SPOILERS AHEAD! In the beginning, we’re immediately treated to a glorious golden shot of the Box, also known as Lemarchand’s Puzzle Box, and even more fun, the Lamentation Configuration, being handled by Pinhead himself as he talks with the Auditor about the need for modernizing their works on humankind. Right after that, we’re whisked off to a man who clearly has issues, being invited by a mysterious and commiserating benefactor to a place of understanding and reward; a clear demonstration of the films platform and intentions.
Inside this dead house, the Auditor (Gary J. Tunicliffe) makes a record of the sinners, well, sins, gives them to the Assessor (John Gulager) who, yes, literally eats the pages salted with the tears of children, and then freaking regurgitates the mass to the three naked ladies who comprise the psychic Jury, to render their final judgment on said sinner. All of this is done with complacent malice, so much blood and gore and thick drooling mucus, the wet slap and crunch of prehensile chains we all recall from the original films. Like discovering the Box lost in your attic next to the corpse of a dead rat who tried to pry it open, there is no escaping the honest desires of your own heart, even when it leads to your downfall.
Before we can go any further, it has to be said that these new characters introduced – the Auditor and his antiquated typewriter, the Assessor and his vomit, the Jury ladies and their Bathory bath, even the Butcher (Joel Decker) and the Surgeon (Jillyan Blundell) – are not Cenobites or even part of the Order of the Gash, to which Pinhead belongs and rules with a bloody fist. Rather, these guys and fetish dolls are known as the Stygian Inquisition, and are another Order of Hell, just like the Gash. Sadly, none of this is mentioned in the film, so mistaking every last cut-up figurine for yet another Cenobite is perfectly understandable.
Also making a surprise appearance, is an actual honest-to-whomever Angel, known as Jophiel (Helena Grace Donald). She appears in white leathers and blinding bright light, to actually trade insults and orders with the master of pain himself, Pinhead, for the delicate matter of the disposition of a soul. Another bold risk for director Tunicliffe, for never before in the entire Hellraiser film mythology, have Angels been introduced before. Demons aplenty everywhere, sure, but never actual Angels.
But we’re getting ahead of ourselves! A dog-loving socialite named Crystal Lanning (Grace Montie) has been rather brutally killed, yet another in a string of ritualistic murders from the serial killer who calls himself the Preceptor. This self-proclaimed purifier has been performing ‘Seven’-style sin cleansing murders and the cop duo of the Carter brothers Sean (Damon Carney) and David (Randy Wayne), plus an unwanted tagalong in the form of Detective Christine Egerton (Alexandra Harris), have been assigned to the case.
The detective investigation into these ritual murders is kind of lame, plays out very similar to other direct-to-video Hellraiser sequels I could name, and is basically a foil to get one of the Carter brothers to that dead house where the Auditor does his nasty job. Which is fine, I guess, but it was rather superfluous and uninspired for this kind of plot hole to be used. Then again, we didn’t necessarily come to the dead house where Pinhead and the Auditor and his cohorts judge sinners for silly things like plot.
Or did we? The plot of the Preceptor and his works here on Earth aside, there is an amazing dynamic that goes on inside the dead house, not between the Preceptor or the Stygian Inquisition, no, it’s between Pinhead and Jophiel, over which side gets the Preceptors soul. I’m reminded of the reality of Angels from films like ‘Prophecy’, who carefully explain that dealing with actual Angels, those psycho m-f-ers who are the literal embodiment of Gods will here on Earth, is a much more terrifying prospect than most people think. So how did Jophiel get to the dead house, where she attempts to set herself against Pinhead in the matter of the disposition of the Preceptor’s soul?
Imagine, Angels acting on the orders of the side they represent, sent to the dead house to claim the Preceptors soul before it can be sent to the Orders of Hell, because despite everything he’s done to other humans, the purported “Good Side” thinks his works need to continue. Gives potential to see Pinhead, the Cenobites, the Stygian Inquisition and all the Orders of Hell in an entirely new way, not being the only bad guys in the room anymore.
The visual tone of the movie is done quite well, harkening back to the original two Clive Barker-led Hellraiser films, but more washed out and crumbling, like the nightmare sun-faded world of the original Texas Chainsaw Massacre movie. Even the never-ending blood and gore isn’t as stark-staring as the original films, but rather deepened and faded at the same time, indicating the march of time and a clear aversion to anything clean.
All the special effects and makeup tricks are used to a clear purpose in Judgment, and what CGI there is, is barely noticeable as an afterthought (which I prefer, ‘cuz practical effects rule). The mythology of the Box, of the Order of the Gash and Pinhead and his Cenobites, have all been pretty well established already, so writing a story already in the set-world and taking a seriously different turn with it was very likely a good choice on the directors part.
