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Into the Spider-Verse Review

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Being a Spider-Man fan in 2018 can be quite the exercise. We’ve seen three different Peter Parkers in the last decade, watched a solo film universe rise and crash in the span of a year, and we now have tangential spin-off films that may or may not connect to our wall-crawling hero depending on who you ask on which day of the week.

Refusing to succumb to convoluted business dealings, Spider-Man: Into the Spider-Verse disregards the real-world drama and embraces the pages of Marvel’s past, present, and future to weave the most exhilarating comic book films to date.

Into the Spider-Verse introduces viewers to Miles Morales (Shameik Moore), a teen struggling with everyday life in New York City. Miles feels the pressure to succeed in his parents’ eyes, but he only wants to explore his passion for graffiti. While out tagging the subways he is bitten by a radioactive spider, granting him spider-like abilities, and stumbles across a plot to access parallel universes. With the help of other realities’ Spider-People, Miles must choose to take on the hero’s mantle or risk watching his dimension collapse in on itself.

From the jump, you are propelled into a new experience with Into the Spider-Verse. The team at Sony Animation has brought something that feels simultaneously familiar and unique. The pages of a comic book are drawn before your eyes with all the pizzazz and elegance of a Steve Ditko or John Romita, and sprinkled throughout numerous scenes are details that elaborate upon the character work setup by the film’s screenwriters.

The animated world pulsates with life – there’s nothing more energizing than watching small ripples curl out from around Miles’ feet as he pushes off a train and into the skyline – and culture, as scenes are littered with everything from visual references of previous Spider-Man adventures to reimaginings of popular hip-hop albums of today.

The visual style pairs well with the film’s screenplay which is equally as kinetic. Into the Spider-Verse is expertly paced, leaving little room for rest. As soon as you feel settled into the flow of the film it introduces a new Spider-Hero, adding a new dose of energy and complexity.

Thanks to its PG rating, a rarity in this age, it steers clear of the somber tone of many comic book movies and instead leans into the fun and playful side of the medium. The gags abound, and the writing team reaches deep into the Spider-Man toolbox to find new ways to bring a smile to your face. It’s cinematic flexing when the film retells Spider-Man’s origin story more than a handful of times and has you feeling more elated after each one.

But what you really came here for was the various Spider-People. While Miles is the star, he is  joined by Peter B. Parker (Jake Johnson), Gwen Stacy (Hailee Steinfeld), Spider-Man Noir (Nicolas Cage), Peni Parker (Kimiko Glenn), and Spider-Ham (John Mulaney); each one given their time to shine, but also playing their role to a tea. The latter three heroes have the least amount of screen time, but shake up the movie with the characters’ different animation styles and their comedic chops, particularly Mulaney.

Moore, Johnson, and Steinfeld are given weightier parts, and compliment each other well. Moore and Johnson bounce between a brotherly and mentor/mentee dynamic with comedic effect. Steinfeld’s Stacy exerts herself as the dominant hero, but is all grace when focused on Moore’s Miles. There’s a sense of understanding amongst the trio, and within the film’s writing team, that Miles’ and his story are the focus and must be a priority if they and the film are to succeed.

And succeed they do. Into the Spider-Verse is a holiday gift to the world and shows the importance of teamwork in making a movie like this. Every aspect of the film is working in tandem to tell a universal and familiar story in an intoxicating way. One that will have you looking up the next showtime as the credits are still rolling. This is a Spider-Man film for every neighborhood.

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‘Alien Romulus’: Rook takes pawns

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Spoilers lurk in empty space stations too! 

A gang of space colonists trying to scavenge cryo-sleep pods from a derelict space station come across the remnants of monstrous creature experiments the Weyland-Yutani Corporation was conducting there! 

Following the current trend plaguing films with a long-running franchise, Alien Romulus is an interleaved sequel, which is to say the film is set timeline-wise between the events of the first Alien blockbuster and the excellent sequel Aliens. Everybody got where we are? Then make sure your futuristic ray guns are fully charged so you can take on the Xenomorphs in Alien Romulus

Meet Rain (Cailee Spaeny) and her adopted synthetic “brother” Andy (David Johnson), who wants desperately to get off-planet and avoid the mines and further indentured servitude, which is a good deal harder than it sounds. So Rain gets together with other disgruntled colonist folk like herself – Tyler (Archie Renaux), Kay (Isabela Merced), Bjorn (Spike Fearn), and Navarro (Aileen Wu) – and hatch a wacky plan to swipe some cryogenic sleep pods so they can safely smuggle all of them to a nearby-ish idyllic planet system where they might live freely. This sort of trip normally takes years, hence the cryo-sleep pods. And Rain’s would-be commando pals all think it’s a pretty safe bet that this derelict space station they’ve found would have a bank of still-functioning cryo pods, so it’s off to play scavengers we go! 

The space station is indeed derelict, but it’s hardly empty. With the knowledge that the place was owned and operated by the Weyland-Yutani Corporation that’s all we the audience need to know, but our poor scavengers can’t make heads or tails of the clearly scientific experimental rooms, devoid of human presence but again, definitely not empty. And after a few rounds of catch-me-if-you-can with a roomful of face huggers, our scavengers come across someone, something if you want to be a jerk about it, that might actually be able to help them. 

They manage to get the synthetic android, Rook, the upper half of him at least, semi-functioning, and that’s all it takes for them to get a crash course in corporate greed and one particular aliens physiology and future potential, for Rook is still very much a Company man. And this means scavenging whatever information they managed to retain from their terrible experiments on the xenomorphs and their face hugger proto-form to get to the Weyland-Yutani Corporation by whatever means necessary, including co-opting and brainwashing fellow synthetic Andy to help him. 

