The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God.
Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes.
Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God.
We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant.
Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed.
Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus.
Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship.
Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care.
The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love.
Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls.
Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now!
The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.
The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.
Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.
The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.
Masterchef Is Back! For Halo Season 2
A quick recap – Halo is set in a war-torn 26th century, where humanity led by the United Nations Space Command or UNSC and their supersoldiers known as Spartans, fights against the onslaught of the alien conglomerate known as the Covenant. The full dust-up of Halo Season 1, can be found here. Onward into the introduction of Halo Season 2!
It’s been six months since the forced separation of Spartan Masterchief John (Pablo Schreiber) and Cortana (Jen Taylor), and the Silver Team has been sent on a mission to evacuate residents of the planet Sanctuary before the Covenant glasses the whole thing. This comes with its own set of challenges, given the resistance of the planet’s inhabitants, and it doesn’t help that Masterchef starts seeing things right in the middle of trying to save some marines. Or is he? Those energy swords the squad of Elites were carrying looked worryingly real.
Back on Reach, the Silver Team is entirely dismayed to learn they have a brand new Office of Naval Intelligence (ONI) representative come in as the new boss, to finally replace the traitorous Halsey, James Ackerson (Joseph Morgan). And of course, Ackerson manages to immediately get under Masterchief’s skin, by not only expressing far too much interest in John’s relationship with Cortana but also apparently disbelieving of John’s report of his encounters on Sanctuary. That just means Masterchief has to go around, if not entirely over, Ackerson’s head.
Elsewhere, Soren (Bokeem Woodbine) is trolling the slave markets in his boredom, only to stumble across a soon-to-be indentured servant who claims he knows the whereabouts of the UNSC’s most hunted human, Catherine Halsey (Natascha McElhone). That should bring a huge bounty, but really, Soren should’ve known better by now.
Halo Season 2 premieres Thursday, February 8th, 2024, and will continue to air every Thursday, only on Paramount+!
Reborn as a Vending Machine I Now Wander the Dungeon’: I look forward to your next use!
If the title of this delightful little isekai anime entry didn’t give it all away, our nameless protagonist is a vending machine fanatic who, after being killed by a vending machine, gets reincarnated in another fantasy-style world as one!
Japan has a tendency to give birth to all sorts of crazed fads that can last for decades, and no one does better when it comes to the vending machine industry, too. These days there are vending machines that will serve you sushi you can actually eat, hot pizza in the box, wagyu steaks, freshly popped popcorn, and a whole mind-boggling array of tasty treats, and other non-edible but still useful items! Umbrellas! Condoms! Oxygen masks, sterile bandages, shoes, and emergency clothing! Actually, far more things that we use on an everyday basis, could be considered as technically a vending machine, and the anime explores that beautifully. Into the world of vending machine fanaticism, we dive!
So our poor protagonist never gave a name, and inevitably when he’s discovered by his first official friend the starving hunter Lammis, she dubs him “Boxxo”. Like many isekai that seem to take inspiration from video games and RPGs, Boxxo discovers he ways he can communicate, level up his existence, and even evince magic-like powers and attack and defend against monsters and enemies. Though in the beginning, and as an underlying theme throughout the show, Boxxo is primarily concerned with providing unique never-before-tasted-in-this-world food and drink to the amazed folk, human and otherwise.
Boxxo’s prices are entirely reasonable and hey, he can even choose to give out his wares for free on occasion, so his popularity immediately skyrockets. Lammis with her awkward charm and prodigious strength blessing, introduces Boxxo to other friends of Clearflow Lake Village and associates along the way – Director Bear, an actual bear-monster who’s the head of the Hunters Association; Lammis’ friend Hulemy, the insane genius magic item engineer; the Bearcats Suco, Pell, Short and Mikenne, cheerful hunters with astronomic appetites; even suspicious Kerioyl, leader of the Menagerie of Fools party.
The show approaches the practicality and versatility of the true vending machine with amusement, but also with the love true fans display for things they’re passionate about. Certainly, things like a brothel needing a condom vending machine exist in our world, but to toss them into a potentially more innocent other-world isekai is a welcome and often hilarious treat. The show celebrates the cheerful idiocy and devotion of the fans to their chosen fandom, in this case, yes vending machines, but also the spirit of the lonely otaku finally finding their Tribe!
Pay your coins to watch ‘Reborn as a Vending Machine’ on Crunchyroll now!