Grammy® Award-winning musician, record producer and songwriter Sean “Diddy” Combs, record-producing hitmaker DJ Khaled, Grammy-winning recording artist and songwriter Meghan Trainor and record label executive Charlie Walk have joined the panel of experts on FOX’s new singing competition series, THE FOUR: BATTLE FOR STARDOM. The six-episode event premieres Thursday, Jan. 4 (8:00-10:00 PM ET/PT) on FOX.
“This show is going to disrupt the world of competition television and will revolutionize the format,” said Combs. “It took the right show and network to bring me back in the game. We plan on being the best talent show out there, taking it to that next level and making history again. This series is about pure competition, fighting for your survival. Do you want to win? Do you want to be great? We’re giving fans a genuine look at what it takes to make it to the top and stay there – surrounding these up-and-coming artists with the best, turning them into the next generation of stars.”
“I’m proud to announce that I will be participating in one of the most important, if not the most important events on television and pop culture,” said DJ Khaled. “It’s a one-of-a-kind experience that will showcase the best of the new generation of musical geniuses. When you come from where I come from, you know just how hard it is to turn your dreams into a reality. It’s a long road to the journey of success. I’ve spent my career discovering amazing talent and working with the biggest icons from every corner of the globe and now I’m bringing my one-of-a-kind approach to FOX. I immediately jumped at the opportunity when I realized FOX shared the same vision as me, and that’s to be the best!!! If you think you have what it takes to become the next icon, trust me, DJ Khaled is the one that will let you know. So be prepared for a new era of television. All I know is how to win…more!!! FOX x DJ Khaled…be ready!!!”
“When FOX asked me to be a part of this new series, without hesitation, my answer was…YES!,” said Trainor. “I know firsthand what it’s like to be thrown into the music industry head first, as an artist and a songwriter. I also know what it takes to hang on for the ride. I’m so humbled to help discover new talent with this amazing panel of experts.”
“What lies at the heart of the music business is ‘talent,’” said Walk. “Discovering and developing talent remains the most important, consistent driver of my home, Republic Records, and now FOX’s THE FOUR: BATTLE FOR STARDOM. I’m thrilled to be joining this incredible panel of my longtime friends, Sean, Khaled and Meghan, to help make the difference on a platform that’s truly committed to identifying and breaking the next generation of superstars. We will guide them, advise them, and be with them every step of the way on their journey, starting on the most transparent stage in television.”
Diddy, DJ Khaled, Meghan and Charlie are giants in the music space,” said Rob Wade, President, Alternative Entertainment and Specials, Fox Broadcasting Company. “They understand what an artist needs to break through – from killer music and style to innovative marketing and social media. This is a show like no other and we can’t wait to get started.”
THE FOUR: BATTLE FOR STARDOM begins where the other shows end: With the best. These four top-notch artists, spanning all music genres, will fight each week to defend their coveted seats on the show, as determined newcomers challenge them and try to knock them out of the competition. The singer who is the last standing at the end of the competition will earn the ultimate prize: the panel of industry experts becomes key players on the winner’s team. This elite group of starmakers will guide the winner’s career to help make him or her a breakout star. To audition for THE FOUR: BATTLE FOR STARDOM, please visit thefourmusic.com.
As part of the grand prize, the winner will be named an iHeartRadio “On The Verge” artist. iHeartRadio’s On The Verge program provides artists with unparalleled national reach through on-air radio exposure, as well as digital and social support across iHeartMedia’s powerful range of music and entertainment platforms. FOX also has teamed up with iHeartMedia to support auditions, assist in the search for talent and boost the careers of artists throughout the run of the competition.
