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Rick Ross on Living the American Dream and Not Fearing Death

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One conversation with rapper Rick Ross will have you questioning the definitions of success, wealth and opportunity; how to identify opportunity, how to achieve success and how to maintain it while keeping your soul and bodily faculties intact.

Ross, born William Leonard Roberts II, rose to prominence in 2006 with his breakout single, Hustlin’, a word that defines his character and approach towards life. Though Ross doesn’t speak like a scholar, his wisdom permeates our conversation. He is an alchemist; aware of his power to transmute base metals to  gold. Rick Ross’ fans are believers in his use of language, and his unabashed celebration of riches. He’s proud to remind people that he created a palatial oasis out of the urban desert that was his early life.

Where many others in the Carol City district of Miami where Ross grew up saw few options, Ross saw the opportunity to translate his experiences into music. He came on the scene as hip hop left its golden era behind in favor of corporate commercialism, and then helped to usher in a rap renaissance of which he has become one of the genre’s most powerful voices. 

The way Rick Ross explains it to me, the flash and cash his lifestyle portrays goes deeper than flagrant materialism. It leaves a roadmap for others behind him to follow – from no way out to a yellow brick road of possibilities. Even Ross’ palatial Georgia residence can be dubbed rap’s incarnation of The White House, with A-listers paying homage to the famous property (once owned by Evander Holyfield) on occasion. 

With 87 singles under his belt, Rick Ross moves through the music business with the urgency of being on borrowed time. Not since the late Tupac Shakur has an artist been quite so cognizant of, nor vocal about, his own mortality, and for good reason. Witnessing the loss of life has been a constant for Ross since his childhood. In recent years Ross survived a grisly drive-by shooting and multiple life-threatening seizures. He’s emerged more prolific than ever with his tenth studio album, Port of Miami 2 and the release of his new book, Hurricanes: A Memoir

From sleeping in his car in the early 2000s while doggedly pursuing the American dream, to holding tremendous clout among the most successful artists of the moment, Port of Miami 2 features guest appearances by Swizz Beatz, Meek Mill, the late Nipsey Hussle, John Legend, Lil Wayne and Drake. The relationship between Rick Ross and Drake goes back nearly a decade, when Ross showed tremendous support for Drake’s career after the release of his early work, with the breakout mixtape So Far Gone. The two have been allies and collaborators since. 

The focus of our conversation was Ross’ memoir, Hurricanes, and the rags to riches story he loves to illustrate for his fans.

Photos Courtesy of Bob Metelus. Creative Consultant: Sheldon Wright

Allison Kugel: You come across as nostalgic in your memoir, Hurricanes. If you could travel through time and bear witness to the making of any classic album, which one would you love to be a part of?

Rick Ross: A rap album? That would have to be Paid In Full with Eric B. and Rakim. Rakim was such a supreme lyricist and B. was the epitome of a DJ/dope boy. They were the center of style and fashion with their Gucci suits on the album covers, sitting on the hood of a Mercedes Benz S550. It was the epitome of what rap music really represented. 

Allison Kugel: Generational wealth or artistic legacy… which means more to you?

Rick Ross: Generational wealth, without a doubt.

 

Photos Courtesy of Bob Metelus. Creative Consultant: Sheldon Wright

Allison Kugel: You’ve had some close calls between your health issues and an attempt that was made on your life. What was the greatest lesson or insight gained from those experiences?

Rick Ross: Ha! Something just ran across my mind, and I want to say that if it was the end, I would want to make sure I smoke all the roaches down until they’re by my fingertips (laughs)! But it boils down to appreciating and enjoying every day.

Allison Kugel: Do you believe in destiny, free will, or both?

Rick Ross: Destiny, for many different reasons. When there was [sic] 20 shots fired at my Rolls Royce, I had the audacity to go back and get my Cuban link chain. Not only did I go back to get my Cuban link chain, I went back to go get my girlfriend. It had to be destiny.

Allison Kugel; It’s nice that you went back for your girlfriend but thank God you didn’t lose the Cuban link (laughs). Kidding!

Rick Ross: (Laughs)

Allison Kugel: What is the source of your drive and ambition?

Rick Ross: Other than my DNA, it comes from my neighborhood, and being so blatantly aware of the haves and the have nots. I knew I was one of the [have nots]. It may not have been traumatic at all. It could have been something as simple as me not having the Nintendo with the Mike Tyson Punchout game.

