Connect with us

Chris Jericho Is EVERYWHERE! Can the WWE Legend Become an Industry?

Published

on

Listed by Sports Illustrated as one of the greatest wrestlers in WWE history, few wrestlers, or entertainers for that matter, have done more to brand their name than Chris Jericho.

From the eponymous List of Jericho, a bit he made famous on the WWE stage, to his rock n’ roll persona which has become part of his identity from the wrestling ring to his heavy metal rock band, Fozzy, “Jericho” is synonymous with an over-the-top drive that knows no bounds, and some say, an ego to match. We discuss the motivation behind his unrelenting self-promotion, and work ethic, throughout our talk.

Talk is Jericho is his popular Westwood One podcast show; But I’m Chris Jericho, a streaming comedy series, is going into its second season (CBC Canada); and a collaboration with Hot Topic clothing stores on a T-shirt featuring his likeness and emblazoned with “Jerichoholic,” ensures his name and image are everywhere these days.

In Jericho’s new book (the fourth one he’s written, if you’re counting), No Is A Four-Letter Word, Jericho describes himself as an underdog who set his sights on professional wrestling and rock n’ roll, while growing up in a small town in Winnipeg, Canada. As a teen, he dreamed about making it big, though he says he got little support from friends and acquaintances in his small “prairie town” as he puts it. It was his father, a retired NHL hockey player, and his grandmother, an enthusiastic wrestling fan, who gave him the confidence needed to pursue his dreams.

He favors using his name, Jericho, to saying “I” or “Me,” when speaking about himself, and pulls no punches when discussing his success, both, inside and outside the ring.

Chris Jericho is determined to give the biblical Walls of Jericho a run for its money with respect to historical value.


TME: Tell me about your stage name “Jericho.”

Chris Jericho: It just sounded cool. I originally thought up the name “Jack Action,” and the guy I was originally training with started laughing at Jack Action (Laughs). At the time I needed to think of a name quickly, because I had a show coming up in three weeks. I was into a band called The American Dream, and they had an album called Walls of Jericho. I was in my car, I looked at that album and I thought, “That’s a pretty cool name.” I was also a big fan of the show Teen Titans back then, and there was a character called Jericho, although he was the character with the worst superpowers. But the combination of the two and I thought, “Chris Jericho.” When I was training in Canada, they wanted me to be a country western type of character called Cowboy Chris Jericho, and I was mortified about that because I was a rocker guy. In my very first match, I’m listed as “Cowboy Chris Jericho” from Casper, Wyoming.

TME Then you quickly made your transition to a rock-n-roll character, I’m assuming.

Chris Jericho: Well, yeah. I mean, my character wasn’t necessarily a rocker at that point. I just wasn’t a cowboy (laughs).

TME: I read your latest book, No Is A Four-Letter Word. You’re a “Mountains in the Distance” kind of a guy. You don’t rest on your laurels. It’s not about the mountain that’s already been climbed; it’s about that next mountain in the distance. Even though you’ve done a million different things, is there a dream or goal yet to be fulfilled?

Chris Jericho: I don’t really have an answer for that, because I don’t set goals or boundaries for myself. I react and go with the flow of opportunities that are offered to me. When I was a kid I wanted to be in a rock n’ roll band and I wanted to be a wrestler; those were the two goals. People didn’t think I could do either of them. But here we are 27 years later. Once you get that kind of confidence and success rate, then you become dangerous. Now I’ll try anything and most of the time it’s a success. I don’t do anything for the money. I don’t do anything that I don’t feel that I want to do. Therefore, it all flows together because I’m just being me and committing to something, and wanting it to be good. It’s when you don’t feel right about something. It’s like if you were writing a piece about someone that you’re not really feeling, and not into. It’s never going to be as good as something that you’re excited about and want to do. Even talking about But I’m Chris Jericho, this is an idea I had in 2005 when I left the WWE and took a break because I was burned out. I went to LA to study acting. I’d go to these auditions and there would be ten guys who looked exactly like me. You go in and do one line like, “These pretzels are making me thirsty.” And it was like, “Thank you. Next.”

