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Netflix And…Mom?

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With the return of Gilmore Girls: A Year in the Life, Netflix is giving mothers and daughters another way to bond. A recent survey revealed more than half of women (53%) wish they spoke to their mother more often. On November 25, fans all over the world can reconnect through the mother of all TV shows…because even reading this release will make you realize how much you want to call your mom.

More than half of mother-daughter duos surveyed (59%) report that post-show discussions are the best part of sharing a show together. In fact, watching together is so important that despite the distance, almost half of moms and daughters (41%) think watching together brings them closer. Even though one third of moms and daughters surveyed live thirty or more minutes apart, over half have gone out of their way to physically watch together on many occasions.

The ultimate mother-daughter pair, Rory and Lorelai, know the benefits of sharing show-inspired inside jokes and witty one-liners. Whether you and mom are die-hard fans or looking for your next binge together, Netflix is letting you send an invite for Date Night with Mom.

No matter what kind of mother-daughter relationship it is, Gilmore has something for you. The survey found that globally, almost equal portions of mother-daughter relationships fall into the following three groups:

  • 39% of respondents say they’re two peas in a pod, and are BFFs like Rory and Lorelai.
  • 31% say they may be polar opposites like Lane and Mrs. Kim, but they just want what’s best for each other.
  • 30% know it can be complicated like Lorelai and Emily, but they can’t imagine life without each other.
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Thatsmye Interviews: Les Weiler on Henchin’: the Series

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The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.

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The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.

Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.

The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.

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Caesar’s Reign Comes To The Big Screen With New Trailer For Kingdom Of The Planet Of The Apes

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Director Wes Ball breathes new life into the global, epic franchise set several generations in the future following Caesar’s reign, in which apes are the dominant species living harmoniously and humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike. “Kingdom of the Planet of the Apes” is directed by Wes Ball (the “Maze Runner” trilogy) and stars Owen Teague (“IT”), Freya Allan (“The Witcher”), Kevin Durand (“Locke & Key”), Peter Macon (“Shameless”), and William H. Macy (“Fargo”). The screenplay is by Josh Friedman (“War of the Worlds”) and Rick Jaffa & Amanda Silver (“Avatar: The Way of Water”) and Patrick Aison (“Prey”), based on characters created by Rick Jaffa & Amanda Silver, and the producers are Wes Ball, Joe Hartwick, Jr., p.g.a. (“The Maze Runner”), Rick Jaffa, p.g.a., Amanda Silver, p.g.a., Jason Reed, p.g.a. (“Mulan”), with Peter Chernin (the “Planet of the Apes” trilogy) and Jenno Topping (“Ford v. Ferrari”) serving as executive producers.

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