Allison Kugel: That was my favorite game! You’re taking me back…

Rick Ross: Mine too. Mike Tyson Punchout and Double Dragon. When you’re the one on the block, where your friends have to bring the game and cartridges in a Winn Dixie bag to come spend the night at your crib, you kind of know.

 

Photos Courtesy of Bob Metelus. Creative Consultant: Sheldon Wright

Allison Kugel: Do you pray? And who or what do you pray to, and what do you pray for?

Rick Ross: Daily. I call him The Big Homie because there’s only one Big Homie; I don’t care what nobody else calls him. I just let Him know I’m appreciative of everything, and I’m really under his command. The second he calls for me or is ready for me, I’m going to open my arms to him. 

Allison Kugel: What are you here in this life as Rick Ross to learn and to teach?

Rick Ross: Just that others like me, who never learned math, that you can still be the CEO, you can still become authors and artists. Nobody ever told me that. I had to learn that on my own. When I was in school, I sat in the back of the class making jokes, trying to cover up the fact that I never learned multiplication or algebra.

I want to let youngsters who are in the position I was in, know that they can be in this position I’m in now. My father wasn’t there to tell me that, and I never had a big brother. The people I looked at were the ones in the street. I know the advice I always got from them, but I want to teach others that you can become a CEO, a huge success. I’m not only the CEO of one company, but close to a dozen. That’s what I want to be able to teach people on a major scale.

Allison Kugel: To divert a bit, let’s talk about a song from your recent album, Port of Miami 2, Gold Roses featuring Drake. It’s a great song. Describe the dynamic between you and Drake, musically and personally.

Rick Ross: Drake is a genuine human being, and I think that is what I admire and respect about him so much. The role I’ve always played with him was Big Homie, and he always played my Lil’ Homie. That dynamic has always been as natural as it comes, and that’s when we’re in the recording booth and when we’re outside the recording booth. He’s not afraid to show his sensitive side, and that’s what makes him the artist he is.

Allison Kugel: You’ve been quoted as saying that you never question God. Even in your darkest moments, you’ve never asked, “Why?” or questioned Him in any way?

Rick Ross: If I have, it was many years ago before I began to understand what life is. Life can be a cruel place; it can be a cold place. But it also can be as beautiful as you make it. I didn’t even question Him on the morning I woke up with my closest friend dead in the room next to me. We had just been together three hours earlier, and now three hours later, he’s dead and gone (Ross recounts this story in his book, Hurricanes: A Memoir/Hanover Square Press). I never questioned when my other closest homeboy was gunned down in a home invasion in front of his two, three and four-year-old sons. I’m not going to question the Big Homie. Whatever his plans are, that’s his plans. However I go out, it’s destiny.

Allison Kugel: Have you ever stopped to reflect on, and question, the violence that’s surrounded you throughout your life?

Rick Ross: Growing up where I grew up, I never questioned it because questioning it did nothing for it. Hearing AK-47s going off for sixty seconds at a time, you can cry, you can pray, you can question it, but you better just sit back, shut the fuck up, and wait for the ambulance to come. Year after year of seeing and hearing it and walking to school while passing a dead body, it gets to a point where you don’t question it. You got to decide, am I going to survive or am I going to die? 

Allison Kugel: You discuss your solid financial prowess in your book. What do you teach your children about money?

Rick Ross: The disadvantage my children have is that they’re my kids, and my entire family is in a different position. They’re receiving money from everybody. I could put my kids on an allowance, but my daughters have credit cards. I do explain the importance and the value of building a brand. I don’t speak to my daughter about coming up from the mud to the marble and starting with nothing, because that’s not her life. She’s not in the position me and my sisters were in.

Instead, I talk to her about the importance of maintaining our brands and bringing something new to the brand. By the time she was fourteen, my daughter knew how to run a Wingstop (one of Ross’ several business interests). If we left her in a Wingstop [restaurant] with two other people, they would be able to run it for a full day. With my haircare line, RICH Haircare (RICH by Rick Ross), I allow her to be in the conference calls and to sit in on the meetings. At the same time, she gets to live and enjoy life much more than I did at her age. You have to take the good with the bad, but I most definitely let them see firsthand what hard work is.

