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Beyond Fest Returns To Hollywood’s Famed Egyptian Theatre For 12 Days Of Movies, Music And Mayhem

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Beyond Fest, the highest-attended genre film festival in the US, is excited to announce its full slate of 2017 programming featuring 32 events and 23 West Coast premieres of cinematic excess. Co-presented by Shudder, Beyond Fest returns to Hollywood’s famed Egyptian Theatre for 12 days of movies, music and mayhem spanning Friday, September 29th – Tuesday, October 10th to generate funds for the nonprofit 501c3 American Cinematheque.  

 

With a diverse slate that includes films from all corners of the globe Beyond Fest is proud to open with BRAWL IN CELL BLOCK 99 with director S.Craig Zahler returning with Vince Vaughn and Udo Kier in person, while closing night honors are bestowed upon Yorgos Lanthimos’ ferociously-twisted follow-up to THE LOBSTER, THE KILLING OF A SACRED DEER. Other hotly-anticipated titles making their debuts include the World Premiere of Justin MacGregor’s BEST F(R)IENDS with Tommy Wiseau and Greg Sestero reunited and in person, Joe Lynch’s blissfully violent MAYHEM, and, courtesy of Amazon Prime Video, a very special theatrical premiere of JEAN-CLAUDE VAN JOHNSON with the Muscles from Brussels himself, Jean-Claude Van Damme, in person with the show’s cast and creators.

 

“While the two worst manbaby haircuts on the planet prepared for nuclear destruction, we prepped cinematic armageddon,” said Beyond Fest Co-Founder, Christian Parkes. “We’re immigrants and we saw DR. STRANGELOVE – we know how this ends – but at least we get to watch some great films with our heroes and friends and go out with a real bang.”

 

The most beloved genre films are highlighted with a series of special event screenings throughout the festival. Arnold Schwarzenegger takes center stage for an explosive 30th anniversary one-two punch of PREDATOR and THE RUNNING MAN. The Master, Dario Argento, will be in attendance to celebrate the 40th anniversary of SUSPIRIA with screenings of Synapse Film’s 4K restoration AND the recently unearthed 35mm print. ‘Car Chases, Collisions & Conversation: An Evening with Edgar Wright and Walter Hill’ covers four decades of filmmaking and the interrelated nature of the pulsating smash BABY DRIVER and the seminal THE DRIVER in one epic night. Musical maestro, Paul Williams, will share stories from behind the mask of PHANTOM OF THE PARADISE. Mick Garris and Masters of Horror preside over a reverential tribute to two of the greats – George A. Romero and Tobe Hooper –  with a double bill featuring the West Coast premiere of MOMA and FIlm Foundation’s NIGHT OF THE LIVING DEAD 4K digital restoration and TEXAS CHAINSAW MASSACRE. And the theatrical premiere of NAPOLEON DYNAMITE BOOTLEG EDITION pairs a totally gonzo WTF double bill with HOWARD THE DUCK on 70mm with Lea Thompson in person.

 

Beyond Fest welcomes the return of genre streaming platform Shudder as its co-presenting sponsor, a partnership that provides 14 screenings (11 West Coast premieres) absolutely free to film fans. Every night, the 90-seat ‘Shudder Theatre’ will feature a brand new film selected from across the world including Kiyoshi Kurosawa’s triumphant return BEFORE WE VANISH, home invasion thrill ride BETTER WATCH OUT, the critically acclaimed Canadian zombie shocker LES AFFAMES (THE HUNGRY), Marc Meyers’ searing portrait of a serial-killer-in-the-making, MY FRIEND DAHMER, Alexandre O. Phillippe’s revelatory PSYCHO shower scene doc 78/52, and Ted Geoghegan’s sophomore scalper, MOHAWK.

 

For Cinematic Void’s sidebar they have enlisted the help of like minds as they venture further into the unknown with a series of special screenings. Author and academic Kier La Janisse will be present for Jean Rollin’s THE GRAPES OF DEATH and the release of the book, Lost Girls: The Phantasmagorical Cinema of Jean Rollin which she is publishing. Friday Night Frights are co-presenting the west coast premiere of the 4K restoration of the thoroughly bugnuts RAWHEAD REX and the Death Waltz Records record release of HELLRAISER on 35mm. And filmmakers Amy Holden Jones and Deborah Brock will be present for a double bill of anniversary screenings of their films SLUMBER PARTY MASSACRE and SLUMBER PARTY MASSACRE II.

 

Tickets go on sale now  See below for the full lineup of Beyond Fest 2017.

