October is Down Syndrome Awareness Month, a time to educate and advocate as well as celebrate those individuals with Down Syndrome. I had a chance to speak with John C. McGinley today about one of the most challenging yet rewarding roles in his life.
It isn’t Dr. Cox from Scrubs or Stanley Miller from his new horror comedy series Stan Against Evil. This particular role was one that hit close to home, the father of a very special young man named Max.
That’s My Entertainment: Let’s go over the story of Max. When you first discovered that diagnosis, what were your original thoughts?
John C McGinley: I had no idea what Down Syndrome was, certainly not clinically. Emotionally…I didn’t know anything. We went to the hospital…the clear diagnosis from the blood protein and the sonogram was that this was going to be a beautiful little girl. We did not have the amino because we were discouraged from having the amino because Max’s mom (Lauren Lambert) was very healthy and I was healthy and there was no history of challenges in either one of our families, and so it was all supposed to be a Norman Rockwell painting and then Max came out, he was not a girl and his twenty-first chromosome had tripled so it was the equivalent of being smashed over the head with a cosmic hammer and the disorientation of it all.
The first person in the room as Max was in the neonatal intensive care unit was a representative of the state of California who said “the state would be more than willing to take charge of this individual if that’s what we wanted.” And I kicked him out of the room. I still don’t know what he was talking about never had the spine to look into it. Then you kind of bury your head in the sand for a while.
There is a trajectory that involved a woe is me component and sooner or later you get your head out of the sand and you see this little kid looking up at you and his need for help and intervention transcends any other pity party that you might invite yourself to and you start to get involved. You start to get second and third and fourth opinions from a medical community that would largely advocate for over medicating that population.
TME: One of the things you talked about in your 2014 interview on Hallmark’s Home and Family about raising a child with special needs is Integrated parenting and an integrated family. Can you tell me a little more about that concept?
JCM: I found that the parenting trap there is to lean into one side or the other. Billie Grace and Kate are the politically correct term is typical kids and Max has Challenged. To lean too hard into accommodating Max’s challenges and compromising Billie Grace and Kate is tricky and then to lean too hard into the Billie Grace and Kate capacity to learn and leave Max behind is a trap. So there is a sweet spot in the middle there that you can only find when you are in it. There is no guide; You can only find it when you are in it.
This is something that you did through trial and error? Did you have had from medical professionals? How did you discover this?
I would say between Max’s mom who is a phenomenal advocate, my sensibilities and connections to the medical communities, and the Global Down Syndrome Foundation, mixed with Nicole’s influence; that’s a lot of incredibly clear thinking, an objective adult intervention that if you can assimilate all that input you have a chance.
In raising a typical teen/young adult there are social issues that can arise in their development. What were some of the social challenges you had raising a teen/young adult with down syndrome?
The hardest thing to wrap your head around and the three dirty little secrets of overall with down syndrome is that its hard as a teen going forward to have age-appropriate friends. I can’t be a hypocrite on this. I didn’t have any friends who were born with Down Syndrome when I was 16 or 17 years old. It’s heartbreaking and it’s very hard to see this community largely left to fend for themselves largely in a friendship trajectory and so you rely on family, a lot. Max depends on Billie Grace, Kate Max’s mom, and Nicole. You have to generate friendship and that’s a really hard one to swallow because you certainly can’t force a teenager to be your son’s friend, nor would you want to but that one is a really hard man.
TME: Do you feel now that Max is 21 and do present-day medical care and medical professionals better equipped to care for individuals with special needs, specifically down syndrome?
JCM: No. Certainly not. Not unless you have the web of resources to get a second, third and sometimes fourth opinion until you arrive at a caregiver in the medical community who is at least peripherally versed in how to treat someone who’s 21st chromosome has tripled. Since that is such a low priority in any medical program, it’s on the parents or on the caregiver’s shoulders to find someone who is appropriate for their son or daughter. It’s really hard and it’s profoundly disturbing.