 

Photos Courtesy of Bob Metelus. Creative Consultant: Sheldon Wright

Allison Kugel: You’re raising your kids in the Holyfield Mansion (Ross’ 44,000 sq. ft. Georgian estate, once owned by Evander Holyfield). I would imagine there has to be a sense of entitlement when your kids are growing up in what is, for all intents and purposes, a palace.

Rick Ross: It’s not something I overthink. As parents, we need to set examples because we have to let our children grow into what and who they are going to be. I really don’t put a lot of pressure on my kids, because they’re good students and they are very respectful of me and of everyone else around them.

I’m allowing them to become young adults, and to decide what college they want to go to, what they want to be, what they want to do, how they want to do it, and where they want to do it. I’m pretty free about that. But it’s true. It’s not an upbringing I would know about firsthand, and I’m pretty sure I would feel entitled if Eddie Murphy was walking around my dad’s home and Coming to America 2 was being filmed at my father’s estate. They’re filming Coming to America 2 at the estate right now.

Allison Kugel: Okay, well that’s awesome! Are you in it?

Rick Ross: I have a small role and I did my first scene a few days ago.

Allison Kugel: I’ll have to look out for you when it comes out.

Rick Ross: Most definitely. You’ll have to look out for Rozay in the movie when it’s out (laughs).

Allison Kugel: I love how in the back of your book you thanked a jeweler who let you browse his watch collection for hours and ask him a bunch of questions years ago, when he knew you couldn’t afford to buy one. Do you think you envisioned your dreams into existence?

Rick Ross: Without a doubt. I think that’s a part of destiny. I believe that if you believe in something or anticipate something coming to you, you try your best to prepare for it. For example, I’m trying my best now to prepare to be a huge actor one day. Before I finished my book, I wanted to thank Mr. Morgan; that was the name of the jeweler. He was extremely kind and patient with me. For some reason he would always let me, for two hours at a time, look and ask questions about the jewelry. He knew I didn’t have money. I probably didn’t have money for a damn soda at that time. He’d take the time to describe the different watches to me, and my mind was just blown. I was fascinated by the idea of having jewelry. He would let me stand there for a long time and I never got the opportunity to purchase anything from him. I just wish he knew who I was, and I wish I knew where he was now, because I would personally want to thank him.

Allison Kugel: How do you feel about your fans getting to know you on a more intimate level when they read your book? Does that make you nervous or excited?

Rick Ross: I would never be nervous at the idea of my fans getting to know me, and I feel like if they really knew who I was, they wouldn’t even believe me. The book paints some pictures for you but can never really give you an idea of what the real play was, because I came up in the era of some real things happening. Neil [Martinez-Belkin] did a great job of putting the book together. He spoke to maybe 60 or 70 of my closest friends and family, because talking to me there’s only some much conversation I’m going to give you. The shit I’ve seen, when we talked, it got no realer. When I talked about getting real money it got no realer. That’s what made me the businessman I am. Unlike a lot of other artists, I was familiar with money before the music came. Most artists, by the time they get their first advance, they got to go get a car or a home. I already had these things, so by the time I got money in the music business I was ready to invest in other things and do other things.

Allison Kugel: At the end of your book, you also pay tribute to the late Nipsey Hussle. Why do you think his life ended the way it did and when it did?

Rick Ross: As painful as it is to watch this type of shit online (referring to surveillance video footage of the shooting), that’s what I grew up seeing. As painful as it is, I almost became numb to it over the years. I’ve always been the one that’s been the shoulder for others to cry on. Why did it happen? I can’t answer that. Was he a special individual? An incredibly special individual!

Would I still consider Nipsey Hussle blessed and highly favored? Yes, I would. I’ve stood in those shoes before, and I was blessed to walk away. But for some reason, if it was to happen to me and that’s how the Big Homie upstairs chose for me to go, I’m going to open my arms to him. I don’t fear death, personally. I’m sure if Nipsey was here, Nipsey would still love and support his community the same way. Would Nipsey still love flossing in Crenshaw? I believe so. I would still love Miami 305, even if that was the city that took my life.

 

Photos Courtesy of Bob Metelus. Creative Consultant: Sheldon Wright

Allison Kugel: What do you hope fans are getting out of reading your book?