 

EGYPTIAN THEATRE

 

BABY DRIVER

Director: Edgar Wright

Country: USA

Runtime: 102 min.

Year: 2017

GUESTS: Edgar Wright & Walter Hill in Person

 

BAD BLACK  (free screening)

West Coast Premiere

Director: Isaac Nawibana

Country: Uganda

Runtime: 60 minutes / Year: 2016

 

BATMAN: MASK OF THE PHANTASM

Directors: Bruce Timm, Eric Radomski

Country: USA

Runtime: 76 min.

Year: 1993

GUESTS: Andrea Romano plus voice actors TBA in Person

 

EGYPTIAN THEATRE- Continued

 

BEST F(R)IENDS

World Premiere

Director: Justin MacGregor

Country: USA

Runtime: 95 min.

Year: 2017

GUESTS: Tommy Wiseau, Greg Sestero and Justin Macgregor in Person

 

BRAWL IN CELL BLOCK 99

West Coast Premiere

Director: S. Craig Zahler

Country: USA

Runtime: 132 min.

Year: 2017

GUESTS: S. Craig Zahler, Vince Vaughn and Udo Kier in Person

 

DOUBLE IMPACT

Director: Sheldon Lettich

Country: USA

Runtime: 110 min.

Year: 1991 / 35mm

GUEST: Jean-Claude Van Damme and Sheldon Lettich in Person

 

THE DRIVER

Director: Walter Hill

Country: USA

Runtime: 90 min.

Year: 1978 / 35mm

GUESTS: Edgar Wright & Walter Hill in Person

 

HELLRAISER

Co-presented with Death Waltz Records + Friday Night Frights

Director: Clive Barker

Country: USA

Runtime: 94 min.

Year: 1987 / 35mm

 

ICHI THE KILLER – Digital Restoration

West Coast Premiere

Director: Takashi Miike

Country: Japan

Runtime: 129 min.

Year: 2001

 

 

EGYPTIAN THEATRE- Continued

HOWARD THE DUCK – 70mm

Director: Willard Huyck

Country: USA

Runtime: 110 min. 

Year: 1986 

GUESTS: Lea Thompson in Person

 

JEAN-CLAUDE VAN JOHNSON – Episodes 1 & 2

Presented by Amazon

World Premiere

Director: Peter Atencio

Country: USA

Runtime: 60 min.

Year: 2016

GUESTS: Jean-Claude Van Damme, Peter Atencio, Dave Callaham, Kat Foster, Moises Arias.

 

THE KILLING OF A SACRED DEER

West Coast Premiere

Director: Yorgos Lanthimos

Country: UK, Ireland

Runtime: 109 min.

Year: 2017

 

MAYHEM

West Coast Premiere

Director: Joe Lynch

Country: USA

Runtime: 86 min.

Year: 2017

GUESTS: Joe Lynch and cast in person

 

NAPOLEON DYNAMITE – THE BOOTLEGGED EDITION

Theatrical Premiere

Director: Jared Hess

Country: USA

Runtime: 96 min.

Year: 2004

GUESTS: Cast and crew in person

 

NIGHT OF THE LIVING DEAD – 4K Restoration

West Coast Premiere

Director: George A. Romero

Country: USA

Runtime: 96 min.

Year: 1968

GUESTS: Mick Garris & Masters of Horror in Person

EGYPTIAN THEATRE- Continued

OPERA (aka TERROR AT THE OPERA)

Director: Dario Argento

Country: Italy

Runtime: 100 min.

Year: 1987

GUESTS: Dario Argento in Person

 

PHANTOM OF THE PARADISE

Co presented with Creature Features

Director: Brian De Palma

Country: USA

Runtime: 92 min.

Year: 1974

GUESTS: Paul Williams in Person

 

PREDATOR

Director: John McTiernan

Country: USA

Runtime: 107 min.

Year: 1987 / 35mm

GUESTS: Arnold Schwarzenegger in Person

 

RAWHEAD REX 4K Restoration

Co presented with Cinematic Void and Friday Night Frights

West Coast Premiere

Director: George Pavlou

Country: USA

Runtime: 89 min.

Year: 1986

 

THE ROOM

Director: Tommy Wiseau

Country: USA

Runtime: 99 min.

Year: 2003

GUESTS: Tommy Wiseau, Greg Sestero and Guests in Person

 

THE RUNNING MAN

Director: Paul Michael Glaser

Country: USA

Runtime: 101 min.

Year: 1987 / 35mm

GUESTS: Arnold Schwarzenegger in Person

EGYPTIAN THEATRE- Continued

SUSPIRIA – 4K Restoration

LA Premiere

Director: Dario Argento

Country: Italy

Runtime: 100 min.