John involved himself with an organization that is to significantly improve the lives of people with Down syndrome through research, medical care, education, and advocacy. This organization was led by CEO and founder Michelle Sie Whitten who also has a child with Down Syndrome. John recalled how he got involved and became one of the members of the board.
TME: Tell us about your history with the Global Down Syndrome Foundation.
JCM: The groups I had been with have largely been Kumbayaa let’s hold hands and make pamphlets. I wanted to be more proactive and more aggressive. I saw my friends who were working with aids advocates and breast cancer advocates and wondered why aren’t we doing something like this.
Michelle Sie Whitten and I met, and told me “we have all four lobbyists on staff in Washington D.C., and we’re building a wing down at Children’s Hospital in Denver in the Linda Cyrnic institute as well as the Sie Center for Down Syndrome.
We’re a researched and medical based organization who just want to improve the people with Down syndrome lives through research and medicine.” Then I was in. I wanted to be with people who are aggressively attacking how to make these people’s lives better and that is what happens at Global.
TME: Global also does a be beautiful be you a fashion show that you just came back from. Tell me a little bit about that.
JCM: It is a now a five-year tradition with my family. It is the single biggest fundraiser for people with down syndrome and down syndrome research on the whole planet. And everything that could have possibly gone right this year did. At these type of events, it’s a had thing to authentically say. From Jamie Foxx to Colin Farrell and some of the other celebrities that we were lucky enough to have joined us, and the lineup of models all of whom are people born with down syndrome, it was one of the great nights of my life.
TME: Where did the Spread the Word to End the R-Word Movement originate?
JCM: It started almost ten years ago now, Tim Shriver invited me up to the Special Olympics World Winter Games hosted in Boise Idaho and I went to events and then Tim invited me to a youth leadership activation conference which is a component of every world games.
In this Youth Leadership Activation conference, there are about 200 of the athletes were also self-advocates. It was a whole nother concept I had to wrap my head around in a copious way. All these self-advocates in this auditorium and they tabled different ideas and different conflicts that were impacting them all around the world. And to a person from South Africa to England, to Australia, the kids from South America… a lot of the athletes said they were fed up with the word retard/retarded.
And we started to craft this campaign and then the athletes shaped it and we made it viral and all of a sudden it became a movement. Understand it’s baby steps. The r-word retard and retarded are used as much today as ever. And so it’s baby steps for us, but we feel we are moving in the right direction.
TME: People feel awkward when they have to interact with someone with special needs. Whether it’s their parents or the individual themselves. As a parent how would you suggest an individual approach you or individuals with intellectual disabilities?
JCM: There is no real pragmatic answer to that. I would approach them with kindness and compassion. Try not to put them on the spot.
That’s how I approach people with the r-word because if you tell people how to talk their emotion and spiritual fists are gonna go up and so I invite people and just ask people if there isn’t a better way to say what they just said. For example, if someone says “… the party was retarded” and they say “what?” and I just say “you just said the party was retarded”. And they say, “Oh I didn’t mean anything by it” and you just say.” Well, that’s really offensive to us.” Now all of a sudden we are having a conversation. It’s born out of the entre into..” isn’t there a better way to say that?” Then the person invariably says what? They will never say F-you. And I just find that in engaging in dialogue especially when you want to shape language which people are entitled to use any way they want unless they say a fire in a movie theater. When it comes to people using the r-word the fact of the matter is that they are liberally allowed to use it, so you gotta meet people halfway on that one.
John is an international spokesperson and board member of the Global Down Syndrome Foundation as well as for the Special Olympics and the End the Word movement. Currently, he stars as the reluctantly retired sheriff of Willard’s Mill on IFC’s horror comedy Stan Against Evil premiering on October 31st 10 pm E/P.
You can follow him on twitter @JohnCMcGinley
There are many more questions that were left unanswered but there is a lot of information available on the organization he mentioned for those parents and caretakers who are seeking more information on what options are available for people with Down Syndrome for care, education as well as support groups that are available all over the world. There are even downloadable .pdfs in multiple language formats for educational purposes.