Though the storylines do get a little muddled and there wasn’t enough of the cop parts to keep me interested in that, the dead house and the Stygian Inquisition is fascinating, and the new dynamic of Pinhead versus other Orders and even Angels is amazing. And yes, I recognized Heather Langencamp in her tiny role as the landlady of an apartment the Carter boys check; doesn’t make much never-mind to me.
Finally, we will address the hook-headed elephant in the room, that is, the newest actor Paul T. Taylor taking the iconic role of Pinhead. Certainly it’s a vast improvement over the previous actor to play him, Stephen Smith Collins, but then that poor guy trying to play Pinhead when faced with that atrocity of a Hellraiser knockoff never stood a chance anyways.
Conversely, Taylor brings back a sense of majesty back to the character of Pinhead, a steadfast calmness that reminds me of the way Barker described the Hell Priest in his last Hellraiser novel, The Scarlet Gospels, and I am all for that. The iconic makeup of the nails in the head is more or less the same, but the hollows in Taylors eye-sockets and the different and updated look of his vestments, plus a somber and yet macabre voice all his own, make for a pleasing new version of Pinhead all around.
Remember folks, that in Hell those iconic nails in the head is actually a badge of office, as in leader of the Order of the Gash, that sort of thing, so literally anyone can wear them and be known as Pinhead. For you Cenobite trivia buffs out there, at one point the pins were even worn by Kirsty Cotton herself, in the Hellraiser comic books from BOOM! Studios. Doug Bradley did make the iconic original version of Pinhead his own for many long years and increasingly-bad movies, but anyone can become the avatar of Pinhead in Barker’s world, and somehow Paul T. Taylor managed it damn nicely.
One can easily see why Tunnecliffe named his magnum opus Hellraiser Judgment, but to truly call yourself a fan of the world, see the movie and judge for yourself. I’m willing to wager you die-hard Cenobite fans out there won’t be disappointed!
Rating: 4.5/5
Apple TV’s Masters of the Air takes viewers on an intense journey through the harrowing experiences of the Eighth Air Force during World War II. This limited series, produced by the dynamic duo of Steven Spielberg and Tom Hanks, delivers a gripping portrayal of the bravery and sacrifice of the young men who fought in the skies over Europe. With a focus on authenticity and emotional depth, Masters of the Air stands as a worthy successor to its predecessors, *Band of Brothers* and The Pacific.
The series excels in its meticulous attention to detail, from the period-accurate planes to the stark realism of aerial combat. The visual effects are nothing short of spectacular, immersing the audience in the chaos and danger of high-altitude warfare. The show’s cinematography captures the vastness of the skies and the claustrophobic confines of the bombers, adding to the tension that permeates every scene.
Masters of the Air is anchored by strong performances from its ensemble cast. The actors deliver nuanced portrayals of their characters, conveying the fear, camaraderie, and resolve that defined the Eighth Air Force’s mission. The series doesn’t shy away from the darker aspects of war, including the psychological toll on the airmen and the devastating losses they endured.
However, *Masters of the Air* isn’t just about action and heroism. It also explores the complex moral dilemmas faced by the pilots and crew, adding layers to the narrative that elevate it above typical war dramas. The series’ pacing is deliberate, allowing for moments of introspection amid the chaos, which deepens the emotional impact.
In conclusion, *Masters of the Air* is a powerful and moving tribute to the unsung heroes of the skies. Its combination of historical accuracy, stunning visuals, and compelling storytelling makes it a must-watch for fans of war dramas and history buffs alike. Apple TV has once again proven its prowess in delivering top-tier original content, and *Masters of the Air* is a shining example of their commitment to quality storytelling.
With its emotionally charged narrative and breathtaking visuals, *Masters of the Air* earns a solid 4.5 out of 5 stars. This series is not just a show—it’s an experience that honors the legacy of the brave airmen who risked everything for freedom.
Rating: 10/10
If you’re a fan of fantasy worlds filled with magic, talking beasts, and a storyline that feels like a reimagined “Beauty and the Beast,” *The Sacrificial Princess and the King of Beasts* is an anime you should not miss. Streaming on Crunchyroll, this underrated gem offers a fresh and engaging twist on the classic tale of love and sacrifice in a magical otherworld.
The anime takes place in a fantastical world where humans and beasts coexist in a fragile peace. The story follows Sariphi, a young girl who has been chosen as the 99th human sacrifice to the fearsome King of Beasts, Leonhart. However, instead of cowering in fear, Sariphi faces her fate with courage and empathy, qualities that intrigue the beastly king. As their relationship develops, Sariphi learns that Leonhart harbors a deep secret that could change the fate of both their worlds.
Sariphi, the protagonist, is a breath of fresh air in the world of anime heroines. Her unwavering kindness and bravery make her a relatable and admirable character. Leonhart, the King of Beasts, is a complex character whose tough exterior hides a heart full of vulnerability. The supporting cast, consisting of talking beasts and magical beings, adds depth and richness to the world-building, making every episode a visual and emotional treat.
