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ID10T Music Festival + Comic Conival Adds Con Man and Futurama Talks to Programming Schedule, Plus Live Nerdist Podcast Tapings, Themed Panel Discussions, Saban’s Power Rangers Laser Tag Course & more!

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ID10T Music Festival & Comic Conival has revealed its full weekend schedule of music, comedy sets, panels and more. Con Man and Futurama have been added to the impressive lineup of confirmed panels alongside Portlandia, Mystery Science Theater 3000, Harmontown, Animaniacs LIVE!, The Magicians, and Stan Against Evil. A number of intimate themed panels and podcasts have also been announced, including live Nerdist Podcast tapings, panels from Valiant Entertainment and AfterShock, tech panel Robots Among Us: Fantasy vs. Reality, and many, many more. The groundbreaking, first of its kind event created and hosted by Chris Hardwick, will take over the Shoreline Amphitheatre and surrounding grounds in Mountain View, CA on Saturday, June 24th and Sunday, June 25th.

Panel additions include:

Con Man, featuring guests Nathan Fillion and Alan Tudyk, moderated by Chris Hardwick.

A decade has passed since Wray Nerely (Alan Tudyk) was an actor on the hit (well, cult hit) sci-fi show, Spectrum. Wray’s career has stalled in the vacuum of space while his best friend and former co-star, Jack Moore’s (Nathan Fillion), has hit warp speed. Aided by his truly certifiable convention booker, Bobbie (Mindy Sterling), Wray navigates the sci-fi convention circuit alongside a host of colorful who’s-whos and has-beens. He struggles with the trappings of a stagnant career, the adoration of a rabid fanbase, and an industry that only sees him as a quirky spaceship pilot.

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Futurama, featuring guests Billy West, Maurice LaMarche, and Phil LaMarr.

Hatched from Matt Groening’s brain, Futurama follows pizza guy Philip J. Fry (voiced by Billy West), who reawakens in 31st century New New York after a cryonics lab accident. Now part of the Planet Express delivery crew, Fry travels to the farthest reaches of the universe with his robot buddy Bender and cyclopsian love interest Leela, discovering freaky mutants, intergalactic conspiracies and other strange stuff. The panel will feature West (Philip J. Fry), Maurice LaMarche (Morbo) and Phil LaMarr (Hermes Conrad).

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Nerdist Podcast: Join Chris Hardwick, Jonah Ray, and Matt Mira for a live recording of a Hostful Nerdist Podcast!

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Previously announced panels include IFC’s Emmy nominated comedy Portlandia, featuring guests Fred Armisen and Carrie Brownstein, moderated by Chris Hardwick; award-winning comedy television series Mystery Science Theater 3000, featuring guests Jonah Ray, Hampton Yount, and Rebecca Hanson, moderated by Wil Wheaton; SYFY’s The Magicians featuring guests John McNamara, Sera Gable, Olivia Taylor Dudley, Hale Appleman, Arjun Gupta, and Summer Bishil, moderated by Chris Hardwick; Animaniacs Live! featuring original cast members Rob Paulsen (Yakko, Pinky from Pinky and the Brain), Maurice LaMarche (Brain from Pinky and the Brain), and Emmy-award winning composer Randy Rogel, moderated by Chris Hardwick; Harmontown, featuring guests Dan Harmon (Community, Rick & Morty), Jeff B. Davis (Whose Line is it Anyway), and Spencer Crittenden (HarmonQuest), plus special guests; and IFC’s original horror comedy series Stan Against Evil, featuring guests John C McGinley (Scrubs), Janet Varney (You’re the Worst), and Dana Gould (The Simpsons, Parks and Recreation), moderated by Jessica Chobot.

Additionally, ID10T has announced a number of themed panels happening in the Artist Alley, along with a number of podcast tapings in the Monster Energy Comedy Tent. Guests and descriptions are as follows:

Breaking Into Comics: Saturday guests include Phil Hester, Justin Greenwood, Brent Schoonover, Robert Wilson, and Morgan Beem, moderated by Matt Hawkins. Sunday guests include Nick Dragotta, Garry Brown, Robert Wilson, Jai Nitz, and Gerry Duggan, moderated by Jarrett Melendez. Ever wonder what it takes to break into the comic industry? Let these veterans tell you how they did it and how you can too!