Year: 1977

GUESTS: Dario Argento, Udo Kier, Barbara Magnolfi in Person

SUSPIRIA – 35mm Italian Cut

LA Premiere

Director: Dario Argento

Country: Italy

Runtime: 98 min.

Year: 1977

GUESTS: Dario Argento and Barbara Magnolfi in Person

 

THE TEXAS CHAINSAW MASSACRE

Director: Tobe Hooper

Country: USA

Runtime: 83 min.

Year: 1974

35mm

GUESTS: Mick Garris & Masters of Horror in Person

 

SHUDDER THEATRE

 

78/52 (Free Screening)

West Coast Premiere

Director: Alexandre O. Philippe

Country: USA

Runtime: 91 min.

Year: 2017

 

BEFORE WE VANISH (Free Screening)

West Coast Premiere

Director: Kiyoshi Kurosawa

Country: Japan

Runtime: 129 min.

Year: 2017

 

BETTER WATCH OUT (Free Screening)

West Coast Premiere

Director: Chris Peckover

Country: Australia, USA

Runtime: 85 min.

Year: 2016

SHUDDER THEATRE – Continued

COLD HELL (Free Screening)

West Coast Premiere

Director: Stefan Ruzowitzky

Country: Austria

Runtime: 92 min.

Year: 2017

 

THE GRAPES OF DEATH AKA Les Raisins de La Mort (Free Screening)

Director: Jean Rollin

Country: France

Runtime: 90 min.

Year: 1978

 

HAUNTERS: THE ART OF THE SCARE (Free Screening)

West Coast Premiere

Director: Jon Schnitzer

Country: USA

Runtime: 88 min.

Year: 2017

 

JAILBREAK (Free Screening)

West Coast Premiere

Director: Jimmy Henderson

Country: Cambodia

Runtime: 92 min.

Year: 2017

 

LES AFFAMES (Free Screening)

West Coast Premiere

Director: Robin Aubert

Country: Canada

Runtime: 100 min.

Year: 2017

 

MOHAWK (Free Screening)

West Coast Premiere

Director: Ted Geoghegan

Country: USA

Runtime: 91 min.

Year: 2017

 

MY FRIEND DAHMER (Free Screening)

West Coast Premiere

Director: Marc Meyers

Country: USA

Runtime: 107 min.

Year: 2017

 

SHUDDER THEATRE – Continued

 

REVENGE (Free Screening)

West Coast Premiere

Director:  Coralie Fargeat

Country:   France

Runtime:  108 min

Year:  2017

 

SEQUENCE BREAK (Free Screening)

West Coast Premiere

Director:  Graham Skipper

Country:   USA

Runtime:  108 min

Year:  2017

GUESTS: Graham Skipper, Cast and Crew in Person

 

THE SLUMBER PARTY MASSACRE (Free Screening)

Co-presented by Etheria and Cinematic Void

Director: Amy Holden Jones

Country: USA

Runtime: 77 min.

Year: 1982

GUESTS: Amy Holden Jones in Person

Double Feature with SLUMBER PARTY MASSACRE II

THE SLUMBER PARTY MASSACRE II

Co-presented by Etheria and Cinematic Void

Director: Deborah Brock

Country: USA

Runtime: 77 min.

Year: 1987

GUESTS: Deborah Brock in Person

Double Feature with SLUMBER PARTY MASSACRE

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Dune Part Two: The Lisan Al Gaib comes for you!

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Welcome back to our struggle for control of the known universe already in progress, the continuation of the journey of Paul Atreides from exile to Emperor, Dune Part Two

So when we last left our intrepid if dubious heroes, House Atreides had been betrayed and virtually destroyed, by a combination of House Harkonnens surprise attacks and the added treachery of Emperor Shaddam and his Sardaukar. Paul Atreides (Timothee Chalamet), the last surviving heir (so far) of House Atreides and his mother Jessica, have taken refuge on the desert planet of Arrakis amongst the indigenous Fremen, and as far as most are aware, the other remnants of House Atreides are dead as well. And here is where we catch up with everyone, as the struggle for Atreides emergence and dominance begins in earnest! 

The Emperor’s daughter Princess Irulan (Florence Pugh) is known for her many skills, but her copious note-taking and writings on the large events shaping her world come to the forefront as she takes counsel with her father amidst games of chance on their homeworld. Her life is one of luxury and privilege but alas, Irulan is a trained Bene Gesserit and is well aware that in all likelihood, she will be used as a pawn in the marriage games empires have to go through. Bet she never imagined it could be to a House everyone swore had been utterly destroyed. 

