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Vivica A. Fox is Hotter Than Ever, and Disarmingly Real

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Kind, conscientious, courageous and refreshingly candid, Ms. Vivica A. Fox has proven that as Hollywood careers go, second acts are often the sweetest.

The multi-hyphenate actress-director- beauty entrepreneur-author is embracing life and not looking back, except to pull from her well of wisdom for her new memoir, Every Day I’m Hustling. And if you know Vivica like I got to know her during our conversation, you’d think the book’s title quite fitting. She enjoys hard work and has no plans to slow down.

Born Vivica Anjanetta Fox on the outskirts of Indianapolis, she went by Angie Fox, one of four siblings being raised by divorced mother who worked overtime to provide for her children. Her childhood home was hectic but loving and provided fertile ground for Vivica to aspire for things grander than her midwestern upbringing.

After high school, she made her way to Southern California to attend college, all the while seeking out opportunities in Los Angeles to model and act wherever she could. It was in LA that Angie became Vivica A. Fox. She worked her way through the ranks on sitcoms and daytime soaps, and in 1996 got her breakthrough role opposite Will Smith in the classic blockbuster, Independence Day.  Next came a string of fan favorites including Set It Off, Soul Food, Two Can Play That Game, Kill Bill Volume I and II, and a string of subsequent roles in film and television, including Larry David’s sharp-witted houseguest, Loretta Black, on Curb Your Enthusiasm and Skye in the campy Sharknado franchise. Her eclectic career has kept her on the move for nearly three decades.

In 2016, Vivica joined the cast of the smash hit television series, Empire, playing conservative suburbanite Candace, Cookie Lyon’s (Taraji P. Henson) older sister and character foil.

During our interview we covered everything from movie stardom and maternal instincts to social media drama, setting boundaries and finding love.

TME: When are you Angie and when are you Vivica? When do you take off the Vivica and become Angie from Indianapolis?

Vivica A. Fox: Well first off, that’s Angie Fox from 38th and Emerson in Indianapolis (laughs)! I’m Vivica Fox when I hit that red carpet and I’m ready to slay the game. That’s what I do. But I love that I have in my life, and in my journey, learned when to be Angie Fox. And that’s mainly when I’m with my family, time off, hanging out with my godchildren, having my Me Time and learning to take Me Time. That’s when I’m no makeup, baseball cap, chilling and blending in.

TME: Do you prefer yourself that way?

Vivica A. Fox: Oh my gosh! To be honest with you, the older I’ve gotten, the more I prefer it. I work so much; I’ve been so blessed and so busy lately that I enjoy when I can have that Me Time. In fact, today I don’t have to be on. That’s what I really love about being with my godchildren.

When they see me, I’m just G.G. or G-ma. G.G. stands for Gorgeous Godmother. G-ma, I don’t know where they got that one from, but I have five godchildren. Two of them call me G-ma and the other ones call me G.G. They like hanging with me. Not the drama or the glamour, they just want me.

TME: I love the part in your book where your godson, Christian, sees you all done up as Vivica A. Fox, and he gives you that side eye like he doesn’t recognize you, and you say, “It’s okay, I’m just wearing my Vivica costume.” Then he asks, “You’re still my G.G., right?” And you reassure him that it’s still you.

Vivica A. Fox: It’s funny because he was just a baby the first time he saw me like that, and he was like, “Who are you!?” He was so used to seeing me in my tracksuit and baseball cap. But now at seven, he kind of likes it when he sees the reaction I get from people. He’s done a couple of red carpet events with me and he knows the difference between the two.

TME: Coming from the Midwest, your father was a school administrator, your mother worked for a pharmaceutical company, so you really had no ties to entertainment, or Los Angeles for that matter. What gave you that spark of courage, that spark that made you believe that you could become a successful actress?

Vivica A. Fox: I was introduced to the world of fashion and modeling by Madame King, my late auntie. She had her own beauty salon back in the day. She was the first one to cut my hair and put me on a runway. I was kind of bitten by the bug at thirteen. From that point forward, I just fell in love with magazines and fashion. Then I went to go see Michael Jackson in concert, and Diana Ross in concert. I had never seen African Americans being so fabulous, and I was like, “Where do they live? That’s where I’m going! That’s what I want to do.” I decided that during my senior year in high school. But I had to trick my mama (laughs) and tell her I was going to college in California, and I did go to college. But I would be sneaking up to Hollywood and going to modeling agencies. I had a girlfriend who was an actress, and I used to read lines with her. She would say, “You’re pretty good at this, you should try it.”