TME: I like the Seinfeld reference…

Chris Jericho: I’d be thinking, “But I’m Chris Jericho. I have a fanbase and notoriety.” I learned in Hollywood that nobody gave a shit. I thought, what would happen if Jericho got blackballed from wrestling and had to start from scratch as an actor? That’s where the idea came from for But I’m Chris Jericho. I pitched the show for 8 years! It was finally sold in 2013 for a first season. Then it took four years for the second season to be made.

TME: Why is that? I watched the first season of the series, which was hilarious. Loved it! Why did it not get picked up for a second season until 2018?

Chris Jericho: That’s the million-dollar question, because it was a hit and it won a lot of awards. At the end of it, I realized it was really good, and we created this universe with all these wacky characters; Scott Thompson was in it, Colin Mochrie was in it from Who’s Line Is It Anyway. Andy Kindler from Everybody Loves Raymond and Bob’s Burgers. These are really funny people. We won awards at the Los Angeles Film Festival, Toronto Film Festival, Vancouver Film Festival.

TME: How did the show get revived?

Chris Jericho: CBC Network in Canada called a year ago and they wanted to do another season. It’s really gratifying. If I believe in something, I will do everything I can to make it happen. After we did the first season, and you were talking about the mountain, I wanted to do more. I knew there was something to this show that was special and funny. Thankfully, finally, CBC agreed with that. If you really want something to happen, sometimes it doesn’t happen easily, and that’s okay. You have to believe in it and stick with it, even if it’s not easy.

TME: Do you consider yourself to be a great manifester?

Chris Jericho: I look at it as being positive and believing in yourself, and eliminating negativity. That was something I learned way early on in my career when I was starting out as a wrestler at nineteen. People see me now as one of the greatest wrestlers of all time, but that wasn’t always the case. Everyone laughed when I originally said I wanted to be a wrestler; literally laughed. One time at church the pastor said, “Chris is going to Calgary to be a wrestler,” and he started laughing. I eliminated those people. Anyone who thought that I couldn’t do it or gave me any kind of negativity, I didn’t allow it to permeate.

TME: What do you teach your three kids about making their dreams come true, or do you simply lead by example?

Chris Jericho: Just set an example, because they’re young right now. One thing I don’t tolerate in my house is if they say, “Well, I’m not good at this,” or “I suck.” No, you don’t! If you want to be good at something, you have to put the time in. That’s the thing with a lot of kids these days, or maybe always; trying once or twice, and if it doesn’t work out they go on to the next thing. If you really want to do something, for example, if you really want to play basketball, it takes more then three free throws at the net to get good. You’ve got to spend hours practicing. That’s what I show my kids, that hard work always wins.

TME: Denzel Washington has a saying he uses a lot that I love – “anything you practice, you get good at.”

Chris Jericho: It’s true. And some people do have a natural talent for something. I could play guitar every day, and I’m not necessarily going to be Eddie Van Halen, but I could probably get to be a pretty damn good guitar player. And don’t worry about what this guy down the block is doing or succeeding at. It’s about, how can you improve yourself on a daily basis? How can you get better at what you want to do? Don’t worry about anybody else. Be happy with what you’re doing.

TME: Which opportunity came first for you, the WWE or your band Fozzy?

Chris Jericho: I started playing music when I was thirteen or fourteen. I began wrestling at nineteen. The wrestling took off first, but I still always dabbled in the music. Then I finally met the right guys, and the music came to fruition in 1999. I was finally able to start working on music because I had finally met the right guys that I wanted to play with. I’ve always had to keep both vocations separate, because a lot of times a celebrity will start a band more as a novelty and sometimes they’re not really all that good at it. I knew I would have to work twice as hard to get respect because of who I am, but that’s fine. There is a select group of people who can do both. Taylor Momsen of Reckless, Jared Leto with 30 Seconds to Mars, or Johnny Depp with Hollywood Vampires. If you’re good, you’re good. A good song and a good musician is a good song and a good musician. Doesn’t matter what else you do on the side. I don’t mind going the extra mile to prove to people that Fozzy is a great rock n’ roll band. Judas (the group’s 7th studio album) has been in the top ten for nine weeks on radio, and doing ten million streams.

