SPOILERS AHEAD! In the beginning, we’re immediately treated to a glorious golden shot of the Box, also known as Lemarchand’s Puzzle Box, and even more fun, the Lamentation Configuration, being handled by Pinhead himself as he talks with the Auditor about the need for modernizing their works on humankind. Right after that, we’re whisked off to a man who clearly has issues, being invited by a mysterious and commiserating benefactor to a place of understanding and reward; a clear demonstration of the films platform and intentions.
Inside this dead house, the Auditor (Gary J. Tunicliffe) makes a record of the sinners, well, sins, gives them to the Assessor (John Gulager) who, yes, literally eats the pages salted with the tears of children, and then freaking regurgitates the mass to the three naked ladies who comprise the psychic Jury, to render their final judgment on said sinner. All of this is done with complacent malice, so much blood and gore and thick drooling mucus, the wet slap and crunch of prehensile chains we all recall from the original films. Like discovering the Box lost in your attic next to the corpse of a dead rat who tried to pry it open, there is no escaping the honest desires of your own heart, even when it leads to your downfall.
Before we can go any further, it has to be said that these new characters introduced – the Auditor and his antiquated typewriter, the Assessor and his vomit, the Jury ladies and their Bathory bath, even the Butcher (Joel Decker) and the Surgeon (Jillyan Blundell) – are not Cenobites or even part of the Order of the Gash, to which Pinhead belongs and rules with a bloody fist. Rather, these guys and fetish dolls are known as the Stygian Inquisition, and are another Order of Hell, just like the Gash. Sadly, none of this is mentioned in the film, so mistaking every last cut-up figurine for yet another Cenobite is perfectly understandable.
Also making a surprise appearance, is an actual honest-to-whomever Angel, known as Jophiel (Helena Grace Donald). She appears in white leathers and blinding bright light, to actually trade insults and orders with the master of pain himself, Pinhead, for the delicate matter of the disposition of a soul. Another bold risk for director Tunicliffe, for never before in the entire Hellraiser film mythology, have Angels been introduced before. Demons aplenty everywhere, sure, but never actual Angels.
But we’re getting ahead of ourselves! A dog-loving socialite named Crystal Lanning (Grace Montie) has been rather brutally killed, yet another in a string of ritualistic murders from the serial killer who calls himself the Preceptor. This self-proclaimed purifier has been performing ‘Seven’-style sin cleansing murders and the cop duo of the Carter brothers Sean (Damon Carney) and David (Randy Wayne), plus an unwanted tagalong in the form of Detective Christine Egerton (Alexandra Harris), have been assigned to the case.
The detective investigation into these ritual murders is kind of lame, plays out very similar to other direct-to-video Hellraiser sequels I could name, and is basically a foil to get one of the Carter brothers to that dead house where the Auditor does his nasty job. Which is fine, I guess, but it was rather superfluous and uninspired for this kind of plot hole to be used. Then again, we didn’t necessarily come to the dead house where Pinhead and the Auditor and his cohorts judge sinners for silly things like plot.
Or did we? The plot of the Preceptor and his works here on Earth aside, there is an amazing dynamic that goes on inside the dead house, not between the Preceptor or the Stygian Inquisition, no, it’s between Pinhead and Jophiel, over which side gets the Preceptors soul. I’m reminded of the reality of Angels from films like ‘Prophecy’, who carefully explain that dealing with actual Angels, those psycho m-f-ers who are the literal embodiment of Gods will here on Earth, is a much more terrifying prospect than most people think. So how did Jophiel get to the dead house, where she attempts to set herself against Pinhead in the matter of the disposition of the Preceptor’s soul?
Imagine, Angels acting on the orders of the side they represent, sent to the dead house to claim the Preceptors soul before it can be sent to the Orders of Hell, because despite everything he’s done to other humans, the purported “Good Side” thinks his works need to continue. Gives potential to see Pinhead, the Cenobites, the Stygian Inquisition and all the Orders of Hell in an entirely new way, not being the only bad guys in the room anymore.
The visual tone of the movie is done quite well, harkening back to the original two Clive Barker-led Hellraiser films, but more washed out and crumbling, like the nightmare sun-faded world of the original Texas Chainsaw Massacre movie. Even the never-ending blood and gore isn’t as stark-staring as the original films, but rather deepened and faded at the same time, indicating the march of time and a clear aversion to anything clean.
All the special effects and makeup tricks are used to a clear purpose in Judgment, and what CGI there is, is barely noticeable as an afterthought (which I prefer, ‘cuz practical effects rule). The mythology of the Box, of the Order of the Gash and Pinhead and his Cenobites, have all been pretty well established already, so writing a story already in the set-world and taking a seriously different turn with it was very likely a good choice on the directors part.
Though the storylines do get a little muddled and there wasn’t enough of the cop parts to keep me interested in that, the dead house and the Stygian Inquisition is fascinating, and the new dynamic of Pinhead versus other Orders and even Angels is amazing. And yes, I recognized Heather Langencamp in her tiny role as the landlady of an apartment the Carter boys check; doesn’t make much never-mind to me.
