The fate of the planet rests on the shoulders of a reluctant Green Lantern and an unstable hero from the future in Justice League vs. The Fatal Five, the next entry in the popular series of DC Universe Movies. Produced by Warner Bros. Animation and DC, the feature-length animated film arrives from Warner Bros. Home Entertainment on Digital starting March 30, 2019, and on 4K Ultra HD Combo Pack and Blu-ray Combo Pack on April 16, 2019.
Justice League vs. The Fatal Five will be available on 4K Ultra HD Combo Pack ($39.99 SRP) and Blu-ray Combo Pack ($24.98 SRP) as well as on Digital ($19.99 HD, $14.99 SD). The 4K Ultra HD Combo Pack features an Ultra HD Blu-ray disc in 4K with HDR and a Blu-ray disc featuring the film; the Blu-ray Combo Pack features the film in hi-definition. The 4K Ultra HD and Blu-ray Combo Pack include a digital version of the film.
Justice League vs. The Fatal Five finds the Earth’s future hanging in the balance when the Justice League faces a powerful new threat – the Fatal Five. Superman, Batman and Wonder Woman seek answers as the time-traveling trio of Mano, Persuader and Tharok terrorize Metropolis in search of budding Green Lantern, Jessica Cruz – whom they need to free remaining Fatal Five members Emerald Empress and Validus in order to carry out their sinister plan. But the Justice League discover an ally from another time in the peculiar Star Boy – brimming with volatile power, could he be the key to thwarting the Fatal Five? An epic battle against ultimate evil awaits!
The Justice League vs. The Fatal Five all-star cast is led by Elyes Gabel (Scorpion, Game of Thrones) as Thomas Kallor/Star Boy and Diane Guerrero (Orange is the New Black, Jane the Virgin, DC Universe’s upcoming Doom Patrol) as Jessica Cruz/Green Lantern. Reprising their Justice League/Justice League Unlimited roles as Batman, Wonder Woman and Superman, respectively, are Kevin Conroy (Batman: The Animated Series, Batman: The Killing Joke), Susan Eisenberg (Injustice 2, LEGO DC Super Heroes – Aquaman: Rage of Atlantis) and George Newbern (Superman vs. The Elite, Scandal). Providing the voices of the villainous Fatal Five are Peter Jessop (Mass Effect, Fallout 4, Resident Evil) as Tharok, Matthew Yang King (Batman Ninja, Supah Ninjas) as The Persuader, Sumalee Montano (S.W.A.T., This Is Us) as Emerald Empress, and Philip Anthony Rodriguez (Grimm, The Secret Life of the American Teenager) as Mano. (Note: Validus does not speak)
Other members of the voice cast include Daniela Bobadilla (Anger Management, The Middle) as Miss Martian, Kevin Michael Richardson (Family Guy, The Simpsons) as Mr. Terrific, Noel Fisher (Shameless, Castle Rock) as Brainiac 5, Tara Strong (Batman: The Killing Joke, Teen Titans, Teen Titans Go!) as Saturn Girl, and Tom Kenny (SpongeBob SquarePants) as Bloodsport.
Producer Sam Liu (Reign of the Supermen, Gotham by Gaslight) also directs Justice League vs. The Fatal Five from a script by Eric Carrasco (Supergirl, Justice League Action) and Jim Krieg (Batman: Gotham by Gaslight) & Alan Burnett (Suicide Squad: Hell To Pay). The film is based on a story by Carrasco. Burnett and Krieg are also co-producers. Amy McKenna (The Death of Superman) is producer. Co-Executive Producers are Benjamin Melniker and Michael Uslan. Executive Producers are Sam Register and Bruce Timm (Justice League/Justice League Unlimited, Batman: The Animated Series).
“Justice League vs. The Fatal Five is an important addition to the DC Universe Movies, spotlighting two unlikely young heroes with real-world issues facing off against a daunting quintet of futuristic villains,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “We’re also are proud to have Kevin Conroy, Susan Eisenberg and George Newbern reprising their seminal roles as DC’s Trinity in the Justice League & Justice League Unlimited animated series, and believe the fans will be equally pleased with their return to these characters.”
Justice League vs. The Fatal Five Enhanced Content
Ultra HD Blu-ray Combo Pack, Blu-ray Combo Pack and Digital
Battling the Invisible Menace (Featurette)– This featurette will explore the nuanced hero as many characters must deal with the everyday feelings of anxiety, depression, and other incapacitating emotions that we all must battle and overcome.
Justice League vs. Fatal Five: Unity of Hero (Featurette) – A look at how the pantheon of DC heroes has never been more diverse and inclusive, as writers and artists break boundaries and smash stereotypes.
Audio Commentary – Bruce Timm, Sam Liu, Jim Krieg and Eric Carrasco share their thoughts and insights on Justice League vs. The Fatal Five.
A Sneak Peek at the next DC Universe Movie, Batman: Hush – An advance look at the next animated film in the popular DC Universe Movies collection.
Sneak Peek Revisited: A Preview of Justice League Dark – John Constantine leads a group of misfit characters that use magic to vanquish their opponents. This is the dark version of The Justice League taking on the malevolent forces that go beyond our plane of existence.
Sneak Peek Revisited: A Preview of Justice League vs. Teen Titans – A glimpse into the characters known as the Teen Titans.
From the DC Vault: Justice League Unlimited, “Far From Home”
From the DC Vault: Legion of Superheroes, “Man of Tomorrow”
The 4K Ultra HD Blu-ray disc of Justice League vs. The Fatal Five will feature Dolby VisionTM HDR that dramatically expands the color palette and contrast range and uses dynamic metadata to automatically optimize the picture for every screen, frame by frame. The 4K Ultra HD Blu-ray disc of Justice League vs. The Fatal Five will also feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar. Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.
Justice League vs. The Fatal Five will also be available on Movies Anywhere. Using the free Movies Anywhere app and website, consumers can access all their eligible movies by connecting their Movies Anywhere account with their participating digital retailer accounts.
Fans can also own Justice League vs. The Fatal Five via purchase from digital retailers beginning March 30, 2019.
Midnight Mass: The Blood of Life
The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God.
Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes.
Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God.
We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant.
Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed.
Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus.
Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship.
Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care.
The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love.
Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls.
Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now!
Saw X: It ain’t brain surgery!
Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer!
First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive!
So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance.
Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth.
The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge!
First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer.
A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now!
Scott Pilgrim Takes Off
“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.
The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.
The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.
The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.
“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.