Sean “Diddy” Combs, AKA Puff Daddy, started his career as the director of A&R at Uptown Records, where he was integral in launching the careers of Mary J. Blige and Jodeci. He later started his own label, Bad Boy Records, which has fostered talent that includes Mariah Carey, Method Man, Boyz II Men, Lil’ Kim and more. Combs’ solo music career began in 1997 with his first single, “Can’t Nobody Hold Me Down,” which shot to No. 1 on the Billboard Hot 100, quickly followed by a No. 1 debut album that has gone Platinum seven times. Over the course of his career, he has earned three Grammy Awards and ASCAP’s Songwriter of the Year honor. Combs also has become an established actor and executive producer in both film and television. He starred in the 2008 telefilm “A Raisin in the Sun,” for which he won an NAACP Award for Best Actor; he was an executive producer and featured personality on the 2002 unscripted music series “Making the Band 2”; and he executive-produced the Academy Award-winning documentary “Undefeated” and the Academy Award-nominated “Mandela: Long Walk to Freedom.” Combs continues to apply the same drive and entrepreneurial spirit to his philanthropic work and political activism, most recently leading the response to the water crisis in Flint, MI, by pledging one million bottles of his AQUAhydrate water, along with long-term assistance to the area. He has supported organizations including the National Foundation for Teaching Entrepreneurship (NFTE), the Boys & Girls Club and others that create opportunities for young people. He also has served on the board of the Hip Hop Action Network and rallied millions of young people to register to vote during the 2008 election, through his Vote or Die project.
DJ Khaled is a major force in the music industry. He is a music producer, a 2017 Grammy Award-nominated recording artist and New York Times best-selling author. Known as the “Anthem King” and commonly referred to as the “Quincy Jones of Hip Hop & R&B,” Khaled has made dozens of chart-topping hit records, featuring JAY Z, Kanye West, Drake, Chris Brown, Ludacris, T.I., French Montana, Future, Big Sean, Rick Ross, John Legend, Nicki Minaj and Lil Wayne, among others. In the past 12 months, he has captivated millions of fans globally by the use of social media and has been coined the “King of Snapchat.” In 2006, he launched innovative label deals and started We The Best Music Group. His 2010 hit song, “All I Do is Win,” went 3x Platinum, sold more than
three million singles and crossed over all music genres to become a mainstream hit, solidifying him as a force to be reckoned with. That same year he also released “I’m On One,” feat. Drake, Rick Ross and Lil Wayne. Khaled went on to release the hit single “No New Friends,” featuring Drake, Lil Wayne and Rick Ross, which reached gold status and has sold more than 500,000 singles worldwide. He has sold more than 15 million singles in his career. Khaled also is committed to pro-social initiatives and is the first social media ambassador of Bono’s Project Red, as well as the national spokesperson for Get Schooled.
Grammy Award-winning singer, songwriter and multi-instrumentalist Meghan Trainor is one of pop’s most reliable hit-makers, known for her powerhouse voice, indelible melodies and relatable lyrics that encourage self-acceptance and empowerment. Since her 9x-Platinum breakthrough single, “All About That Bass,” in 2014, the 23-year-old Massachusetts native has charted seven multi-Platinum singles, released two critically acclaimed studio albums – 2015’s “Title” and 2016’s “Thank You” – sold out three headline tours, written multi-Platinum hits for top pop and country artists, including Jennifer Lopez, Fifth Harmony and Rascal Flatts, and received countless industry awards and nominations worldwide. Trainor is currently in the studio finishing up her highly anticipated third studio album.
Charlie Walk, President of The Republic Group, continues to redefine the role of a record executive in a rapidly changing business. In addition to overseeing and integrating the company’s marketing, promotion and media departments, Walk also actively seeks, signs and develops new talent. He’s driven over 50 Billboard No. 1 hits. His vision and hands-on guidance have been crucial to the rise of new, generation-defining superstars The Weeknd, Lorde and Ariana Grande. He also spearheads promotion partnerships for Big Machine Label Group (Taylor Swift), Cash Money Records (Drake, Nicki Minaj) and Island Records (Shawn Mendes, Demi Lovato, Nick Jonas). He personally signed Hailee Steinfeld and co-created Joe Jonas’ new band, DNCE, to multi-Platinum status. Walk also encouraged powerhouse songwriter Julia Michaels to make the leap to becoming an artist and – after signing her to Republic – has helped her to become the biggest breakout star of 2017, with over six million singles sold to date. Before joining Republic Records as Executive Vice President in 2013, Walk spent more than 15 years at Columbia Records, fostering the careers of Destiny’s Child, Beyoncé, John Mayer, New Kids on the Block, The Fugees and John Legend, to name a few. At the end of 2005, he transitioned to President of Epic Records, where he steered the release of Shakira’s triple-Platinum-selling “Hips Don’t Lie,” which remains the ninth-most-downloaded song in music history. During his time at the label, Walk also helped break Sean Kingston, The Fray and Sara Bareilles. A longtime philanthropist and cultural leader, Walk serves on the board of Phoenix House, a nonprofit drug and alcohol rehabilitation organization; City of Hope, a cancer research and treatment center; and the Board of Councilors of the University of Southern California’s Iovine and Young Academy for Arts, Technology and the Business of Innovation.