Global Down Syndrome Foundation: https://www.globaldownsyndrome.org/
Twitter @GDSFoundation
Facebook:https://www.facebook.com/GDSFoundation/
Instagram: https://www.instagram.com/globaldownsyndrome
For those wanting to get involved and participate to create communities of inclusion, there are two sites, the Special Olympics as well as the Spread the word to end the word site listed below. Both are great informational resources.
Special Olympics: https://www.specialolympics.org/
Twitter:@SpecialOlympics
Facebook:https://www.facebook.com/SpecialOlympics/
Spread the Word to End The Word:
Twitter @Endtheword
Facebook:https://www.facebook.com/EndtheWord/
Indian cinema has a long-standing tradition of delivering grand narratives that are equal parts spectacle and soul. KGF: Chapter 1 (Kolar Gold Fields), directed by Prashanth Neel, is a prime example. This gripping action-drama chronicles the meteoric rise of Rocky, a man driven by a promise and fueled by his hunger for power. Released to critical acclaim, KGF has redefined the boundaries of storytelling in Indian cinema.
Set in the 1970s, KGF follows the journey of Rocky (Yash), a young boy born into poverty in the slums of Mumbai. From a tender age, Rocky is shaped by two forces: his mother’s dying wish for him to rise above his circumstances and his unyielding ambition to command respect and fear.
His journey takes him to the gold mines of Kolar, a lawless land ruled by brutal oppressors. The film tracks Rocky’s transformation from a street-smart hustler to a feared force who challenges an empire built on blood and exploitation.
The strength of KGF lies in its compelling protagonist. Yash delivers a magnetic performance as Rocky, embodying both his raw charisma and ruthless determination. The film paints a vivid picture of a man who thrives in adversity, using every setback as fuel for his ascent. Rocky is not a mere vigilante but a strategist, whose ability to inspire loyalty and strike fear sets him apart.
The movie captures his internal conflict beautifully — while he climbs the ladder of power, he never loses sight of his mother’s dream for him. This duality makes Rocky more than just a hero; he is a symbol of rebellion, resilience, and redemption.
At its core, KGF is a commentary on systemic oppression and the human spirit’s ability to rise against all odds. The stark contrast between the opulence of the gold fields’ rulers and the crushing poverty of its workers sets the stage for Rocky’s rebellion. His fight isn’t just personal; it’s for the voiceless, the oppressed, and the forgotten.
The film doesn’t shy away from showcasing the brutal realities of poverty and exploitation, making Rocky’s triumph all the more satisfying.
Prashanth Neel’s direction is nothing short of masterful. Every frame of KGF is meticulously crafted, from the sweeping vistas of the Kolar gold fields to the grimy underbelly of Mumbai’s streets. The gritty visuals are complemented by an electrifying background score that enhances the film’s larger-than-life moments.
The nonlinear narrative, interspersed with a journalist’s account of Rocky’s rise, keeps viewers engaged and adds layers to the storytelling.
The action sequences in KGF are a visual feast. Yash’s larger-than-life persona is amplified by choreographed fights that are brutal, balletic, and breathtaking. Each confrontation feels earned, showcasing Rocky’s ingenuity and brute strength. The climax, set against the backdrop of the Kolar gold mines, is particularly unforgettable.
KGF: Chapter 1 is a cinematic triumph that combines raw emotion, relentless action, and a protagonist you can’t help but root for. Yash’s performance and Prashanth Neel’s vision elevate the film to a league of its own, making it a benchmark in Indian cinema.
KGF is more than a film; it’s an experience. It’s a story of ambition, sacrifice, and the indomitable human spirit. Rocky’s climb from the depths of poverty to the pinnacle of power is not just inspiring — it’s electrifying.
Whether you’re a fan of action-packed dramas or epic tales of rebellion, KGF delivers on every front. With its gripping narrative and unforgettable performances, it’s a must-watch for anyone who loves a good underdog story.
