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Legion M, Screen Media Acquire “Memory: The Origins of Alien”

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Screen Media and Legion M announced today the acquisition of all North American rights to Alexandre O. Philippe’s documentary feature film Memory: The Origins of Alien. The film premiered to rave reviews in the Midnight Section at the 2019 Sundance Film Festival and screened at the Hong Kong International Film Festival, CPH: DOX, Hot Docs and many others.  Screen Media and Legion M plan to release the film in theaters this summer, timed to celebrate the 40th anniversary of the theatrical release of Alien.  The deal comes on the heels of Screen Media’s recent acquisition of Corporate Animals, which also premiered in the Midnight Section of the 2019 Sundance Film Festival.  Paris-based Indie Sales is handling sales for the rest of the world.

 

Memory:  The Origins of Alien unearths the largely untold origin story behind Ridley Scott’s cinematic masterpiece, and reveals a treasure trove of never-before-seen materials from the archives of Alien creators Dan O’Bannon and H.R. Giger – including original story notes, rejected designs and storyboards, exclusive behind-the-scenes footage, and O’Bannon’s original 29 page script from 1971, titled Memory. The documentary also takes fans on an exploration of the mythical underpinnings of Alien and dedicates focus on the film’s iconic “Chestburster” scene.

 

Leveraging the “wisdom of the crowd,” Memory: The Origins of Alien was one of the highest rated Sundance films on Legion M’s innovative SCOUT platform, where fans in Park City and around the world had the opportunity to become film scouts by rating and evaluating information on nearly 120 films premiering at the festival. The Legion M Scout community provided data that directly influenced the companies’ decision to acquire the documentary.

The film is an Exhibit A Pictures production, produced by Kerry Deignan Roy; and co-produced by Annick Mahnert of Screen Division, Chad Herschberger of Milkhaus, and Robert Muratore of Exhibit A Pictures. Diane O’Bannon, Carmen Giger and Leslie Barany served as executive producers.

 

Memory: The Origins of Alien marks the fifth feature doc from Philippe, Roy and Muratore’s Exhibit A Pictures, including 78/52, a film about Hitchcock’s Psycho shower scene, Doc of the Dead, The Life and Times of Paul the Psychic Octopus and The People Vs. George Lucas. They are currently working on a film about The Exorcist with William Friedkin.

 

“With Screen Media’s distribution savvy, and Legion M’s profound understanding of, and access to the fans, our film couldn’t be in better hands,” says director Alexandre O. Philippe. “I’m confident that Memory, our fitting follow-up to 78/52, will resonate well beyond Alien fandom, as a deeper, darker, richer contemplation on the magic and mystery of cinema.”

 

“Our team is thrilled about this partnership,” said producer Kerry Deignan Roy. “Screen Media and Legion M have sensational plans we can’t wait to see come to life!”

 

Alien – specifically the demise of John Hurt’s chest – is seminal moment in cinema – one where you remember exactly where you were when you first saw it,” said Seth Needle, SVP of Worldwide Acquisitions at Screen Media. “Alexandre and Kerry have done an incredible job creating the buzz from that film with Memory: The Origins of Alien, and we know hardcore fans of the series and mainstream audiences alike will love watching this.”

“While most acquisition decisions are made by a small group of executives, Legion M called on the power of our community to help us decide which Sundance film was worth acquiring,” said Paul Scanlan, Co-Founder and CEO of Legion M. “Through first-time use of our proprietary SCOUT platform, we discovered that our Film Scouts were as overwhelmingly supportive of Memory: The Origins of Alien as our executive team, making it an incredibly easy decision to get behind this amazing documentary.”

 

Seth Needle, SVP, Worldwide Acquisitions at Screen Media and Paul Scanlan, Co-Founder and CEO, and Terri Lubaroff, COO and Head of Content, at Legion M negotiated the deal with Raphael Aknin, VP of Legal, and Nicolas Eschbach, CEO, at Indie Sales on behalf of the filmmakers.

 

The acquisition marks the first film title in the new partnership launched between Screen Media and Legion M.   In December 2018 the two companies announced a strategic alliance to source, develop and produce community driven original content. Through that partnership, they also plan to combine their unique strengths in the film industry to launch theatrical releases.  Screen Media recently released Terry Gilliam’s The Man Who Killed Don Quixote starring Adam Driver and Jonathan Pryce and Paul Weitz’ Bel Canto starring Julianne Moore and Ken Watanabe.  Legion M recently supported Panos Cosmatos’ Mandy starring Nicolas Cage and Andrea Riseborough and Dean Devlin’s Bad Samaritan starring David Tenant and Kerry Condon. Legion M is also a financier on Kevin Smith’s upcoming feature film Jay and Silent Bob Reboot.

 

Alexandre O. Philippe continues to be managed by George Heller at Brillstein Entertainment. Philippe and Exhibit A Pictures are represented by Matthew Baskharoon and Nir Caspi at WME.

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Review of “Good Bad Ugly”

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Director: Adhik Ravichandran 

Starring: Ajith Kumar, Arjun Das, Trisha, Simran

Genre: Action / Crime Drama

Rating: 4.5/5


“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.

“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.

While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.

The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.

“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.

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Presence: A Horror Movie For People That Don’t Like Horror Movies

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In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!

When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting.  And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!

Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home. 

Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence. 

Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.

The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!

However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene. 

Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes. 

My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues. 

I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.

Presence is available to stream.

Three and a half stars.

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Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)

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Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan


Overview

Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.

Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.

Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.

The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.

The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.


Rating: 9/10

Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.


Pros

  • Unparalleled hand-drawn animation
  • Unique art direction inspired by traditional Chinese painting
  • Rich mythological lore
  • Epic fight choreography

Cons

  • Sparse episode release
  • Story pacing can be uneven at times

Final Verdict 9/10

If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.

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