Meanwhile, on Arrakis, Paul is trying to integrate himself into the Fremen way of life, which is admittedly far different from the life he led back on the Atreides homeworld of Caladan. (If nothing else, Caladan has vast oceans.) The Fremen are fiercely independent, gloriously strong fighters, survivors who dare to ride and revere the giant sandworms that inhabit their planet that they call Shai-Hulud, and rightfully distrustful of outsiders. After all, the previous stewardship of Arrakis belonged to House Harkonnen, known for their cruelty and glee at hunting Fremen and torturing their victims, sometimes for weeks at a time. But Paul won his and Jessicas way into the Fremen by fair combat against Jamis, and if nothing else, the Fremen are firm in their beliefs of the old ways. 

Or rather, the elder Fremen are, most particularly the famed Fedaykin fighter and Naib (leader) of Sietch Tabr Stilgar (Javier Bardem) is adamant in his unshakable belief that Paul is the foretold Lisan Al Gaib, the Voice from the Outer World, that will lead the Fremen to peace and paradise. Stilgar’s steadfast belief in Paul’s potential only grows, and he manages with just that to convince a great many of the other Fremen elders. The younger generation of Fremen however, of which Paul’s beloved Chani (Zendaya) is a part, generally scoff at the legends of otherworldly prophets and Arrakis as a fabled green, wet heaven. In the beginning, Paul himself swears he doesn’t want to be the Messiah, only a Fremen fighter amongst the rest of them, hundreds of years of the Missionaria Protectiva, the Bene Gesserit practice of spreading useful religious propaganda as seeds on various planets, is working double-time against him. It doesn’t help that Paul’s mother Jessica (Rebecca Ferguson) is expounding on that myth as much as she possibly can. 

And why would she do that? Survival yes, but also, Jessica is a thoroughly trained Bene Gesserit and knows of plans within plans within plans. Jessica also has many secrets of her own, and one very important one happens to be that she’s pregnant with Paul’s sister. The Bene Gesserit bodily control may be something out of legend, but even Jessica, possibly Reverend Mother Mohiam’s best and most fractious student, will have trouble with the trial the Fremen are insisting she go through to become truly one of them. The Reverend Mother equivalent of Sietch Tabr, known as their Sayyadina, is old and dying, and the Fremen have to have a Reverend Mother. Jessica tells Paul this much and explains that each culture is different in their trial to become a Reverend Mother, so she honestly doesn’t know what to expect. The reality happens to be worse than she could’ve imagined – Jessica must drink the Water of Life, a deadly poison that comes from Shai-Hulud (sort of), and come out the other side of it. And Jessica manages to do it, barely, with almost all of the consequences going to the poor fetus in her womb, the girl that will grow to become Alia Atreides, an insane legend in her own right. But for now, the unnamed fetus is awake and aware and full of the memories of generations of Bene Gesserit women that came before her – before she was even born

Paul participates in razzia raids amongst the Fremen as they work to take out the spice mining operations of the Harkonnens, immerses himself in the vastly different desert culture of his chosen people, and perhaps most importantly, his romance with his beloved Chani only grows stronger. After declaring his desire to join the fierce fighter elites amongst the Fremen known as Fedaykin, Paul is told by Stilgar that he must summon and ride one of the giant sandworms, the embodiment of Shai-Hulud where the Fremen get their terrible tooth Crysknives from. And after much sendup, in a glorious scene of blinding sand and huge monstrous killer worm-riding, Paul is triumphant and riding atop the sacred creature, his Maker hooks set properly to control the great beast, waving at great distance to his fellow Fremen as Chani looks on in bemusement. 

But that’s all external, and inside Paul is beginning to become divided on what he wants to do. As Jessica pushes the Protectiva hard amongst the women and priestesses of the Fremen, she is also pushing her son to become much larger than he ever wanted to be, if nothing else a conqueror can take revenge for the destruction of House Atreides and the death of her beloved Duke Leto. Paul may have earned his place amongst the Fremen and been given new names – Usul, meaning the strength of the base of the pillar, as his private name within the Sietch; and Muad’Dib, from the small mouse survivor of the desert, well versed in desert ways, called ‘Instructor-of-Boys’ in Fremen legend, as his open-use name – but now everyone wants Paul to be something greater, and potentially more destructive, than what he currently is. It only gets worse when Paul begins to suffer prophetic dreams, and visions when he’s awake, prodding him further to his destiny as an epic conqueror of worlds. Nothing can be done for it, Paul convinces himself that he must take the Water of Life himself, to awaken the sleeping prophet inside himself, and allow him to hopefully See a path through the future. 