TME: Do you feel that Fozzy has arrived? Or do you feel you have something more to prove?

Chris Jericho: We’ve definitely arrived, and we’re bigger now than we’ve ever been. If we stopped tomorrow that’s fine, but until we’re headlining arenas, headlining stadiums there’s always more you can do and bigger you can get. But I’m not worrying about what the Rolling Stones are doing; I’m worrying about what Fozzy is doing. As of right now, we’re the biggest we’ve ever been with a legit hit song, so yeah, we have arrived. We’ve had some other hit songs, but Judas is on a completely different level. I call it The Judas Effect. The awareness of the shows and the awareness of the band, they’re playing it at hockey games now.

TME: Do you see Fozzy, at some point, headlining at Madison Square Garden?

Chris Jericho: Absolutely. If I didn’t… quit now. I grew up in Madison Square Garden. My dad (retired NHL player, Ted Irvine) used to play for the New York Rangers. I remember sitting in the crowd at three or four years old watching him play, and hating the fact that it was so loud. The crowd was so loud, and fast forward to 1999, I made my first appearance at Madison Square Garden for WWE. Then fast forward a couple of years later in 2008, John Cena and I had a cage match that broke the box office attendance record for the WWE Main Event at MSG. It all comes full circle. And, yes, now I want to take Fozzy to Madison Square Garden.

TME: I want to talk about your dad, Ted Irvine, who as we were discussing, was a successful NHL hockey player with the New York Rangers. Was there ever a time when you wanted to follow in his footsteps to become a professional hockey player?

Chris Jericho: No. After my dad retired we moved to Winnipeg [Canada], and everybody plays hockey there; it’s just what you do. I had fun playing hockey; it was a great childhood experience. But honestly, I just wasn’t very good at it. There were four tiers. Tier 1 were the best guys, tier 4 were the worst. I was always a tier 3 guy. They would have tryouts, and I could never even get to tier 2. I wasn’t the worst player, but I wasn’t the best. My dad knew it; he knew I enjoyed it, but the passion wasn’t there. I was always passionate about music and wrestling. Once I let him know what I wanted to do, he was super supportive. We drove out to Calgary to check out the wrestling school, the year before I left to go in 1989. He drove me out there to see what his son was going to be getting into. He was always very, very supportive because he knew hockey wasn’t my thing.

TME: Why wrestling?

Chris Jericho: Why does the world rotate? It always appealed to me. My grandma used to watch it when I was a kid. She’d freak out and yell and scream at the TV. There was always this Saturday trifecta of Bugs Bunny, wrestling and then hockey on television. That was just a Saturday night. She always loved wrestling, and I always enjoyed it and watched it with her. Hockey was always about the team. I liked that wrestling was about the individual and the characters and personalities. Because I was really into music, I liked that a lot of wrestlers had a kind of rock n’ roll type of attitude and image. I became mystified by it.

TME: The theatrics of it all; the combination of theatrics and athleticism in one…

Chris Jericho: Exactly, and characters… the personalities. That’s where it all started. I became a big wrestling fan. I was watching a local wrestling show from Calgary and they advertised the wrestling school on there, and that was it. You’d see wrestling shows on television that were from New York, California, Chicago. Back then, New York might as well have been Mars! How the fuck was I going to get to New York? But Calgary, I could get in my car and drive there in thirteen hours. I decided I wanted to go to Calgary and train how to wrestle.

TME: You talk in your book about your experience in Saudi Arabia, when you were there wrestling for the WWE. You were shocked that women in Saudi Arabia were not permitted to attend your show. You had a lot of female fans there who weren’t able to come see you. They stood outside by the road to catch a glimpse of you or get a wave from you, because that was the closest they were going to get to seeing your match. In light of what is going on in the United States right now, with women fighting for equal treatment in the workplace, and in general, and the fact that you have daughters, what kind of impression did that experience leave with you? How do you feel about it, and would you go back to Saudi Arabia?