TME: Your book is part memoir and part motivational guidebook for success. Tell me about your mentor, or mentors…

Vivica A. Fox: My mentor would have to be a good friend of mine, and my first acting coach, Sheila Wills. I’m her two daughters’ godmother. Sheila, I met when I was doing [the daytime soap opera] Generations.

She took me under her wing, and she would work with me with auditions. I would go into those auditions and just nail them. I attribute my success to her. She would say, “Vivica, you’ve got to stay ready. You got to be ready. You’ve got to take care of yourself.” And people who inspired me to be who I am would be Diana Ross and Pam Grier.

TME: Do you know that you’re incredibly sexy? Is that something you’re aware of?

Vivica A. Fox: Well, okay now!

TME: I’m not pulling your leg. You really do ooze sensuality. Do you know that?

Vivica A. Fox: Thank you! I appreciate that. Got to keep it tight and right, girl (laughs)!

TME: More so now, than twenty years ago, in my opinion…

Vivica A. Fox: Maybe because… No, not maybe! Because I am comfortable in my own skin. I’m very comfortable with me. I have embraced my womanhood through my pluses and my minuses. I’m good with me right now, so that’s what you’re seeing. My spirit is happy, more than anything else.

It’s taken awhile, and that’s something I want to share with people. My book is a motivational memoir. I, too, have fallen down and had to figure out how to get back up and create new chapters for myself. I want to encourage, enlighten and inspire other people.

TME: Why did you choose to share your journey with menopause in the book?

Vivica A. Fox: It’s part of life. It’s going to happen. And it’s like you just asked, “Do you know that you’re sexy right now?” But do people also know that for the last few years, that’s what’s been going on in my life? I embraced it and I got in front of it. I didn’t let it define me or make me want to whittle away.

I don’t know why with women, we can’t talk about our bodies and what we go through, share it with others, and not feel like we have to hide that from people. I’m sharing it, and I got in front of it and took care of myself. I really feel like it made me take good care of myself.

TME: And being that your image is sexy, you weren’t afraid of putting that out there…

Vivica A. Fox: No, not at all. You’re going to have naysayers and people that are going to try to come and say something, and they can. But I’m still me. It doesn’t change who I am. I’m still all woman.

TME: When it comes to social media feuds and this clap back culture we’re living in, when do you take the high road and not respond, and when do you feel the need to clap back?

Vivica A. Fox: I will clap back occasionally, but to be very honest with you, if it’s not necessary, I don’t like that. I’m not one of those people who became famous by being a controversial celebrity.

Normally, I’ll click on who that person is and see if they’re even worth it. If it’s somebody that you can tell is wanting to make TheShadeRoom or seeking attention, I just block them. They’re not worth it. When I clap back, it’s when somebody comes at me or I have to set the record straight.

TME: Technology has made it very easy for people to say something mean spirited or join in the angry mob. For me, I try my best to practice the art of what I call Non-Reaction, where I feel like every time I don’t react I’m passing that next spiritual test. But occasionally, something will get me and I’ll react. And then I’ll wonder, was that a failure on my part, or was it warranted in that situation? Do you share that same internal struggle?

Vivica A. Fox: It’s an internal struggle with me too. Some days I’m like, “Why did I give that person my energy?” There are some people, they just come on your page to be mean, and you kind of want to go, “You looked me up, and took the time to write a response to be mean to me. Hmm, what does that say about your character?” There’s an old saying your mama told you. “If you ain’t got nothing nice to say, don’t say nothing at all.” I try to live by that old school motto. I don’t try to pass on bad energy to others, I don’t. If I don’t have anything nice to say I just keep my opinion right on over here. But you know, this generation with the social media, a lot of people like that negative feedback. They feed off it. I don’t.

TME: Let’s talk about motherhood. I know you have all these nieces and nephews, and godchildren. I feel like motherhood, meaning the energy of motherhood, is something that is innate in all women. We have a need to nurture. How does that energy express itself through you?