Rick Ross: I just hope the youngsters that are from where I’m from can see the potential in them in becoming authors, becoming CEOS or whatever they want to become. Do I really think I’m going to make money off this bullshit? Probably not. Do I think it will be successful? Really, anything with my face on it could be successful, but I didn’t do it for that. I wrote the book because I’m another youngster from a failing situation that’s seeing some success. Ultimately, that’s what it’s about. Going from being the hunted to becoming the hunter. 

Hurricanes: A Memoir by Rick Ross with Neil Martinez-Belkin is available on Amazon and wherever books are sold. Port of Miami 2, Ross’ 10th studio album, is out now. Follow him on Instagram @RichForever.

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Scrubs Reunion: The Band Gets Back Together

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Fans of the beloved medical comedy series Scrubs were recently treated to a thrilling surprise when John C. McGinley, who portrayed the iconic Dr. Perry Cox, dropped a photo on Twitter hinting at a potential reunion project. The image, showing McGinley alongside his former co-stars, sparked a wave of excitement and speculation among fans who have been longing for more adventures with the beloved Sacred Heart Hospital staff.

While details about the reunion project are still scarce, the mere possibility of seeing the gang back together again has sent waves of nostalgia through fans who fondly remember the show’s original run from 2001 to 2010. Scrubs was not just a sitcom; it was a heartfelt exploration of friendship, love, and the chaotic world of medicine, all wrapped up in a quirky and often hilarious package.

At the heart of the show was the bromance between JD (played by Zach Braff) and Turk (played by Donald Faison), whose antics and deep bond served as the emotional anchor for the series. Their dynamic, along with the sage wisdom (and relentless sarcasm) of Dr. Cox, provided viewers with memorable moments that have stood the test of time.

As we eagerly await more news about the Scrubs reunion project, one thing is for sure: it’s time to dust off those old DVDs, rewatch our favorite episodes, and get ready to welcome back our favorite gang of doctors, nurses, and janitors for what promises to be a memorable reunion.

But Scrubs was more than just its main characters. The supporting cast, including the eccentric Janitor (played by Neil Flynn), the neurotic Elliot (played by Sarah Chalke), and the wise-cracking nurse Carla (played by Judy Reyes), each brought their own unique flavor to the show, creating a rich tapestry of characters that fans grew to love.

While the photo shared by McGinley has fueled speculation about what the reunion project might entail, whether it’s a one-off special, a new season, or something else entirely, one thing is certain: fans are eagerly awaiting any opportunity to dive back into the world of Sacred Heart Hospital.

In an age where reboots and revivals are commonplace, Scrubs stands out as a series that has the potential to recapture the magic that made it a fan favorite in the first place. With its blend of humor, heart, and unforgettable characters, a reunion project has the opportunity to not only satisfy longtime fans but also introduce a new generation to the joys of life at Sacred Heart.

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WonderCon 2024:Day One

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Dune Part Two: The Lisan Al Gaib comes for you!

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Welcome back to our struggle for control of the known universe already in progress, the continuation of the journey of Paul Atreides from exile to Emperor, Dune Part Two

So when we last left our intrepid if dubious heroes, House Atreides had been betrayed and virtually destroyed, by a combination of House Harkonnens surprise attacks and the added treachery of Emperor Shaddam and his Sardaukar. Paul Atreides (Timothee Chalamet), the last surviving heir (so far) of House Atreides and his mother Jessica, have taken refuge on the desert planet of Arrakis amongst the indigenous Fremen, and as far as most are aware, the other remnants of House Atreides are dead as well. And here is where we catch up with everyone, as the struggle for Atreides emergence and dominance begins in earnest! 

The Emperor’s daughter Princess Irulan (Florence Pugh) is known for her many skills, but her copious note-taking and writings on the large events shaping her world come to the forefront as she takes counsel with her father amidst games of chance on their homeworld. Her life is one of luxury and privilege but alas, Irulan is a trained Bene Gesserit and is well aware that in all likelihood, she will be used as a pawn in the marriage games empires have to go through. Bet she never imagined it could be to a House everyone swore had been utterly destroyed. 

