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REQUIEM FOR THE DEAD: AMERICAN SPRING 2014,

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More than 32,000 people die from gun violence every year in America, an average of 88 people per day. REQUIEM FOR THE DEAD: AMERICAN SPRING 2014 highlights a few of the estimated 8,000 individuals who died from gunfire that spring, drawing exclusively on found media – news accounts, police investigations and social media – to shine a light on little-known stories of tragic loss, bringing the victims to life in their own words and images.

Directed by Shari Cookson and Nick Doob (HBO’s Emmy®-winning “The Memory Loss Tapes” and Emmy®-nominated “Paycheck to Paycheck: The Life & Times of Katrina Gilbert”), this timely documentary debuts MONDAY, JUNE 22 (9:00-10:15 p.m. ET/PT), exclusively on HBO.

Other HBO playdates: June 22 (4:35 a.m.), 25 (5:00 p.m.) and 28 (3:45 p.m.), and July 3 (9:00 a.m.), 4 (12:30 p.m.), 9 (12:15 p.m.) and 14 (3:35 a.m.)

HBO2 playdates: June 24 (noon, 8:00 p.m.) and July 7 (12:10 a.m.), 12 (8:30 a.m.) and 31 (8:15 a.m.)

From a Facebook status update to a post on Instagram, from a newspaper headline to on-the-scene video, REQUIEM FOR THE DEAD details victims’ lives in the moments leading up to the shootings and shows how each death reverberates in the lives of others.

Whether by homicide, accident or suicide, a wide cross-section of Americans – men and women, young and old, from every racial background – are victims and perpetrators of gun violence. With images from social media postings, frantic 911 calls, police reports and videos, each story is hauntingly laid out through the unmediated expressions that remain. REQUIEM FOR THE DEAD places the viewer in victims’ and their families’ lives, capturing the shock and grief felt by their loved ones as the survivors are left to make sense of the horrific events.

Among the eight stories from 2014 are:

“Military Wife” – By all appearances, Kyla and Alex Ryng lived a happy life with three young children in Bristol, Conn. But the pair began having marital issues, and Kyla filed for divorce. Alex, a member of the Army National Guard, bought a gun, and shot his wife and himself a few days later while the kids were in their bedrooms.

 

“My Rock Is Gone” – Tiffany Davenport married Melvin Ray in Topeka, Kan. on May 24. But the couple’s joy turned to tragedy in the early hours of the next morning, when she was killed in the crossfire of a gang shootout, leaving her new husband and daughter, Destiny, devastated.

 

“In the Other Room” – Drafted by the Green Bay Packers, Jerel Worthy was always excited when his grandma, Mae Worthy, came to his games. When a gun handled by his grandfather discharged in the bedroom of his grandparents’ Huber Heights, Ohio home, the bullet passed through the wall and into the living room where Mae was sitting, striking her in the head and killing her.

 

“Best Friends” – Lucas and Brady were 11-year-old best friends in Frazeysburg, Ohio, who liked to bike and play video games together. When Brady went into his dad’s bedroom one day to show Lucas a loaded pistol under the bed, it accidentally went off, shooting Lucas in the heart. Brady made a frantic 911 call, but it was too late.

 

“My Most Beautiful Memory” – Eight days before Father’s Day, Renotta Jernigan of Chesterfield, Va. asked her husband, Chris, who had trouble holding a job and was suffering from depression, for a divorce. On Father’s Day, Chris shot and killed her and their two children (ages nine and two) before killing himself.

 

 

Bridging these main stories are dozens of headlines, brief, stark and shocking, coupled with vibrant photos of the people whose deaths are recounted. The film contains imagery for more than a hundred victims of gun violence in spring 2014, which is a small fraction of the 8,000-plus estimated to have died in that three-month period.

“As vérité filmmakers, we seek the authentic voice of our subjects,” explain directors Shari Cookson and Nick Doob. “So in this case, we turned to social media as a way to find that voice. It was a kind of frozen time capsule, where we found our subjects engaged in their everyday lives, often until just before the shooting occurred. This became the heart of the film, the verite.”

In addition to found footage, REQUIEM uses 38 pieces of preexisting music from the internet, each with its own life and intrinsic emotion, which frame the moments collected.

As the stories accumulate, it becomes evident how many of these incidents could have been prevented by proper mental-health treatment, or if guns were absent or stored more securely.

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‘Abigail’: Bite Me Harder Tiny Dancer

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A gang of misfit kidnappers find their tiny target far more bloodthirsty than they bargained for! 