Music Influencing Comics: Featuring guests Becky Cloonan, Ivan Brandon, Brenden Fletcher, and Andy Kuhn, moderated by Matt Horak. Learn how music has inspired, motivated and influenced comic book stories and art from some of today’s leading creators!

Drawing and Writing for Comics, TV, and Film: Featuring guests Mike Costa, Tom Fowler, Mark Sable, Blair Shedd, and JK Woodward, moderated by Jarrett Melendez. Often times the comic book world crosses over into the land of television and film. Come see how these creators have navigated that transition successfully.

Creator Owned Comics: Featuring guests Rick Remender, Gerry Duggan, Nick Dragotta, Matteo Scalera, Farel Dalrymple, Ivan Brandon, and Justin Jordan, moderated by Ben Blacker.

AfterShock Panel: Featuring the Babyteeth team of Donny Cates and Garry Brown, moderated by AfterShock.

Valiant Entertainment: X-O Manowar and Beyond: Jump into the largest independent superhero universe in comics right here with a guided tour through the foundations and future of Valiant’s most acclaimed series! From X-O Manowar and Faith, to Shadowman, Ninjak, Harbinger, Quantum and Woody, and beyond, discover where to start and what’s coming next for the award-winning comic book publisher that Buzzfeed calls, “a universe full of your new favorite superheroes!” With multiple new series kicking off this summer, don’t miss your chance to see what’s coming next for Valiant’s biggest comic book icons with an all-new presentation packed with sneak peeks and exclusive artwork!

Robots Among Us: Fantasy vs. Reality: Featuring guests Omar Abdelwahed (Head of Studio for SoftBank Robotics America), Alonso Martinez (Technical Director at Pixar Animation Studios), and more. Today we’re embarking on a new industrial revolution led by emerging technology breakthroughs in fields of artificial intelligence, robotics, the Internet of Things, and autonomous vehicles. While we are still years away from a real-life C-3PO, robots are becoming an integral part of our lives. Come hear a panel of experts discuss how the burgeoning robotics industry is getting us closer to making C-3P0 less of a fantasy, and more of a reality. Walk away with a deeper understanding of how robotics already plays a role in our daily life, and how society will shift to become more comfortable with the idea of co-existing with robots and interacting with them on a deeper level. This panel will take a deep dive into how movies, books, art and entertainment have played a significant role in the development of today’s robots, and how fantasy is becoming reality as social robots become more prolific and technologically advanced.

Nerdist Comic Book Panel podcast: Host Ben Blacker discusses the business and creative process of making comics with other comics creators. Come hear Aftershock Comics’ Editor-in-Chief Mike Marts, Donny Cates, and Garry Brown talk about Aftershock’s place in the world of creator owned comics.

Nerdist Writers Panel podcast: The Writers Panel series is an informal chat moderated by Ben Blacker (co-creator of the Thrilling Adventure Hour; writer for Supah Ninjas, Supernatural, among others) with professional writers about the process and business of writing.

Nerdist Bizarre States podcast: Join Jessica Chobot and Andrew Bowser as they lift the veil and showcase the hauntings, urban myths, unsolved murders and general oddities that everyone has experienced but no one wants to talk about.

Tickets are still available for ID10T, and kids 10 and under are free with accompanying paid adult admission. With something sure to appeal to the whole family, Lionsgate, in partnership with Nerdist, will power a Laser Tag course themed to Saban’s Power Rangers in celebration of the film’s June 27 release on 4K Ultra HD, Blu-ray Combo Pack and DVD. Two teams of five players each will compete head to head, with surprises lurking around every corner. Just outside of the Laser Tag course, attendees can also look forward to giveaways, costumes from the film, demos of the Power Rangers: Legacy Wars mobile game, and a special appearance on Sunday by the Yellow Ranger and Blue Ranger themselves, Becky G and RJ Cyler! Don’t forget to come dressed as your favorite Power Ranger for a chance to win some morphtastic prizes! Additionally, there will be table top gaming tournaments, a number of Toyota fan experiences (including a Cinderella-themed infinity photo booth, interactive beatbox, and live caricature station, to name a few), and much more!

