Starz and FremantleMedia North America (FMNA) began production this week on the 10-episode first season of “American Gods,” the adaptation of Neil Gaiman’s acclaimed contemporary fantasy novel. Shooting has commenced in Toronto, Canada and will continue in additional locations across America.
Joining the previously announced cast are Cloris Leachman (“Malcom in The Middle,” “Raising Hope”) as Zorya Vechernyaya, Peter Stormare (“Fargo,” “Prison Break”) as Czernobog, Chris Obi (“Snow White and the Huntsman,” “The Counselor”) as Anubis, and Mousa Kraish (“Superbad,” “Fast & Furious”) as The Jinn.
The cast includes Ricky Whittle (“The 100,” “Austenland”) as Shadow Moon, Ian McShane (“Deadwood,” “Ray Donovan”) as Mr. Wednesday, Emily Browning (“Sucker Punch,” “Legend”) as Laura Moon, Sean Harris (“The Borgias,” “Mission: Impossible – Rogue Nation”) as Mad Sweeney, Yetide Badaki (“Aquarius,” “Masters of Sex”) as Bilquis, Bruce Langley (“Deadly Waters”) as Technical Boy, Crispin Glover (“Back to the Future”) as Mr World, and Jonathan Tucker (“Kingdom”) as Low Key Lyesmith.
Leachman plays Zorya Vechernyaya, the eldest of three sisters who watch over the constellations, guarding against horrors forgotten by modern man. Once accustomed to royal status, the sisters have learned to survive on far less in a country that has no memory of them.
Stormare plays Czernobog. A Slavic god of darkness and evil, Czernobog is reluctant to join the coming war, wary of Wednesday’s motivations.
Obi plays Anubis, the commanding ancient Egyptian god of the dead, gently guiding mortals through the judgment of their souls.
Kraish will play The Jinn, a mythical creature of the fire who understands a person’s deepest desires better than they do. He fears for his safety with the coming war, and considers fleeing America.
Cloris Leachman is an accomplished and beloved American actress of stage, film and television. An eight-time Primetime Emmy® Award-winner, Leachman’s career spans films, television dramas and comedies from the Golden Age to the hottest primetime hits today. Leachman most recently starred in the DreamWorks animated film “The Croods” with Nicholas Cage and Emma Stone and the “Wedding Ringer” with Kevin Hart. She recently finished shooting “The Comedian” with Robert DeNiro for director Taylor Hackford, “So B. It” for Stephen Gylennhaall and was the oldest competitor on the ABC hit series “Dancing with the Stars.” Additional TV and Film credits include “Lassie,” “The Twlight Zone,” “The Mary Tyler Moore Show,” “Facts of Life,” “Malcolm in the Middle,” “Raising Hope,” “The 11th,” “The Last Picture Show,” “Young Frankenstein,” “High Anxiety,” “History of the World: Part 1,” “The Muppet Movie” and “Spanglish.”
Swedish born actor/director Peter Stormare is best known for his breakout roles in “Fargo” and “The Big Lebowski.” Stormare has worked in over 150 films and most recently in “John Wick: Chapter Two” with Keanu Reeves and the upcoming Dimension Films release “Clown,” along with “22 Jump Street,” and “Hansel & Gretel: Witch Hunters”. He made his television debut starring on the first season of the hit Fox TV drama series “Prison Break” and has also had memorable guest appearances on “Entourage,” “Weeds,” “Hawaii Five-0” and “CSI.” Additional TV and Film credits include “Armageddon,” “8MM,” “Brothers Grimm,” “Minority Report,” “Constantine,” “Bad Boys II,” “Lockout,” “Inseparable,” “The Imaginarium of Dr Parnassus,” “Premonition,” “Arrow,” “Manhattan,” “Graceland” and “The Black List.”
Chris Obi is an English actor, most recently known for “Snow White and the Huntsman” where he worked with director Rupert Sanders. Obi reunites once again with Sanders for the upcoming Dreamwords/Paramount Pictures release “Ghost in the Shell.” As well as being a successful TV and Film actor, Obi has also graced the stages of many theatres across the UK playing a variety of roles and has also lent his voice to numerous radio plays. Additional Film credits include “The Counselor,” “Burke & Hare” and “The Call Up.”