Chris Jericho: I’m not going to protest it. When you travel the world, different countries have different customs. Different religions have different customs; different races of people, depending upon where you are, have different customs. You can’t mess with it, you know? When in Rome, as the saying goes. I’m not going to protest going to Saudi Arabia because they don’t allow women to go to the shows. I think it’s ridiculous, and it hurt the business. You go and play to a 70% full house because there’s only guys in there. The vibe is different. It’s not as fun, because you don’t have that female element and the reaction they give you. And why wouldn’t you want women there? But that’s how it is. I can’t change the entire Muslim tradition and the way they do things. I just observe. It’s like the Prime Directive in the Star Trek universe. You can observe, and if you can’t change it, don’t try to.

TME: Let’s talk about your podcast on Westwood One, Talk Is Jericho. Do you feel like something of a journalist when you are interviewing guests for your show?

Chris Jericho: I don’t do interviews in that way. It’s more of a conversation. It’s more about relating, talking, connecting and just having a great conversation. There aren’t questions or a specific structure. When people leave my show, they leave thinking it was a fun show and they were excited to be a part of it. It’s more about being curious and personable, and respecting people who have accomplished something, whether it’s the most famous of actors, hall of fame musicians or a guy I went to high school with. People follow me because it’s Jericho’s show, not so much because of who I have on.

TME: I read you’re making an appearance at WWE Monday Night Raw this year. Can you tell me about this appearance?

Chris Jericho: They’re having their 25th anniversary show. A bunch of people are coming back to be involved in the show, and they asked me to do it. It’s not going to be the Full Jericho Experience, and I don’t want it to be because I don’t want people to think I’m coming back. It’s just one more cameo to say “Hi,” be involved and to be appreciative of the history of the show and all the contributions that I’ve made to it.

TME: Do you think you have a big ego?

Chris Jericho: Absolutely. Not in a dangerous or bad way, but you have to be aware of who you are and what you’ve accomplished. You don’t brag about it, but ego isn’t necessarily a bad thing. You talk to anybody that’s accomplished anything and they’re going to have a little bit of an ego, because you know how much you went through to get it. Like you said about Denzel, you practice something enough, and you get good at it. Well if you practice something and you become good at it, you become one of the best at it, how could you not have an ego? But there’s still a way to be humble and have an ego, if that makes sense. Someone giving you accolades and their undying admiration, that’s a pretty cool thing. To know you’ve changed somebody’s life or influenced somebody’s life in a positive way, it’s very powerful. That is very humbling and one of the reasons I still love doing what I do after 27 years. A lot of people rely on me to entertain them and to help them out of situations where maybe they’re having a bad day. They can have a laugh on me. I also know that when I walk down the street, 9 times out of 10, someone’s going to want to take a picture or say hello, and I don’t think it’s a bad thing to have that sort of ego. If it is, then I’m guilty of it. I don’t think it’s possible to not have an ego when you have been doing as much as I have and had the level of success I’ve had over the years.

TME: You’re now 47. What are your thoughts about turning 50? What does the number 50 signify in your life?

Chris Jericho: Nothing, really. I just had this match in Tokyo (at the Tokyo Dome for New Japan Wrestling) and it was a great match. People were calling it the best match of Jericho’s career, and saying, “Who can believe he did it at 47?” I don’t think of myself that way. I think of myself as someone who’s still in his prime. Because of an age, people are supposed to say that you’re not? Is aging going to happen? Of course, it is. You can’t stop time. But for now, at 47, I feel like I did when I was 27. But I’m a lot smarter and a lot better. Fifty? As long as you still try these days, you can still look good, you can still be cool, and you can still contribute. I saw the Stones last year. Mick Jagger at 74 was still the best front man in rock n’ roll. Not a great front man for 74, a great front man, period! I saw Ann-Margret the other day, she’s 75, and still amazingly gorgeous. There’s no retiring at 55 with a gold watch, anymore. My dad still works at 74. Why shouldn’t he?