The choice to use CGI and animatronics, built by Legacy Effects, and the visage of the late excellent actor Ian Holm for the countenance of the synthetic Rook was an interesting choice. It does keep a certain kind of continuity going in the Alien world and kind of cements where we are in the film timeline more, but I think the same effect could have been obtained with a different actor just as well. 

So the facehuggers are loose and the bigger scary-as-hell forms are starting to emerge and attack our scavenger crew, and somehow the pregnant Kay manages to get herself implanted by a facehugger, and the inevitable question of human-xenomorph hybrids begins in earnest – only a few hundred years before when it happened in Alien Resurrection

The whole human-xeno hybrid storyline, the proto-mashup thing that looks to me like they took an Engineer from Prometheus and gave it Xenomorph bones, and how quickly they adopt the need to shoehorn the two mismatched worlds of Prometheus and the Alien films into another Alien movie is entirely aggravating and unnecessary. The atmosphere of traditional Alien-style horror we came to love a very long time ago from Ridley Scott was carrying the movie just fine up to this point of sudden human-xeno pregnancy, traumatic birth, and the emergence (and thankfully, death) of this thing they simply called “the Offspring”. Again, the insistence to try and mashup two very different film worlds is unneeded and more likely to turn fans off both franchises. At least, former Romanian basketball player Robert Bobroczkyi and his more-than-7-foot-natural-height played the part of the Offspring, with only the tail being CGI’d, lending some vague manner of brief believability to the creature. 

It’s not as though the Alien films actually need a whole lot in the way of humans we care about, especially if there’s a pack of Xenomorphs scrambling around the station, or a fleet of green-slimed eggs that most definitely don’t have chocolate inside waiting to jump-scare the audience into oblivion. But if you’re going to have at least half the story be about the humans and their plight first, it would be better to give them something to make them less generic than “red-shirt A”, to try and give us the audience a reason to groan in sympathy when a chest-burster is born, instead of cheering for the baby xeno to go feast already! And to be fair, the first three acts of the film are quite good, in the OG Scott manner of silence-space-screaming horror that is now a genre standard. There is an almost long-standing non-tradition of being dissatisfied with the endings to the latter Alien movies anyway. 

Find out what happened to our scavengers and see if Rook takes all the pawns in Alien Romulus, in theaters now! 

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Hallmark Launches New Streaming Service: Hallmark Plus

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In an exciting move for fans of feel-good programming, Hallmark has officially launched its new streaming platform, Hallmark Plus. Catering to its loyal audience, this service offers subscribers on-demand access to Hallmark’s signature content, including heartwarming dramas, romantic comedies, and festive holiday films. With its well-established brand of wholesome entertainment, Hallmark Plus is poised to become a go-to platform for viewers seeking uplifting and family-friendly content year-round.

Hallmark Plus has debuted with an impressive catalog of shows, movies, and specials that fans have come to love. Among the standout offerings are classic Hallmark hits like:

When Calls the Heart: A fan-favorite series set in the Canadian frontier, following the story of a young schoolteacher, Elizabeth Thatcher, and her life in the close-knit town of Hope Valley.

The Good Witch: A beloved series featuring Cassie Nightingale, a magical woman with an uncanny ability to bring joy and healing to those around her in the town of Middleton.

Chesapeake Shores: A romantic drama that explores the complexities of family, love, and second chances in the picturesque town of Chesapeake Shores.

Hallmark Movies & Mysteries Collection: Fans of cozy mysteries will find an extensive library of Hallmark’s popular mystery films, including The Aurora Teagarden Mysteries and Murder, She Baked series.

Subscribing to Hallmark Plus comes at a competitive price, making it an affordable option for those looking to add to their streaming lineup. Currently, the service is priced at $6.99 per month, with an option to save by purchasing an annual subscription for $69.99. Subscribers can also enjoy a 7-day free trial, allowing them to explore the extensive catalog before committing.

One of the most anticipated aspects of Hallmark Plus is the fresh, original content coming exclusively to the platform. The streaming service plans to expand its library with brand-new series and movies tailored to its audience’s love for heartfelt storytelling. Among the upcoming titles, several have already generated buzz, including:

The Way Home: A time-travel family drama following three generations of women, set to explore themes of forgiveness and understanding.

Holiday Engagements: A romantic series revolving around the ups and downs of modern relationships during the holiday season, focusing on love stories with heartwarming holiday backdrops.

In a surprising and refreshing shift from its usual drama and romance-focused programming, Hallmark Plus will premiere its first-ever limited comedy series, Holidazed. This six-part series offers a lighter, comedic take on the holiday season, following the chaotic misadventures of a family that struggles to keep it together during the most wonderful (and stressful) time of the year.

Holidazed will feature an ensemble cast of quirky characters, hilarious holiday mishaps, and plenty of heart. Early previews suggest it will bring a fresh energy to Hallmark’s lineup, making it a must-watch for both die-hard Hallmark fans and new viewers who enjoy holiday-themed comedies. The series is expected to launch just in time for the festive season, further expanding Hallmark’s tradition of being a household name during the holidays.

Hallmark Plus is a promising addition to the growing roster of streaming services, offering a wide range of heartwarming and entertaining content for viewers looking to escape into stories full of love, laughter, and community. With a blend of classic hits and exciting new releases like Holidazed, Hallmark Plus is sure to win the hearts of subscribers eager for wholesome entertainment. At an affordable price point, it’s an appealing option for fans of feel-good TV and movies year-round.

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