Mousa Kraish is a Palestinian-American actor from Brooklyn, New York. In his career he has had the good fortune to work with a number of acclaimed directors including Steven Spielberg (“Munich”), Mike Nichols (“Charlie Wilson’s War), Justin Lin (“Finishing the Game” and “Fast and Furious”) and Greg Mottola, for whom Mousa appeared in the Judd Apatow-produced runaway summer hit “Superbad.” In his most recent role he stars alongside David Schwimmer and Jim Sturgess for the AMC series “Feed the Beast.” Additional television appearances include “Homeland,” “Transparent,” “Chuck,” “Covert Affairs,” “Blue Bloods,” “Parenthood,” “Arrested Development” and “Men of a Certain Age.” Other film credits include “The Day the Earth Stood Still” and “You Don’t Mess with the Zohan”, as well as the independent features “King of California,” “Super Zeroes,” “Overnight” and “Echo Park.”
“American Gods” has been translated into over 30 languages and earned numerous accolades including Hugo, Nebula and Bram Stoker Awards for Best Novel. The plot posits a war brewing between old and new gods: the traditional gods of mythological roots from around the world steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity and drugs. Its protagonist, Shadow Moon, is an ex-con who becomes bodyguard and traveling partner to Mr. Wednesday, a conman but in reality one of the older gods, on a cross-country mission to gather his forces in preparation to battle the new deities.
“American Gods” is produced by FremantleMedia North America. Bryan Fuller (“Hannibal,” “Pushing Daisies,” “Heroes”) and Michael Green (“The River,” “Kings,” “Heroes”) are writers and showrunners. David Slade (“Hannibal,” “The Twilight Saga: Eclipse”) is directing the pilot and additional episodes. FMNA’s Craig Cegielski and Stefanie Berk are executive producing the series along with Fuller, Green, Slade and Neil Gaiman. Senior Vice Presidents of Original Programming Marta Fernandez and Ken Segna are the Starz executives in charge of “American Gods.” Starz retains all network pay TV and SVOD rights to the project. FremantleMedia is distributing the series worldwide.
Leachman is represented by Innovative Artists and Juliet Green Management. Stormare is represented by ICM Partners and Silver Lining Entertainment. Obi is represented by The Gersh Agency, United Agents and Untitled Entertainment. Kraish is represented by Stone Manners Salners Agency and Velocity Entertainment Partners.
Nandamuri Taraka Rama Rao Jr., affectionately known as Jr NTR, has consistently enthralled audiences with his dynamic performances and versatile acting prowess. Following the successful release of “Devara: Part 1” on September 27, 2024, fans are eagerly anticipating his forthcoming projects. Here’s an overview of what’s next for this action superstar.
1. Devara: Part 2
After the resounding success of “Devara: Part 1,” which grossed over ₹466 crore globally, the sequel is highly anticipated. Director Koratala Siva has hinted that “Devara: Part 2” will be even more intense, stating that if Part 1 showcased 10% of Jr NTR’s capabilities, Part 2 will unveil the remaining 90%. Filming is slated to commence in the first half of 2026, with a targeted release by the end of that year.
2. War 2
Expanding his horizons, Jr NTR is set to make his Hindi film debut with “War 2,” directed by Ayan Mukerji. This sequel to the 2019 blockbuster “War” will see him sharing screen space with Hrithik Roshan and Kiara Advani. The film is part of the YRF Spy Universe and is scheduled for release on August 14, 2025, coinciding with the Indian Independence Day weekend.
3. NTR 31 (Tentative Title: Dragon)
In collaboration with acclaimed director Prashanth Neel, Jr NTR will star in a period drama tentatively titled “Dragon.” The film is set to delve into themes of immigration and is expected to be one of the most expensive projects for both the actor and the director. The movie is slated for a grand release on January 9, 2026.
Why Jr NTR is the Action Hero Everyone Wants to See
Jr NTR’s appeal as an action hero stems from his ability to seamlessly blend intense physicality with deep emotional resonance. His performances are characterized by a compelling screen presence, dynamic energy, and a remarkable ability to connect with audiences across diverse roles. This unique combination of skills has solidified his status as a leading figure in Indian cinema, making him the action hero everyone wants to see.
With a lineup of diverse and high-profile projects, Jr NTR continues to push cinematic boundaries and captivate audiences worldwide. His dedication to his craft and ability to reinvent himself with each role ensure that fans have much to look forward to in the coming years.
Headed to a wilderness retreat of a wealthy pharmaceutical CEO to hopefully land a lucrative job, widower Elliot and his reluctant daughter Ridley manage to have a car accident with a heretofore-thought creature out of legend, and hijinks ensue!