Doors open at 12:00 p.m. on both Saturday and Sunday, with panels running from 12:30 p.m. to 5:45 p.m., comedy from 4:30 p.m to 8:00 p.m., and music from 4:00 p.m to 11:00 p.m., attendees can expect a full day packed with entertainment, all in an outdoor setting. The full schedule for ID10T is as follows (subject to change).

Saturday, June 24th

Shoreline Amphitheatre Main Stage
9:45 p.m. – Weezer
8:15 p.m. – OK Go
7:10 p.m. – Lord Huron
6:05 p.m. – Car Seat Headrest
5:15 p.m. – The Mowgli’s
4:25 p.m. – Ron Gallo
3:40 p.m. – Tank & The Bangas

Mad Decent Stage in the Festival Tent
9:40 p.m. – Madeon
8:35 p.m. – Jai Wolf
7:40 p.m. – Gryffin (live set)
6:30 p.m. – Ape Drums
6:00 p.m. – John Beaver

Panels in the Festival Tent
4:30 p.m. – 5:20 p.m. – Nerdist Podcast
3:30 p.m. – 4:20 p.m. – Stan Against Evil Panel
2:30 p.m. – 3:20 p.m. – The Magicians Panel
1:30 p.m. – 2:20 p.m. – Con Man Panel
12:30 p.m. -1:20 p.m. – Mystery Science Theatre 3000 Panel

Monster Energy Comedy Tent
6:30 p.m. – 8:00 p.m. – Demetri Martin, Michael Ian Black, Jonah Ray, Dan Mintz & Irene Tu. Hosted by April Richardson.
4:30 p.m. – 6:00 p.m. – Nikki Glaser, Greg Proops, Matt Braunger, Hampton Yount & DJ Real. Hosted by April Richardson
2:30 p.m. – 3:20 p.m. – Robots Among Us: Fantasy vs. Reality Panel
1:30 p.m. – 2:20 p.m. – Bizarre States Podcast

Panels in the Artist Alley Tent
4:45 p.m. – 5:45 p.m. – AfterShock Comics Panel
3:30 p.m. – 4:30 p.m. – Creator Owned Comics Panel
2:15 p.m. – 3:15 p.m. – Breaking Into Comics Panel
1:00 p.m. – 2:00 p.m. – Valiant Entertainment: X-O Manowar and Beyond Panel

Sunday, June 25th

Shoreline Amphitheatre Main Stage
10:00 p.m. – Girl Talk
8:40 p.m. – TV On The Radio
7:20 p.m. – Animal Collective
6:00 p.m. – Crystal Castles
5:00 p.m. – Robert DeLong
4:10 p.m. – Mothers
3:30 p.m. – Sweet Crude

Mad Decent Stage in the Festival Tent
9:40 p.m. – Zeds Dead
8:35 p.m. – Troyboi
7:30 p.m. – Party Favor
6:45 p.m. – 4B
6:00 p.m. – Wax Motif

Panels in the Festival Tent
4:00 p.m. – 4:50 p.m. – Harmontown Panel
3:00 p.m. – 3:50 p.m. – Portlandia Panel
2:00 p.m. – 2:50 p.m. – Animaniacs Live! Panel
1:00 p.m. – 1:50 p.m. – Futurama Panel

Monster Energy Comedy Tent
6:30 p.m. – 8:00 p.m. – Michael Che, Mike Phirman, Brent Weinbach, Marcella Arguello & Adrian McNair. Hosted by April Richardson.
4:30 p.m. – 6:00 p.m. Garfunkel & Oates, Brian Posehn, Yassir Lester, Marcella Arguello & Natasha Muse. Hosted by April Richardson.
2:30 p.m. – 3:20 p.m. – Nerdist Comic Book Panel Podcast
1:30 p.m. – 2:20 p.m. – Nerdist Writers Panel Podcast

Panels in the Artist Alley Tent
4:45 p.m. – 5:45 p.m. – AfterShock Comics Panel
3:30 p.m. – 4:30 p.m. – Breaking Into Comics Panel
2:15 p.m. – 3:15 p.m. – Drawing & Writing For Comics, TV, and Film Panel
1:00 p.m. – 2:00 p.m. – Music Influencing Comics Panel

Information on tickets, pricing, VIP packages, and more is available at www.ID10TFest.com, along with a limited number of Fantastic Four-Packs with four tickets at only $55.00 each, plus fees. ID10T boasts a massive festival area directly adjacent to the amphitheatre’s music stage. All tickets, including festival general admission, reserved seating and VIP, have free roaming access to the festival area, which includes the panels and music in the Festival Tent, Monster Energy Comedy Tent, and full exhibitor village.