Finally, we will address the hook-headed elephant in the room, that is, the newest actor Paul T. Taylor taking the iconic role of Pinhead. Certainly it’s a vast improvement over the previous actor to play him, Stephen Smith Collins, but then that poor guy trying to play Pinhead when faced with that atrocity of a Hellraiser knockoff never stood a chance anyways.
Conversely, Taylor brings back a sense of majesty back to the character of Pinhead, a steadfast calmness that reminds me of the way Barker described the Hell Priest in his last Hellraiser novel, The Scarlet Gospels, and I am all for that. The iconic makeup of the nails in the head is more or less the same, but the hollows in Taylors eye-sockets and the different and updated look of his vestments, plus a somber and yet macabre voice all his own, make for a pleasing new version of Pinhead all around.
Remember folks, that in Hell those iconic nails in the head is actually a badge of office, as in leader of the Order of the Gash, that sort of thing, so literally anyone can wear them and be known as Pinhead. For you Cenobite trivia buffs out there, at one point the pins were even worn by Kirsty Cotton herself, in the Hellraiser comic books from BOOM! Studios. Doug Bradley did make the iconic original version of Pinhead his own for many long years and increasingly-bad movies, but anyone can become the avatar of Pinhead in Barker’s world, and somehow Paul T. Taylor managed it damn nicely.
One can easily see why Tunnecliffe named his magnum opus Hellraiser Judgment, but to truly call yourself a fan of the world, see the movie and judge for yourself. I’m willing to wager you die-hard Cenobite fans out there won’t be disappointed!
Directed by: Kishore Kumar Pardasani
Written by: Siva
Studio: North Star Entertainment
Runtime: 149 minutes
Genre: Action, Drama
Cast:
Pawan Kalyan as Katamarayudu
Shruti Haasan as Avanthika
Siva Balaji as Katamarayudu’s younger brother
Ajay, Kamal Kamaraju, Chaitanya Krishna in supporting roles
Katamarayudu is a Telugu-language remake of the Tamil film Veeram. This movie blends family drama with high-octane action sequences, delivering a narrative that is quintessentially rooted in southern Indian cinema’s flair for heroism and larger-than-life characters.
The story revolves around Katamarayudu, a righteous and fiercely protective elder brother who has dedicated his life to looking after his younger siblings. Known for his aversion to marriage, his life takes a turn when Avanthika, a poised and graceful woman, enters his life. The movie skillfully combines lighthearted romance, brotherly camaraderie, and intense action sequences, creating an engaging watch for the masses.
Kishore Kumar Pardasani delivers a visually grand spectacle while staying true to the essence of its Tamil original. While the screenplay lacks novelty, it compensates with fast-paced action and emotional beats. The dialogues, although simple, hit the right chords when it comes to showcasing family bonds and love.
Pawan Kalyan is the heart of the film. His screen presence and charismatic portrayal of Katamarayudu dominate every frame. Shruti Haasan offers a refreshing on-screen presence, and her chemistry with Pawan Kalyan adds charm to the narrative. The supporting cast, especially the actors playing the brothers, do justice to their roles, adding depth to the storyline.
The film boasts meticulously choreographed fight scenes, which are a visual treat for action lovers. Anup Rubens’ background score and songs elevate the emotional and action-packed moments. His mass appeal and command over action and emotion anchor the movie effectively.
The film adheres to a conventional template, leaving little room for surprises. At 149 minutes, the film feels stretched, especially in the second half.
Katamarayudu is a feast for fans of Pawan Kalyan and action-packed family dramas. It carries the essence of mass entertainment but doesn’t break new ground. While it caters to the sensibilities of Telugu cinema audiences, others might find its predictability a drawback.
Rating: 8/10 Fans of Pawan Kalyan and high-energy action films will undoubtedly enjoy this one, but those looking for a novel story might find it wanting.
“Do you want to watch a film with me? It’s called Marcel the Shell with Shoes On”
“What?”
“It’s about a little shell named Marcel who wears shoes.”
“…”
And that about sums it up! It’s the blob of a week between Christmas and New Year so it was the optimum time to watch a very surreal film recently added to UK Netflix.
Released in 2021 (a blob of a year) Marcel the Shell with Shoes On is about a one-inch-tall shell called Marcel who lives with his grandmother, Connie, in an Airbnb. Marcel usually stays out the way of the house’s various guests as he utilizes his only means of fast transportation (a tennis ball) and walks his pet lint on a string (Alan). This is until a documentary filmmaker named Dean, who is staying at the Airbnb, discovers Marcel and his unique lifestyle.