Meanwhile, on Arrakis, Paul is trying to integrate himself into the Fremen way of life, which is admittedly far different from the life he led back on the Atreides homeworld of Caladan. (If nothing else, Caladan has vast oceans.) The Fremen are fiercely independent, gloriously strong fighters, survivors who dare to ride and revere the giant sandworms that inhabit their planet that they call Shai-Hulud, and rightfully distrustful of outsiders. After all, the previous stewardship of Arrakis belonged to House Harkonnen, known for their cruelty and glee at hunting Fremen and torturing their victims, sometimes for weeks at a time. But Paul won his and Jessicas way into the Fremen by fair combat against Jamis, and if nothing else, the Fremen are firm in their beliefs of the old ways. 

Or rather, the elder Fremen are, most particularly the famed Fedaykin fighter and Naib (leader) of Sietch Tabr Stilgar (Javier Bardem) is adamant in his unshakable belief that Paul is the foretold Lisan Al Gaib, the Voice from the Outer World, that will lead the Fremen to peace and paradise. Stilgar’s steadfast belief in Paul’s potential only grows, and he manages with just that to convince a great many of the other Fremen elders. The younger generation of Fremen however, of which Paul’s beloved Chani (Zendaya) is a part, generally scoff at the legends of otherworldly prophets and Arrakis as a fabled green, wet heaven. In the beginning, Paul himself swears he doesn’t want to be the Messiah, only a Fremen fighter amongst the rest of them, hundreds of years of the Missionaria Protectiva, the Bene Gesserit practice of spreading useful religious propaganda as seeds on various planets, is working double-time against him. It doesn’t help that Paul’s mother Jessica (Rebecca Ferguson) is expounding on that myth as much as she possibly can. 

And why would she do that? Survival yes, but also, Jessica is a thoroughly trained Bene Gesserit and knows of plans within plans within plans. Jessica also has many secrets of her own, and one very important one happens to be that she’s pregnant with Paul’s sister. The Bene Gesserit bodily control may be something out of legend, but even Jessica, possibly Reverend Mother Mohiam’s best and most fractious student, will have trouble with the trial the Fremen are insisting she go through to become truly one of them. The Reverend Mother equivalent of Sietch Tabr, known as their Sayyadina, is old and dying, and the Fremen have to have a Reverend Mother. Jessica tells Paul this much and explains that each culture is different in their trial to become a Reverend Mother, so she honestly doesn’t know what to expect. The reality happens to be worse than she could’ve imagined – Jessica must drink the Water of Life, a deadly poison that comes from Shai-Hulud (sort of), and come out the other side of it. And Jessica manages to do it, barely, with almost all of the consequences going to the poor fetus in her womb, the girl that will grow to become Alia Atreides, an insane legend in her own right. But for now, the unnamed fetus is awake and aware and full of the memories of generations of Bene Gesserit women that came before her – before she was even born

Paul participates in razzia raids amongst the Fremen as they work to take out the spice mining operations of the Harkonnens, immerses himself in the vastly different desert culture of his chosen people, and perhaps most importantly, his romance with his beloved Chani only grows stronger. After declaring his desire to join the fierce fighter elites amongst the Fremen known as Fedaykin, Paul is told by Stilgar that he must summon and ride one of the giant sandworms, the embodiment of Shai-Hulud where the Fremen get their terrible tooth Crysknives from. And after much sendup, in a glorious scene of blinding sand and huge monstrous killer worm-riding, Paul is triumphant and riding atop the sacred creature, his Maker hooks set properly to control the great beast, waving at great distance to his fellow Fremen as Chani looks on in bemusement. 

But that’s all external, and inside Paul is beginning to become divided on what he wants to do. As Jessica pushes the Protectiva hard amongst the women and priestesses of the Fremen, she is also pushing her son to become much larger than he ever wanted to be, if nothing else a conqueror can take revenge for the destruction of House Atreides and the death of her beloved Duke Leto. Paul may have earned his place amongst the Fremen and been given new names – Usul, meaning the strength of the base of the pillar, as his private name within the Sietch; and Muad’Dib, from the small mouse survivor of the desert, well versed in desert ways, called ‘Instructor-of-Boys’ in Fremen legend, as his open-use name – but now everyone wants Paul to be something greater, and potentially more destructive, than what he currently is. It only gets worse when Paul begins to suffer prophetic dreams, and visions when he’s awake, prodding him further to his destiny as an epic conqueror of worlds. Nothing can be done for it, Paul convinces himself that he must take the Water of Life himself, to awaken the sleeping prophet inside himself, and allow him to hopefully See a path through the future. 