Oh this is an absolute gem of a movie y’all, brought to you by the genius minds of film production company A24, a delightful blend of horror and campy, almost idiotic, comedy. Make sure your seatbelt is buckled and let’s dive into this!
So Ridley (Jenna Ortega) is you typical teenager, angsty and missing her passed-on mother, full of acne troubles and secretly vaping while her dad Elliot (Paul Rudd) ignores her for much more than appearance purposes, while he schmoozes his way into the good graces of the family they’re going to stay with. Elliot ignores everything but his continued greed, for both money and continuous stability for him and Ridley, really, he swears, so when the misty mountains cause their electronics to go haywire and Elliot’s busy with that crisis, he doesn’t notice until it’s too late and BAM. You’ve hit an actual unicorn with your car.
Like most girls, Ridley can’t help but be fascinated by the poor mythical horse-like creature, and of course she reaches out to grasp the glowing horn, filling her head full of magic and her eyes full of stars and the cosmos, while Elliot has a much more, let’s say visceral, reaction. But rather than calling, I dunno, some sort of wildlife preserve or the cops or even considering burying the unfortunate horned horse, no, the baby is loaded like a downed stag into the back of Elliott’s car and they hurry on to the CEO’s wilderness retreat.
It makes sense that the changes to Ridley’s appearance are the first thing that allows O’Dell (Richard E. Grant) and his greedy, grasping family to understand that the body of the unicorn has healing properties. Wife Belinda (Tea Leoni) is your typical utterly vapid socialite who helps the poor downtrodden of whatever’s currently popular third world country, not for the do-gooder part of it, but for the optics. And their son Shepard (Will Poulter) is a walking poster boy for the arrogant frat boy type who could never settle on just one thing to be or do, and so he tries them all – archery, photography, mixology, music and various forms of pharmaceuticals, all while sporting these terrible fashion choices in shorts and rambling proudly about his nonexistent accomplishments. Griff (Anthony Carrigan) is the family butler and general verbal punching bag, and let us not forget the unfortunate pair of doctoral research scientists who get called in to examine the unicorn, Dr. Song (Steve Park) and Dr. Bhatia (Sunita Mani).
So we have a family of covetous types who all want to divy the unicorn up and sell its various parts for as much wealth and power as they can get, plus the pair of scientists who are flabbergasted to find themselves dissecting an actual unicorn that, hey, guess what, isn’t actually dead for really-real yet. Elliott’s trying to procure his and Ridley’s slice of the action, though honestly, his lawyerly powers of persuasion seem to be rather lacking in this regard, while Ridley is off doing some actual research on medieval unicorns and what the ancient legends in tapestries had to say about them. You know how the modern genie, with his Arabian lamp and his three wishes with their horrifically ironic consequences, actually stems from the ancient legend of that old monster, the creature born from fire that wants nothing more than to destroy all human life on Earth, the Djinn? Our modern legends and beliefs about unicorns is kinda like that.
So everyone, even our scientists with their experiments and O’Dell supposedly being an experienced animal hunter, seems to have forgotten that a horse is a mammal and therefore, has parents. And while everyone is concerning themselves with what to use the babies’ various parts for, only Ridley seems to have realized, that the babies’ sire and dam are coming for it!
We all know horses are smart, and that humans and horses can form an almost mythical bond, but when a stallion or even a dam’s ire is raised, they can attack and defend just as well as any rampaging beast, and do present a very real and dire threat. And these particular horses, with their shaggy midnight-black coats and hooves the size of monster-truck hubcaps, their fangs and absolute righteous rage at their baby being stolen, not to mention both mom and dad’s inherently magical nature, and those utterly badass war-unicorn horns, are here to wreak utter destruction and death upon the humans that would dare to eat, drink and snort, their baby!
Full of utterly ridiculous fun with human greed and the scarcely-remembered wonder of those magical creatures you heard about as a child, cheer along with the Jurassic Park-like screech of our rampaging parents to save their baby, in Death of a Unicorn, in theaters now!
Upcoming NTR Junior projects
“Death of a Unicorn: A24’s Twisted Fairytale You Won’t Forget”
WonderCon 2025: A Faith Full Dickens Tale & The King of Kings Animated Movie
WonderCon 2025: Fade to Black Interviews
Top 10 Unexpected Movies Where The Bad Guy Wins