Vivica A. Fox: I’m Mama Bear all the time! I have a nurturing instinct and I think I get that from my mother. My mother always loved to take care of others. Still to this day, she doesn’t take as good care of herself, because she is always looking out for others. I got that quality from her. When I’m on the set, I’m always looking out for others. When I walk on a set, I’m always making sure that I speak to everyone, that I try to make people as comfortable as possible.  In that way, I am very motherly. It’s just something in me, I like to look out for others. But the older I’ve gotten, I’ve learned to look out more for myself, as well. And I’ve learned a very important word: No. Because people will take, take, take from you child, till you drop! Then they’re satisfied, and you’re left over there feeling completely empty.

TME: At what age did you learn how to say No?

Vivica A. Fox: It was in my late forties, or maybe just when I got to be about 50, that I started really looking at my relationships and asking myself if they are all reciprocal relationships. I had that tendency to give, give, give, and I finally took off my Captain Save-A-Ho cape.

I mean that. Sometimes you’ll talk to friends on the phone, and we all vent, it’s human. But if you talk to somebody that is constantly draining and negative, at some point… I’ve cut ties with a couple of friends and not felt bad about it. I call it the season of shedding, where not everyone’s going to the next chapter or the next level with you. And it’s okay. You don’t have to hate them, but there’s nothing wrong with making good choices for yourself.

TME: How do you define glamour and beauty?

Vivica A. Fox: Someone who is a goddess, who just radiates confidence; someone who owns her moment, who seizes her moment. The older I’ve gotten, I believe that beauty radiates from the inside. Especially nowadays with these build-a-bodies, and everything is just makeup and fakeness in my opinion right now. It’s when you meet a person and they are a beautiful person, they radiate confidence and kindness. I find beauty in a woman that has no makeup on, but she’s confident in her own skin and radiates kindness and does for others, to me that’s beautiful.

TME: In your book you give advice on achieving different areas of success in one’s life. I personally think that so many people have a misconception about success. People want that insta-recognition, that insta-success. I said to someone the other day that for all the people who think they would love to trade places with Mark Zuckerberg or Oprah, for example, most of those people wouldn’t make it through the first week if they saw the tremendous amount of work, pressure and sacrifice that it takes to be in that type of position.

Vivica A. Fox: To piggyback on that point, for myself, people don’t realize that for the last two to three years I slept on planes. I was always traveling, always busy, taking meetings, not sleeping, going here, going there, and going through changes of life and never letting it slow me down.

There’s a lot of work required. All those seeds that I’ve planted, I’m now seeing them all blossom. But I had to do the work. That’s what I tell people. In my book, in the chapter about Being the Head Chick in Charge, I say, “Don’t let anyone outwork you.”

TME: What do you think is the biggest misconception about success?

Vivica A. Fox: That it’s easy. When you’re successful, usually it’s taken a long time to build a career. It isn’t something that happens overnight. It takes time to build a career, and a career means being able to go through different stages and chapters of a career, not just being the hot chick of the moment. For me, I went from being the hot ingenue chick, to now building my brand and producing and directing.

TME: Let’s talk about Empire. I started watching it last week, all four seasons in a row!

Vivica A. Fox: Oh, you binge-watched…

TME: Yes, I binge-watched! I’m talking carrying the iPad with me all over the house; the show is that addictive and entertaining. Entertainment value, on a scale of 1 to 10, it’s a 12 plus. The one thing I had mixed feelings about is the way African Americans are depicted in the show. On one hand I’m loving it, on the other hand I’m thinking, “Does this play on negative stereotypes, the way this family is being portrayed?”

Vivica A. Fox: Well, I think that’s why Empire has been so successful. It’s raw and right there in your face. It makes you uncomfortable. What I commend Lee Daniels and the cast of Empire for is they are like, “It may make you uncomfortable, but we are who we are. We’re not going to sugar coat this. We’re going to give it to you straight, no chaser.”

That’s what made it a phenom. Some people felt like they couldn’t handle the gay [subject], or they feel it’s a little bit too raw, but that’s Empire. They have stayed true to what the show is about, and I have to commend them for that. That take courage, not to bow down to social or peer pressure.

TME: Did Lee Daniels ever share with you the moral of the story of Empire, or his vision for the show?