The problem with that plan, is that Bene Gesserit are almost exclusively all women, and only they are supposed to know how to transmute poisons internally, along with all sorts of other “witchcraft”. But Jessica has been training Paul in forbidden Bene Gesserit ways all his life, and as much as Paul might rail and even quail against it, there is no denying his incoming destiny, crushing any resistance he may have with all the force of a giant sandworm hunting a spice blow. And even when Paul has finally given in and taken the cursed substance almost mockingly called the Water of Life, it falls to another strong and prophetic in her right female in his life, his beloved Chani, to save him from himself. But even Chani can’t stop Paul’s destructive destiny as the conqueror of the known worlds, guilty of slaying millions upon millions of people in his quest for vengeance, thinly disguised as peace. 

Over on the Harkonnen homeworld of Geidi Prime, “Beast” Rabban (Dave Bautista) is disgusted and enraged at the continuing Fremen raids against the Harkonnens on Arrakis, and terrified of what his uncle the notoriously cruel Baron Harkonnen (Stellan Skarsgard), will do to him in response. The Baron’s nephew Feyd-Rautha (Austin Butler), heir apparent or na-Baron to House Harkonnen, demonstrates his blood-inborn savagery in a slaughter of the remnants of House Atreides gladiator-style, as his birthday celebration. Pleased with the spectacle, the Baron commands Feyd-Rautha to take control of the fight against this Fremen rebel known as Muad’dib, as Rabban is proving himself more and more useless. And any tool or toy that the Baron finds broken or unusable, is destroyed before being discarded. 

As the legend of Muad’dib grows off Arrakis and circulates among the Imperial worlds, the Emperor grinds his teeth in frustration and the Bene Gesserit, led by Reverend Mother Mohiam (Charlotte Rampling) as the Emperor’s Truthsayer, begin pushing forward their plots and machinations. Lady Margot Fenring (Lea Seydoux), a criminally underused character in this respect, demonstrates her willingness to be a pawn in Bene Gesserit machinations, but never forget, strong Bene Gesserit women have been breaking their own rules for generations. Just look at what Jessica did. 

As the raids and rebellion on Arrakis continue, both the Emperor and the Baron become more and more desperate, sending in mercenaries and smugglers in the hopes they might have more luck. And aboard one of those smuggler’s vessels happens to be an old hand at being a smuggler himself, the warrior troubadour with the scarred face given him by “Beast” Rabban himself, Gurney Halleck (Josh Brolin). Reunited with his beloved Duke’s only son, Gurney finds himself swept up in the legend of Muad’dib in the making along with everyone else, though at least from Gurney’s point of view, Paul is using the messianic angle to take revenge for House Atreides. 

Finally, in an act of what could be considered the ultimate in arrogance, Emperor Shaddam Corrino himself comes to Arrakis, along with Princess Irulan and many others of his Court, the Baron, and Feyd-Rautha in tow as well, to crush this upstart Muad’dib and his Fremen warriors. Sadly for all that the powerhouse actor Christopher Walken plays him, Emperor Shaddam Corrino is shown as a doddering old man, cowed in the face of Muad’dib’s overwhelming vitality and growing-ever-stronger legend. And there is where we will end the review, for the final confrontation between all key players in the Known Universe is full of spoilers and derivations from the original opus of Frank Herbert’s novel Dune

For those of you who stuck around long enough to get to the end, after all, Dune Part Two is almost three hours long itself, if you are fans of the original novel and the zany Lynchian masterpiece that was the first Dune film, you may be disappointed or even angered at the changes made to the story for the climactic end scenes. Director Villenuve has an eye for making grand epic scenes like Paul’s sandworm ride but can be a bit scattered when it comes to piecing the story together with all the key players needing to be involved in a way that can be understood by any layman. Dune in any form is a rich, vast universe of storytelling, and even an almost three-hour-long sequel simply can’t cover every last bit that’s in the novels. But if nothing else, the film is an overwhelming feast for the eyes and should bring a whole new legion of fans to the many worlds contained within Dune

If you want to dive further into the Dune-iverse, do yourself a favor and read the Dune prequel books written by Herbert Jr. and Kevin J. Anderson. Until then, dive into the sands of Arrakis along with Shai-Hulud and scream vengeance to the skies with Paul Muad’dib Atreides in Dune Part Two, in theaters now! 

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