As filmmakers are wont to do Dean begins to film interviews with Marcel, consequently we get an insight into Marcel’s world both inside and out. Yes, Marcel is a stop-motion hermit crab shell with surprisingly expressive googly eyes but he feels very human. I was unsure about Marcel’s age and gender because he sounds a lot like Lisa Simpson, I did even check that Marcel wasn’t voiced by Yeardly Smith. But Marcel is voiced superbly by Jenny Slate. Marcel comes off as quite childlike with his wide-eyed optimism and naivety (he is a shell I suppose). Yet, like many children, Marcel will utter something so profound he will seem more of a fossil than a shell. When Dean uploads Marcel’s interviews onto YouTube Marcel of course becomes a viral sensation. Marcel reads the comments on his videos, using his tiny shoes to activate the laptop touchpad, which is just adorable! Despite his obvious popularity, Marcel remarks; “It’s an audience. It’s not a community.” Which just drives a stake into the heart of social media.
No, Marcel does not become a teeny-tiny-TikToker, he in fact uses the internet to find his lost community. The house used to be full of anthropomorphic objects including Marcel’s own shell family. They had been living in the house for generations, Connie herself came from the garage travelling by coat pocket to the main house; it’s why she has an accent. Among the community there are anthropomorphic pieces of cereal and because the internet notices this stuff; a tampon! An unfortunate event occurred and the community were accidentally removed from their home one tragic night, leaving Marcel and Connie on their own.
Being an A24 film I knew it would get deep. Marcel’s journey gives the audience a unique perspective of life, death, and community. In a modern world where we are more connected than ever but loneliness has been recognized as a universal health crisis. We could all learn something from this talented little shell and his grandmother. Be like Marcel and don’t get sanded down by life, stay connected to your community and know you are not just rattling around on your own!
It’s a beautifully poignant and quirky film. Despite its metaphysical and existential content, the film doesn’t take itself too seriously. Whether it’s Marcel making rope by winding together the pubic hairs he finds in the drain (he calls them ‘hardy hairs’) or sleeping on slices of bread referring to them as his ‘breadroom’. The film is painstakingly detailed and you can see its roots in a short film. It’s a delightful adventure that has something far bigger to say than its minuscule protagonist.
Five stars.
As an anime enthusiast and entertainment journalist, I’ve curated a list of the top five must-see anime series of 2024. These selections showcase the diversity and creativity that define the medium, offering compelling narratives and stunning animation.
Delicious in Dungeon
This series combines culinary arts with fantasy adventure, following a group of dungeon explorers who cook and eat the monsters they defeat. The unique premise and mouth-watering depictions of fantasy cuisine make it a standout this year. Kaiju No. 8
Set in a world plagued by kaiju attacks, the story centers on a protagonist who gains the ability to transform into a kaiju himself. The series offers a fresh take on the kaiju genre, blending action with deep character development.
Kaiju No. 8
Set in a world plagued by kaiju attacks, the story centers on a protagonist who gains the ability to transform into a kaiju himself. The series offers a fresh take on the kaiju genre, blending action with deep character development. Solo Leveling
Adapted from the popular web novel, this anime follows a weak hunter who becomes the world’s strongest after a mysterious system grants him unique abilities. Its dynamic animation and gripping storyline have captivated audiences worldwide.
Solo Leveling
Adapted from the popular web novel, this anime follows a weak hunter who becomes the world’s strongest after a mysterious system grants him unique abilities. Its dynamic animation and gripping storyline have captivated audiences worldwide. The Elusive Samurai
Set in feudal Japan, this historical series follows a young samurai who uses his agility and wit to survive in a turbulent era. The anime’s blend of historical context and engaging action sequences has garnered critical acclaim.
The Elusive Samurai
Set in feudal Japan, this historical series follows a young samurai who uses his agility and wit to survive in a turbulent era. The anime’s blend of historical context and engaging action sequences has garnered critical acclaim. Dragon Ball Daima
The latest installment in the iconic Dragon Ball franchise, this series introduces new transformations and challenges for Goku and his friends. Its high-octane battles and nostalgic elements appeal to both longtime fans and newcomers.
Dragon Ball Daima
The latest installment in the iconic Dragon Ball franchise, this series introduces new transformations and challenges for Goku and his friends. Its high-octane battles and nostalgic elements appeal to both longtime fans and newcomers. These anime series exemplify the innovation and storytelling prowess that continue to drive the medium’s global popularity. Whether you’re a seasoned otaku or new to anime, these titles are essential viewing for 2024.
Movie Review: Katamarayudu
You Are Not Ready for ‘Marcel the Shell with Shoes On’
Top Five anime in 2024
Mechanic Rocky
Nosferatu
Did JD from Scrubs Have a Dark Past?
You Are Not Ready for ‘Marcel the Shell with Shoes On’
‘Mufasa: The Lion King’ Will Leave You Breathless
A Brief Review and History of A Year Without a Santa Claus
Is ‘Kraven the Hunter’ a Total Letdown?
Comic-Con 2024: Arthur C Clarke’s Venus Prime TV series
Comic-Con 2024: Max Collins’s TRUE NOIR
Comic-Con 2024: Will Wight’s Cradle
Interview With Heroes & Villains Creative Director Doug Johnson
Thatsmye Interviews: Les Weiler on Henchin’: the Series
