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CCI 2018: History Returns To San Diego Comic-Con With Several Exciting Opportunities For Fans

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HISTORY’s hit drama series “Vikings” returns to San Diego Comic-Con with several exciting opportunities for fans including a cast panel in Ballroom 20 that will reveal an exclusive mid-season five trailer, a Seer inspired booth on the convention floor, and an exclusive SDCC comic book entitled “Vikings: Causor.”

Additionally, HISTORY’s upcoming new UFO drama series “Project Blue Book” will make its SDCC debut with a cast panel and a unique, outside activation featuring real UFO cases and an attempt to make contact with life beyond earth from San Diego grounds. Executive produced by Robert Zemeckis, the drama series is inspired by the true, Top Secret investigations into Unidentified Flying Objects (UFOs) conducted by the United States Air Force from 1952-1969 and stars Aidan Gillen (“Game of Thrones”) and Michael Malarkey (“The Vampire Diaries”). HISTORY will also offer fans the opportunity to take home an exclusive “Project Blue Book” inspired comic book entitled “Project Blue Book – Case #1972.”

Please see details below and join in on the conversation by using #VikingsSDCC @HistoryVikings and #BlueBookSDCC.

HISTORY’s “VIKINGS” PANEL – Friday, July 20 from 11:45 a.m. – 12:45 p.m. – Ballroom 20
The cast of HISTORY‘s hit drama series “Vikings,” including Katheryn Winnick (“Lagertha”), Clive Standen (“Rollo”), Alexander Ludwig (“Bjorn”), Alex Høgh Andersen (“Ivar the Boneless”), Georgia Hirst (“Torvi”) and creator/writer, Michael Hirst, will get fans excited about the upcoming midseason premiere by discussing last season’s startling alliances, deaths and unbelievable betrayals as the Vikings fight to rule the world. An exclusive mid-season five sneak peek will be revealed. Cast subject to change.

HISTORY’s NEW DRAMA SERIES “PROJECT BLUE BOOK” PANEL – Saturday, July 21 from 6:45 p.m. – 7:45 p.m. Room 6A
HISTORY’s upcoming new drama series “Project Blue Book” is inspired by the work of Dr. J Allen Hynek and the true, top secret investigations into Unidentified Flying Objects (UFOs) and related phenomena conducted by the United States Air Force from 1952-1969. Series stars Aidan Gillen (“Game of Thrones”), Michael Malarkey (“The Vampire Diaries”), Neal McDonough (“Arrow,” “Legends of Tomorrow”) and Laura Mennell (“Alphas,” Watchmen), along with producers, will share details about what’s to come in the new series and reveal a sneak peek of the first season. Cast subject to change. 

PROJECT BLUE BOOK HEADQUARTERS – July 19-22 from 10 a.m. – 7 p.m. daily (10 a.m. – 5 p.m. on Sunday, July 22nd) – Petco Parking Lot
HISTORY is giving SDCC attendees an exclusive sneak peek into the world of its upcoming drama series “Project Blue Book.” A top-secret government sector of the United States Air Force, Project Blue Book investigated the presence of UFOs and related phenomena on our planet.

Located in the Petco Parking Lot, Project Blue Book HQ will bring these real UFO cases back to life with immersive experiences, including a chance to send a message billions of miles into space in an attempt to answer the timeless question: is there life beyond earth?

VIKINGS “SEER’S LAIR” CONVENTION CENTER BOOTH – July 19-22 from 9:30 a.m. – 7 p.m. daily (9:30 a.m. – 5 p.m. on Sunday, July 22nd) – Booth #4215
Only the Seer knows what lies ahead in the upcoming season of HISTORY’s “Vikings” and this year at San Diego Comic-Con, fans have the opportunity to enter his lair and consult him about their own future in a hyper-shareable photo prophecy. Join us and see what the future has in store for you!

VIKINGS Comic Book – Series Creator Michael Hirst, Story and Cover by Andi Ewington, Artwork by Daniel Indro
Custom, limited edition VIKINGS comic books will be given to select fans who visit HISTORY’s “Seer’s Lair” convention center booth. In this exclusive comic book for SDCC, after the battle between Ragnar Lothbrok’s sons ends in chaos, the wrath of Thor comes down upon scavengers who have stolen Lagertha’s hammer amulet found in Astrid’s dying hands.

PROJECT BLUE BOOK Comic Book – Creator & Story by David O’Leary, Executive Produced by Robert Zemeckis, Sean Jablonski, Jack Rapke and Jackie Levine, Written by George Mann, Artwork by Mann House
Custom, limited edition “Project Blue Book” comic books will be given to select fans who visit the “Vikings” convention center booth and the “Project Blue Book Headquarters” activation on the Petco Parking Lot. In this exclusive comic book for SDCC, characters Dr. Allen Hynek and Captain Michael Quinn investigate real life Project Blue Book case #1972: The Pittsburg Kansas UFO encounter and interview William Squyres, a radio station musician who claims he saw a low-hovering object with clearly-defined windows and shadowy figures who may or may not have been human.

About “Vikings”
“Vikings” is the critically acclaimed series from creator and sole writer Michael Hirst (Academy Award® winning film Elizabeth and the Emmy® and Golden Globe® nominated series “The Tudors”) and is a family saga that tells the remarkable tales of the lives and epic adventures of the raiders and explorers of the Dark Ages. Across all platforms, the last season of “Vikings” averaged 11.2 million viewers per episode. “Vikings” is a top five drama across all of cable this year, and finished its season as the #1 original series on cable on Wednesday nights among all key demographics (Live+SD). Vikings averaged 3.7 million total viewers in Live+7.

In the mid-season five finale, legendary Viking Rollo (Clive Standen) returns just as the divide between the Lothbrok family climaxes with Ragnar’s sons battling each other to rule the world. The long-awaited faceoff ends with a strategic victory going to Ivar the Boneless (Alex Høgh Andersen) who vows vengeance on his betrayers with a direct target on Lagertha’s (Katheryn Winnick) back. Last seen in an unstable state and losing her appearance as a fierce Viking warrior, Lagertha is hopeful she will regain her spot in Kattegat as its rightful leader.

Season five cast includes series regulars Jonathan Rhys Meyers as “Bishop Heahmund” along with Katheryn Winnick (“Lagertha”), Gustaf Skarsgård (“Floki”), Alex Høgh Andersen (“Ivar the Boneless”), Alexander Ludwig (“Bjorn”), Georgia Hirst (“Torvi”), Peter Franzen (“King Harald”), Jordan Patrick Smith (“Ubbe”) and Marco Ilsø (“Hvitserk”).

“Vikings” is an international Irish/Canadian co-production by TM Productions and Take 5 Productions. MGM Television serves as the worldwide distributor outside of Ireland and Canada. “Vikings” is produced in association with Corus Entertainment.

 

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Midnight Mass: The Blood of Life

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The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God. 

Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes. 

Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God. 

We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant. 

Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed. 

Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus. 

Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship. 

Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care. 

The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love. 

Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls. 

Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now! 

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Saw X: It ain’t brain surgery!

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Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer! 

First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive! 

So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance. 

Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth. 

The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge! 

First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer. 

A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now! 

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Scott Pilgrim Takes Off

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“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.

The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.

The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.

The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.

“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.

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