Rating: 4.8/5 As Rocky says in the film, “Powerful people make places powerful.” By the end of KGF, you’ll realize that Rocky is one of them — and so is this film
Director: Nelson Dilipkumar
Starring: Rajinikanth, Mohanlal, Jackie Shroff, Ramya Krishnan, Shiva Rajkumar
Genre: Action/Drama
Release Date: August 10, 2023
Rating: ★★★★☆ (4/5)
Rajinikanth is Back with a Bang in Jailer: A High-Octane Blend of Style and Emotion When Rajinikanth takes center stage, audiences expect grandeur, charisma, and larger-than-life storytelling. Jailer does not disappoint. Directed by Nelson Dilipkumar, this action-packed entertainer delivers a well-crafted narrative that combines thrilling action sequences with moments of emotional depth. The film also benefits from a strong supporting cast, stylish direction, and a standout performance from the Superstar himself.
Jailer follows the story of Muthuvel Pandian (Rajinikanth), a retired prison warden who lives a quiet life with his family until a tragic event forces him to confront his past. When his son, an upright police officer, is killed while investigating a powerful criminal syndicate, Pandian embarks on a quest for justice. What sets this story apart is its layered exploration of a father’s grief, his thirst for vengeance, and the moral dilemmas he faces.
The narrative is a fine balance of emotional stakes and action-driven storytelling. Nelson’s direction ensures the pace rarely dips, keeping audiences hooked with unexpected twists and a perfect dose of humor.
Rajinikanth proves once again why he’s revered as one of India’s most iconic actors. His portrayal of Muthuvel Pandian is nuanced, blending vulnerability with raw intensity. At 73, Rajinikanth shows no signs of slowing down, delivering electrifying fight scenes, commanding screen presence, and a performance laced with his trademark style.
In quieter moments, Rajinikanth brings emotional weight to the character, making the audience empathize with Pandian’s pain and determination. This balance of action hero and grieving father reminds us of his versatility as an actor.
While Rajinikanth is undoubtedly the centerpiece, Jailer benefits from a strong ensemble cast:
Mohanlal (special appearance): Mohanlal’s cameo is brief but impactful, adding gravitas to the film. His scenes with Rajinikanth are a treat for fans of both legends.
Jackie Shroff: Playing a calculating antagonist, Shroff brings his trademark menace to the role. His dynamic with Rajinikanth adds tension and drama to the story.
Shiva Rajkumar: His performance as a pivotal character is intense and memorable, showcasing his ability to match Rajinikanth’s screen presence.
Ramya Krishnan: As Pandian’s wife, Ramya delivers a grounded and heartfelt performance, adding emotional depth to the narrative.
Nelson Dilipkumar crafts a tightly woven script with moments of dark humor, intense action, and emotional resonance. The film’s pacing is a strength, as it rarely allows for a dull moment. Nelson’s direction ensures that each character, even those with limited screen time, leaves a lasting impression.
The screenplay does falter slightly in the second half, with a few predictable turns. However, the action sequences and Rajinikanth’s performance more than compensate for these minor shortcomings.
Cinematography: Vijay Kartik Kannan captures the film’s action and emotional moments with flair. The dynamic framing of fight sequences enhances their impact, while the quieter moments are shot with subtlety.
Music: Anirudh Ravichander’s pulsating score elevates the film’s intensity, while the songs complement the narrative without feeling forced. Tracks like “Hukum” have already become chartbusters.
Editing: R. Nirmal ensures crisp editing, particularly during the action scenes, maintaining a high level of engagement throughout the runtime.
At its core, Jailer is more than just an action film. It explores themes of justice, family, and the consequences of revenge. Muthuvel Pandian’s journey is not only about defeating his enemies but also confronting his own vulnerabilities and responsibilities as a father and husband.
The film also delves into the psychological toll of violence, making it more layered than the average revenge drama.
Rajinikanth’s Performance: Charismatic, powerful, and deeply emotional.