Vivica A. Fox: Not really. The thing I love about Lee is that he is who he is. It’s taken awhile for him to become comfortable in his own skin, and that he’s a gay man and that he has talent, and he doesn’t have to hide who he really is anymore. We’ve all been in this business for twenty years, and I’m going to tell you that it’s been a long journey for him to put out a show like this.

Some of the storylines in the show, absolutely, with the mother saying to her kids, “You’re this, you’re that (referring to the character, Cookie, having a penchant for hurling insults).” The father throwing the kid in the dumpster, it tugs at the heartstrings. It makes you uncomfortable, but it happens. I feel that with knowledge there’s power.

TME: What will Candace be up to in the new season?

Vivica A. Fox: I can’t give away a whole bunch, but I will tell you that Candace is back and that you will get the chance to finally meet our mother, Renee, played by the very beautiful and talented Alfre Woodard.

TME: Do you judge your character, Candace, the same way that Cookie judges her?

Vivica A. Fox: No. I believe we all have those relationships in our families where we’re all different, but we’re still family. In my career right now, I’ve embraced my womanhood and people are like, “Ooh, Vivica, you’re going to become today’s Diahann Carroll.” And I’m like, “Wow! Thank you for that.” But firstly, Vivica is a little bit more like Cookie. I like to have my rock star moments, and I love wearing the crazy clothes and all that stuff. But Candace is who I’m evolving into.

TME: In your book you provide some back story about your mom and dad’s relationship, and how it’s affected your own love life. What I got from what you wrote is that in watching your mom nurse a broken heart over the divorce from your father, you saw her as a victim, and that framed your own love life.

Vivica A. Fox: Absolutely.

TME: Do you still see her as a victim, or do you see things in a different light now? And what would it take for you to let your guard down in love?

Vivica A. Fox: I see my mother now as a survivor. My mother grew up in a time where you stuck by your guy. He was her one true love, and I definitely have those qualities. What I learned from her, in wanting her to live and to love and to laugh more, I wouldn’t take those same steps that she did. I can open my heart again. For my part, I’m making sure that I’m not lustful anymore. I don’t look at somebody and right away say, “Oh yes, he’s the one!” I make sure that I take the time to get to know someone. That’s something I pass along in my book, as well. Don’t jump into the shallow end of the pool head first. You’ve got to take the time to get to know people.

So yes, I am open to love. I want to love again and have someone that’s really special. But he has to prove himself, and I would have to prove myself to him, that I’m worthy to be his mate. Sometimes women are so afraid to be alone that they just take that first thing coming, and they get the short end of the stick. They keep dating the same guy over and over again. That’s why, in the book, I say to make your chart out. Do you keep dating the same guy over and over again? Because you’re going to get the same result.

TME: Do you want Hollywood to be colorblind in writing and casting roles, or do you want to be identified, and cast, as an African American actress?

Vivica A. Fox: Of course, I always want to be seen as a talented African American actress, because that’s who I am. I feel that right now, what’s going on in Hollywood is that, man, that glass ceiling has been busted wide open. It’s been a long time coming, with the success of Black Panther, with the success of television shows like Scandal and Empire and How to Get Away with Murder; with Oprah having her own network. It’s about damn time.

TME: Is it an I Told You So moment?

Vivica A. Fox: I don’t know if it’s I Told You So as much as it is, Finally.

TME: Finish these sentences for me. I know I can trust someone when…

Vivica A. Fox: When I’ve truly gotten to know them.

TME: I know that God is speaking to me when…

Vivica A. Fox: Woo! Hmm. All the time. Every day when I wake up and I can thank Him for letting me see another day. I would say, I know God is speaking to me all the time, and He helps me make better choices.

TME: My spiritual mission in this life is…

Vivica A. Fox: To be kind, to do unto others and to leave a good mark.

 

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‘Abigail’: Bite Me Harder Tiny Dancer

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A gang of misfit kidnappers find their tiny target far more bloodthirsty than they bargained for! 

So, unfortunately, the trailers gave it away and let’s be real that’s why most of us are here, the knowledge that the kidnap victim Abigail (Alisha Weir), codenamed by the would-be kidnappers appropriately as ‘tiny dancer’, is in fact, a vampire. Not a spoiler, point of fact, one of the film’s actual great selling points. And the reactions from the misfit club when faced with a real actual f*cking vampire, range hilariously from the blunt “no such thing as vampires” all the way to, “Are we talking True Blood or Twilight rules or what?” all while covered in buckets and buckets of blood. 