TME: So, Chris Jericho at 50 will be a non-event?

Chris Jericho: Jericho at 50? What happens if at 50 I have a better match than I had at 47? What happens at 50 if Fozzy has a Number 1 song? I’m much smarter now than I was when I was young. As long as my attitude and drive don’t go away, it doesn’t matter what age you are.

Continue Reading

Streaming

KGF chapter 1 – A Gritty Saga of Power, Poverty, and Redemption

Published

on

Indian cinema has a long-standing tradition of delivering grand narratives that are equal parts spectacle and soul. KGF: Chapter 1 (Kolar Gold Fields), directed by Prashanth Neel, is a prime example. This gripping action-drama chronicles the meteoric rise of Rocky, a man driven by a promise and fueled by his hunger for power. Released to critical acclaim, KGF has redefined the boundaries of storytelling in Indian cinema.

Set in the 1970s, KGF follows the journey of Rocky (Yash), a young boy born into poverty in the slums of Mumbai. From a tender age, Rocky is shaped by two forces: his mother’s dying wish for him to rise above his circumstances and his unyielding ambition to command respect and fear.

His journey takes him to the gold mines of Kolar, a lawless land ruled by brutal oppressors. The film tracks Rocky’s transformation from a street-smart hustler to a feared force who challenges an empire built on blood and exploitation.

The strength of KGF lies in its compelling protagonist. Yash delivers a magnetic performance as Rocky, embodying both his raw charisma and ruthless determination. The film paints a vivid picture of a man who thrives in adversity, using every setback as fuel for his ascent. Rocky is not a mere vigilante but a strategist, whose ability to inspire loyalty and strike fear sets him apart.

The movie captures his internal conflict beautifully — while he climbs the ladder of power, he never loses sight of his mother’s dream for him. This duality makes Rocky more than just a hero; he is a symbol of rebellion, resilience, and redemption.

At its core, KGF is a commentary on systemic oppression and the human spirit’s ability to rise against all odds. The stark contrast between the opulence of the gold fields’ rulers and the crushing poverty of its workers sets the stage for Rocky’s rebellion. His fight isn’t just personal; it’s for the voiceless, the oppressed, and the forgotten.

The film doesn’t shy away from showcasing the brutal realities of poverty and exploitation, making Rocky’s triumph all the more satisfying.

Prashanth Neel’s direction is nothing short of masterful. Every frame of KGF is meticulously crafted, from the sweeping vistas of the Kolar gold fields to the grimy underbelly of Mumbai’s streets. The gritty visuals are complemented by an electrifying background score that enhances the film’s larger-than-life moments.

The nonlinear narrative, interspersed with a journalist’s account of Rocky’s rise, keeps viewers engaged and adds layers to the storytelling.

The action sequences in KGF are a visual feast. Yash’s larger-than-life persona is amplified by choreographed fights that are brutal, balletic, and breathtaking. Each confrontation feels earned, showcasing Rocky’s ingenuity and brute strength. The climax, set against the backdrop of the Kolar gold mines, is particularly unforgettable.

KGF: Chapter 1 is a cinematic triumph that combines raw emotion, relentless action, and a protagonist you can’t help but root for. Yash’s performance and Prashanth Neel’s vision elevate the film to a league of its own, making it a benchmark in Indian cinema.

KGF is more than a film; it’s an experience. It’s a story of ambition, sacrifice, and the indomitable human spirit. Rocky’s climb from the depths of poverty to the pinnacle of power is not just inspiring — it’s electrifying.

Whether you’re a fan of action-packed dramas or epic tales of rebellion, KGF delivers on every front. With its gripping narrative and unforgettable performances, it’s a must-watch for anyone who loves a good underdog story.