ID10T is produced by Live Nation and Synergy Global Entertainment (SGE).

ID10T is proud to partner with the following sponsors in its inaugural year: SiriusXM, Monster Energy Drink, hosting the ID10T Comedy Stage, Toyota, the exclusive automotive partner, Snickers, Krave Jerky, Peet’s Coffee and Tea, Musicians Institute, Lyft, and many more.

For more information on ID10T Music Festival & Comic Conival, please visit:
http://www.ID10TFest.com
http://www.facebook.com/id10tfest

http://www.instagram.com/id10tfest

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Tales of Herding Gods (Mu Shen Ji) : Destiny will find you!

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What is a donghua? In essence, a donghua is an animated series similar to an anime, but hailing from China. About 90 percent of donghua I’ve watched have been cultivation-based, which was originally a Taoist concept that’s described as extending ones lifespan through the study of martial and mystical arts. Donghua have a whole library of sub-categories too, Wuxia and Xianxia and Xuanhuan and all sorts of others, but for the purposes of reviewing Tales of Herding Gods, we will stick to Xuanhuan, which is a Chinese fantasy-world setting often including elements of Chinese folklore, mythology, and even science-fiction. Armed with fresh cultivator vigor, lets dive into this!

The show is based on the popular xuanhuan novel Mu Shen Ji by Zhai Zhu. So Qin Mu was found as an infant by the disabled Elders of Disabled Elderly Village, with only a strange amulet and nothing else, not even a name, left to him. Picked up by the complicated Granny Si and one-armed Old Ma, Qin Mu was a strange child and would have certainly died if Granny Si hadn’t taken matters into her own hands. But a great destiny, and donghua are very big on Destiny, was determined for Qin Mu, and so all the Elders of Disabled Elderly Village are determined to help Qin Mu in their own, definitely unique, ways.

Qin Mu grows up strong, trained by the village Elders whom he grows to love – mask-faced Apothecary, feared by all for his poisons but the one Qin Mu’s believes is actually the nicest amongst the Elders; the half-man Butcher with literally no lower body but the blade skills of a Berserker, who teaches Qin Mu his extraordinary knife ways; the one-leg-missing Cripple who of course teaches Qin Mu his astounding movement and leg skills; the prayerful Blind who nonetheless teaches Qin Mu Eye techniques along with the staff and spear; Deaf, as one can imagine has no ears, passes on his methods of exceptional painting and proper etiquette; Mute is a Divine Blacksmith and makes all the specialized weapons for Disabled Elderly Village; Old Ma is missing an arm, and is the master and instructor of the ironic Thousand-Armed Buddha and Eight Thunderclap Strikes to Qin Mu; Granny Si was the Saintess of the Heavenly Devil Cult in her previous life, and her powers of blood and manipulation strings save Qin Mu’s butt on more than one occasion; and finally, the Village Chief is a former Sword God and human Emperor besides, who now nevertheless governs the Village from his wheelchair, in sheer grit and utter refusal to just die already.

A great deal of emphasis is placed on Qin Mu’s early training, for as he was determined for some kind of destiny, sooner or later he’d have to leave the Village to go find it (no-one wants a Destiny to come looking for them instead), and the Elders all determine that Qin Mu will be as well-armed in mind, body and spirit as they can possibly make him. All the Elders have pasts and each their own distinct training regimen that would certainly kill lesser mortals if they tried it, but Qin Mu is special, and quite determined. And all the Elders, despite any initial misgivings

they may have had when Qin Mu the infant was first found, come to love the precious boy that is the son of all of them.

The show is an incredible visual treat, with CGI animation the likes of which really hasn’t been seen anywhere, all painstakingly rendered to within an inch of its life, detailed and fully realized and totally immersive. The fight scenes, and there are of course many, are gorgeous and actually remind one of The Matrix if it were set in one of the many Chinese underworlds.

Everything has a gloriously dark gothic feel to it, especially the various monsters Qin Mu has to fight and the Disabled Elders who raised him, but also practically everywhere our

villain-in-training goes looks dark, dreadful, and gleefully ready to rend you to shreds at any given moment.