THE FOUR: BATTLE FOR STARDOM was created by Armoza Formats and is produced by ITV Entertainment in association with Armoza Formats. David George, Adam Sher, David Eilenberg, Becca Walker, David Friedman, Avi Armoza, Moshiko Cohen and Elwin Viztelly de Groot are executive producers. Additionally, Sean “Diddy” Combs will serve as a producer on the series. “Like” THE FOUR: BATTLE FOR STARDOM on Facebook at facebook.com/TheFourOnFox. Follow the series on Twitter @TheFourOnFox and join the conversation using #TheFour. Check out photos and videos on Instagram @TheFourOnFox.
With all the discourse surrounding the much anticipated Buffy the Vampire Slayer reboot, not
to mention Sarah Michelle Gellar’s and Alyson Hannigan’s joint interview on the Today show
discussing the show’s legacy! Many fans have revised their opinions on some of the
original show’s titular characters. One such character is Hannigan’s own, Willow Rosenberg. Once seen as the shy, lovable, nerdy sidekick, now her image is less than rosy. Manipulative? Petty? And maybe worst of all: a bad friend.
10. Easing us in with a somewhat annoying one. In Season 6, Episode 11, ‘Gone’, it is
morning in the Summers household. After throwing out most of Willow’s magical stash as
the fallen wiccan tries to go cold turkey with her magic addiction (more on that later). Buffy
is post-traumatic-resurrection trying to keep it all together after a night of hot,
passionate…fighting with a vampire. Willow appears to be living in the Summers’ home rent-free and is cooking Dawn (Michelle Trachtenberg) an apology omelette. She is making a
mess while cooking, as one does, but leaves her traumatised friend to clean up after her! Poor
Buffy (you’ll hear that a lot) was just lambasting herself for not noticing Willow’s self-
inflicted downfall. Buffy is literally chopping off her own hair in distress, and no one notices!
The audacity!
9. In Season 3, Episode 2, ‘Dead Man’s Party’, Buffy has returned to Sunnydale after her
secondment in LA. After a traumatic year, Buffy clearly just wants to hang out with her
friends like a regular teenager. Willow agrees to meet Buffy in town to re-bond over
shopping. Yes, Willow did say earlier in the episode that she had school work that she would
have to rearrange, which is fair enough, but at least cancel instead of leaving poor Buffy
(see?) sitting alone waiting for you!
8. Anya (Emma Caulfield), the ex-vengeance demon, was treated pretty coolly by the
Scoobies. Willow was clearly jealous of Anya’s relationship with Xander (Nicholas
Brendon), taking Xander’s attention from her. Throughout the final seasons, Willow treated
Anya like an annoyance at best and undermined her with cruel remarks at worst. In no
episode was this more obvious than Season 5, Episode 11, ‘Triangle’. Willow is brazenly
stealing spell ingredients from Anya’s and Giles’s (her friends) small business. Willow even
says herself she is not “stealing”, she is “…just taking things without paying for them. In what
twisted dictionary is that stealing?”.
Willow comes off as a bully throughout this episode, cruelly mimicking Anya and trying to
make Xander choose between his childhood best friend and his girlfriend. I want to mention
that not only is Willow gay, but has her own girlfriend at this point. So her possessiveness of
Xander comes off as particularly childish.