The problem with that plan, is that Bene Gesserit are almost exclusively all women, and only they are supposed to know how to transmute poisons internally, along with all sorts of other “witchcraft”. But Jessica has been training Paul in forbidden Bene Gesserit ways all his life, and as much as Paul might rail and even quail against it, there is no denying his incoming destiny, crushing any resistance he may have with all the force of a giant sandworm hunting a spice blow. And even when Paul has finally given in and taken the cursed substance almost mockingly called the Water of Life, it falls to another strong and prophetic in her right female in his life, his beloved Chani, to save him from himself. But even Chani can’t stop Paul’s destructive destiny as the conqueror of the known worlds, guilty of slaying millions upon millions of people in his quest for vengeance, thinly disguised as peace. 

Over on the Harkonnen homeworld of Geidi Prime, “Beast” Rabban (Dave Bautista) is disgusted and enraged at the continuing Fremen raids against the Harkonnens on Arrakis, and terrified of what his uncle the notoriously cruel Baron Harkonnen (Stellan Skarsgard), will do to him in response. The Baron’s nephew Feyd-Rautha (Austin Butler), heir apparent or na-Baron to House Harkonnen, demonstrates his blood-inborn savagery in a slaughter of the remnants of House Atreides gladiator-style, as his birthday celebration. Pleased with the spectacle, the Baron commands Feyd-Rautha to take control of the fight against this Fremen rebel known as Muad’dib, as Rabban is proving himself more and more useless. And any tool or toy that the Baron finds broken or unusable, is destroyed before being discarded. 

As the legend of Muad’dib grows off Arrakis and circulates among the Imperial worlds, the Emperor grinds his teeth in frustration and the Bene Gesserit, led by Reverend Mother Mohiam (Charlotte Rampling) as the Emperor’s Truthsayer, begin pushing forward their plots and machinations. Lady Margot Fenring (Lea Seydoux), a criminally underused character in this respect, demonstrates her willingness to be a pawn in Bene Gesserit machinations, but never forget, strong Bene Gesserit women have been breaking their own rules for generations. Just look at what Jessica did. 

As the raids and rebellion on Arrakis continue, both the Emperor and the Baron become more and more desperate, sending in mercenaries and smugglers in the hopes they might have more luck. And aboard one of those smuggler’s vessels happens to be an old hand at being a smuggler himself, the warrior troubadour with the scarred face given him by “Beast” Rabban himself, Gurney Halleck (Josh Brolin). Reunited with his beloved Duke’s only son, Gurney finds himself swept up in the legend of Muad’dib in the making along with everyone else, though at least from Gurney’s point of view, Paul is using the messianic angle to take revenge for House Atreides. 

Finally, in an act of what could be considered the ultimate in arrogance, Emperor Shaddam Corrino himself comes to Arrakis, along with Princess Irulan and many others of his Court, the Baron, and Feyd-Rautha in tow as well, to crush this upstart Muad’dib and his Fremen warriors. Sadly for all that the powerhouse actor Christopher Walken plays him, Emperor Shaddam Corrino is shown as a doddering old man, cowed in the face of Muad’dib’s overwhelming vitality and growing-ever-stronger legend. And there is where we will end the review, for the final confrontation between all key players in the Known Universe is full of spoilers and derivations from the original opus of Frank Herbert’s novel Dune

For those of you who stuck around long enough to get to the end, after all, Dune Part Two is almost three hours long itself, if you are fans of the original novel and the zany Lynchian masterpiece that was the first Dune film, you may be disappointed or even angered at the changes made to the story for the climactic end scenes. Director Villenuve has an eye for making grand epic scenes like Paul’s sandworm ride but can be a bit scattered when it comes to piecing the story together with all the key players needing to be involved in a way that can be understood by any layman. Dune in any form is a rich, vast universe of storytelling, and even an almost three-hour-long sequel simply can’t cover every last bit that’s in the novels. But if nothing else, the film is an overwhelming feast for the eyes and should bring a whole new legion of fans to the many worlds contained within Dune

If you want to dive further into the Dune-iverse, do yourself a favor and read the Dune prequel books written by Herbert Jr. and Kevin J. Anderson. Until then, dive into the sands of Arrakis along with Shai-Hulud and scream vengeance to the skies with Paul Muad’dib Atreides in Dune Part Two, in theaters now! 

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Thatsmye Interviews: Les Weiler on Henchin’: the Series

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The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.

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The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.

Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.

The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.

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