Fight on before fearsome destiny comes looking for you too, in Tales of Herding Gods which can be found on Bilibili.com now!

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The Too-Perfect Saint: Tossed Aside by my Fiance and Sold to Another Kingdom

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In a world infested by monsters and demons, women who wield Holy Powers known as Saints are the main line of defense, and the show begins as the title suggests, with the strongest Saint Philia Adenauer being rejected and sold by her former fiance to a neighboring kingdom!

Welcome to the Kingdom of Girtonia, where honestly, the people and especially their Royals are far too concerned with appearances. Philia Adenauer may be the strongest Saint in living memory and she serves Girtonia well and faithfully, but because she never smiles, whispers and recriminations follow her, rather than thanks and accolades. On the other hand, her younger sister Mia, also a Saint, is beloved by everyone in Girtonia, for she’s bright and kind and has a ready smile for everyone, even her awful parents and the main Prince of the Kingdom, the selfish and arrogant Julius.

The show goes on to mercilessly demonstrate just how badly Philia is abused by the folk of Girtonia, how she works continuously at all of her Saintly duties daily and people still take advantage of her giving nature by demanding yet more of her, her time, her efforts, her magic, and all without a smidgen of gratitude. It’s all the expected duty of the strongest Saint, after all, and if Philia ever dared to think about shirking all that she’s expected to carry on her slim shoulders, it would bring shame to the entire Adenauer family, plus the Kingdom of Girtonia besides. Nevermind that her dreadful parents are only using Philia’s prestige as the Saint of the Kingdom and her engagement to Prince Julius to boost their status in high society, and nevermind that Prince Julius himself is a brainless greedy little twit who resents Philia for her power as the strongest Saint even as he tries to use her prestige to in theory boost his own.

Philia’s own wishes have never mattered, the only one who even thinks Philia might have feelings of her own is her sister Mia, and she’s had to keep mum about them for both their sakes.

So one day Prince Julius takes it into his tiny little head to, conspiring with Philia’s own parents no less, break their engagement, marry sister Mia instead, and oh yeah, sell Philia as a Saint to the neighboring Kingdom of Parnacorta, whose Saint had died recently. All of this is done very quickly and in the most underhanded way possible, so much so that neither Philia nor Mia have the chance to protest, and now Philia’s gone and Mia’s expected to take her place in literally everything – all Philias Saintly duties and the engagement to Prince Julius besides.

Parnacorta isn’t exactly a next-door neighbor of a Kingdom, it takes a fair far carriage ride for Philia to get there and she’s even forced to walk the last few leagues or so, but compared to her treatment in Girtonia on the reg, that’s small potatoes. Fearful she won’t be able to live up to the reputation she strived so hard for in Girtonia, Saint Philia Adenauer squares her poor shoulders

and prepares to meet this new life of slavery, just in a different Kingdom, without even her beloved sister beside her.

What Philia didn’t expect, what completely floors her, was to be greeted in the capital city of Almburg in Parnacorta by Bishop Bjorn himself, at a party thrown in her honor. She sure didn’t expect earnest apologies from Second Prince Osvalt for outright buying her, but with the unfortunate death of their previous Saint Elizabeth, the Prince brothers of Parnacorta were desperate, and since Elizabeth had been Crown Prince Reichardt’s fiance, he wasn’t in much state to take care of things just then. She also did not expect to be given an actual mansion to live in, complete with servants of her own, in the form of butler Leonardo and maid Lea, who both cluck like worried hens over their new Mistress as she goes about her Saintly duties with the beaten-down countenance of someone already severely broken. In fact, damn near everyone in Parnacorta is pretty horrified at how Philia was treated in her home Kingdom of Girtonia and determine that she should never come to feel that way in Parnacorta, Second Prince Osvalt even takes it upon himself to tell Philia he hopes she will come to love his Kingdom as much as he and his subjects do.

Things have taken a remarkably upward turn for Philia, but everything comes to a grinding halt when it turns out that not only did Prince Julius not use any of the money he got for Philia’s sale in defense of Girtonia, but that Saint Mia is considerably less skilled than her sister in Saintly magic, and demons and monsters are beginning to overrun the borders of Girtonia. Of course somehow Prince Julius determines this is all actually Saint Philia’s fault, once again, and begins plotting ways to get her back to Girtonia, to fix the mess she somehow created.