7. Willow’s irresponsibility with magic becomes a large feature of the series. Even her most
ardent fans can’t explain what she was thinking in Season 5, Episode 17, ‘Forever’ when she
draws Dawn’s attention to a dark spell book. This book encourages 15-year-old Dawn to raise
her mother from the dead. Culminating in what is, in my opinion, one of the creepiest scenes
in Buffy: the shadow of zombie Joyce walking past Summer’s curtained window, returning
home. Presumably, Willow knew the dangers but was fine with a child dabbling in dark
magic.
6. Back to Season 3, Episode 2 ‘Dead Man’s Party’. After not being satisfied standing Buffy
up, she also wants to rant at a clearly distressed Buffy that Willow’s now got a boyfriend and is
practicing witchcraft, AND had no one to talk to about it when Buffy ran away. Bear in mind
that Buffy had to stab her boyfriend through the heart and send him to Hell after months of
his evil alter ego psychologically torturing her. But Willow needs her gal pal.
Very similar to Season 7, Episode 19 ‘Empty Places’ when Willow joined the group pile on,
blaming poor Buffy (and again) for everything that’s gone wrong. And then throwing Buffy
out of her own house (you know the one she pays for?)! In the words of one Buffy fan ‘Y’all
hate her so much, why did you resurrect her?’
5. Going to my personal favourite season, Season 6 (I’m not arguing about it), Episode 10
‘Wrecked’. Willow is caught in the throes of magic addiction. Within the Buffy universe,
magic was a metaphor for lesbian sex, but the metaphor changes in Season 6 to substance
abuse. Willow takes Dawn to what is essentially a magical drug den and leaves her waiting
there for over an hour. Then, high on magic, he proceeds to not take Dawn home, instead
offering to teleport her back home. Willow then gets behind the wheel of a car with Dawn
while high and crashes the car.
Buffy was known to tackle social issues, and its handling of substance abuse was surprisingly
Realistic, mainly due to Alyson Hannigan’s amazing acting!
4. In Season 4, Episode 6, ‘Wild at Heart,’ we get to see the true darkness that appears to live
inside Willow. After being cheated on by her long-time boyfriend Oz (Seth Green), Willow
takes it upon herself to hex both Oz and his cheating partner, Veruca. She casts ‘in the name
of Hell’ wanting to break both their hearts and find no peace or solace…harsh. To be fair to
her, she does stop herself, but Willow, I appreciate you got cheated on, but we can’t just go
about hexing people.
3. And now to one of the best episodes ever! Season 6, Episode 8 ‘Tabula Rasa’ delivers
some serious comic gold, but the premise of the episode is rather disturbing. Despite
promising Tara (Amber Benson), her long-term partner, that she would give up magic for a
week, Willow casts a spell. Tara is understandably upset that the woman she loves cast a
memory spell on her to make her forget their arguments. Willow’s answer to this is to cast yet
another memory spell to make Tara forget the first memory spell (stay with me). Willow also tries to cast a spell on Buffy (you know her friend suffering from depression) to make her forget being in Heaven. As is a staple in the Buffy universe, the spell goes awry, making the whole gang forget who they are, leading to hilarious hijinks.
Yes, it’s one of the funniest Buffy episodes, but if the spell hadn’t accidentally been broken, then they all could have been stuck like that.
2. For such a trailblazing relationship, Willow and Tara have a lot of problems when
scrutinised. Almost everything stems from Willow’s overuse of magic. The relationship
gets darker the more you examine it. As Tara said in ‘Tabula Rasa’, Willow violated her
mind. Some fans have pointed out; not only was the flower Willow used to cast the forgetting
spell (Season 6, Episode 6) is in an oddly convenient place in their bedroom. This begs the
question: how many times has Willow cast these spells? Fans have also pointed out that if
Tara had sex with Willow after any spell was cast on her, she wouldn’t be consenting.
1. As a surprise to literally no one, the number one time Willow was a bad friend on top of
being completely irresponsible, resurrecting one Miss Buffy Summers. Now, many may
argue that after the finale of Season 5, ‘The Gift’, it would be understandable that Willow
would think Buffy was trapped in some Hell dimension.