Rating: 4.8/5 As Rocky says in the film, “Powerful people make places powerful.” By the end of KGF, you’ll realize that Rocky is one of them — and so is this film

Continue Reading

Streaming

Movie Review: Jailer

Published

on

Director: Nelson Dilipkumar
Starring: Rajinikanth, Mohanlal, Jackie Shroff, Ramya Krishnan, Shiva Rajkumar
Genre: Action/Drama
Release Date: August 10, 2023
Rating: ★★★★☆ (4/5)


Rajinikanth is Back with a Bang in Jailer: A High-Octane Blend of Style and Emotion When Rajinikanth takes center stage, audiences expect grandeur, charisma, and larger-than-life storytelling. Jailer does not disappoint. Directed by Nelson Dilipkumar, this action-packed entertainer delivers a well-crafted narrative that combines thrilling action sequences with moments of emotional depth. The film also benefits from a strong supporting cast, stylish direction, and a standout performance from the Superstar himself.

Jailer follows the story of Muthuvel Pandian (Rajinikanth), a retired prison warden who lives a quiet life with his family until a tragic event forces him to confront his past. When his son, an upright police officer, is killed while investigating a powerful criminal syndicate, Pandian embarks on a quest for justice. What sets this story apart is its layered exploration of a father’s grief, his thirst for vengeance, and the moral dilemmas he faces.

The narrative is a fine balance of emotional stakes and action-driven storytelling. Nelson’s direction ensures the pace rarely dips, keeping audiences hooked with unexpected twists and a perfect dose of humor.

Rajinikanth proves once again why he’s revered as one of India’s most iconic actors. His portrayal of Muthuvel Pandian is nuanced, blending vulnerability with raw intensity. At 73, Rajinikanth shows no signs of slowing down, delivering electrifying fight scenes, commanding screen presence, and a performance laced with his trademark style.

In quieter moments, Rajinikanth brings emotional weight to the character, making the audience empathize with Pandian’s pain and determination. This balance of action hero and grieving father reminds us of his versatility as an actor.

While Rajinikanth is undoubtedly the centerpiece, Jailer benefits from a strong ensemble cast:

Mohanlal (special appearance): Mohanlal’s cameo is brief but impactful, adding gravitas to the film. His scenes with Rajinikanth are a treat for fans of both legends.

Jackie Shroff: Playing a calculating antagonist, Shroff brings his trademark menace to the role. His dynamic with Rajinikanth adds tension and drama to the story.

Shiva Rajkumar: His performance as a pivotal character is intense and memorable, showcasing his ability to match Rajinikanth’s screen presence.

Ramya Krishnan: As Pandian’s wife, Ramya delivers a grounded and heartfelt performance, adding emotional depth to the narrative.

Nelson Dilipkumar crafts a tightly woven script with moments of dark humor, intense action, and emotional resonance. The film’s pacing is a strength, as it rarely allows for a dull moment. Nelson’s direction ensures that each character, even those with limited screen time, leaves a lasting impression.

The screenplay does falter slightly in the second half, with a few predictable turns. However, the action sequences and Rajinikanth’s performance more than compensate for these minor shortcomings.

Cinematography: Vijay Kartik Kannan captures the film’s action and emotional moments with flair. The dynamic framing of fight sequences enhances their impact, while the quieter moments are shot with subtlety.

Music: Anirudh Ravichander’s pulsating score elevates the film’s intensity, while the songs complement the narrative without feeling forced. Tracks like “Hukum” have already become chartbusters.

Editing: R. Nirmal ensures crisp editing, particularly during the action scenes, maintaining a high level of engagement throughout the runtime.

At its core, Jailer is more than just an action film. It explores themes of justice, family, and the consequences of revenge. Muthuvel Pandian’s journey is not only about defeating his enemies but also confronting his own vulnerabilities and responsibilities as a father and husband.

The film also delves into the psychological toll of violence, making it more layered than the average revenge drama.

Rajinikanth’s Performance: Charismatic, powerful, and deeply emotional.

Action Sequences: Well-choreographed and exhilarating, with Rajinikanth at his best.