So, unfortunately, the trailers gave it away and let’s be real that’s why most of us are here, the knowledge that the kidnap victim Abigail (Alisha Weir), codenamed by the would-be kidnappers appropriately as ‘tiny dancer’, is in fact, a vampire. Not a spoiler, point of fact, one of the film’s actual great selling points. And the reactions from the misfit club when faced with a real actual f*cking vampire, range hilariously from the blunt “no such thing as vampires” all the way to, “Are we talking True Blood or Twilight rules or what?” all while covered in buckets and buckets of blood. 

Anyway, the gang manages to subdue and abscond with the aforementioned Abigail, in a pre-prepared duffle bag, like you do, and converge to a new location, a house oddly similar to the one she was just taken from. Welcomed and given codenames by a man who introduces himself as Lambert (Giancarlo Esposito), our misfit club is told to simply hold down the fort in this strange old house with the girl chained up in a room and one person to attend her, for twenty-four hours, and they’ll all get paid. 

As inevitable as the tides, the dopey druggie Dean (Angus Cloud) is the first to die, and we’re going to give that death-style points for inspiring terror right off the bat. The very controlling Frank (Dan Stevens, holy crap yes that is the guy from FXs Legion) is also of course the most suspicious – of everyone around him, sure, but also he himself is totes sus. We don’t learn terribly much about the musclebound tank who gets dubbed Peter (Kevin Durand), he’s your pretty typical little-brains-heart-of-gold muscle-for-hire any proper gang needs, right down to the bottle problem. Sammy (Kathryn Newton), well, even for being a purported hacker-type, she has, like, reality issues. Rickles (William Catlett), he’s arguably the most dangerous among them, ex-military and yet somehow here and involved in kidnapping for a few mills. Joey (Melissa Barrera) is our Final Girl, and though she has the inevitable problems in her recent past, she seems more capable of doing the hard thing and still somehow empathizing at the end of the day. Must be her burning desire to get back with her son. 

The fit hits the shan pretty quickly, and Abigail morphs from tiny dancer to tiny monster, though honestly, the way Abigail spoke the entire time in the film, if the ‘nappers had been paying close enough attention, would have been a solid clue. The performance from Alisha Weir as Abigail is incredible, as she literally dances a fine line between comedy, tragedy, and outright monstrosity. With a face full of makeup and the force of a tiny tornado to back it up, Weir brings to mind the great performances of the vampires in 30 Days of Night who saw the practicality in the need to trap their food, but also, play with it a bit first before feasting! Anything else would give away the absolute fun time that is Abigail, so you should go see it, out in theaters now!

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Scrubs Reunion: The Band Gets Back Together

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Fans of the beloved medical comedy series Scrubs were recently treated to a thrilling surprise when John C. McGinley, who portrayed the iconic Dr. Perry Cox, dropped a photo on Twitter hinting at a potential reunion project. The image, showing McGinley alongside his former co-stars, sparked a wave of excitement and speculation among fans who have been longing for more adventures with the beloved Sacred Heart Hospital staff.

While details about the reunion project are still scarce, the mere possibility of seeing the gang back together again has sent waves of nostalgia through fans who fondly remember the show’s original run from 2001 to 2010. Scrubs was not just a sitcom; it was a heartfelt exploration of friendship, love, and the chaotic world of medicine, all wrapped up in a quirky and often hilarious package.

At the heart of the show was the bromance between JD (played by Zach Braff) and Turk (played by Donald Faison), whose antics and deep bond served as the emotional anchor for the series. Their dynamic, along with the sage wisdom (and relentless sarcasm) of Dr. Cox, provided viewers with memorable moments that have stood the test of time.

As we eagerly await more news about the Scrubs reunion project, one thing is for sure: it’s time to dust off those old DVDs, rewatch our favorite episodes, and get ready to welcome back our favorite gang of doctors, nurses, and janitors for what promises to be a memorable reunion.

But Scrubs was more than just its main characters. The supporting cast, including the eccentric Janitor (played by Neil Flynn), the neurotic Elliot (played by Sarah Chalke), and the wise-cracking nurse Carla (played by Judy Reyes), each brought their own unique flavor to the show, creating a rich tapestry of characters that fans grew to love.

While the photo shared by McGinley has fueled speculation about what the reunion project might entail, whether it’s a one-off special, a new season, or something else entirely, one thing is certain: fans are eagerly awaiting any opportunity to dive back into the world of Sacred Heart Hospital.