Ok, let’s stay with that logic. Willow is aware that resurrection spells are extremely volatile,
presumably why the Scoobies have been planning it for weeks. Xander voices it perfectly, in
Season 6, Episode 1 ‘Bargaining Pt 1’, Buffy may try to “eat our brains”. Willow even
comments (Season 6, Episode 3) on how messed up Angel was when he came back from Hell.
Willow could have caused an emotional and physical catastrophe for them all by bringing
back a ‘wrong’ Buffy who still possesses super-strength and super-speed. Spike (James
Marsters) declares in the same episode that he shut down any idea Willow had about bringing
Buffy, back in case it went so badly, they would have to “get rid of what came back”. It’s bad
when the soulless vampire is more mature than you, isn’t it?
Willow Rosenberg is indeed a very complex character played expertly by Alyson Hannigan. Willow has her flaws, but it is those flaws that make her such a compelling character. I, for one, am very interested to see what they do with the character in the reboot.
From the World of John Wick: Ballerina is a stylish and brutal addition to the ever-expanding John Wick universe. Set between the explosive events of John Wick: Chapter 3 – Parabellum and Chapter 4, the film seamlessly slots into the timeline without feeling like a stopgap. Instead, it builds something fresh, introducing a new protagonist on a vengeful journey of her own.
Ana de Armas delivers a fierce and emotionally layered performance as Eve Macarro, a ballerina-trained assassin seeking justice for her family. While her motivations mirror Wick’s, the film avoids repetition by diving deeper into the Ruska Roma and High Table lore. It’s a testament to the world-building that this spin-off doesn’t just feel justified—it feels essential.
As expected, the fight choreography is at its peak—gritty, inventive, and ruthlessly beautiful. Every action set-piece hits with a kinetic energy that’s both thrilling and brutal. This franchise continues to prove that when it comes to stunt work and direction, it’s in a league of its own. Can the John Wick series really disappoint? So far, no.
The story is tight, the pacing brisk, and each supporting performance, especially the cameos from familiar faces, adds weight and continuity to the narrative. Ballerina proves that this universe is more than just one man’s war; it’s a whole underworld waiting to be explored.
With compelling characters, rich mythology, and jaw-dropping action, Ballerina is a strong 9/10—one of the best spin-offs in recent memory.
Few directors in the modern cinematic landscape have reshaped genre filmmaking quite like James Gunn. Known for blending irreverent humor with profound emotional depth, Gunn has left an indelible mark on both indie horror and superhero franchises. As he transitions into leading DC Studios, it’s the perfect time to revisit his five finest works—each a statement of his unique voice in an often formulaic industry.
1. Guardians of the Galaxy Vol. 2 (2017)
Rating: 9.5/10
A rare sequel that deepens its characters rather than merely expanding its universe, Vol. 2 is Gunn at his most personal. The film wrestles with the pain of abandonment, the search for belonging, and the complexity of father-son dynamics—cloaked in vibrant visuals and a killer soundtrack. Yondu’s “He may have been your father, boy, but he wasn’t your daddy” line alone secures its legacy.
2. The Suicide Squad (2021)
Rating: 9/10
Chaotic, gory, and gleefully anarchic, The Suicide Squad is a wild remix of the superhero genre. Gunn injects pathos into misfits like Ratcatcher 2 and Polka-Dot Man, proving his unmatched talent for humanizing the bizarre. It’s a subversive spectacle that doubles as an anti-war allegory—with a giant alien starfish to boot.
3. Guardians of the Galaxy (2014)
Rating: 8.8/10
The film that redefined Marvel’s creative boundaries, Guardians took a gang of obscure comic-book characters and turned them into pop culture icons. With its perfect balance of humor, heart, and ‘70s mixtape vibes, it’s the origin story of Gunn’s mainstream rise and one of the MCU’s most beloved entries.
4. Slither (2006)
Rating: 8/10
Before superheroes and intergalactic misfits, Gunn gave us Slither—a grotesque and hilarious horror-comedy with serious B-movie charm. This film showcases his roots: practical effects, quotable dialogue, and an affection for the genre’s oddballs. It’s disgusting, delightful, and distinctly Gunn.
5. Guardians of the Galaxy Vol. 3 (2023)
Rating: 8/10
An emotionally charged finale to the Guardians trilogy, *Vol
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