Supporting Cast: Exceptional performances from Mohanlal, Jackie Shroff, and Shiva Rajkumar.

Direction: Nelson Dilipkumar’s deft handling of the narrative keeps it engaging.

While Jailer delivers on most fronts, the second half occasionally leans on familiar tropes. Some supporting characters, despite strong performances, could have been given more depth.

Jailer is a fitting showcase for Rajinikanth’s enduring star power and Nelson Dilipkumar’s storytelling finesse. With its blend of action, emotion, and style, the film is a worthy addition to the Superstar’s illustrious career. Fans of Rajinikanth will leave the theater satisfied, and newcomers will understand why he’s a legend.

Final Rating: ★★★★☆ (4/5) Jailer is a must-watch for action lovers and Rajinikanth fans alike.

Continue Reading

Streaming

Kill on Amazon Prime – A Heart-Stopping Tale of Love and Heroism

Published

on

Indian cinema often delivers stories that resonate on both emotional and visceral levels. Kill, a gripping action-romance now streaming on Amazon Prime, is no exception. Directed by Nikhil Nagesh Bhat, this high-octane thriller blends heart-wrenching emotion with relentless action, leaving viewers at the edge of their seats.

Set aboard a speeding train, Kill tells the story of Amrit (Lakshya), a loyal soldier returning home with a promise to reunite with his childhood love, Tulika (Tanya Maniktala). The couple’s tender, budding romance is the heart of the narrative, with scenes of their innocent exchanges juxtaposed against the chaos that soon engulfs them.

Their journey takes a dark turn when a gang of ruthless dacoits hijacks the train, intent on robbing and killing its passengers. What unfolds is a gripping battle for survival as Amrit transforms from a man in love to a one-man army, determined to protect Tulika and the innocent lives aboard.

The romance in Kill is as compelling as its action sequences. Amrit and Tulika’s relationship is characterized by a delicate vulnerability. Lakshya and Tanya Maniktala’s chemistry brings authenticity to their roles, making their love story feel real and raw. Their shared dreams of a future together contrast painfully with the brutal violence surrounding them, intensifying the emotional stakes.

The heartbreak lies in Amrit’s constant struggle to protect Tulika while confronting the fragility of their dreams in the face of overwhelming odds. The film poignantly captures how love can endure, even amidst devastation.

Lakshya delivers a career-defining performance as Amrit. Initially portrayed as a soft-spoken and unassuming soldier, his transformation into a relentless protector is both believable and inspiring. The action sequences are brutal and stylized, reminiscent of martial arts thrillers, but with a distinctly Indian flair. Amrit’s fight scenes are raw and unrelenting, embodying the desperation of a man with everything to lose.

The narrative subtly highlights themes of duty, sacrifice, and the lengths to which love can push a person. Amrit’s journey from a lover to a savior is as emotional as it is exhilarating, making him a hero worth rooting for.

The confined setting of a train amplifies the film’s tension, with claustrophobic corridors and dimly lit compartments serving as the perfect backdrop for the story’s chaos. Nikhil Nagesh Bhat’s direction ensures that every shot is purposeful, oscillating between tender romantic moments and pulse-pounding action. The cinematography and sound design heighten the stakes, immersing viewers in the characters’ perilous journey.

Kill masterfully balances romance and action, offering a visceral experience that tugs at the heartstrings while delivering adrenaline-pumping sequences. Lakshya’s standout performance and the film’s emotional depth make it a must-watch for fans of Indian cinema and action-thrillers alike.

Kill is more than just an action movie; it’s a testament to the power of love and the resilience of the human spirit. While its unflinching violence might not be for everyone, those willing to embrace its intensity will find a story that stays with them long after the credits roll. This film firmly establishes Nikhil Nagesh Bhat as a director to watch and leaves audiences eagerly anticipating what’s next for its talented cast.

Rating: 4.5/5 If you’re looking for a film that combines action, romance, and heart-pounding thrills, Kill is the perfect pick.

Continue Reading

Trending

Copyright © 2012 - 2024 That's My Entertainment