THE NBCU CORNER @SDCC
NBCUniversal is set to take over Gaslamp Plaza with the NBCU Corner @ SDCC, featuring content from entertainment television and streaming platforms NBC, Peacock, SYFY, and USA Network. The immersive fan hub is a space where attendees can relax and recharge in-between panels with fun photo moments from new and returning NBCU shows, view custom NBCU content from the shaded viewing lawn and be rewarded with exclusive surprise giveaways throughout the weekend.
Shows highlighted at the NBCU Corner @ SDCC include NBC’s “Quantum Leap” and “La Brea,” USA Network and SYFY’s “Chucky,” SYFY’s “Resident Alien,” “Reginald the Vampire,” Peacock’s “Vampire Academy,” “The End is Nye” and “The Resort.”
Location: Gaslamp Plaza & Tin Fish Restaurant Adjacent
Date: Thursday, July 21-Sunday, July 24
Time: 10 a.m.- 7 p.m. Thursday-Saturday, 11 a.m.-4 p.m. Sunday
SYFY/USA NETWORK/PEACOCK PANEL LINE-UP:
Thursday, July 21
2:45 p.m. – 3:45 p.m.: Hilton San Diego Bayfront, Indigo Ballroom
Comic-Con: A Glimpse Into the World of Peacock Original Supernatural YA Drama Series “Vampire Academy”
Showrunners and executive producers Julie Plec (“The Vampire Diaries,” “The Originals,” “Legacies”) and Marguerite MacIntyre (“The Originals,” “Legacies”) will join series regulars Sisi Stringer (Rose Hathaway), Daniela Nieves (Lissa Dragomir), Kieron Moore (Dimitri Belikov) and Andre Dae Kim (Christian Ozera) to discuss Peacock’s highly anticipated “Vampire Academy,” based on the international bestselling book series — a story of friendship, romance and danger. In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter vampire society. One as a powerful Royal, the other a half-vampire Guardian trained to protect against the savage Strigoi who threaten to tear their society apart. That is if Royal infighting doesn’t do the job first. Cast will partake in a Q&A live panel and give an exclusive first look moderated by Entertainment Weekly’s Sydney Bucksbaum. The series is from Universal Television and will premiere on Peacock Sept. 15.
Saturday, July 23
3-4 p.m.: Hilton San Diego Bayfront, Indigo Ballroom
Unlikely Hero, Unrecognized Powers: “Reginald the Vampire”
Featuring an exclusive first look at the new SYFY series coming this October as well as a thirst-quenching discussion with stars Jacob Batalon, Mandela Van Peebles, Em Haine and Savannah Basley, showrunner Harley Petyon, and executive producers Jeremiah Chechik and Lindsay Macadam. Moderated by “Fat Vampire” author Johnny B. Truant, which the series is based on.
4:15-5 p.m. in Room 6A
“The End is Nye”
Bill Nye the Science Guy is back and hosting an all-new science disaster series “The End is Nye” with co-creators Seth MacFarlane and Brannon Braga. Each episode of the Peacock series explores an epic global disaster with engaging VFX spectacles, then demystifies them using science to show how we can survive, mitigate, and even prevent them. Sprinkled with MacFarlane’s signature humor, this extremely timely series explores end-of-the-world scenarios with Nye at the center of it all. Join executive producer Bill Nye, showrunner/EP Brannon Braga (“Star Trek,” “The Orville,” “Books of Blood”) and executive producer Erica Huggins (President, Fuzzy Door) as they debut the official trailer and share an exclusive sneak peek at their new Peacock series from Universal Television Alternative Studio and UCP. “The End is Nye” will premiere on Peacock Aug. 25.
4:15-5:15 p.m.: Hilton San Diego Bayfront, Indigo Ballroom
SYFY’s “Resident Alien” Invades Your Con
The cast of “Resident Alien” — Alan Tudyk, Sara Tomko, Corey Reynolds, Alice Wetterlund, Levi Fiehler, Elizabeth Bowen and Judah Prehn – as well as executive producer/showrunner Chris Sheridan, come together for the first time on the same stage to answer your burning questions and give you an out-of-this-world exclusive look into the season two return on Aug. 10 on SYFY. Moderated by “Ancient Aliens” star and co-executive producer (and “Resident Alien” guest star) Giorgio A. Tsoukalos. The series is from UCP.
5:30-6:30 p.m.: Hilton San Diego Bayfront, Indigo Ballroom
World Premiere of Peacock and UCP’s “The Resort”
Join creator Andy Siara (“Palm Springs”) and castmates William Jackson Harper (“The Good Place,” “The Underground Railroad”), Cristin Milioti (“Palm Springs,” “Made for Love”), Nina Bloomgarden (“Hot Pink”), and Luis Gerardo Méndez (“Narcos: Mexico”) for a special screening and conversation as they premiere the highly anticipated mystery thriller “The Resort.” “The Resort” is a multi-generational coming-of-age love story disguised as a fast-paced mystery about the disappointment of time. An anniversary trip puts a marriage to the test when the couple finds themselves embroiled in one of the Yucatan’s most bizarre unsolved mysteries that took place fifteen years prior. The series from UCP will premiere July 28 on Peacock.
6:45-7:45 p.m.: Hilton San Diego Bayfront, Indigo Ballroom
Back with a Vengeance: “Chucky”
He’s your friend ‘till the very end! Join “Chucky” creator/executive producer Don Mancini and surprise guests for a can’t-miss conversation moderated by TV Guide Magazine’s Damian Holbrook and a behind-the-scenes look at season two returning this October on USA Network & SYFY. The hit series is from UCP.
COZI TV ‘ICONIC CHARACTERS’ EXPERIENCE
Thursday, July 21-Sunday, July 24: 10 a.m.-6 p.m. on the MLK Promenade (behind the Omni Hotel)
Comic-Con attendees can visit many of TV’s most iconic characters with COZI TV’s Iconic Characters exhibit. The exhibit will be highlighted by a genuine 1962 AMC Rambler American 400, just like the red convertible featured in the Emmy-winning “3rd Rock from the Sun,” and an appearance on Friday, July 22 by actor and comedian French Stewart, who played the character Harry Solomon on the hit comedy. Eligible fans will be able to enter for a chance to win the fully restored classic car through the COZI TV 3rd Rock Rambler Sweepstakes, which anyone is available to enter at COZITV.com now through Aug. 31. COZI TV, NBCUniversal Local’s national multicast network that delivers the all-time best shows and pop culture favorites such as “The Munsters,” “The Nanny” and “Roseanne.”
Midnight Mass: The Blood of Life
The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God.
Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes.
Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God.
We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant.
Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed.
Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus.
Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship.
Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care.
The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love.
Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls.
Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now!
Saw X: It ain’t brain surgery!
Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer!
First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive!
So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance.
Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth.
The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge!
First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer.
A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now!
Scott Pilgrim Takes Off
“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.
The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.
The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.
The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.
“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.