Over in Parnacorta, even amidst genuine and kind folk who come to love her quickly, Saint Philia finds herself overwhelmed with the oncoming demon and monster tide, even after she takes on the inexperienced Saint of Bolmern, Grace Mattilas, for training. Philia contacts the Saints of neighboring Kingdoms to pool their magics and resources, while trying desperately to get word of the goings-on in Girtonia and the state of her sister Mia. And as outright war approaches, buoyed by the confidence of the people of Parnacorta and the always-faithful love of her dear sister Mia, Saint Philia who never smiles gathers power to her and prepares to defend all the good things in her new world!

The anime is done almost entirely in softly shaded pastels, mostly greys and violets for the Saints, with the harsher colors being left to the actual antagonists, the demons, monsters, and the belligerent folk of Girtonia who made Philia’s life miserable. The tale of an overlooked woman who gathered love and family not of her blood around her is a beautiful one, that anyone can appreciate.

Cheer on Saint Philia and her genuine new friends in The Too-Perfect Saint: Tossed Aside by my Fiance and Sold to Another Kingdom on Crunchyroll now!

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Jurassic World: Rebirth — A Promising Premise Buried Beneath Chaos

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The Jurassic franchise has always balanced on the razor’s edge between spectacle and cautionary tale, and Jurassic World: Rebirth certainly attempts to recapture that original magic. Set five years after Jurassic World Dominion, the film shifts from global chaos to localized suspense, asking a familiar, urgent question: When will humans stop f**king with nature?

It’s a bold new direction—on paper. Dinosaurs are no longer overrunning cities or frolicking in snow. What’s left of them survives in isolated, equatorial environments eerily similar to their prehistoric origins. And within the DNA of three of the most massive creatures across land, sea, and air lies the key to a revolutionary medical breakthrough—because of course it does. That idea, ambitious and morally gray, sets the stage for what could have been a taut sci-fi thriller. Instead, Rebirth struggles to find its footing.

Scarlett Johansson leads the charge as Zora Bennett, a covert ops specialist contracted to recover the critical genetic material. Johansson brings intensity and gravitas to the role, but even she can’t hold together a plot that seems to unravel faster than a velociraptor attack. Her team, including the always-excellent Mahershala Ali as Duncan Kincaid and Jonathan Bailey as conflicted paleontologist Dr. Henry Loomis, is well-cast, but the film bounces between character arcs and action set pieces with a pace that feels more chaotic than compelling.

Zora’s mission collides with a shipwrecked civilian family stranded on a forbidden island that once hosted a secret Jurassic Park research facility. It’s here, amidst overgrown ruins and long-forgotten experiments, that the movie starts to echo the tension and wonder of the 1993 original. Gareth Edwards (Rogue One) brings his signature scale and atmosphere to some genuinely impressive sequences, particularly a misty jungle standoff that had the audience audibly holding its breath.

But even stunning visuals can’t mask a story that jumps around like a spooked compy. The plot is fragmented, the character motivations murky, and a key third-act twist—while thematically rich—feels rushed and underdeveloped. There’s a fascinating idea buried beneath the surface about how humans continue to exploit nature under the guise of saving themselves. It’s pure Jurassic DNA. But the film never quite gives that theme room to breathe.

The ensemble cast—including Luna Blaise, David Iacono, and Audrina Miranda—tries their best to inject heart into the narrative, and there are emotional beats that land, particularly between Garcia-Rulfo’s Reuben and his daughter. But overall, the film never slows down long enough for audiences to invest deeply.

In the end, Jurassic World: Rebirth feels like a movie caught between two eras—trying to honor the intelligent suspense of the past while chasing the blockbuster chaos of the present. It’s not a total misfire; there are moments that genuinely thrill, and it does reawaken some of the series’ foundational questions. But it’s a bumpy ride, and one that ultimately left me wondering how many more times we need to learn the same lesson.

Final Verdict:
(5/10)
Rebirth brings back some of the feel of the original, but it’s a messy, uneven installment weighed down by its own ambition. A missed opportunity dressed in T. rex-sized potential. Let’s hope, next time, they learn to let nature speak for itself.

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