monk) did indeed have perfectly valid memories of abuse at the hands of a black cult and Dex’s own father Dex Sr. (Reed Birney), the revelation pales and peels away in the face of Dex’s true parentage. 

Which brings us back around full circle kinda sorta, to the only real character worth a damn in this entire miserable season of strange feminism and aspirations of world domination through a kind of idiotic Rosemary’s Baby nightmare scenario, we should have known she’d steal the show when Kardashian was cast for it, Siobhan Corbyn, leader of the blood cult her high and mighty (old) self. Throughout the whole show her character has remained exactly the same, and it’s a wonder Anna can stare at her all stupefied while Siobhan does her villain speech at the end of the last episode. Siobhan never masked her ambition or greed, her mysterious protective vibe and even deep love for Anna, and can always be counted on to have secret plans of her own, already in motion, bitch. 

The idea that Anna herself was used as a surrogate for Siobhan and her incestuous eugenicist plans, plus the sweet little demon baby she just birthed, has an ironic the-world-is-tilting-the-wrong-way kind of witchy madness to it. Sure, Anna really can have it all, the baby and the golden statue, if only she joins the patriarchy-crushing cabal of blood witches with world domination plans, got it. 

I have questions, or I would have, but things are moving on and Anna is being saved by … Dex’s dead ex, Adaline the former member of the coven right okay her, she’s going to show back up and offer Anna a simple chant to Hestia her patron Goddess, and that is somehow enough to deal with Siobhan entirely – poof. And finally, after all that rigamarole, decades of planning and scheming and witchy plotting finally settled, Anna really can have it all as a White Witch of Hollywood, heaven help us, with her perfectly human baby and that damned little golden statue, clutched in an only slightly desperate grip. 

As with any season of AHS there are a great deal of statements that could be implied just under the skin of the season – the canker way of ambition, the millenia-old pain of a woman giving birth, the savagery and bloodshed that comes with bringing forth life, pushback against both the patriarchy and ultra-feminism, the absolute desperation of humans wanting to have a child, and perhaps strangest and most open to interpretation of all, what it means to be feminine. The worlds population of women who can’t or don’t or simply won’t have children, for any reason or none, are relegated to servants, expendable servants at that, for this new world order that Siobhan is proposing, and that is far too close a comfort to things like outright slavery. A dictator is a dictator, no matter how great she looks in those emerald spiked heels. 

It’s not the really beautiful grotesquerie that Ryan Murphy and his AHS gang are often known for, nor is it utterly terrible and should be burned at the stake. What Delicate should be, is put back together with missing and cut footage, an hour long per episode again come on folks, fleshed some more of Siobhan’s baby-stealing adventures in the past and given us an actual reason to like anything about the whiny Anna, at least the Part 2 we as longtime AHS fans deserve. Toss in some more spidery hijinks! Give us the actual origin of those weird feather bunny-ear headdresses! 

American Horror Story Delicate the whole season can be seen on FX! 

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Jurassic Park: Unraveling the Mystery in a World Gone Prehistoric!



Hold onto your hats, dino fans! The highly anticipated sequel to the adrenaline-pumping Camp Cretaceous saga is here, and it’s taking us on a wild ride six years in the making. Following the harrowing events of Camp Cretaceous, our beloved “Nublar Six” are back, but they’re not out of the woods just yet. In fact, they’re about to plunge headfirst into a world where dinosaurs roam freely alongside dangerous humans, and trust us when we say, it’s a Jurassic jungle out there!

Picture this: a world where survival isn’t just about avoiding sharp-toothed predators but also navigating the treacherous waters of human greed and deceit. As our resilient heroes reunite in the aftermath of a heart-wrenching tragedy, they quickly realize that danger lurks around every corner, and trust is a luxury they can’t afford. 

But wait, there’s more! Prepare to embark on a globetrotting adventure like no other as the Nublar Six find themselves thrust into the heart of a conspiracy that threatens not only the fragile balance between dinosaurs and humanity but also their very existence. From the lush jungles of Isla Nublar to the bustling streets of bustling cities, buckle up for a rollercoaster ride of epic proportions as our intrepid group races against time to uncover the truth about one of their own and, ultimately, save both dinosaur and humankind from certain doom.

So, dear readers, if you thought you’d seen it all in Jurassic Park, think again! With heart-stopping action, pulse-pounding suspense, and jaw-dropping revelations, this latest installment promises to be a game-changer in the Jurassic universe. Get ready to roar with excitement because Jurassic Park: Unraveling the Mystery is about to take a bite out of your imagination and leave you hungry for more!

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Netflix’s Upcoming Thriller ‘Trigger Warning’ Promises Action-Packed Intrigue”



Get ready to buckle up for an adrenaline-fueled ride as Netflix prepares to drop its latest original thriller, “Trigger Warning,” on June 21, 2024. Directed by Mouly Surya and boasting an all-star cast, including Jessica Alba, Mark Webber, Tone Bell, Jake Weary, Gabriel Basso, Anthony Michael Hall, Kaiwi Lyman, and Hari Dhillon, this film is set to keep viewers on the edge of their seats from start to finish.

The plot centers around Special Forces commando Parker, portrayed by the talented Jessica Alba. Parker’s life takes an unexpected turn when she receives the heartbreaking news of her father’s sudden passing, prompting her to return to her hometown. As she steps into her new role as the owner of the family bar, Parker quickly realizes that there’s more to her father’s death than meets the eye.

Reconnecting with figures from her past, including her former flame turned sheriff, Jesse (Mark Webber), and his volatile brother, Elvis (Jake Weary), Parker finds herself embroiled in a dangerous web of deceit and violence. With the influential Senator Swann (Anthony Michael Hall) casting a shadow over the town, Parker must navigate treacherous waters to uncover the truth about her father’s demise.

As tensions rise and alliances shift, Parker taps into her elite commando training, determined to unravel the mysteries plaguing Swann County. Assisted by her covert ops partner and hacker, Spider (Tone Bell), and the enigmatic local dealer, Mike (Gabriel Basso), Parker embarks on a perilous journey filled with twists and turns.

Penned by John Brancato & Josh Olson and Halley Gross, “Trigger Warning” promises to deliver a gripping narrative packed with action, suspense, and unexpected revelations. With a powerhouse cast bringing the characters to life and a talented creative team behind the scenes, this Netflix original is primed to captivate audiences worldwide.

Produced by Erica Lee, Basil Iwanyk, and Esther Hornstein, “Trigger Warning” offers a thrilling glimpse into the murky depths of small-town politics and criminal underworlds. With its pulse-pounding action sequences and compelling storyline, this film is sure to leave viewers on the edge of their seats until the very end.

Mark your calendars for June 21, 2024, as “Trigger Warning” arrives on Netflix, ready to ignite your senses and keep you guessing until the credits roll. Don’t miss out on this adrenaline-charged cinematic experience that promises to be the ultimate summer blockbuster.

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