Anyway, the gang manages to subdue and abscond with the aforementioned Abigail, in a pre-prepared duffle bag, like you do, and converge to a new location, a house oddly similar to the one she was just taken from. Welcomed and given codenames by a man who introduces himself as Lambert (Giancarlo Esposito), our misfit club is told to simply hold down the fort in this strange old house with the girl chained up in a room and one person to attend her, for twenty-four hours, and they’ll all get paid. 

As inevitable as the tides, the dopey druggie Dean (Angus Cloud) is the first to die, and we’re going to give that death-style points for inspiring terror right off the bat. The very controlling Frank (Dan Stevens, holy crap yes that is the guy from FXs Legion) is also of course the most suspicious – of everyone around him, sure, but also he himself is totes sus. We don’t learn terribly much about the musclebound tank who gets dubbed Peter (Kevin Durand), he’s your pretty typical little-brains-heart-of-gold muscle-for-hire any proper gang needs, right down to the bottle problem. Sammy (Kathryn Newton), well, even for being a purported hacker-type, she has, like, reality issues. Rickles (William Catlett), he’s arguably the most dangerous among them, ex-military and yet somehow here and involved in kidnapping for a few mills. Joey (Melissa Barrera) is our Final Girl, and though she has the inevitable problems in her recent past, she seems more capable of doing the hard thing and still somehow empathizing at the end of the day. Must be her burning desire to get back with her son. 

The fit hits the shan pretty quickly, and Abigail morphs from tiny dancer to tiny monster, though honestly, the way Abigail spoke the entire time in the film, if the ‘nappers had been paying close enough attention, would have been a solid clue. The performance from Alisha Weir as Abigail is incredible, as she literally dances a fine line between comedy, tragedy, and outright monstrosity. With a face full of makeup and the force of a tiny tornado to back it up, Weir brings to mind the great performances of the vampires in 30 Days of Night who saw the practicality in the need to trap their food, but also, play with it a bit first before feasting! Anything else would give away the absolute fun time that is Abigail, so you should go see it, out in theaters now!

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Scrubs Reunion: The Band Gets Back Together

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Fans of the beloved medical comedy series Scrubs were recently treated to a thrilling surprise when John C. McGinley, who portrayed the iconic Dr. Perry Cox, dropped a photo on Twitter hinting at a potential reunion project. The image, showing McGinley alongside his former co-stars, sparked a wave of excitement and speculation among fans who have been longing for more adventures with the beloved Sacred Heart Hospital staff.

While details about the reunion project are still scarce, the mere possibility of seeing the gang back together again has sent waves of nostalgia through fans who fondly remember the show’s original run from 2001 to 2010. Scrubs was not just a sitcom; it was a heartfelt exploration of friendship, love, and the chaotic world of medicine, all wrapped up in a quirky and often hilarious package.

At the heart of the show was the bromance between JD (played by Zach Braff) and Turk (played by Donald Faison), whose antics and deep bond served as the emotional anchor for the series. Their dynamic, along with the sage wisdom (and relentless sarcasm) of Dr. Cox, provided viewers with memorable moments that have stood the test of time.

As we eagerly await more news about the Scrubs reunion project, one thing is for sure: it’s time to dust off those old DVDs, rewatch our favorite episodes, and get ready to welcome back our favorite gang of doctors, nurses, and janitors for what promises to be a memorable reunion.

But Scrubs was more than just its main characters. The supporting cast, including the eccentric Janitor (played by Neil Flynn), the neurotic Elliot (played by Sarah Chalke), and the wise-cracking nurse Carla (played by Judy Reyes), each brought their own unique flavor to the show, creating a rich tapestry of characters that fans grew to love.

While the photo shared by McGinley has fueled speculation about what the reunion project might entail, whether it’s a one-off special, a new season, or something else entirely, one thing is certain: fans are eagerly awaiting any opportunity to dive back into the world of Sacred Heart Hospital.

In an age where reboots and revivals are commonplace, Scrubs stands out as a series that has the potential to recapture the magic that made it a fan favorite in the first place. With its blend of humor, heart, and unforgettable characters, a reunion project has the opportunity to not only satisfy longtime fans but also introduce a new generation to the joys of life at Sacred Heart.