Action Sequences: Well-choreographed and exhilarating, with Rajinikanth at his best.
Supporting Cast: Exceptional performances from Mohanlal, Jackie Shroff, and Shiva Rajkumar.
Direction: Nelson Dilipkumar’s deft handling of the narrative keeps it engaging.
While Jailer delivers on most fronts, the second half occasionally leans on familiar tropes. Some supporting characters, despite strong performances, could have been given more depth.
Jailer is a fitting showcase for Rajinikanth’s enduring star power and Nelson Dilipkumar’s storytelling finesse. With its blend of action, emotion, and style, the film is a worthy addition to the Superstar’s illustrious career. Fans of Rajinikanth will leave the theater satisfied, and newcomers will understand why he’s a legend.
Final Rating: ★★★★☆ (4/5) Jailer is a must-watch for action lovers and Rajinikanth fans alike.
Indian cinema often delivers stories that resonate on both emotional and visceral levels. Kill, a gripping action-romance now streaming on Amazon Prime, is no exception. Directed by Nikhil Nagesh Bhat, this high-octane thriller blends heart-wrenching emotion with relentless action, leaving viewers at the edge of their seats.
Set aboard a speeding train, Kill tells the story of Amrit (Lakshya), a loyal soldier returning home with a promise to reunite with his childhood love, Tulika (Tanya Maniktala). The couple’s tender, budding romance is the heart of the narrative, with scenes of their innocent exchanges juxtaposed against the chaos that soon engulfs them.
Their journey takes a dark turn when a gang of ruthless dacoits hijacks the train, intent on robbing and killing its passengers. What unfolds is a gripping battle for survival as Amrit transforms from a man in love to a one-man army, determined to protect Tulika and the innocent lives aboard.
The romance in Kill is as compelling as its action sequences. Amrit and Tulika’s relationship is characterized by a delicate vulnerability. Lakshya and Tanya Maniktala’s chemistry brings authenticity to their roles, making their love story feel real and raw. Their shared dreams of a future together contrast painfully with the brutal violence surrounding them, intensifying the emotional stakes.
The heartbreak lies in Amrit’s constant struggle to protect Tulika while confronting the fragility of their dreams in the face of overwhelming odds. The film poignantly captures how love can endure, even amidst devastation.
Lakshya delivers a career-defining performance as Amrit. Initially portrayed as a soft-spoken and unassuming soldier, his transformation into a relentless protector is both believable and inspiring. The action sequences are brutal and stylized, reminiscent of martial arts thrillers, but with a distinctly Indian flair. Amrit’s fight scenes are raw and unrelenting, embodying the desperation of a man with everything to lose.
The narrative subtly highlights themes of duty, sacrifice, and the lengths to which love can push a person. Amrit’s journey from a lover to a savior is as emotional as it is exhilarating, making him a hero worth rooting for.
The confined setting of a train amplifies the film’s tension, with claustrophobic corridors and dimly lit compartments serving as the perfect backdrop for the story’s chaos. Nikhil Nagesh Bhat’s direction ensures that every shot is purposeful, oscillating between tender romantic moments and pulse-pounding action. The cinematography and sound design heighten the stakes, immersing viewers in the characters’ perilous journey.
Kill masterfully balances romance and action, offering a visceral experience that tugs at the heartstrings while delivering adrenaline-pumping sequences. Lakshya’s standout performance and the film’s emotional depth make it a must-watch for fans of Indian cinema and action-thrillers alike.
Kill is more than just an action movie; it’s a testament to the power of love and the resilience of the human spirit. While its unflinching violence might not be for everyone, those willing to embrace its intensity will find a story that stays with them long after the credits roll. This film firmly establishes Nikhil Nagesh Bhat as a director to watch and leaves audiences eagerly anticipating what’s next for its talented cast.
Rating: 4.5/5 If you’re looking for a film that combines action, romance, and heart-pounding thrills, Kill is the perfect pick.
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Kill on Amazon Prime – A Heart-Stopping Tale of Love and Heroism
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