In an age where reboots and revivals are commonplace, Scrubs stands out as a series that has the potential to recapture the magic that made it a fan favorite in the first place. With its blend of humor, heart, and unforgettable characters, a reunion project has the opportunity to not only satisfy longtime fans but also introduce a new generation to the joys of life at Sacred Heart.

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‘The Hunger Games: The Ballad of Songbirds and Snakes’: Rebellion with a cause

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The story of the rise of Coriolanus Snow, from teenage Capital City pawn to rising Dictator of the Hunger Games! 

Apparently no one out here in post-apocalyptic Panem has heard of irony and so they name their children things like Coriolanus (Tom Blyth), Tigress, and further off in Hunger Games lore, after swamp plants like Katniss. Corio’s father was a legendary general and that is pretty much the only reason young Snow and his meager family of grandmother called Grandma’am (Fionnula Flanagan) and sister Tigress (Hunter Schafer) are tolerated here in the Capital City at all. 

Most of the snotty youngsters at the academy won’t let Snow forget how far his family has fallen, but he’s generally not concerned with them. What is concerning is the strong disapproval of the drugged-up Dean Casca Highbottom (Peter Dinklage) and the creepy attention of Dr. Volumnia Gaul (Viola Davis) as she lurks in the classroom sniffing out talent. The Dean feels very strongly the annual Hunger Games should end, while Gaul is violently adamant that not only do the Games continue, but that they get as much more attention as possible. And young Snow is stuck in the middle, when the yearly prize money normally awarded to the academy student with the best grades gets switched out for, you guessed it, the student that can make this years’ Hunger Games as entertaining as possible. 

Whilst the students are protesting this sudden change, the annual Reaping is about to commence, and big shock and surprise, Corio’s candidate from District 12 Lucy Grey Baird (Rachel Zegler) is chosen as a Tribute. This is where the film begins to really take off on musical wings, for as it turns out, Lucy Grey can sing. Boy, can that gal sing! She can sing, she can play guitar, she can work a crowd, she can calm things down, she can fire ‘em up too! And Corio, being no dummy himself, instantly plots ways to use his Tributes amazing voice to draw attention to her, and admittedly his own, plight! 

Though far too many people sneer at the idea, Corio takes his position as Mentor to his Tribute seriously enough to sneak onto the tram taking the Tributes to their habitat, which turns out to be a completely appropriate moniker, as this year the Tributes are held before the Hunger Games in a large zoo habitat so the weatherman ‘Lucky’ Flickerman (Jason Schwartzman), host of this years games, can MC the hell out of everything up close and personal! 

What happens at this years Hunger Games and the subsequent consequences to both Corio and Lucy Grey is actually only half the story, and the movie. Coriolanus has always had to be opportunistic, but learning to be absolutely ruthless when necessary under the tutelage of Dr. Gaul, who basically thinks it’s always best to be merciless, is an eye-opening education indeed.  Even after they’ve both been consigned to military service and his friend Sejanus Plinth (Josh Andres Rivera) decides to finally rebel, Corio and Sejanus continue to deceive each other and themselves, to accomplish their separate goals. Not even the love Corio swears he feels for Lucy Grey can save him, or them, from the adamant absolute necessity of the Hunger Games continuing. And after all that’s happened, Coriolanus Snow has gotten a terrific education in the best way to be the absolutely ruthless next Hunger Games advocate, and oh yeah, President of Panem. 

The movie does itself no favors by trying to stuff not one but two major storylines and a bunch of side storylines sadly introduced and then ignored, into the film. It would have been entirely possible to turn Ballads of Songbirds and Snakes into two different movies, separated between feathers and scales if you like, and do justice to the major storylines in both. Blyth gives a fine  performance as a young Coriolanus Snow, but the fact that President Snow is played by Donald Sutherland in all three of the Hunger Games films means Blyth has incredibly large shoes to fill. Rachel Zegler as Lucy Grey is absolute fire, and yes the actress did sing the songs in the film herself, including the Hunger Games franchise epic song, ‘The Hanging Tree’. Every time Lucy Grey opens her mouth and sheer soul-searing music comes out, it provides a distinct counterpoint to the soul-crushing ambition of Coriolanus Snow and further demonstrates the District and Caste separation Hunger Games is known for. And if, by the end of the film, Coriolanus Snow has come to agree that the Hunger Games must continue but perhaps under his own auspices, he has no one but himself to blame when another younger but still rebellious female blows it all up in his face! 

Choose rebellion or conformity for yourself in The Hunger Games: The Ballad of Songbirds and Snakes

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