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‘The Hunger Games: The Ballad of Songbirds and Snakes’: Rebellion with a cause

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The story of the rise of Coriolanus Snow, from teenage Capital City pawn to rising Dictator of the Hunger Games! 

Apparently no one out here in post-apocalyptic Panem has heard of irony and so they name their children things like Coriolanus (Tom Blyth), Tigress, and further off in Hunger Games lore, after swamp plants like Katniss. Corio’s father was a legendary general and that is pretty much the only reason young Snow and his meager family of grandmother called Grandma’am (Fionnula Flanagan) and sister Tigress (Hunter Schafer) are tolerated here in the Capital City at all. 

Most of the snotty youngsters at the academy won’t let Snow forget how far his family has fallen, but he’s generally not concerned with them. What is concerning is the strong disapproval of the drugged-up Dean Casca Highbottom (Peter Dinklage) and the creepy attention of Dr. Volumnia Gaul (Viola Davis) as she lurks in the classroom sniffing out talent. The Dean feels very strongly the annual Hunger Games should end, while Gaul is violently adamant that not only do the Games continue, but that they get as much more attention as possible. And young Snow is stuck in the middle, when the yearly prize money normally awarded to the academy student with the best grades gets switched out for, you guessed it, the student that can make this years’ Hunger Games as entertaining as possible. 

Whilst the students are protesting this sudden change, the annual Reaping is about to commence, and big shock and surprise, Corio’s candidate from District 12 Lucy Grey Baird (Rachel Zegler) is chosen as a Tribute. This is where the film begins to really take off on musical wings, for as it turns out, Lucy Grey can sing. Boy, can that gal sing! She can sing, she can play guitar, she can work a crowd, she can calm things down, she can fire ‘em up too! And Corio, being no dummy himself, instantly plots ways to use his Tributes amazing voice to draw attention to her, and admittedly his own, plight! 

Though far too many people sneer at the idea, Corio takes his position as Mentor to his Tribute seriously enough to sneak onto the tram taking the Tributes to their habitat, which turns out to be a completely appropriate moniker, as this year the Tributes are held before the Hunger Games in a large zoo habitat so the weatherman ‘Lucky’ Flickerman (Jason Schwartzman), host of this years games, can MC the hell out of everything up close and personal! 

What happens at this years Hunger Games and the subsequent consequences to both Corio and Lucy Grey is actually only half the story, and the movie. Coriolanus has always had to be opportunistic, but learning to be absolutely ruthless when necessary under the tutelage of Dr. Gaul, who basically thinks it’s always best to be merciless, is an eye-opening education indeed.  Even after they’ve both been consigned to military service and his friend Sejanus Plinth (Josh Andres Rivera) decides to finally rebel, Corio and Sejanus continue to deceive each other and themselves, to accomplish their separate goals. Not even the love Corio swears he feels for Lucy Grey can save him, or them, from the adamant absolute necessity of the Hunger Games continuing. And after all that’s happened, Coriolanus Snow has gotten a terrific education in the best way to be the absolutely ruthless next Hunger Games advocate, and oh yeah, President of Panem. 

The movie does itself no favors by trying to stuff not one but two major storylines and a bunch of side storylines sadly introduced and then ignored, into the film. It would have been entirely possible to turn Ballads of Songbirds and Snakes into two different movies, separated between feathers and scales if you like, and do justice to the major storylines in both. Blyth gives a fine  performance as a young Coriolanus Snow, but the fact that President Snow is played by Donald Sutherland in all three of the Hunger Games films means Blyth has incredibly large shoes to fill. Rachel Zegler as Lucy Grey is absolute fire, and yes the actress did sing the songs in the film herself, including the Hunger Games franchise epic song, ‘The Hanging Tree’. Every time Lucy Grey opens her mouth and sheer soul-searing music comes out, it provides a distinct counterpoint to the soul-crushing ambition of Coriolanus Snow and further demonstrates the District and Caste separation Hunger Games is known for. And if, by the end of the film, Coriolanus Snow has come to agree that the Hunger Games must continue but perhaps under his own auspices, he has no one but himself to blame when another younger but still rebellious female blows it all up in his face! 

Choose rebellion or conformity for yourself in The Hunger Games: The Ballad of Songbirds and Snakes

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