The animation quality is top-notch, with beautiful, lush backgrounds that bring the magical world to life. The character designs, especially the talking beasts, are creative and detailed, adding to the fantastical atmosphere of the anime. The contrast between the dark, mysterious kingdom and the warmth of the characters’ interactions is visually striking and enhances the overall storytelling.
At its core, The Sacrificial Princess and the King of Beasts is a story about breaking down barriers, understanding the “other,” and the power of love to transform even the most hardened hearts. The anime explores themes of sacrifice, acceptance, and the courage to stand up against prejudice. It’s a story that resonates on many levels, making it more than just a simple fantasy tale.
With only one season and 24 episodes, *The Sacrificial Princess and the King of Beasts* is a binge-worthy series that delivers a compelling story, memorable characters, and a beautifully crafted world. While it may not have the mainstream popularity of other fantasy anime, it’s a hidden gem that deserves more recognition. If you’re into magical worlds, talking beasts, and stories with heart, this anime is a must-watch.
This series is a great find on Crunchyroll for those who crave a blend of fantasy, magic, and heartfelt storytelling. Don’t miss out on this enchanting adventure!
★★★★☆ (4.5/5)
Red Cat Ramen or Ramen Akaneko is a captivating and unique anime that blends the worlds of culinary artistry and magical realism, now streaming on Crunchyroll. The series centers on Yashiro Tamako,
a young girl who has a dislike of cats and applies for a part-time position at a ramen joint run by cats.
The anime unfolds as Tamako and the cat staff embark on a journey to revive the struggling ramen shop, which has fallen out of favor with the locals. Each episode showcases a different cat and their interaction with Tamako through the intricate process of running the restaurant from daily cat brushings to customer service. Along the way, they encounter a cast of colorful characters, from rival chefs to eccentric food critics, each contributing to Tamako’s growth.
The story is not just about food; it’s about tradition, legacy, and the bonds that are forged through the act of cooking. The cat staff with their enigmatic personalities and vast wisdom, become both a mentors and friends to Tamako, helping her uncover the true essence of a restaurant.
Ramen Akaneko stands out in the anime world for its unique combination of culinary exploration and fantasy storytelling. The series is visually stunning, with each ramen dish meticulously animated to highlight the artistry involved in ramen-making. The anime doesn’t just stop at visuals; it delves deep into the cultural and emotional significance of ramen, offering viewers a rich, sensory experience.
The characters are well-developed, particularly Tamako, whose journey from a novice to a fully fledged staff member is both inspiring and relatable. The staff, with its mysterious aura, adds a layer of intrigue and depth to the story. Their dynamic relationship drives the narrative, making each episode feel like a new chapter in their evolving partnership.
Bunzo (文蔵)
Voiced by: Kenjiro Tsuda[3]
Sasaki (佐々木)
Voiced by: Noriaki Sugiyama[4]
Sabu (サブ)
Voiced by: Michiyo Murase[4]
Hana (ハナ)
Voiced by: Rie Kugimiya[4]
Krishna (クリシュナ, Kurishuna)
Voiced by: Saori Hayami[4]
Tamako Yashiro (社珠子, Yashiro Tamako)
Voiced by: Kurumi
The anime’s pacing is well-balanced, with a mix of light-hearted moments, intense culinary battles, and touching emotional scenes.
For fans of cooking anime, Ramen Akaneko is a feast for the senses. The attention to detail in the cooking sequences is impressive, and the way the show incorporates elements of fantasy makes it stand out from other food-themed anime. Whether you’re a ramen enthusiast, a fantasy lover, or just looking for a heartwarming story, Ramen Akaneko is a delightful watch that should be on your must-see list this year.
Ramen Akaneko is a beautifully crafted anime that offers more than just a visual feast. It’s a story of passion, perseverance, and the magic that happens when food is made with love and care. With its stunning animation, engaging characters, and heartwarming plot, this series is a must-watch for anime fans and foodies alike. Don’t miss out on this flavorful journey—head over to Crunchyroll and dive into the world of Ramen Akaneko.
Masters of the Air: A Gritty Tribute to the Heroes of the Skies
The Sacrificial Princess and the King of Beasts
Ramen Akaneko – A Flavorful Journey into Culinary Magic
Stan Against Evil Pop-up Video The Words Get Caught In My Mouth
Monkey Man Review
Everything we know about the Scrubs Reboot
Maxxxine goes to Hollywood
10 dark reasons why Friends doesn’t stand the test of time.
Hungry Hungry Hippos Fan Trailer
Cowboy Cartel on Apple TV – A Modern Western Thrill Ride
Comic-Con 2024: Arthur C Clarke’s Venus Prime TV series
Comic-Con 2024: Max Collins’s TRUE NOIR
Comic-Con 2024: Will Wight’s Cradle
Interview With Heroes & Villains Creative Director Doug Johnson
Thatsmye Interviews: Les Weiler on Henchin’: the Series
